At Vesper Bell (1895) by Philip de László. Hungarian National Gallery.

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At Vesper Bell (1895) by Philip de László. Hungarian National Gallery.

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The Storyteller (1891) by Philip de László. Hungarian National Gallery.
Russian girl in folk costume (1889) by Carl Wenig. Russian Museum.
Reception at Malmaison in 1802 (c. 1894) by François Flameng. Hermitage Museum.
The Post, c. 1880 by Carl Spitzweg (German, 1808–1885)

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Title: Woman in the Garden (Jeanne-Marguerite Lecadre in the Garden Sainte-Adresse) Artist: Claude Monet (French, 1840-1926) Date: 1867 Genre: landscape Movement: Impressionism Medium: oil on canvas Dimensions: 82 cm (32.2 in) high x 100 cm (39.3 in) wide Location: Hermitage Museum, St. Petersburg, Russia
“Autuuden Saari” by Akseli Gallen-Kallela,1902
The remarkable visual diary of the US Civil War left to us by Adolph Metzner: https://publicdomainreview.org/collection/the-civil-war-sketches-of-adolph-metzner-1861-64
Christ and Samaritan woman (1890) by Henryk Siemiradzki. Borys Voznytsky Lviv National Art Gallery.
Princess Wilhelmine Luise von Anhalt-Bernburg, Princess of Prussia (c. 1840) by Friedrich Wilhelm Schadow. Anhaltische Gemäldegalerie Dessau.

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Dusk (Crépuscule), ca. 1897 Paul Balluriau
Rand McNally & Co., Engr[aver]'s , How the public domain has been squandered, [Chicago: Democratic Party?], 1884. (via)
Vincent Van Gogh, L’église d’Auvers-sur-Oise, 1890, Musée d’Orsay.
Melancholia (1894) by Jacek Malczewski
Eduard Hau, The Room of Spanish Art, from Interiors of the New Hermitage, 1859, watercolor.

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Witold Pruszkowski (1846–1896) - “Naiads”, 1877-78
oil on canvas
William Degouve de Nuncques - The pool of blood (1894)