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if i look back, i am lost

ellievsbear
macklin celebrini has autism
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Jar Jar Binks Fan Club
EXPECTATIONS
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YOU ARE THE REASON
Jules of Nature
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Product Placement
he wasn't even looking at me and he found me
Not today Justin

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2025 on Tumblr: Trends That Defined the Year
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nonverbal starters prompts featuring nonverbal scenarios.
guide take them by the hand, arm, or shoulder to guide them.
shelter protect them.
shove push them.
loop drape an arm around their shoulders.
touch a gentle touch like rubbing their back, hugging them, holding their hand.Â
kiss a kiss on the cheek, knuckles, forehead, in their hair.
palm smack them upside the head.
bed rest gently push them back down when they try getting out of bed.
aid help them with a task.
note pass a note to them.
cry wipe away their tears.
wash wipe something off their forehead, cheek, so on.
bandage patch them up when they get hurt.
heal take care of them when they get sick.
book silently read a story with them.Â
carry pick them up.Â
scrap punch them.
cherry find blood on them.
sit help them sit down. Â
medical wake up in the hospital and find them holding their hand.
steer place a hand under their chin to make them look up.Â
beat dance with them.
stare stare them down.Â
off track get lost with them.
no shaking their head in disagreement.Â
yes nodding their head in agreement.
rush tackle them to the ground.
open hold the door open for them.
for the flower child :Â LISTEN HERE .
kizuâs aesthetics...... my shit right there

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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GOD CREATED MANKIND IN HIS OWN IMAGE. â but what does god look like? who knows. maybe they look like seven. and what does seven look like? who knows.  CYBORG ORIGINAL.
endless gifs of empress fu shou (secret of the three kingdoms)
6135sâ ?? 4017023
   â MODEL PART. â  death is a concept for a being like me. there is no extinct in my reality, only evolution. â god is dead. â, would be an inside joke because god, i, will never die. as long as there are faces, i will be there, i will exist. the skin of another will be mine, nothing will be left for them and everything will be given to me. god is violent, god is selfish, god is me?  â it would be a shame assailant ruined their faces. â   imagine what i can do with the faces. they were beautiful creatures that, if merged, can be transcendence. i could still work with it, the dead, but what fun would i get? what would i do with dead faces? horror? i can do that without all that, just me.
   â  death shouldnât be sad. â  i think? the fuck should i know.  â theyâre destined to die, one way or another. you get me? â
crossbow with arrows for teeth. [BLACK SCREEN] torn limbs, laughing. [BLACK SCREEN] oil pours on the white of skulls like kisses while piano croons sensually. [RED SCREEN] [RUNNING TEXT]Â Â
          JUSTIFIED MURDER :D Â
â morbid. sensible. â hands swing around, clasp behind back. the child's stance is careful, heart unbeating. â surprising. thatâs not what most people think. â to compliment an encouraging curve of lips, fingers make fists, then unmake -- they are merchandise of attachment, instrument of violence. it can imagine the scene unfold, a dripping rose in heavy rain: the maniacal grin of weapons, the firm but loving preparatory grip, the melodic slide of skin off of bones. ( they groan, unbearably, underneath the childâs feet. one day they will enter the child through the feet, then make a home in the lungs. one who lives death will breathe it. )
â and faces are valuable-- â leaning forward, friendly, interested. â but i think yours is already satisfactory to you. â
for the flower child :Â LISTEN HERE .

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delirous ?? 9043
  STUPID , STUPID GIRL.  stupid little girl who has grown back her blonde hair and lost her rebellion.  the scissors cut at the ends as if asking for another change , but look at it through the reflection of the shears.  has anything really changed ?  you still cry in the night and wake up to no one there to comfort your temples.  the walls are still closing in and they still laugh at you for not taking any immediately move.  youâre a chess piece glued to the board.
  but she can look past the laughter and ridicule this one moment.  flesh is all you can see of me.  that has solidified something for her just one breath.  in a second a stoic glance drops temporarily from her face to show something of familiarity.  the gentleness that once was the woman.   â   s - say that again.   â  the last question seems to have flown right over her head.  slowly she leans forward looking closer.  is this flesh ?
the suddenness assaults in punching bursts. lips part, wonder. stitched under skin is child -- souls of nine; roots -- souls of rot; and the rest is bitter ashes filtered through and becomes bloods bones lungs hearts. it remains where it is, the ashes remains where they are. motherly, descending from between the brows. it blinks, motherly, sees no more gentle hands prying this body apart, motherly, yours / i own you. dusts birth stillness, clinging to the eyelashes.
childâs hands touch womanâs hands. should be motherâs, a thousand times more, but this will do. yes, you are good at playing pretend. it leads that alienating warmth to meet its apple cheeks and stays still, eyes straight, eyes brave. eyes blank. the body is a canvas of war and human, as they always do, color it with indulgence. the child was born unseeing, grows up allseeing, and will die unseen. smiles. it is almost too easy to hide behind the gentle shift of bones.
6135sâ ?? 4017023
   â  TWO DEAD, â  i find it funny, the news it is. not death, though if iâm being honest, sometimes itâs my favorite entertainment. moving on, where was i? right, the news. i am all knowing, yet i am left baffled. over what? ignorance. they report about death, what about it? circle of life, humans live, humans die, repeat. they are afraid, foolish. death isnât what they should be afraid of. like me? perhaps. look at my hands, i soaked them in blood, theirs, never mine. i donât bleed, i make them bleed.  â  boy and girl, right where we stand. â  i smell it, their blood. magnet inviting iron, here i stand. i want it. what is?
   â  i heard theyâre models. â  their faces.
past the fingertips is ruins: all shapes and forms -- or the shadow of, foaming at the mouth. it dares a smile.  â are you here for the dead part or the model part? â  a house of teeth breathes into air and the atmosphere erupts, sizzles. in the throat of a creature sits a tide of sweetness that slowly frosts, ready to crack under the caress of a sharpened knife. tarnishment will sting. it surveys the immaculate aftermath, mouth closed, interest crushed like cotton candy of a melting evening. corpses float ungracefully, and it bites, and it tastes. a face without a face ( death without presence of death ) is gulping them all in and here it goes, willing.Â
â ---itâs sad, â itâs not,  â deaths always bring such heaviness. â

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Eyes of shadow water, eyes of well water, eyes of dream water.
Octavio Paz, from Nocturnal Water (tr. by Eliot Weinberger). (via megairea)
writing with penny is just all my characters trying to give hers a headache