William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982
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William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982

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Cesare Leonardi
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“Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York
“ I am honoured, humbled and delighted to receive the Mario Pani Award here in Mexico City. I would like to first thank to Dr. Sonia Barnetche, for presenting me with the prize and Dr. Bernardo Gómez-Pimienta, Director of the School of Architecture at Anáhuac University.
There are many people who contribute to my work and who I want to thank: the engineer Patrick Gartmann, with whom I have developed a holistic constructive awareness; the dedicated employees in my office who translate my work into reality; the teaching assistants at the Academy of Architecture in Mendrisio who water the experimental ground, from which many ideas arise; the architectural theoretician Markus Breitschmid, with whom I have developed a life position that in the coming weeks will be published as a book with the title "Non-Referential Architecture"; the publisher Dino Simonett, who houses my work within the most beautiful books in the world; and last but certainly not least, this prize also goes to my wife Tamara, an architect as well, for being the person who I can dream with and imagine new possibilities.
With my work, I aim to express something which is genuine, while at the same time as general and as close to the truth as possible – in the sense of not ideological. In other words, I aim for an architecture that is "non-referential".
I believe that in our time an architect should know the needs of our society but not act as a sociologist, should be engaged in the environment, but not act as an environmentalist, should realize building construction, but not understand quantity as a value.
My work is more cultural than political.
I understand my role as an architect as one who thinks and creates space. Spaces give buildings - by means of their presence - subjective universal validity. I make buildings that make sense and I build for the people. “
VALERIO OLGIATI
Mexico City, March 14, 2018

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Underwater Ballet
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Macheta pentru proiectul de diplomă al Ioanei Grigorescu din 1947, cu tema Școală de Arhitectură
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Pacheco 1930

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