Bucky and Tony in Comics

Bullet Points #1

We open on the first issue, only for a second wonder why the cover art looks like Steve is wearing a dress, and get a little crash course in why it’s called ‘Bullet Points.’ As in, no, it’s not a listicle, but What If history took a bullet (to the titty) and everything went straight off the rails.

So plot. There’s some. Actually, no, there is a lot.

The run properly kicks off with Erskine (the science daddy who was supposed to juice up Steve’s gluten-free skeleton) catching a bullet before he can drop that magical super-serum, so Steve never gets those thick-cut ham hocks for pecs we all thirst after. And look, sure, Steve has other redeeming qualities, but I’m shallow as a puddle, so yeah, I miss those man tits. Moving on.

Even though our favorite frail stick-figure isn’t getting juiced, Uncle Sam is still desperate to throw this man into the meat grinder, so he gets drafted into Project Iron Man. And instead of Tony getting an accidental hole in his chest, Steve agrees to acquire a hole in his chest on purpose and gets to undergo enough body horror surgery to give me nightmares, all because he wants to serve his country or something.

Anyhow, he’s Iron Man. In the 40s. Whoop. Big slay. Except, instead of snarky billionaire energy, Steve’s out here doing heroics and then immediately barfing up everything but his soul while no one's looking. Don’t love that for him, the whole thing seems to be brutal AF on his body, but credit where it’s due: he still saves Bucky, even though he doesn’t know who he is (awww Bucky), does a bit here, a bit there, looks both clunky and terrifyingly efficient in the armor, and Nazis back down.

After that happens, some time in the future, tiny, cute, adorable, another love of my life Peter Parker decides to rebel by hotwiring cars and ditching class, because Uncle Ben didn’t survive this timeline either (seriously, can’t this man catch a fucking break? One timeline, just ONE, where Uncle Ben lives. No? Didn’t think so. If there’s one, let me know.)

Peter and his buddies go for a joyride, get lost, and naturally, our boy asks for directions from a literal cardboard cutout (genius behavior) mid-gamma bomb test, because this is comic books and why should Steve be the only one trying out some other super cape? Excellent, let’s go.

Bullet Points #2

So… issue two. Both incredible and devastating because Peter’s not having a good time, Aunt May is not having a good time, and if you’re here looking for wholesome vibes where everything is okay, just log off now.

At the beginning of this issue, Peter wakes up in the hospital after his gamma exposure. Allegedly “fine”. May does her best Soft Grandma routine, but Peter’s angsting, May’s angsting, and, on unrelated note, I’m angsting because Bucky still hasn’t married Tony in any universe bar fanfic, which is homophobic.

As soon as Peter is out of the hospital, his ‘friends’ decide to bully the shit out of him—call him a loser, kick him in the shin, and just generally be the worst. Which is enough to finally snap something inside this sad boy heart, predictably turning him into Peter-Hulk, which we didn’t see coming at all, lol. It’s, for real, hella sad, since his sentiment is not even a cute “Hulk smash!” catchphrase, but very gutting “leave me the fuck alone!”

Peter does his meltdown, running from the cops while Aunt May sees her nephew, faints dramatically, and the entire city tries to shoot him in the face. He eventually calms down, smashes some property and goes back to being the most traumatized eye candy in New York, presumably at least somewhat dressed, ‘cause god forbid we see an ass.

To follow some other plot that will become relevant, Steve ran out of Bucky to pine over this issue, and drops by to give Reed Richards some high-key supportive non-himbo hugs. Steve’s like, “Bro, stop tuning up my super cool armor and go touch the stars” because even in a timeline where nothing makes sense, Steve is a cheerleader for science nerds and encourages folks to live their best superhero life.

Don’t get me started on how if Steve is not loitering around Tony he’s sure to loiter around another too-smart guy, to Bucky’s general dismay and heartbreak. (Not that Bucky isn’t smart. Bucky is the best. I’ll fight you.) Steve also, sorta, retires, and has been doing the Iron Man gig for too long. We believe he will retire and not show up to punch some things as soon as the next issue happens, yes?

Bullet Points #3

This issue is packed, although they are all packed, given the size of the run.

Reed and Sue, along with Ben and Johnny, are so ready to be famous, and are moving on with their plans to go to space and become influencers before it’s cool. 

Steve and General Ross are in the war room, staring down the barrel of the Peter Parker Problem and decide that Steve needs to hop out of retirement after two generations of being Iron Man (idk when that happened, I sorta assumed it was all taking place in the forties, but guess not.)

Regardless, while the Fab Four are launching into space, Peter sneaks into the hospital for one last sad chat with Aunt May. She immediately tells him it’s a setup, but it’s too late, because Steve walks in ready to do some punching.

It does go horribly badly. The punching, I mean. Steve gets very, and I mean very, beat up by Peter-Hulk. There is a not a remote possibility while Reed’s rocket is busy exploding, killing Sue, Ben, Johnny and plucking out his left eye, that Steve also gets super deceased. 

So, a bunch of folks die in this one, Steve gets a funeral so decorated you’d think they were sending him to Valhalla, while Reed has a chat with a S.H.I.E.L.D. agent who slides in with the “hey bud, wanna disappear and become a scary genius in a government basement?” pitch. He wants to, of course, he’s all alone and kinda looks like Fury now, and that’s just how these things work. 

The issue ends with Peter, my precious still radioactive murder baby, hiding in a cave. 

P.S. I don’t know what the fuck they were thinking with all this angst, because it hits way harder than Deadpool killing Marvel Universe for the millionth time. 

Bullet Points #4

Okay, so. If you, somehow, are still confused about the premise after three issues, here’s your speedrun: one random-ass bullet hits the wrong scientist and the Marvel Universe that’s taking a break from being killed by Deadpool (how many of these runs will I buy in the future? Really? Liars when they tell me one last time) proceeds to eat itself. The idea is that one shot that kills a man 24 hours too early turns the world into a giant clusterfuck. Got it? Cool. I got it too, didn’t take me that long to figure out, but well, the comic is still here, chewing it up and spitting it out into your mouth in case you are stupid and didn’t notice all these ripples in history.

And, okay, sure, not everything is different: Daredevil’s still doing parkour in pajamas, the X-Men are out there being X-Men, but everywhere else, some folks are in fact rippling like they are on a bad acid trip.

Since the lack of one eye is what makes the man Director, Reed is now the head bitch in charge at S.H.I.E.L.D. He recruits familiar faces left and right and even turns Dr. Strange into a budget Wolverine (I guess the beard was foreshadowing?), while Peter is just sad vibing across the world with zero serotonin and nobody to hold his hand or squeeze his buttcheek. I can’t even. The hate editorial has for my guy makes no sense.

And because I was busy wallowing in my Peter-induced misery, I almost missed some primo winteriron bait. Now, Steve is officially dead-dead (comic book rules, so like, 80% chance he’s back next week, but whatever), meaning the Iron Man program is short one twinkly-eyed operator. Which brings us to Tony, who makes his first appearance in this run to grovel at Reed’s feet for a shot at the suit. Reed’s response is both disappointing and not: “Sorry, Tony, your heart is dogshit and I have another beefcake in mind.”

Disappointing, since I guess Tony wouldn’t have a dogshit heart if there wasn’t already a convenient hole in his chest (logic), but not, because the beefcake in mind is Colonel motherfucking Bucky. And this man is looking way too good for someone the run is claiming is “up there in years”. The art has him serving it, and this is where we get both Tony and him in the same panel. Reed’s also talking Bucky up: ‘peak health’ and ‘incredible stamina’, which means that Tony’s recalculating his sexuality in real time, whatever it is in this timeline, and thinking about how even older Bucky can go multiple times a night. Winteriron nation, RISE. (I’ll stop :D) But, in all seriousness, Bucky does open up with: “My friends call me Bucky” as soon as he sees Tony.

The cover also totally lied and teased us with a very lean and lanky Spider-Man with a bubble butt (I was hoping for Tony), but with Peter still on his emo road trip and having stolen Bruce’s green mode from him, Bruce is the one who gets bitten and goes full Spider-Man, receiving some abs and, ofc, a bubble butt. Ahhh, comics are, indeed, a land of wonders.

At this point, I was starting to fear the rest of the run would be nothing but playing Origin Story Musical Chairs with the same five or so dudes, but just as I was about to check out and power through it, Galactus and the Silver Surfer show up with “sup” and no Fantastic Four to stop them on the account of someone exploding that rocket on the way to the spaceship or something. Finally, some drama.

Bullet Points #5

Man, this was good. SO. SO! Okay, if you’ve consumed even a teaspoon of Marvel canon through cultural osmosis, or accidentally sat through a bunch of Fantastic Four movies, you know Galactus rolls up to planets like they’re all-you-can-eat buffets and the Silver Surfer is his indentured shiny Uber Eats driver, but like, with cosmic Stockholm syndrome.

If Sue Storm was still alive, Silver Surfer would’ve probably put Galactus in time-out and told him to go snack on Saturn instead after taking a look at her pretty face, and this run wouldn’t have a bad guy to deal with. But Sue's dead, pretty people are in short supply, and the only folks left suited for the job are missing, so the intergalactic eating contest is officially ON.

Because the situation is dire, Reed rage-posts a global “HELP WANTED: HEROES, VILLAINS, ASSORTED BASTARDS—APPLY IN PERSON, NYC, BEFORE WE ALL DIE LIKE STEVE DID.” Everyone shows up to defend the planet, from C-list bad guys to “wait, aren’t you dead?” extras. All, naturally, also get their asses handed to them.

Notably, Tony uses this opportunity to grab Steve’s Iron Man suit, because this man will literally fight God, fate, or Galactus for five extra minutes of screen time. Respect.

Things are looking extra-extra dire when the only character with main character energy left, Peter ‘please, just let me rest’ Parker, finally stops avoiding humanity long enough to pull up and emotionally bulldoze Silver Surfer—not with his face (which is, let’s be honest, fucked up at this point) but with his painfully earnest, cuddly puppy-dog vibes. It’s so wholesome it actually makes me want to commit violence, but this is what we expect from Peter Parker (bravery and soul, k?), so. At the end, Galactus is told to fuck off, and the Earth is saved. Peter, sadly, dies, for all that drama, and in a choice so wild it loops around to being iconic, they bury him next to Steve. I have no idea why, but the visual of Peter Parker snuggled up next to Iron Man in death is the kind of weird fanfic energy that keeps the Marvel fandom alive.

You clicked! I am so sorry for how long this is. Force-quit the app to escape it at any stage. The images are after each plot arc and I am in love with the endless scroll Tumblr does to accommodate so much visual content. So, the way I look at it, for me it really begins around the Invincible Iron Man: Extremis time, when they kicked off the The Invincible Iron Man (2004–2007) series, so lets get that shit out of the way. Not that it’s shit, but Tony’s definitely not having a good time. (And no, it’s not because Bucky killed his parents—didn’t happen in the comics—nor because he suspected his bestie Steve was about to start a rival gang just to flex at an airport for 4.5 seconds and call it a “war”.) Anyway, the point is: MCU canon ≠ 616 canon. The Marvel 616 comicverse is the gift that keeps on giving to the MCU, which picks and chooses what it likes (the rant is over in 3, 2, 1... since I adore MCU.) So, before Tony ever crosses paths with his (hypothetical, not actually canon there either) man-love Bucky in comic books I've mentioned above, here’s what’s happening with him. Extremis: #1-6 When this starts off, Tony has been out there in the comicverse pretending to be the boss of Iron Man for ages—like, “Oh yeah, I totally just fund this guy/bodyguard and lend him to S.H.I.E.L.D. and Avengers occasionally”. Incidentally, he was actually stuck wearing the Iron Man chest plate to stay alive for a while before that, and has complex relationship with his suit and with his ability to look at himself in the mirror. He is working himself half-dead in his garage to the background of folks hating on Stark for military contracts that he uses to fund other projects. It’s an awesome 6 comic books arc, but the gist is that a shady biohacker named Maya Hansen (Tony’s ex, because of course she is) and her equally shady colleague Aldrich Killian (yes, that guy, but way less Mandarin cosplay this time and he does peace out very quickly) cook up Extremis—a next-gen super-soldier serum for US government, yup. Maya wants to cure cancer or something, but lacks money (hence working for the military for now), the government stops paying for her program and she decides to hit Tony up, lies her ass off, and sets someone on him for show to demonstrate to the powers that be that her biotech is just this good and can take down the most advanced armor in the world (aka, Tony's shit.) Tony gets his ass absolutely handed to him by a poster child for domestic terrorism juiced up on Extremis, since Maya's shit is the bomb. His suit has been getting more and more clunky as he makes it more powerful, he can't react in it fast enough, gets very squashed under a car, breaks himself a lot, has a mid-life crisis, and decides, “Screw it, let’s put that nightmare fuel in me instead so I can chat to my tin can better and really lean into the whole Iron Man thing. Fixing all these bones I am just after breaking and a ton of internal damage wouldn't hurt either.” Maya's down to help, since Tony might've been a good fuck, and she fancies herself to be a good person, so Tony makes some modifications to how Extremis works and it... works. Fixes him right up with the promise of growing new organs should they need to be grown, makes him faster, stronger, able to mentally pilot the suit with a thought, effortlessly connect to tech using his mind and even form his under suit (flight suit) over his body and … officially way too powerful for his own good.

Execute Program: #1-6 Or, as I like to call it, “That one time Tony’s own tech betrayed him and he went, ‘Okay, maybe we do need some rules.’” This starts fresh off Tony’s Extremis glow-up, and he’s doing what he does best: building way too many suits (sooo many kickass suits called argonauts), fighting bad guys, and making Fury and the Avengers increasingly suspicious because he keeps being late to shit. (Sorry, guys, he’s busy being a futurist, obviously, and frankly, he’s kicking almost too much ass.) To be fair, their paranoia is kinda justified, since Tony’s brain is getting hacked by Yinsen’s son (huge angsty point for Tony for not saving him), who is hijacking his entire nervous system using the tech Yinsen originally implanted into Tony for the Taliban—right before waking him up and going, “Hi, you owe me your life.” So, the basic plot of Execute Program is that Tony starts assassinating some high-profile assholes responsible for Yinsen’s death—all without knowing it. For a while he's convinced it's not him and makes a big deal about it with Fury but eventually even he can't deny it, at which point Tony hits existential crisis #872, is very unhappy about being mind-fucked, and ‘paroles’ Maya out of jail by blowing a hole in a wall to see if his former gal-love will help him deal with it. At the end of this arc he manages to break free of the programming and survive, but his suits do a fuck ton of damage in the process, and he's now officially realizing that he’s become a walking, government-grade security risk—just because of how awesome he is. To quote him: “Every superhero is a potential gun (whether they act on their own or not), and last time I checked, guns require registration.” Now, this whole arc is meant to explain why Tony is firmly on the pro-registration side when Civil War rolls into town. It's a stretch, but some other shit leads up to Civil War and the 'need' for registration, but this is sorta where he's mind is at, and this is where we leave him for now before Civil War kicks into gear. P.S. Some multi-ship snacks from 'Execute Program', because 616 contains multitudes: Spidershield: Spider-Man (Avenger-adjacent, menace-certified) casually calls Cap cute during a mission while hovering over him within kissing distance. Starker / IronDad: during the same mission, Tony loses his absolute shit when Peter gets hurt and goes feral. Stony: Look, 616 is basically the Tony & Steve Show—but if you need specifics, there’s always that time at the end of this arc when Tony dramatically knocks himself out by shocking his own heart (thinking it would kill him) to stop Cap from getting obliterated by his own rogue suits. Because, you know. Normal super hero behavior.

Alright, so we’re leaving Tony where he is—on the pro-registration side, deep in his own moral and existential mess (I’ll unpack what the story is with registration more later, in the next part, because hoo boy). But now, let’s talk about Bucky. Because, wow, a lot is going on with Bucky around this time, though it's completely unnecessary to know exactly when this happens, since comic books tend to constantly contradict each other and forget some canon-points exist (on this note, Tony is actually hella tall in comic books, and he's mostly drawn with blue eyes, although sometimes it's brown eyes due to the coloring and Bucky's mostly drawn with very dark eyes, and the blue eyes is really more of a Sebastian Stan thing, for which he love him for. On another unrelated note, Dum Dum Dugan is alive and kicking and working with S.H.I.E.L.D, but it's neither here or there. I digress.) At this stage, Bucky and Tony haven’t officially ‘met’ yet, but Tony is vaguely aware of his existence, mostly as Steve's long-dead-but-actually-not-dead ex-partner/sidekick who has been doing Very Concerning Things in the shadows. And, to be fair, the dude has been busy too. So yeah, while Tony is spiraling about accountability and unchecked power, Bucky's been out there being the literal embodiment of both, working against his will for some VERY bad guys. Since Bucky is all about Steve and his storyline, he initially pop-ups in the Captain America (2004–2011), so let's talk about Steve and his feelings for a bit. Steve... has a lot of feelings by the way, so for all of your Stucky shippers, this is the comic book to read.

Captain America: Out of Time #1-6 Aka “Steve has a lot of feelings™ while occasionally punching things and still finds time for his complicated love life.” So, Out of Time starts off with Steve being… well, Steve. Which means brooding way too hard about war, his place in the world (as Captain America—again—it’s more of a title and a suit in comics, kinda, though he is the OG), and whether punching Nazis in the ’40s was somehow easier than dealing with modern geopolitics. He’s having flashbacks galore—about Bucky, WWII, and the several times he’s watched people he loves die (if you take a shot every time he stares sadly into the distance and remembers shit, you’ll be wasted by page 4). At the beginning of this run, he’s mostly juggling personal life + professional trauma, spending quality time with his ex (*Nick Fury, who he technically broke up with in the ’90s, but we don’t talk about it—Marvel also wishes those issues didn’t exist. Looking at you, Fury #1-4 (1994) and his actual ex-but-still-kind-of-current love interest, Sharon Carter (S.H.I.E.L.D. Agent 13, absolute badass, we love her). Meanwhile, in the Villain Corner, Bucky is currently in deep-freeze, and Red Skull is trying to buy him (for evil purposes, obviously). But Winter Soldier is way too useful to his current owner, who calls him an ‘item’ (it’s all very gutting and transactional), and Red Skull isn’t willing to part with the Cosmic Cube (important-for-plot-reasons, reality-warping bullshit in a box)—not even for the privilege of having a brainwashed supersoldier on his payroll. Which turns out to be a bad call for Red Skull, because Bucky gets defrosted anyway and immediately blows his brains out (Winter Soldier: 1, Red Skull: 0), since his current owner wants the Cosmic Cube, and Bucky is an incredibly efficient, very sexy, and deeply tragic murder machine who follows orders. [Unlike his silent MCU counterpart, 616 Winter Soldier is chatty (ish). He’s brainwashed, yeah, but he talks, makes decisions, occasionally argues over tactics, but you can tell there’s a mind-fuckery hellscape happening behind the scenes. But he is also aware, somewhat, which is the point. Sure, he’s traumatized as hell, but in a very “this is my job, and I do it” way. He has conversations, meaning that once they fix him later, it’s less about split personality and more about remembering who he was. (Which, you know, brings a whole new level of pain to this. Yummy, yummy angst.) Quick sidenote: Bucky is younger than Steve in the comics (an army brat/orphan), and he was basically groomed (yup…) into being Cap’s teenage sidekick—gun, mask, and all—at 16.] So, all of this is happening, with Bucky out and about causing trouble, while Steve is busy having a ton of dreams about him (not the sexy kind, unfortunately—more blood and gore), which turn out to be foreshadowing (shock). Long story short, Bucky kidnaps Sharon (not for relationshippy reasons, let’s be clear), and at the moment Steve gets Sharon back and Bucky seriously considers gunning him down, it finally clicks for Steve—Bucky is alive. Steve makes a face (there you are, the real love of my life—awwww ignore me), Bucky still considers gunning him down, but the confrontation doesn’t actually happen since it’s all about the feels at this stage and the mission to save Bucky.

Captain America: Winter Soldier #1-6 In which Steve goes on a manic quest to find his buddy, Tony is devastated about capitalism, and Bucky has an identity crisis before running off to be broody and sexy somewhere else. This arc is packed. Like, really packed. Coming off the world-shattering realization that Bucky (war buddy, partner-in-justice and emotional crutch)—is alive and well (ish), Steve is a bit shook. He did actually call him “Bucky?” during that initial meet, to which Bucky, of course, replied with the iconic “Who the hell is Bucky?”—delivering both an emotional orgasm for any Stucky shippers and an immediate MCU meme template. And yet—this is the best part for me, lol—despite literally calling him Bucky, Steve proceeds to not actually believe it after it happens. Fury has to wave stacks of receipts in his face for ages (“Here’s a ton of proof that your bestie has been a brainwashed, undying assassin for decades.”) before Steve finally believes, rejoices, gets upset and very conflicted, but then goes absolutely bananas trying to find him. And because Fury is nothing if not dramatic, Steve gets a whole-ass file on Winter Soldier lore conveniently dropped at his place—and let me tell you, this thing is THICK. Pages upon pages of experiments, war crimes, and Bucky being terrifying as the Winter Soldier. It’s delicious, I want it on my wall. At this stage we have the first official Tony & Bucky intersection. Steve and Sam (still called Falcon, professional bird enthusiast, talks to them and everything) need help tracking down the Cosmic Cube, which Bucky currently has. And Tony is an absolute legend who helps them do it. Despite actively running a multi-billion dollar empire, Tony stops everything to help them track down Bucky and the Cube. But—massive conflict of interest incoming—the location they need to attack is a bit of a problem (understatement) because Tony’s company is in trouble if he goes with them. So Tony, looking like he wants to die inside (he really does, see the images), provides Steve and Sam with his jet and all the resources they need but ultimately can’t go. And you can tell he’s real cut up about it. You can. I can. Everyone can. Though at this stage he obviously doesn't know Bucky, but... it's all in the details. Anyhow, because Iron Man team-up isn’t happening for this specific epic quest to save Bucky, Steve and Sam go in alone (Sharon with S.H.I.E.L.D. at their heels and all), find Bucky, and then it’s ON. And when I say on, I mean full-blown, action-packed, ridiculously cool fight scene with Steve throwing hands and heartfelt speeches, and Bucky countering with kicks and emotional repression. Steve desperately tries to break through to Bucky, reminding him who he is, but Bucky is having none of it. (He’s definitely feeling something, though, because he’s looking a little too emotional.) [Here’s the thing: Bucky has surfaced before? The people controlling him even kept records saying not to send him on long-term missions too close to home, because when they did he tried to escape. The memories are still there, buried deep under decades of trauma, brainwashing, and whatever the hell Russian winter does to a man.]

They fight. Fight some more. And Steve pulls the ultimate “If you don’t remember me, kill me” move. At which point Bucky absolutely tries. (And I love myself a consistent man.) During the fight, however, Steve gets his manly hands on the Cosmic Cube, which, being the overpowered reality-warping bullshit box that it is, does what it was written into the comic book to do in the first place: it restores Bucky’s memories. WHOOP. Except… Bucky remembers EVERYTHING. And, uh, that’s a lot. And seems very traumatic and painful. An absolute mental overload, horror, and a whole lot of “I should be dead” vibes. Steve is hopeful, trying to reassure him, but Bucky is noping the fuck out. He's not doing well, immediately spirals into guilt, and decides the best course of action is to disappear. Which he does by fucking off to brood alone. Far away. In a sexy, tortured assassin way. My favorite six issues of Captain America pre-Civil War, hands down. There was some other shit in between Out of Time and Winter Soldier, some bad guy plays and all, some stuff about mutant registration, but I’ll get to that a bit later, in Part 2, as a general thing about what started the Civil War.

Captain America: Twenty-First Century Blitz #1-4 God, where do I even start with this one? Well, I suppose with the important shit. And what’s important is that Bucky is in the wind (sorta), but he and Steve meet up in London and spend a lot of time yelling at each other in terror, there’s a blimp involved, and also, we’re still technically on the WinterIron timeline, I swear. This arc is not my favorite. It’s not bad, but, as mentioned, it’s mostly just Steve and Bucky screaming at each other. (Which, if you ship them, is yummy. If you don’t, it’s a lot of yelling.) Bucky’s former 'owner', the one who sent him to kill Red Skull and get the Cosmic Cube is a bad dude called General Lukin. This guy is still around, and he is now fighting for control inside his own head with… Red Skull. Yes. Red Skull is not fully dead and is mind-fucking him. (Which is very ironic, if you’re into that kind of irony.) And because no villainous plot is complete without an evil megacorporation, Lukin is also deeply tied to Kronos—which just so happens to be the same shady-ass corporation Tony is having problems with on his end (and also the reason he couldn’t go and help out Steve with Bucky). So, Steve is after Lukin. Bucky is after Lukin. Everyone is after Lukin. Tony is… somewhere, likely wishing he was after Lukin. Oh yeah, and there’s a blimp. For reasons best left to comic book logic, Lukin has a blimp. And he has a bad, evil plan, because, well, comic books are full of those and it’s a Captain America story, so it needs at least one Nazi-adjacent asshole pulling some overcomplicated bullshit per issue. Honestly, this whole arc is barely worth mentioning. They win, obviously. The bad plan is foiled, and the blimp does not succeed at being evil. But Bucky gets his arm blown off, so that’s kind of an exciting bit if you want to draw parallels between this and the MCU. The art is nice too. And because this is a Winter Soldier story (as much as it is a Captain America story—oh, just wait!) and consistency is key, Bucky, being a bit of a loner, fucks off immediately after their glorious team-up. But—a bit of a loner is not entirely a loner. Bucky has actually been working with Fury in secret since getting his memories back (surprise!) and is expecting a shiny new arm for his troubles. (So this is probably where all the “S.H.I.E.L.D. working on Bucky’s arm” fics come from, but I’m just guessing here.) Steve doesn't know this is the case and is still angsty AF over the fact that Bucky keeps bailing before they can cry and talk about their deep emotional bond. I have no idea what Sharon thinks about this, but she is a grown-up badass with a flying car (think red Lola from Agents of the S.H.I.E.L.D TV show), and she seems more sympathetic than jealous.

The end of these three arcs is where Bucky and Steve are just before Civil War kicks off, while—just to remind you all—Tony is off having his big “I am pro-registration” revelations and generally making decisions that will ruin his social life for the foreseeable future. Now, if anyone knows for sure where London happens in relation to Execute Program—before? After? In a quantum state of both?—don’t tell me. I don’t care. The timeline is a chaotic mess on the best day, and that’s before you factor in the fact that there are approximately five million other comic book series running at the same time, with characters popping in and out of different issues. Spider-Man has his own stuff going on, Fantastic Four is around, Avengers are a thing, Wolverine is doing his thing too, and it would be crazy to rope all of this in here. Besides, I bet it makes way more sense to people who were reading these comics as they dropped and kept up with literally everything. For the rest of us, losers, if you REALLY want to know all the tie-ins from different superheroes and whatnot, there’s a five-hour YouTube deep dive for that. I feel asleep around hour three and blacked out most of it, even though it's good, so go forth and suffer accordingly, if you wish to know about comic books pre and during Civil War.

Okay, but why are we talking about Civil War in comic books If there’s fuck-all winteriron in it? Great question. And the answer is: because it matters. And, yes, at this stage you either had to close Tumblr to get rid of my post (I know it's long) or are into it anyway, so... Look, I know what you’re thinking—no interaction at all yet. And that’s fair. Comic book Civil War is not at all the MCU Civil War, which was essentially a Steve/Tony drama bomb with Bucky stuck in the middle like a stressed-out single child, unless you count Peter (shoutout to winterspider) and Wanda, sorta. But: the state of the Steve/Tony relationship in 616 Civil War is a direct precursor to how Bucky and Tony actually interact when they finally do meet in 616. Their first real meeting, and everything that happens after it, is soaked in the aftermath of Civil War—not just in terms of plot, but in how they act around each other (which is fascinating, by the way, but we’ll get there). To run a bit ahead here, just to keep you interested, by the time Bucky and Tony actually share a scene in comic books in this timeline, Tony has already:

Had his entire relationship with Steve imploded in the most public way possible.

Spent months (years?) being the face of an extremely controversial movement.

Lost a lot of friends, made a lot of enemies, and had his personal values challenged to hell and back.

Been through an identity crisis about a thousand times.

Had to experience Spider-Man asking him WHAT THE FUCK, TONY? (maybe not in these words exactly)

All while Bucky has been:

On the run from Steve.

Alone.

Having a Very Bad Time.