"FIRST TIME PAINTING" ROBERT RAUSCHENBERG // 1961 [oil, paper, fabric, sailcloth, plastic exhaust cap, alarm clock, sheet metal, adhesive tape, metal springs, wire, & string on canvas | 76 3/4 x 51 1/4 x 8 7/8"]

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"FIRST TIME PAINTING" ROBERT RAUSCHENBERG // 1961 [oil, paper, fabric, sailcloth, plastic exhaust cap, alarm clock, sheet metal, adhesive tape, metal springs, wire, & string on canvas | 76 3/4 x 51 1/4 x 8 7/8"]

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by Cy Twombly
Fabian Marcaccio (Argentinian, b. 1963), We are Not Going to Postpone the Wedding, 2005-06. Silicone and mixed media on canvas, 188 x 238.8 cm.
Christian Boltanski (1944-2021) [France] - Reliquaire, 1989. Cans, photographs in black and white boxes coated metal wire mesh, electric lamps and son clips, (235 x 95 x 46 cm).
Gil Joseph Wolman (1929-1995) [France] — ‘Untitled’, 1972. Fragments of paper torn off (with scotch tape) glued on aluminum sheet on wood (24,5 × 29,5 cm).

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Gil Joseph Wolman (1929-1995) [France] — ‘Untitled’, 1972. Fragments of paper torn off (with scotch tape) glued on aluminum sheet on wood (27 x 23 cm).
Tom Friedman
Still Life, 2025
Acrylic on canvas, 40 × 50"
Louis Morlæ
Untitled (Déterritorialisation Y), 2025
DOKU, Lu Yang
DOKU the Creator – 独生独死 创造者 (2025)
PARCEL, Tokyo
Farshid Bazmandegan

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Christian Boltanski (1944-2021) [France] - Monument, La Fête de Pourim, 1989. Folded clothes, stacked on a wood panel, black and white photograph, (275x80x15 cm).
Kikuo Saito (Japanese, 1939-2016), April Jump, 2004. Oil on canvas, 58 ¾ x 73 3/8 in.
Ajax Axe
Lydia Pettit
Entry Points, 2024
oil on canvas
Cajsa von Zeipel

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Hojatul Islam
Kader Attia, “Reason’s Oxymorons,” 2015. Installation of cubicles and 18 films, durations variable, 13 to 25 min.
https://source.wustl.edu/2017/08/kader-attia-reasons-oxymorons/