we're conjoined.

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate 

I love bad representation. i love evil lesbians. toxic predatory possessive relationships are hot. I love when women fight into a bloody pulp and then make out. I love gay monsters and villains and erotic vampire lesbians. I love when no one grows or learns as a character because they love being rotten psychopaths

i made another horrible quiz, come get assigned a niche lgbtq aesthetic such as “strapping young transmasc farmhand” or “morose bisexual sailor”

How many of these movies have you seen that people said “you haven’t seen [blank] yet??” to me about

whatever’s in megan thee stallion that makes the bis n the lesbians go crazy ... give her some more