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The next one will be the good oneâŠâŠ (I hope it could be true)
At âLe ponts des Artsâ a place with many love padlocks
You will find as you look back upon your life, that the moments when you have really lived, are the moments when you have done things in the spirit of love
In the end these things matter most: How well did you love? How fully did you live? How deeply did you let go?
Gautama Buddha (via purplebuddhaproject)

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1. Because a woman brought into this world will inevitably be given pepper spray âjust in case.â 2. Because by sixteen, a young girl knows how to avoid being sexually assaulted, while a boy of the same age does not fear sexual assault in the slightest. 3. Because a girl who mocks men is a bitch, and a boy who mocks women is joking. 4. Because a girl who has sex is a slut, and a boy who has sex is a man. 5. Because in a murder, the killer is at fault, but the blame of rape is often put on the victim. 6. Because we teach girls how not to get raped instead of teaching anyone simply not to rape. 7. Because a woman should put more clothes on if her outfit makes a man uncomfortable, because his self control is her responsibility. 8. Because feminists just need to chill out. 9. Because a 22 year old sex-obsessed virgin can murder 7 people, and the problem is that someone shouldâve just slept with him. 10. Because not all men are predators, but yes, all women are prey. Thereâs a fucking womanifesto for you.
(via floralfilm)
The We Could Have Been In Love series.Â
I enjoy controlled loneliness. I like wandering around the city alone. Iâm not afraid of coming back to an empty flat and lying down in an empty bed. Iâm afraid of having no one to miss, of having no one to love.
Kuba Wojewodzki, Polish journalist and comedian (via ughbenedict)

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Happy Valentines Day you amazing fellow followers!
And youre welcome ;)
HAHAHHAHAHHAHAHAHAHA all of these, all of them lejen
"I love you" That's the phrase you were looking for Sherlock...
Tu lâaimes ? - Ben ouais , elle est belle. - Câest tout ? - Euh⊠quoi dâautre ? - Comment ça quoi dâautre ? Je te demande si tu lâaimes, Je te parle dâamour. Et toi tu me dis quâelle est belle. Belle ? Moi quand je te parle de beautĂ© je ne te parle pas de son joli petit cul moulĂ© dans un jean Levis, ni de ses lĂšvres pulpeuses, ni de ses grands yeux pĂ©tillants. Putain, je parle pas de ça. Moi ce que je voulais que tu me dises câest que tu lâaimes, que tu aimes tout dâelle, ses dĂ©fauts, les pires, le goĂ»t de ses larmes quand rien ne va plus, lâodeur de ses cheveux quand tu lâembrasses dans le cou, ses tĂąches de rousseurs quand lâĂ©tĂ© pointe le bout de son nez. Et quand jâĂ©voque le mot amour, sâil te plait ne lâassocie pas au sexe. Parce que tu vois, savoir combien de fois tu te la tapes tous les jours, moi je mâen fou. Merde, il y a des mots pour parler dâelle. Pas des mots en toc, pas des mots qui soient faux, pas lâun de ses mots ringards que tu ais entendu dans un film. Pas comme ça. Parfois il nâ y a pas de mots, juste des regards, des gestes, encore des regards, puis un sourire qui dure, qui dure, qui dure parce que tu as ta main posĂ©e sur sa peau brĂ»lante, parce que dans sa poche furtivement tu as cachĂ© un petit gribouilli avec inscrit â Je tâaime â quand sa tĂȘte Ă©tait tournĂ©e, parce que les jours passent trop vite quand elle est lĂ et que tu ne veux plus la quitter , Que tu ne peux plus lĂącher sa main. Et que tu lui dis que sans elle, chaque minute est inutile. Et en revanche, parce que tout ne va jamais bien, que ses yeux brillent, pleurent lors dâune dispute, quâelle te lance au visage des mots affreux, des cris de haine. Alors pardonne la, recommence Ă zĂ©ro. Et dis lui, cris le. Je tâaime. Lâamour câest ça, ce nâest pas un jeu, pas de la merde. Câest dangereux. Tu vois, moi, Câest de ça dont je te parleâŠ
(via esssentiel)
"Because the one person he thought didnât matter at all to me, was the one person that mattered the most."
feels
Sherlock graphics- 8/â
His Last Vow
AAAAAAAAAAHHHHHHHHHHHHHHHHHHH

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"My mind rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram, or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation."
His Last Vow spoiler free review
Last night thanks to the lovely people at the BBC I got to watch an early screening of His Last Vow at BAFTA. As you would expect the vast majority of the episode is embargoed which is completely understandable as I would want nothing to ruin your enjoyment but a lot of the really brilliant things Iâm not allowed to talk about.
But fear not whilst I adored The Sign of Three this was my favourite of the three - strong story, killer villain and a real emotional rollercoaster. Quintessential Sherlock and my favourite of Moffatâs scripts.
So hereâs a few tidbits:
The episode is written by Steven Moffat and directed by Nick Hurran who directed the Doctor Who 50th episode
Itâs based on The Adventure of Charles Augustus Milverton and follows the canon pretty closely so itâs worth you reading the story before Sunday or at the least having a flick through this wiki entry
For anyone whoâs been a bit dismayed at the favouring of the characters over the cases this episode is tonally much more in keeping with series 2. Itâs all case, all business.
Lars Mikkelsen as Charles Augustus Magnussen is an utterly terrifying villain. Dead eyed, completely still, softly spoken and prone to utterly humiliating his victims he is a truly horrible specimen. There was one point during the screening when I could barely look at the screen while he was being vicious. Heâs truly unpleasant.
CAM has the coolest evil villain lair Iâve ever seen.
Lindsey Duncan guest stars & is glorious as ever.
Thereâs lots and lots of canon references to please the Doyle purists.
John is finding the domesticity of married life really rather chafingâŠ
Louise Brealey once again gets the best moment of the episode for me. Mollyâs role is smaller in this episode but her moments are lovely and so emotionally true.The sheer degree of character development that weâve seen this series for Molly who is really a secondary character is staggering. So beautifully played by Louise.
Anderson and his wife feature in a cameo.
Theres Something About MaryâŠ
We find out what Redbeard means.
Sherlock takes his vow very seriously
The interaction between Sherlock and Mycroft in this episode is profoundly movingÂ
We get to see a younger version of Sherlock and heâs played by Louis Moffat
We find out Sherlockâs full name.
The episode is an absolute emotional rollercoaster and proves without question again that Martin Freeman and Benedict Cumberbatch are the best actors in Britain working today. They are extraordinary in this.Â
This isnât Reichenbach. It will break your heart, it did make me cry, it will leave you feeling utterly exhausted like youâve been put through the emotional wringer but itâs a different beast alltogether.
Make sure you watch right until the end. I cannot stress this enough. Because just when you think the episode is over. Well, those last 60 seconds. Oh goodness those last 60 seconds.I wanted to stand up and applaudâŠ