William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982
Mike Driver
Lint Roller? I Barely Know Her
AnasAbdin
he wasn't even looking at me and he found me
d e v o n

Discoholic 🪩
Show & Tell

JVL
Keni
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

★

Janaina Medeiros
Xuebing Du
i don't do bad sauce passes
ojovivo

blake kathryn
we're not kids anymore.
seen from France
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seen from Morocco
seen from Sweden
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seen from Spain

seen from United States
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seen from United States

seen from Malaysia
seen from United States
seen from United States
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seen from United States
seen from United States
@546920
William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982

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Cesare Leonardi
(via boisonnas_fred_alpes_valaisannes_1979_p119.jpg (1277×1775))
“Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York
“ I am honoured, humbled and delighted to receive the Mario Pani Award here in Mexico City. I would like to first thank to Dr. Sonia Barnetche, for presenting me with the prize and Dr. Bernardo Gómez-Pimienta, Director of the School of Architecture at Anáhuac University.
There are many people who contribute to my work and who I want to thank: the engineer Patrick Gartmann, with whom I have developed a holistic constructive awareness; the dedicated employees in my office who translate my work into reality; the teaching assistants at the Academy of Architecture in Mendrisio who water the experimental ground, from which many ideas arise; the architectural theoretician Markus Breitschmid, with whom I have developed a life position that in the coming weeks will be published as a book with the title "Non-Referential Architecture"; the publisher Dino Simonett, who houses my work within the most beautiful books in the world; and last but certainly not least, this prize also goes to my wife Tamara, an architect as well, for being the person who I can dream with and imagine new possibilities.
With my work, I aim to express something which is genuine, while at the same time as general and as close to the truth as possible – in the sense of not ideological. In other words, I aim for an architecture that is "non-referential".
I believe that in our time an architect should know the needs of our society but not act as a sociologist, should be engaged in the environment, but not act as an environmentalist, should realize building construction, but not understand quantity as a value.
My work is more cultural than political.
I understand my role as an architect as one who thinks and creates space. Spaces give buildings - by means of their presence - subjective universal validity. I make buildings that make sense and I build for the people. “
VALERIO OLGIATI
Mexico City, March 14, 2018

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giancarlo de carlo
Underwater Ballet
Anne Ten Donkelaar
01016CM d050 by Fondamenta
saint iosif cave

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botanical garden in mount lofty australia
Underground Circuit
Macheta pentru proiectul de diplomă al Ioanei Grigorescu din 1947, cu tema Școală de Arhitectură
Apoio engastrado
Pacheco 1930

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aviary Cedric Price