“What, what, nigger?”
this coon
this grubby spear chucker
this fuzzie
chip-on-his-shoulder pickaninny with navy gums
this lemon-eyed teapot
musical wog
this thieving zulu
blubber-lipped savage, swinging his shlong
this midnight
chocolate convict
nig-nog gorilla and golliwog
jigaboo dancer, chalkie, tar
negroid shadow-face
darkie, spook
nigger in the swimming pool
in his monkey-suit
uggah-buggah boogie
nig-jig ape
jungle bunny, african
black, black, slave…
but I don’t mind niggers
a nigger’ll buy a round
it’s these ungrateful, rag-headed, racialist pakis I wanna skin alive, torture and set alight now ------------------------------------------------------------------------------
This was a poem I wrote in 2012 that won the Stephen Lawrence Poetry Prize presented by Doreen Lawrence, Stephen's mother.
The words that the racist gang that set upon Stephen that Eltham night shouted were 'what, what, n****r!' This piece squeezes all of that vile energy, finds its many incarnations and ends with the directive of later discriminatory language.
Over a decade later, I find this piece difficult. 'N*****' has been utilised to bring about so much suffering to those of colour, that persons of my race should not be allowed to employ it in virtually any context. In my younger days, experimenting with language and uncovering more innovative ways to express dismay at the multifaceted presence of racist thought, it felt very worthy. I wouldn't perform this now, as I did then, however I hope that its deliberately shocking nature reminds us that the end goal of these anti-non-white thinkers is death of those they hate and that three vicious words hide even more.















