The future danced around half-naked // on the hill. Do you not see? We rejoice / at the verge of sunlight, the voice // of dawn ushering tomorrow.
— Saddiq Dzukogi, from Book One, Bakandamiya
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@a-mutual-killing
The future danced around half-naked // on the hill. Do you not see? We rejoice / at the verge of sunlight, the voice // of dawn ushering tomorrow.
— Saddiq Dzukogi, from Book One, Bakandamiya

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Where you’ve crouched over under the weight of grief, / and refused to climb out— // if you could / compel death to do one thing, and one thing only, // what would it be?
— Saddiq Dzukogi, from Book Three, Bakandamiya
god i need something so bad. but what is it
Walter MacEwen - The Scribe's Office (1891)
Georges Lemmen - Woman with cat (ca. 1900)

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Do you really not belong to me, dear body?
— Moshtari Hilal, from "Dying Prayer," Ugliness, tr. Elisabeth Lauffer
And how horribly easy it is to be hurt. I am being hurt all day, & hurt by the tiniest & most subtle things. So on goes the everyday armour, and the self, even the wounded self, is hidden from so many.
Dylan Thomas, The Love Letters of Dylan Thomas; Pamela Hansford Johnson, March 1934
“I go on loving you like water but / there is a terrible breath in the way all of this”
— John Ashbery, in “The Tennis Court Oath” from The Tennis Court Oath
Grab somebody sexy tell them Help
me, regardless of what i’m doing: i’d rather die

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In The Garden Christiana Castillo
Victoria Chang, from “Night Sea, 1963”, With My Back to the World
Otto Dix - The Pregnant Woman (1931)
sorry boss can't come in today i was on my way to work and then a gentle spring breeze kissed my cheek and reminded me it is a serious thing just to be alive on this fresh morning in this broken world
Yoo Mi Seon (South Korean, b. 1959, Inside, 2026
Silver leaf, colored metal leaf and stone powder on Korean paper, 80 × 80 cm

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Fortesa Latifi, from The Truth About Grief.
Duck Heaven, c.1885 by Willem Maris (Dutch, 1844–1910)