“Hello Mr. and Mrs. Molloy, thank you for coming in, Kate has been doing very well in class, but I will say I am a bit concerned over a drawing-”

Andulka
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

JVL

almost home

tannertan36

Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
d e v o n

Kiana Khansmith

shark vs the universe
Claire Keane

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
Sade Olutola
Monterey Bay Aquarium
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

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@19catsncounting
“Hello Mr. and Mrs. Molloy, thank you for coming in, Kate has been doing very well in class, but I will say I am a bit concerned over a drawing-”

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Spn s4-5 used to go so hard with the sheer power of the actual powerful beings in the show.
Angels appearing on Earth but they scorch everyone in the vicinity. When they die they set off everything around them. People's eyes going up in flames when Zacharaiah so much as communicates with powerful archangels.
Dean having a meal with Death literally being surrounded by a restaurant full of dead people. Death's entrance. Their conversation. Death sparing Chicago after that. Storm around them.
Lucifer appearing to Nick and shows him a bleeding cradle.
That's what causes the impact uk. The horror. The mood. Like yeah there's the camera work and lighting, and all that. But there's sheer power of setting the scene well in writing. I'll really really miss it going forward.
Just an omega giving her alpha a goodbye kiss
Lorne + caring about Faith
Bonus: him giving out to Wesley
Mitch McConnell has been sent to a nice farm out in the country where there's lots of open space to run around and lots of other senators for him to play with
can we send him to the glue factory instead

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everybody loves a clown WHAT an episode. dean halfheartedly trying to hit on jo and just stopping halfway through, for once not up for putting up an act. and then turning her down again at the end of the episode after acknowledging that normally he’d be hitting on her ‘fast enough to make her head spin’. but sure yeah his dad just died it’s just not the time, right?
except he then immediately turns around and gets SO flirty with ash. and it’s so obviously genuine and doesn’t feel at all performative! like, dean already seems interested and impressed by ash at the start of the episode. but then at the end of it ash makes a queer movie reference that sam doesn’t get, and then shoots dean a look to see if he clocked it. and right after that dean angles in and turns on the eyelashes and gets flirty and it feels so REAL and subtle and different from the interest he’s generally expressed in women up to this point.
oh and then ash takes a swig out of deans beer
ok i went back and grabbed screencaps
BEGINNING OF THE EPISODE:
scene 1: dean and ash have their first conversation, there's some immediate chemistry
and then dean compliments him in a way that very much reads to me as flirting, and ash peacocks a bit
scene 2 (immediately following scene 1): dean connects a bit with jo and
first jo walks by and gives him a suggestive look, to which dean responds like this. it's giving "you are dean winchester this is what you do".
they talk some, and dean halfheartedly tries to flirt before hitting pause and deciding he’s not up for putting on the act
jo describes how most hunters hit on her, dean says “what a bunch of scumbags” jo says “but not you” in an interested tone. and dean says “i guess not”, like he’s kinda surprised he’s saying it. surprised that he doesn’t feel the need or ability to put on the act.
END OF THE EPISODE:
scene 1: jo tries to flirt again, dean connects honestly with her but shuts it down
scene 2 (immediately following scene 1): ash shows up with his completed program, and dean gets much flirtier in tone
some banter happens, ash explains the program, and then ash makes a reference to a queer film
sam doesn't get the reference, and then ash flicks his eyes to dean to see if dean got the reference
dean leans in, he and ash have some real chemistry/tension while ash does more exposition, and then we finish the scene like this: dean giving a real smile, taking a distinctly (and imo intentionally on his part) suggestive swig of beer
and then as dean gets up and walks away, ash picks up dean's beer and drinks it himself
anyways. sometimes your dad dies and you can't find the energy or motivation to put on your han solo persona and hit on a girl, and then you enthusiastically if subtly hit on the guy with major queer vibes instead. which i guess could mean nothing but personally i think it means Something
“game of thrones if it had no incest-” hot dog with no toppings and no dog and no bun
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
one of my favorite parts of anna karenina addressed this. as i remember it, a landowner (levin?) basically had a midlife crisis and started working the fields. the farmhands were pretty confused and annoyed at this relatively weak, ineffective guy playacting as a farmhand. he was in the way, had no idea what he was doing, didn't understand their micro culture (esp. things like what they liked to talk about and what they found funny) and most of all, he was...THEIR BOSS.
this is why I get annoyed by people being like "why is the noble heroine in this 19th-century novel lonely? why does she say she's all alone? her maid is there! ugh! so dehumanizing!!!!"
she is the maid's BOSS
they are not FRIENDS
the maid probably does not DESIRE her friendship
the servants are not your confidants in this scenario. IRL, the notion of the Loyal Family Retainer was most common in sentimental literature for the employing class (which btw was like upper-working-class on up, although the lower you go, the more work the family would be doing alongside them) and sometimes weaponized by them to try and get extra emotional or physical labor out of domestic workers
did emotional intimacy develop sometimes? absolutely- and it was often encouraged for upper-class 19th-century children in the US and UK, who could spend a lot of time with their nanny and in the servants' sphere in general. was classism a factor? 100%.
but it's not dehumanizing to be like "my employee is not my BFF"
the master has a starbucks order that twelve has to bring her to the vault every time he visits she calls it the missy sippy
For the last goddamn time...
"Kill your darlings" means "if something is holding you back, get rid of it, even if it sounds pretty."
That's it! That's all it means! It means if you're stuck and stalled out on your story and you could fix the whole block by removing something but you're avoiding removing that thing because it's good, you remove that thing. That's the darling.
It does NOT mean
That you have to get rid of your self-indulgent writing
That you should delete something just because you like it (?wtf?)
That you need to kill off characters (??? what)
That you have to pare your story down to the absolute bare bones
That you have to delete anything whatsoever if you don't want to
The POINT is that you STOP FEELING GUILTY for throwing out good writing that isn't SERVING THE STORY.
The POINT is that you don't get so HUNG UP on the details that you lose sight of the BIG PICTURE.
Good grief....
Also, you don't have to like, delete it from existence. Keep a second document full of the Darlings. You never know when you'll need it later.
yes, your killed darlings are ripe for rebirth
compost your darlings
recycle your darlings
Darlings who don't fit this narrative go into the use later folder

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man, it's so cool when female characters over-indulge and self-destruct and hurt themselves and others on purpose and have no way out but make it worse anyway and bite and scratch and betray everything they stand for for nothing and have no one to blame but themselves.
Dnd dooooooooooooodly-doos
i genuinely feel like im being edged
some marys
i saw this on my pinterest feed
and it really got me thinking like
hm!

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baldur's gate 3 + text posts → 3/?