scrambled (nsft ryland grace/reader, wc 16k)
Summary: You fell head over heels for Ryland Grace when you were twelve and he was thirteen. You let him break your heart when you were eighteen and he was nineteen (and an asshole). Now you're thirty-four. Now you're single, and determined to stay that way. Now you know better than to expect anything more from him than friendship, and advice, and maybe some sperm while you're at it?
(or: the one where you are done with dating, and want to have a kid, and ask your best and oldest friend if he'd be willing to contribute. With or without a turkey baster.)
Tags: childhood friends to lovers, pining, breeding, oral sex (f!receiving), fingering, piv sex, multiple rounds, multiple orgasms, breeding, reader has a vagina, bff!olesya ilyukhina, background ilyukhina/stratt, background colt seavers/ryland grace twin propaganda
A/N: 18+ only! this is part 1 of a 2-3 part series. it can be read as a standalone, but if you want a happy ending you'll have to wait. that said, it's very much romcom vibes - not at ALL like my other Ryland piece - and they WILL kiss eventually. Special s/o to @collarado for letting me holler in their dms and also suggesting moments like 'considerate ryland offering to finger you' and 'ryland eats it from the back' (everyone cheers)
Taglist: @evastrattapologist67 @shittyprofilebutfuckit @mensbestfriend @keigohawks
ao3 link
āIām having a baby," you say without preamble, dropping your purse on the table at the same time you drop into your chair.
Olesya looks up from her menu like youāve just announced you bought a one-way ticket to Mars.
"Not with Mark," she says. "No, no, you cannot be having a baby with Mark. I leave you alone for a week and you decide to have baby withāā
"No.ā You shake your head emphatically, as though this will somehow erase the way you conducted yourself over the course of your most recent breakup (during which Olya was on the receiving end of many a late-night drunken wallowing session), and try to free yourself from the six inches of cushion youāve sunken into. Itās at least better than the reclaimed-driftwood-hightop-stools at the last trendy brunch popup she chose. āNot Mark. Not anyone. Iām done with men."
"Thank God. You have terrible taste. Better to give up entirely." You let this slide, though it feels a bit rich coming from someone who has been going steady with her direct supervisor for the past six months (after six months of a generationally messy on-again-off-again thing). āIf you schedule appointment for Tuesday or Friday, I can drive.ā
āAppointment?ā
āYeah, appointment. Baby appointment. This week, next week. Unless you just want to try DIY first?ā She holds up her mimosa flute, hands it to you, pours a little, takes it back, takes a sip, considers. āMm. Not so strong.ā She hands it back to you and fills it so much that a little hill of liquid rises above the lip. āDouble dose. For safety."
You bring your mouth to the glass and de-meniscus the mimosaāwhich, for the record, is very strongāand shake your head. āIām not pregnant right now,ā you clarify. āIāve decided Iām going to get pregnant. On purpose.ā
She squints at you. āWhy would you do that.ā
āI want a baby.ā You hate adages about biological clocks. That said, yours is currently ticking like a bomb. āAnd I think Iāve reached the age where all of the men available in the dating pool areā¦ā You shudder.
You have dated and dated and dated, and at thirty-four youāre pretty certain youāve seen all the kinds of men the Bay Area has to offer. Divorced men. Unemployed men. Silicon Valley wunderkinds who look at you and your non-STEM degree (and your very successful private law practice, thank you very much) with poorly veiled disdain. Tall, plain men with an abundance of options and a deficit of personality; short, beautiful men who compensate for the personality with a lack of empathy that borders on psychopathy. You have dated nice men and cruel men and boring men and self-interested men, and, at the end of the day, not one none of them ever had enough redeeming qualities to make you want to stay.
āI just canāt do it anymore,ā you settle for saying. āThereās only so many times I can get ready for a first date, redoing my lipstick a dozen times, listening to the same Olivia Dean song on loop, trying to talk myself out of flaking last-minute because I know the sex is going to be bad. Iām too much of an adult to be acting like that.ā
āNo.ā She shakes her head emphatically, pouring you both more booze. You have yet to even look at a menu, and somehow the pitcher is half empty. āYou go about this all wrong. You go on dates from internet, from apps. App is for fling, fun, hookups. You refuse to try and date friend, date coworker, date neighborāā
You shake your head. You have tried dating all of the above. You have weathered several rock bottoms in the aftermath. āIām not trying to blow up my life, thanks. I like my life as is.ā
āYes, I know,ā she says, rolling her eyes. āYou like your life, you love your life. This is why you want to add a tiny person with no sleep schedule who spends all your money.ā
āI already have you for that.ā She blows you a kiss, unrepentant. āBut yes, a baby would be nice, too. Iāve thought about it. Iāve saved up. I bought, like, three bottles of prenatal gummies. Now I just need to, you know. Get some sperm.ā
āEasy. Sperm is cheap.ā She claps. āTonight! I set you up with someone at trivia. Bang, boom, baby in nine months.ā
āNo, no, because weāve been over this: trivia is a social circle I am a part of. Half the people at trivia are people I knew in high school, and the other half are people Iāve worked withāā You hold up a hand before she can protest. āāand I know, you are a beautiful anomaly, you and Eva, but most people arenāt so lucky. You know the rules.ā
She tips her head back and groans. āYou and your rules.ā When she brings her head back up, itās with a pout. āYou ignore so many of my perfect, beautiful matches for your stupid rules.ā
āMy rules exist for a reason.ā
āYes, to keep you unhappy.ā She shakes her head, waving a hand. āFine, whateverāI match you with someone from my work.ā
āIāve worked with people from your work,ā you remind her. The entire reason you met was because her engineering firm (because Eva specifically) hired you during a patent dispute. They ask you back from time to time.
āSomeone new! Maybe he stays in town, maybe not. Low risk!ā
āToo much risk.ā
She scowls. āAll risk is too much for you. Life is all risk. Baby is all risk. Anya is risking her life every five seconds.ā She looks off in the distanceāthinking about her niece, presumably, who is two years old and getting cuter by the day. She shrugs. āYou know, maybe baby will be good for you.ā
āThanks.ā
āYouāll come to trivia. New guy will be there, I will be thereāā
āGreat. Want to give me some sperm?ā
āHa. Eva will be there. Grace will be there.ā
Something in your head pauses. āRyland's back?"
She points at you. āAh!ā
āWhat? No.ā Your attempt at a casual laugh sounds unconvincing even to your ears. āNo, thatās not what I meant. I just thought he wasnātāOlya, thatās not what I meant, I thought he was still in L.A.āā
āHe is back and he will be there and he will make puppy dog eyes at you like always, and you will ignore him because you are cruel.ā
āI'm notāhe won'tāā You let out an exhale. Then you begin to tick off items on your fingers. āOne, Ryland has a very nice girlfriend. And two, he does not make puppy dog eyes at me. Thatās just how he looks.ā
āYes, how he looks at you.ā
āBecause heās never stopped seeing me as his best friendās annoying little sister,ā you correct her. āItās nostalgia. I told you, he took me to prom and heāI mean. You know, nothing happened.ā
āBecause he was stupid teenager. Now he is a stupid man, and you are a stupid womanāperfect. Iām a genius.ā
āDid you miss the part where he has a girlfriend? I thought you liked Linda.ā
āEva likes Linda, and this is only because they know the same boring history facts.ā
You snort in spite of yourself. āThatās terrible.ā
āItās true! And besides, you are just asking for sperm for baby, yes? Such an old friend, such a tiny favor, Linda canāt be mad aboutāā
āOlesya.ā You give her a stern look. She looks back with the practiced innocence of a cat whoās already swallowed the canary and hasn't yet noticed the feathers stuck in its teeth. āNo.ā
āNo trivia or no baby?ā
āYes trivia, no to whatever you're plotting.ā
She sighs. āFine, no to Grace. He can make puppy dog eyes at you across the bar while you talk to new work friendāā
āNo setting me up with anyone.ā You snap your menu shut, and flag a waiter. You can't continue this conversationāor, ideally, escape this conversationāwithout copious amounts of French toast. āItās the twenty-first century, you know? They have websites now. Catalogs. Safe, discreet, easy. Like you said, sperm is cheap.ā
-
As it turns out, sperm is really fucking expensive.
You scowl at the laptop, willing it to give you a different answer, but the calculations come out the same the fiftieth time as they did the fifth. A couple thousand dollars, minimum, and thatās if you use an anonymous donor. For someone vettedāGod forbid, someone you might get to talk toāit can go up into five figures.
You put down your notebook and plant your head in your hands.Ā
You are, by many metrics, a successful woman. You live in a one-bedroom apartment, in San Francisco, alone. Many of your clients see you over video, so you can more or less set your day. You have no student loans, and enough savings set aside to pay for childcare, doctorās visits, diapers, a nice stroller.
You do not have enough to cover all of that and a round of in vitro fertilization that might not even work.
You lift your head up. Youāve been buried in your laptop for so long, the sun has set, leaving the apartment almost entirely dark, save for your screen and for the kitchen clock blaring bright green above the stove. Itās seven forty-five.
Trivia starts at eight.
You sigh. You stand up and grab your keys.
-
Trivia night is the same as always, which is to say itās at the same dingy bar, with the same sticky black floors and pockmarked dart boards and outdated drink menu as always. Youāre pretty sure the bartenders have worked here since you were too young to set foot inside.
āYou came!ā Olya crows, slinging an arm around your neck as soon as the door shuts behind you. āHere. Two for one.ā
You gently bat away the bottle she waves in your face. "I drove.ā
āFine.ā She winds her arm through yours, walking you across the bar. āIām setting up carpool home. You and Eva can be boring designated drivers together.ā
āHa, ha.ā Your eyes scan the room. You tell yourself this isnāt on purpose, which is probably true, itās normal to take stock of a roomābut youāve taken stock of this particular room almost weekly for the past year and a half, which means there really isnāt anything in it you havenāt seen, until your eyes reach a table in the back and see Eva Stratt talking toā
āSee?" Olesya pinches your waist. You jump. "I told you he is back."
āOw."
āCome talk. Weāre running late, nothing to do but drink and talk, and you donāt even drink tonight.ā She bumps her hip into yours. āMaybe not for nine months, if everything goes good, eh?ā
You hip check her back. āYeah. Maybe. Itās not looking tooā"
You hear your name, and you look up.
The voice is familiar. The face is familiar, if slightly more tanned from a few weeks out of the San Francisco fog; the hair a little longer. The lopsided glasses, thoughāand the bright blue eyes behind them, and the mouth and the smile and the dimples that go with itāare the same as they were twenty years ago.Ā
āRyland.ā Your face is warm, which is definitely because you just walked through a crowded bar, and for no other reason. āHi.ā
āHey.ā He stands up, so quickly he almost knocks over his bottle on the table, and catches you in a warm, friendly hug that you survive mainly on autopilot.
āHi. Hi.ā The hug ends, and you wave at Eva, who waves back, and then look back up at him. āHi. I, um, I thought you were still in L.A.ā
āYeah. Yeah. Colt got a last-minute gig this weekend, so. I came back a week early. But it was good. Heās good. Said to send you his best.ā
Colt has always been sweet. Of the two, youād have thought heād be the one to ask you on a family-friend-pity-date to prom. Ryland was always stuck in his books, his scholarships, too convinced of his own genius to see you as anything but silly and young, and the arrogance only got worse with each subsequent visit home from college. It was almost jarring to meet him again, two years ago, when he moved back home to teach. Somehow the intervening decade had rendered him easygoing, and softer-spoken, and humble.
Mostly humble. Trivia night almost invariably makes teenage Ryland rear his ugly head.
āThatās good," you say. "I remember the accident wasā¦you know. Good to hear heās getting back into things.ā
āYeah.ā His eyes dart from you, to Olya and Eva behind you, to the bar, then back to you. āDo you want a drink? Iām going for a refill.ā
āOh, Iām notāā
āVirgin drink for her,ā Olesya shouts from where she is now seated, which is more on Evaās lap than in the booth. You force your face to remain neutral, as opposed to the expression it wants to arrange itself into at hearing the word virgin used in reference to you around the man who notably did not take your actual virginity at your high school prom. āReal drink for me. Double vodka Redbull. And espresso for Eva.ā
āRight. Just espresso, no martini,ā he says, with an automaticness that suggests heās had the same thing repeated at him ad nauseam for the better part of an hour. āOkay. You?ā
You blink up at him. Then at Olya. She mouths GO at you, accompanied with some rather violent hand gestures, and just as Ryland is about to turn and see this you grab his arm and tug. āIāll come with you!ā
When you get to the bar, you glance back to furrow your brows at Olesya, who has switched to double thumbs up and a shit-eating grin.
You roll your eyes at her, then turn to Ryland, whoās somehow managed to flag down the bartender and order three drinks in the span of fifteen seconds. āI ordered for you.ā
āThanks.ā You get comfortable on a barstool, and look up at him. āSo. Youāve been backāā
āA few hours.ā
āA few hours? And you still rallied for Saturday night dive bar trivia? We should be honored.ā
āCouldn't miss it. Everyone in L.A. kept trying to talk to me about crystals and vibes and, like artisan surfboards. I need this.ā
You widen your eyes. āOh, you didnāt hear? Itās artisan surfboard night."
He plays along. "Really?" He gets an elbow up on the bar, resting his cheek on one hand.
"Wood grain patterns, wave height stats, foam density.ā
āThat isā¦even better. Iām well-versed now.ā
āAn expert, Iām sure.ā Your eyes map out the geography of his face. You have seen dozens and dozens of versions of this face over the past thirty years or so. This version has a few new freckles, dusted across his nose. You know, from long summers spent hiking and cycling and calling first dibs on the rec center diving board, that those freckles sometimes reach down to his shoulders, his arms, his back. "Was the sun gorgeous?"
āMaybe." His eyes don't leave yours. You wonder if he's running the same mental math, the same diagrams, the same map. It's a rare thing, to know someone your whole life. "You know Iām a sucker for the fog.ā
āUgh. L.A. is wasted on you." Once you're finished scrunching up your nose in disapproval, you sigh. "I bet it was gorgeous. I should move there.ā
āYou shouldn't.ā
āWhy? Because Iām the last person in San Francisco who remembers your landline number by heart?" Drinks arrive, and he slides one over to you. Itās red, and fizzy, and has not one but two maraschino cherries. You point at it. āIs this a fucking Shirley Temple?ā
āHey," he says, sounding unbelievably sincere in his disappointment for a man who, between the ages of eight and eighteen, taught you every four-letter word you know. "Language.ā
āIām not one of your students, and did you order me a fucking Shirley Temple?ā
He shrugs, and takes a sip of his beer. āItās the most virgin drink there is.ā
You squint at him. Then you reach forward and press a palm to his cheekānot slapping him, just smushing his face away from you (and probably smudging his glasses in the process). āI should throw this at you.ā
āHey, hey!ā He catches your wrist. Your pulse does something funny. Your breath is not where its supposed to be. He doesnāt notice. āThat's the thanks I get? You used to love those.ā
āWhen I was twelve," you say, tugging your wrist away, "at my momās third wedding.ā You don't remember a lot from middle school, but you remember that wedding.
He danced with you at that wedding.
The Cotton-Eye Joe, or something stupid like thatābut then also a slow dance. Half of one. Heād seen you and Colt dancing and felt left out. Youād let him lead you across the floor, in your sparkly teal junior bridesmaid dress and patent leather shoes, and that might be the first time you remember having that twinkle in your chest, that glow.Ā
Thinking, so this is what a crush feels like.
He clinks his bottle against your glass, shaking you out of the memory. āGood news, Iām pretty sure they havenāt changed the recipe since then.ā He lifts his bottle. "To things that last."
Something tugs at your chest. āTo things that last.ā
You put the drink down once youāre positive that your face isnāt doing anything unhinged, which is to say after youāve downed at least a quarter of it.Ā When you look up again, you find heās already looking at you, with an expression you are momentarily unable to place. It's not expectant, really. Not teasing. Just warm. Watching.
If he were aiming it at anyone else, you might even label it puppy dog eyes.
But it's Ryland, and you know Ryland. You know old Ryland, and you know this Ryland, and you know that this particular look on both of them is one of the kindest possible condescension. It means I met this girl when she was seven and I was eight, and I will see her that way forever. It means friendly, and nostalgic. It means nothing at all like what you wish it did.
You clear your throat and raise your glass. "Looks like twelve-year-old me had good taste after all.ā
-
Trivia night ends the same as always, which is to say that Olya gets drunk enough to start heckling the opposition, Ryland nearly knocks over several chairs in his fervor to win, and Eva quietly leads the team to a sweeping victory. By the end of the night, the chaos has settled into a quiet hum, the room buzzing and buzzed off success and adrenaline and cheap beer.
You have not had anything to drink at all, and even you feel a little bit dizzy with the night. This could plausibly be explained by the rush of winning forty consecutive weeks in a row. It could be plausibly explained by any number of things aside from the actual cause.
You are trying very hard not to name the actual cause.
You do allow yourself to name several things around it, like: a high-five that turned into a hand squeeze that you felt long after heād let your hand go; a smile, long and lopsided and devastating, every time a category came up he knew youād be good at; a second Shirley Temple, ordered for you and handed to you seconds before he stood up to answer a question (at Trivia Night. Where all the questions are written down on paper. He is hopeless, and you are worse for liking it).
You are mid-naming-things-around-it, and midway to the door, when Olesya calls your name. You turn with a sigh. āYes,ā you say, with no small amount of reluctance, āI can help carpool.ā
āPerfect. Every other car, full, you just need to take one person.ā She calls back over her shoulder. āGrace!ā She regards to you with a twinkle in her eye that you are all too familiar with.Ā
Your eyes widen. āOlya,ā you hiss. āOlya, noāā
āAll the other cars are full,ā she says, pouting. āAnd he is on the way to your house.ā
āThatās fine, I have no actual objections to that, Iām just objecting to the implication.ā
āWhat implication?ā she asks, and you donāt have time to answer because he is here and he has on a yellow raincoat and a beanie, and you hate how hard you are smiling.
āHey,ā he says. His cheeks are still a little pink from the thrill of beating another team at Who Knows The Most Useless Niche Fun Facts. His hair is a disaster. He looks between you and Olesya. āEverythingās good?ā
āI found you a ride!ā Olesya beams.
āOh, I can bike home.ā
āYou biked?ā you ask.
āItās raining,ā she points out.
āI have a raincoat.ā
āHe has a raincoat,ā you say to Olya.
āIām too drunk for this,ā she says, before kissing you on the cheek and absconding with Eva.
You look at Ryland. He looks at you. āI really can bike home.ā
The thunder is so sudden and so loud, you practically jump into him. When itās passed, your shoulder is against his chest, and his arm is around your waist, and you blink and you breathe and then you, both of you, take a step back.
You clear your throat and pull your car keys out of your pocket. āSame address?ā
-
You shouldnāt have been worried. Driving with Ryland is never bad, even if you havenāt done it in a few months. You amicably bicker about the music for a bit, and then talk about Colt (healed from his accident, back out on his first stunt gig since, apparently plotting to win back The One Who Got Away), and about your brother (teaching law on the East Coast), and your mother (flirting with golf caddies in Orlando), and about Los Angeles. You talk about your job, and his. Students. Books. Friends. The weather. And when the conversation fizzles out, itās into a comfortable silence.Ā
The comfortable silence lasts approximately a minute and a half before he says, āI have to confess something.ā
Your brows lift. āOh?ā
āThis isnāt just a carpool. Itās a carpool with ulterior motives.ā
āThrilling start. Go on.ā
"Olesya asked me to talk you out of having a baby?ā
You slam on the break. Youāre at a stop sign, but still. āOh my God.ā
He has his hand up on the ceiling, looking at you withāalarm, maybe? Itās difficult to tell, because the car is dark, and also because youāre trying very hard only to look at him through your peripheral vision. On account of the fact that youāre driving. Obviously. āShe was pretty drunk, so, uh, maybe I misheard?ā He pauses. You say nothing. He rushes to continue, āI said it was an overstep."
"Yeah."
"But she insisted."
"Okay."
"So if she asks, can you please tell her I tried? Before she sics her scary girlfriend on me?ā
You snort out a laugh at that. āYep,ā you say. Then, quietly, through your teeth, āI will definitely tell her.ā
Two more stop signs pass in silence before he speaks again. āCongratulations, by the way." You look over just long enough to make eye contact, or at least make contact with the glimmer of streetlight against his glasses. His face is unreadable behind them. "About the baby. Or condolences if itās, uh, if itās complicated.ā
You hum. āIt's complicated.ā
āAh.ā
You realize how that sounds, and rush to continue, āNot complicated like that. Thereās no father.ā Does that sound worse? You think that sounds worse. āIām not currently pregnant. Actually, Iāve sworn off men.ā
He laughs. Itās brief. āEntirely?ā
āYes. Thank God.ā
āOh.ā
āExcept it turns out I do need one last thing from them in order to even do the single mom thing.ā You roll to a stop in front of a red light, and lift one hand off the wheel to run back through your hair. āWho knew sperm could be so expensive?ā
"Makes sense. They pay a lot."
You give him a look, half-delighted, half-inquisitive, and he sighs. "Ryland,ā you say.
āI thought about it.ā
āRyland.ā
In grad school. For the money."
"Ryland Grace."
"I didn't go through with it!ā he protests. āI chickened out. I didn't like the idea of having a kid out there somewhere that I didn't know anything about. No way of knowing the parents, if they were any good or not."
"I get that." You purse your lips. "I also don't really love the idea of combining my DNA with a stranger's. I think if I was adopting it would be different, because that's a whole, real person who exists already. But that's expensive. And then sperm is also expensive, and IVF, and just, you know. Everything. I'm starting to think it'd be easier to just walk up to someone in real life and ask if they'd be willing to contribute."
āContribute?ā He snickers. āWhat, with a turkey baster?"
"At this point? Sure.ā You flip the blinker, check your blind spot. āIt's either that or the old fashioned way. You know, traditional."
He chokes.
You sightlessly grab your water bottle out of the cup holder, and pass it to him. He takes a long, long swig. The next time you pass by a street lamp, his face reappears redder than usual. "Right,ā he says, then clears his throat. āRight, no, yeah, turkey baster's soāimpersonal. Traditional's probably better. I'm a big fan of tradition."
āWould you have gone through with it, do you think? In grad school. If it was more like that."
"Maybe?ā He considers it. āI don't know. I don't know if I was ready conceptually back then, for the idea of a kid. Too immature."
"Yeah," you agree. "You were kind of a dick."
"Hey." You give him just enough eye contact for him to think it over. "Yeah," he admits with a chuckle. "Yeah, I was."
"What about now? At the very mature, entirely un-dick-ish age you are now?ā
A pause. āIt would depend on who was asking."
Your eyebrows lift. āReally?ā You keep your eyes very much on the road. āAnd how does Linda feel about that?"
āWe broke up."
"Oh. I'm sorry.ā
āItās fine.ā
You let the sound of the blinker fill the car for a few seconds before you speak again. āIf you ever need to talk about itā¦"
"Not much to talk about,ā he says. āShe said she felt like I was only ever half-in the relationship. Like I was, uh, 'always looking for something better.'"
"Were you?"
"Yeah. I think so."
You whistle. āOuch."
"It's fine. It was right before I went to L.A., so it gave me some distance. Time to process, figure out what matters to me."
āFigure out what ābetterā you were looking for?ā
He smiles at the next streetlight. It doesnāt reach his eyes. āYeah. Exactly.ā
Right before he went to L.A. Two months, then, give or takeāright after you ended things with Markāwhich means they were together for three. You dislike that the calculation comes so easily. You dislike having to acknowledge, even to yourself, that this is something you have tracked.
"Gotcha." You try to keep your tone light. "I get it. I had a similarā¦I, uh, went through a breakup around then, too."
"I know.ā
Itās the last thing either of you says for a bit.
Before you know it, youāre pulling in front of his houseāhis childhood house, the one he and Colt inherited. The one he lives in alone, now, since Colt settled in L.A.. It looks the same as it did when you were a kid. Same driveway, same bushes. Same bike out front. Same blue paint (peeling in the back, you assume, because theyād run out of sealant three-quarters of the way through and never got around to visiting Home Depot for more).
āWell,ā he says, āthis is me.ā He turns, and youāre expecting a goodbye, maybe an awkward cross-cupholder-hug, but instead he just says, āYou know, the landline number is actually the same.ā
ā555-7827.ā You tip your head forward, resting it on the wheel. āGod, thereās so much important shit I could be using that brain space for.ā
āYou can always call. If you ever need.ā He gestures vaguely. āAnything."
"Anything?ā You tilt your head. āDangerous offer."
"Yeah, well. It's you.ā With that, he unbuckles, and opens the door. āGoodnight.ā
āIāgoodnight,ā you say, a little flummoxed, and a little flummoxed as to why you feel flummoxed.
He shuts the door. You watch him walk, to be polite, because you watch all of your friends to make sure they get into the door safelyābut then he pauses halfway up and shouts something. Your name. You lower the window.
āAnything at all,ā he calls. āYou just. You just have to ask."
āGreat!ā You give him a thumbs up. āThanks! Goodnight!ā
He waves, and reaches the door, and heās gone. You sit and look at the house. Then you sit and look at your hands. Then you shake your head at yourself, and you put the car back into drive, and you pull away.
-
It isnāt until several minutes into the drive home that you understand the implication.
This inspires a thorough self-inventory that probably would be better off done in the quiet of your home, rather than half-assed while driving; but alas, you are single-minded. And impatient.
There's the part of you that thinks this man is tall, and brilliant, and funny, and sweet, and has a great head of hair, and all of those sound like pretty good odds to gamble with on your future child.
There's the part of you that has wanted him, for years, for reasons that have nothing to do with wanting a kid.
Finallyāand, though you hate to admit it to yourself, maybe most importantlyāthere's the part of you that hopes that maybe, if you were to sleep with him, just once, the wanting would leave and burn up and be gone, and you'd finally, finally be able to get Ryland Grace out of your system once and for all, the way you've been able to get every other man out of your system. Also, the excuse of the pregnancy might make it so that you could do this without entirely blowing up your friendship, the way you've done so many times before.
You go through this cycle of thoughts several times. You go through it on the drive; as you park; up the stairs, up the elevator, through fumbling with your keys and shutting the door behind you.
Ultimately, you decide to sleep on it. This isnāt the kind of thing you rush into. You could be misreading his offer. You could be misreading your own emotional capacity for doing this. You could wake up tomorrow and stumble upon the one sperm donation catalog in the history of humankind that would cost you less than two thousand dollars. You are very sensible and very logical about all of these possibilities, and several others, as you cross your apartment and sit down on the couch and pull your phone out of your bag and dial.Ā
He picks up after two rings.
"It's me,ā you say, before he even greets you. āI'm asking.ā
"You're asking me toā"
"Help me have a baby. With or without a turkey baster.ā
He pauses for five seconds.
Your brain stretches this out to five years, give or take. Long enough that you barrel forward with the rest of the points youāve come up with in response to any questions he might have.
āI know it's a big ask. You can totally say no. But you should know that I would never ask for money or anything, I can draw up a contract, it really is just a question of sperm. I mean, you wouldn't have to be involved at all post, um, post-conception. Unless you wanted to be an uncle, or a godparentāif you wanted to be a godparent, I guess you could duke it out with Olyaāor, well, you can have multiple godparents, right? But also you wouldn't even have to see the baby if you didn't want to, and we wouldn't have to tell anyone, andāā
"I'll do it.ā
āReally?ā
āYeah." He says it so casually. Like it's easy. No big deal, just a little sperm between friends. "Just letting you know, though, I have a very strict BYOB policy."
You puzzle over that for a half-second before your face splits in a grin. āBring your own baster.ā
"Bring your own baster,ā he repeats, sounding like heās smiling just as wide.
"Okay. I'll add it to my records.ā
āRecords?ā
"Yeah, I have all kinds of lists andāless for you. More for me. You don't really have to do anything, except. Um. Donate.ā
āDonate.ā
āThat. Oh, and get tested. I did last week, itās easyāā
āOkay."
"It's not that I don't trust you, or anything, it's just, like, protocolā"
"That makes sense. I can do that tomorrow.ā
āI can pay for it.ā
āDonāt worry about it. I was due for a test, anyway. Good to go regularly, itās beenāum. Anyway. Itāll come back clean.ā
āGreat. Well. If you go tomorrow, that should be back in a few days, and then. Are you free Friday?ā
āFridayā¦ā Thereās a pause, and some frantic shuffling. Pages being flipped through. āFriday I'm on detention duty, so I get off around four. Three forty five.ā Another rustle of paper. āAnd then parent teacher conferences at eight. But I have to stop home in between anyway, so. Iāll be around.ā
"Could I come meet you at four? Four thirty? At your house? I'll be sāā
"Yes,ā he says, quickly. āYes, I can do four thirty. Yes."
You pause. āGreat. Okay, uh, pencil me in for four thirty to four forty-five.ā
āFifteen minutes?ā
āI mean, really, it doesn't even have to be that long,ā you joke. āIf you get yourself close enough, by the time I get there, you can basically come in me and then I'll just be on my way."
Thereās a long, long silence. Finally, he says, āIf that's how you want to do it, yeah. Great."
"Great."
"Great."
āGreat.ā You swallow. āSo. Iāll see you Friday. At four thirty.ā
āFour thirty,ā he says. āIāll be ready.ā
-
You pull up on his street at four twenty.
You park down the block. You sit there for exactly five minutes, in spite of the fact that you see a light in the windows, his bike sitting out front. You feel like a stalker.
At four twenty-five, youĀ pull down the sun visor and stare at yourself. You put on a fresh coat of lipstick, which then immediately makes you feel very silly, so you wipe it all off. Then you dab it back on. You pinch at your cheeks. You look down at the dress you decided to wear. It was an entirely work-from-home day, mostly paperwork, so you wore a blazer over a dress and now youāre just wearing the dress, and itās really the kind of dress youād wear to, like, a date, which means it is lower cut up top and shorter at the hem than most dresses youād be wearing on a work day. Itās more of a sun dress, really. So a picnic date dress. You feel both over and underdressed.Ā
And also youāre wet. On purpose. As much as anyone can be wet on purposeāyouād gotten a package from Olya yesterday, with the note attached, in lieu of sperm, and opened it to find some kind of fertility-promoting lube. Which, sure, it was a joke. And yeah, sure, you used some before you left home.Ā
You think about what youād said on the phone. If you get yourself close enough, by the time I get there, you can basically come in me and then I'll just be on my way. Youād meant it only half as a joke. Youāve dated enough men to keep your expectations low. Youāre not going to assume heād waste a ton of time on foreplay. Heās doing you a favor, and he has work tonight, and if heās in a rush then at least youāll be more ready than with just a little spit and some half-hearted fingering.
Youāre wearing stockings, too, nude pantyhose which seemsā¦you donāt, know, silly? Try-hard? One layer too many? You glance at the clockāfour twenty-sevenāand look out both windows, reach under your skirt, and begin pulling them off, kicking off your shoes with a muffled curse under your breath. Your underwear starts coming off with them, which you fight and then go along with and then decide to commit to. Your skirt is long enough. Youād promised him this would be quick and easy, right?
You regret it immediately. But itās four twenty-eight on the dot, and you are allergic to being late, so you shove tights and underwear alike into your glove compartment and drive the twenty feet to his house and pull over and get out.
Up the sidewalk. Up to the porch. You knock.
You wait.
It's colder than it was when you left work. You're really feeling the absence of your stockings right about now, not to mention your underwear, and you're approximately two seconds away from going back to the car to get both when the door swings open.Ā
"Hey.āĀ
"Hi," you say.
"Hi."
He's still in his work clothes. Youāve never seen him in his work clothes, actually, and itās doing wild things to the this man is gainfully employed and good with kids, must procreate part of your brain. It doesnāt help that he looks significantly more disheveled than you would expect after a day of teaching sound waves. Heās breathing faster than usual, chest rising and falling against the blue linen shirt, which is only half-tucked at the bottom, at which point your gaze reaches his pants and you suddenly understand all of the above.
āHi.ā You nod in his general direction. "You, um. You got ready."
āI.ā His face is flushed behind his glasses, which are maybe the most properly horizontal youāve ever seen them. You expect that to last all of five minutes. āYouā¦sorry.ā He shakes his head suddenly, as if trying to shake something loose, and the things he shakes loose are his glasses. Five seconds, then. āCome in.ā You follow him through the door, shutting it quietly behind you, your focus split fifty-fifty between trying not to imagine him getting himself ready and trying to keep yourself from leaking. You are failing miserably at both.
Heās ahead of you, back turned to you, re-rolling up his sleeves. They were already unbuttoned, but shoved up rather than rolled, messy, like heād gotten home later than planned and immediately got to work doingāwhatever it is he did that you are strictly forbidding yourself from imagining.
āChinese,ā he says, nodding at a bag on the kitchen counter. His hands move over his sleeves, four neat folds on each side, and his forearms are flexing and heās still visibly straining against the zipper of his pants. āI ordered extra. In case you didn't get a chance to eat. And then the contract you sent over, and the test results, too. I printed them out, in case you want a copy. For your records. I went to the library, though, so it switches from colored ink to black and white halfway through. Didnāt seem like the kind of thing I should be printing out at school, ha.ā
Two things hit you at once: the first, that you are not going to get him out of your system with one fuck. If anything, one fuck might make things worse. The second is that you absolutely cannot, under any circumstances, kiss him, because if you kiss him youāll almost certainly fall in love with him and if you fall in love with him your life will be ruined.
"Right. Thank you. Right.ā You are looking all around the living roomāthereās the couch you used to build pillow forts next to, thereās the carpet the two of you melted crayons into, thereās the dining room, opening into the kitchen, where you helped his mom bake cookies, inevitably ending up with more flour on your head than in the bowlāin a bid to avoid looking at him, because you have a hunch that if you look at him and/or stop talking he is going to try to kiss you (because that would be the normal way to start this interaction, versus the objectively insane way you've decided to go about it) and if he doesn't kiss you you suspect one look at the bemused brows-above-the-glasses expression on his face will make you kiss him, which you are not allowed to do.
āSo how wasāā
āI left my underwear in the car. Long story.ā The story being that you decided on a whim to leave your underwear in the car and now are regretting it immensely. āAnd I already got myself ready, and I don't want anything toāso we should probably just, um, take care of business first, if you're all good to goāis here okay?ā
Here being his dining room table, which you approach and then smooth your hands across and then bend over, pressing your cheek to the wood in order to have a more concrete reason not to be able to look at him.
He laughs. āYou donāt want the bed?ā
āNope, this works.ā
āOh.ā He pauses a second, like heās waiting for you to move. When you keep your face resolutely smushed against the table, he seems to get the memo. āIāalright.ā
You feel, more than hear, his footsteps, soft across the floor.
āYou said youāreāthat you got yourself ready,ā he finally says. He sounds close enough to touch. You donāt move a muscle. āHow ready?ā
āReady enough.ā You twitch a finger, gesturing. āI, um, I used this thing Olya gave me, this pre-seed thing.ā
āPre-seed.ā
āItās just fancy lube, I think.ā You bite your bottom lip to try and stop rambling. You cannot stop rambling. āBut it's supposed to be good for, like, sperm motility, or something, and I figured if I inserted it ahead of time then you wouldnāt be late for your next thing. Four thirty to four forty-five, remember.ā
Itās a weak attempt at a joke. Youāre not sure it lands. āIām not in a rush," he says.
āYour Chinese food will get cold.ā
He pauses. āI might be in a little bit of a rush.ā You laugh, surprised. His voice is warm when he continues, āDonāt worry about me.ā
āIām not worrying about you. Iām worrying about your food.ā
āYou donāt have to worry about me or the food. I can worry enough for the both of us. Okay?ā
You inhale, you count to four, you exhale. āOkay.ā
āOkay.ā He claps. Itās not a very loud clap, but it still takes you by surprise. āSo, um, on that noteānot that itās a worry, itās not a worry, not worried at all, just notingāif thatās all you. If you just used the lube and didnāt.ā The pause that follows lasts about twelve seconds, which you know because youāre still box breathing in order to not hyperventilate. āYou might need to, um, warm up. A little. For it to be comfortable.ā
"Oh. Cool.ā You think about ring fingers, and shoes, and height, and all kinds of things that donāt actually have any proven causative correlation with dick size, and then you think about the tent in his pants when he was half-hard just inside the door, and you conclude that of course, of course this is the way this is shaking out, because you have the worst good luck of anyone on the planet. āCool, cool, cool. Thatās fine. I can warm myself up more. Let me just.ā
āI could. I could do that for you.ā
You freeze. You open your mouth, then close it. You open it again. āYou donāt have to.ā
āI know,ā he says. āCan I anyway?ā
āSure.ā Your brain is producing approximately three thousand thoughts per second, none of them cohesive. āIf thatās okay with you. If you donāt mind.ā
āI donāt mind. Here?ā
You nod. The table is cool and smooth beneath your cheek.
There is stillness and stillness and stillness and then, thereāhis fingers, gentle, just the tips on the back of your thigh.Ā He starts halfway up, just kissing the hem of your dress, and then his fingers travel up and under, and they trace over where your underwear would be, and you know when he reaches the slickness thatās reached your inner thighs because he pauses.
One agonizing moment passes before his fingers continue their upward path, dipping slightly in at your entrance. You make a concentrated effort to exhale silently. Youād estimate that you succeed about sixty percent.
āYouāre soā¦ā He takes a deep breath. When he speaks again, itās very carefully casual. āYouāre wet already. Thatās good. Thatās great.ā
You blink. āDid you just.ā
āWhat?ā
āYou just used the encouraging-middle-school-teacher voice. To tell me good job for being wet. During a sexual encounter."
āSexual encounter? I thought this was strictly business.ā That gets a laugh out of you. A quiet one. You can hear him smiling, not unkindly, when he continues, āYou seemed like you could use the encouragement. Youāre a little nervous."
"I'm very nervous."
"I know. Thatās okay.ā He finds your clit. You lose the battle to keep silent. Your face flushes immediately, which he can't see, but maybe he can sense it somehow, because he murmurs, āIāve got you."Ā
That just makes things worse, actually, because you feel his voice, low and sincere, run down your spine like a hand. And then he actually does stroke a hand down your back, and you wonder if maybe this is some great cosmic punishment for a past life. Heās not even doing it to turn you on, you donāt think, just to comfort youābut when his hand brushes your neck it does something to you that isn't comfort, and you clench down and whimper for lack of anything to clench down onto. āSorry,ā you mumble into the table.
āSorry for what?ā
āI donāt know. This is justāIām being so embarrassing.ā
Ā āItās just me,ā he says (which is, of course, part of the problem). āIāve seen you embarrass yourself plenty of times.ā
You snicker. āHey.ā
āBesides. Uh.ā He swallows. āTrust me. If you could see yourself from here, you wouldnāt, you wouldnāt be embarrassed.ā
Before you have a chance to process that, his hand slides back to where youāre wettest.
āIām going toāā He runs one finger over your entrance, then pauses. āOkay?ā
āYeah.āĀ
Itās more breath than sound. But he hears it, and, sure enough, he slips one finger into you. Itās an easy slide, wet as you are, but heās still careful about it. Slow.Ā
āYouāreāā His voice is different. Strained. āI think you can take two. If thatāsāā
āYes. Yeah, thatāsāah.ā Two fingers fit, but itāsāa lot. Snug.Ā
āRelax for me?ā He angles his wrist to get a thumb back on your clit, and you flutter around him before relaxing enough for him to let him work the two fingers in and out of you. āThere you go. Good job.ā
āYouāreāā
āThat wasnāt the teacher voice, that was the I-have-two-fingers-inside-you-and-you-feelāyou feelāā He breathes out, and it sounds unsteady as you feel. āThat was, thatās what that voice was. Can Iāā He curls his fingers inside you, and you let out a broken moan. āGod. Can I. Can I use my mouth.ā
Youāve never wanted anything more in your life. āYou donāt have to.ā
āYou keep saying that. Can I please, can I please use my mouth.ā
āYes,ā you say, and he gets on his knees so quickly youāre shocked he doesnāt bruise them in the process.
The hand on your lower back runs down, crossing the border from skirt to skin, smoothing up the fabric to reveal you more fully. He keeps his fingers in you for a few seconds more, slow, lazy, dragging them in and out, in and out. Like heās watching them. He curls them again, deliberately, and when he pulls them back out fully you barely hold back a sob.
Thereās a long moment of stillness.
His one hand is still on your ass. His other hand is nowhere at all, and heās gone silent, which is terrifying.
You use a finger to brush a strand of hair out of your eyes. āEverything good back there?ā
āMmph.ā It sounds like his mouth is full, and then, with a quiet pop, not, and your brain shorts out because you realize thatās the sound of him sucking you off his fingers. āYeah. Yeah. I just.ā He presses a kiss to the back of your leg, to the crease where your ass meets your thigh, then pulls back again, and heās gotten both hands on you, now, and he does what you can only describe as spreading you.Ā
Another silence. If it were anyone else, you would feel more exposed than youāve ever been in your life. Itās him, though, which simultaneously makes it better and much, much worse.Ā
āYou,ā he finally says, which sounds like the beginning of a sentence until it becomes clear thereās nothing to follow. He kisses your other thigh, open-mouthed, slow, then rests his forehead against it, and breathes. āFuck.ā He says it quietly. Soft. Like itās just for him.
āLanguage,ā you say.
You mean it as a joke. You mean it as a reference. You mean it in a way thatās meant to break some of the tension and elicit a snarky response, so you are definitely not expecting the next thing he does with his mouth to be pressing his tongue flat against you.
He licks you from your clit to your entrance. The unexpectedness of it, the warmth and wetness and the intensity of it, has your knees buckling so much that you grab the table. You make some kind of sound that you cannot allow yourself to reflect too much upon without feeling intense embarrassment. You make an even more embarrassing sound when he does it again.Ā
He pulls back, and you put a lot of effort into not protesting. The effort is in vain.
āWhat was that?ā You can hear the unbearably smug grin. āI thought you were telling me to watch my tongue.ā
āI wasnāt. I.ā You breathe slowly, trying to collect your thoughts.
You get about fifteen percent of the way there before he tightens his grip on your hips, pulling you back to meet his mouth so that he can rub his tongue back and forth against you. You let him press you up onto your toes. Your hips tilt further, allowing him closer, and you can feel the tip of his nose nudge against your entrance at the same time his mouth properly closes around your clit.
You have multiple degrees. You pay taxes, you run a business, you live alone in a one-bedroom in San Fran-fucking-cisco, and you have enough in savings that you can decide to get pregnant, on purpose, without considering yourself financially irresponsible. You are a very respectable person. None of that is reflected in the wail you let out as he sucks harder.
His hands are tight around your legs. His face is so firmly pressed into you, you would wonder if he needs to breathe, if you had any fireable neurons left to spend wondering things like that. You are beginning to have trouble breathing. The air keeps catching in your chest, in a building rhythm, and your knuckles are beginning to go white from how tightly you are gripping the table.Ā
āRyāā You canāt even get out his full name.
He doesnāt stop. He doubles down.
You donāt know how long you spend there, bent over, unable to do anything but tremble as he sucks at your clit. Just as youāre close, he pulls awayābut before you can say anything about it, his tongue is inside you, and heās reached a hand around your thighs to get at your clit from the other side, and you think you might be making sounds in tandem with the thrust of his tongue, but your blood is rushing in your ears a bit, and your toes are curling against the floor, and everything narrows and narrows and narrows untilā
He says something, you think. Tries to, but you canāt understand it, because his tongue is inside you and also because youāre coming so hard that youāre probably going to get a cramp in your right foot.
He doesnāt give you any relief. He lets you clench around his tongue, for a while, then pulls out while youāre still going to get his mouth on your clit again, relentless, arms wrapping around you tight to keep you from squirming away, as though you have anywhere to go, as though you arenāt trapped, totally and entirely, between the table and him.Ā
You come back to yourself in pieces.
Youāre aware of your breath, audible, ragged; your hands, tingling; your right foot, uncurling just in time to avoid a cramp. Youāre aware of his arms, steady; his mouth, gentling on you, pulling away entirely. You make a broken sound into the table.Ā
Something nudges at your entrance, and itās his fingers, three of them, and they slide into you like its nothing, setting off another wave of aftershocks, and heās slower than ever as he fucks you open on them. āLook at that,ā he says, satisfied.Ā
Your face is warm. The mahogany is cool against it as you press your forehead back into the table. āYouāre evil.ā
āYouāre perfect,ā he replies, and you have absolutely nothing to say to that.
He pulls his fingers out as the aftershocks ebb. You donāt have any time to respond in any direction before he replaces them again with his tongue.Ā
Your hips buck against the table. Your knees genuinely threaten to give out; youāre not entirely sure they donāt, you canāt tell, because his hands are back on your legs more firmly than ever.
āRyland,ā you choke out.
āMmph.ā
āRyland,ā you repeat, more desperately, reaching back with one hand to push against the top of his head. āIām good. IāmāIām ready, Iām ready.ā
He shakes his head, pulling back only to kiss your leg again. āJust a little longer.ā Heās scattering kisses up and down your thighs, now, across the crease, fingers coming back to press against your clit. āJust a little longer, you taste so good, a little moreāI bet I could make you come again like thisāā
āAre you going to put a baby in me or not?ā Youāre still a little breathless, but you get enough of a challenge into it that he pauses. āI thought this was strictly business.ā
He huffs out a laugh against you. āRight.ā Because heās the worst, he licks you again, circles at your clit, laughs at the way your hips jerk from the overstimulation, before grabbing the edge of the table and pulling himself up to standing.
You hear a buckle, a belt, a zipper. A pause.
You think about how long itās been since you met him at the door. How everything thatās happened so far has been pretty much exclusively for you. āIs there anything I can do to help?ā you ask, lowering your voice.
You know what his answer will be. Youāve never once had a man turn down a blowjob, which is fine, because you donāt really mind blowjobs, most of the time, and for some reason there is a part of you thatās actually incredibly eager to get this specific manās cock in your mouth, all of which is why you are entirely unprepared to hear him say, āNo.ā
You pause. āOh?ā
āIām good.ā He steps forward, the length of him brushing against your ass, and you understand just how good.
āJust fromāā
āYeah.ā He uses his hand to line himself up, and you feel him at your entrance, the promise of him. āReady?ā
āYeah.ā You press your face more firmly into the table, arch your back slightly. You breathe. āReady.ā
He presses in.
You are not ready.
You are ready in that you are wet; in that it fits; in that it feels good, properly good, good enough that you let out a long, quiet moan at the same time he does. But itās still a lot. Itās still a slight stretch, even after three fingers, even after coming on his tongue.Ā
Itās still him.
Thereās no helping it. All of the preparation in the world could not have kept you from feeling slightly overwhelmed by the heat and the weight and the understanding that Ryland Grace is inside you. Itās making you do stupid things, like get a little choked up. You bite back a sound that you fear might come out less sexy than emotional, but you donāt bite it back entirely, and he stops, still inside you. āToo much?ā
Yes. āNo,ā you say, and swallow, because what do you possibly have to cry about? āIām good. Itās good, you feelāgood.ā
āGood.ā He pulls out, then pushes back in, slowly, and the sound he makes isāGod. This was the worst idea youāve ever had. This was the best idea youāve ever had. āYou too. Iām going toāā His hands press into your waist through the fabric of your dress. āIs this okay?ā
āMmhm.ā You're both still basically fully clothed, which means you're barely touching, which just narrows your focus to the one specific place where you are touching, and its making the whole thing feel dirtier than if you'd just been naked.Ā
You clench around him, and he makes another sound and begins fucking you in earnest.
Heās still slow. Heās being careful, you suspect, which you appreciate because he is thick and he is long and your legs are barely functional as is. But the rhythm is steady. He drives into you with slow, deep thrusts, and already you are struggling not to make a whole host of embarrassing noises. You suspect he is also struggling with this because he is losing, badlyāmaybe heās stifling them from his normal volume (whatever that may be), but he is close enough that you feel his breath on the back of your neck, and every single choked-off moan and whimper and grunt might as well be piped directly into your brainstem. When you give up on trying to mute yourself, and let out a quiet, āYou canāharder,ā he groans, long and low, and obliges, picking up the pace enough that you can hear the slap of his hips against yours.
You reach back, at one point. Youāre not exactly sure why. To grab at him, maybeāto pull at his hips, urge him deeper, fasterābut he catches your hand in his, threading his fingers through yours.
āYouāre so.ā He manages to get his other hand under your waist, arm across, lifting, helping you stand up a little so that his chest is pressed against your back, his voice in your ear. āI knew youād feel good, but I didnātāyouāre soāā
āI know,ā you say, without really knowing what youāre saying. āMe too.ā
He presses a kiss to your shoulder, where the neckline of your dress ends, and then further in, further up. You squeeze his hand. He squeezes back, thumb running back and forth across the edge of yours. When he kisses the top of your neck, wet and hot and open-mouthed just below your ear, you let out a desperate sound, not quiet at all, and you clench around him and you feel him smile and you want to strangle him almost as much as you want to kiss him. You want so badly to kiss him. You almost try to crane your head around to allow for it, except you remember dimly that youāre not supposed to, and you canāt for the life of you remember why.
When he slows down, you whine. Itās entirely undignified. You donāt really have it in you to care. āWhat are you doing?ā
āI just. I just.ā He rests his forehead against the back of your head, and through the fog you swear you feel him press his lips to your hair. āI need a second.ā
āIs everything okay?ā
āYeah.ā He swallows, and turns his head to press his cheek to your hair instead. āI donāt want to finish too fast,ā he admits. You know what that voice looks like on himāit looks like beet red and mortified. āAnd I will. If we keep going. Right now.ā
You burst out laughing. You canāt help it. āWhat?ā You let your head hang, still shaking with laughter you donāt really have the breath to afford. āRyland. Thatās, like. The opposite of a problem. Thatās the whole point.ā
āThatās not the whole point.ā He sounds insulted, which for some reason is even funnier, and makes you laugh even harder. He makes a vaguely pained sound, and you realize retroactively that laughing makes you squeeze which makes you squeeze around him. āYouāstop doing that.ā
āThen stop being funny!ā You wipe a tear away, and turn just enough to make a sliver of eye contact. āYou know, I would have planned a lot differently if I knew I had to factor in time to explain how babies are made.ā
āIāā He goes through amused and annoyed and endeared in a comically short amount of time (and you manage to contain your reaction to light smirking, this time, because you are nothing if not good at taking feedback), and lands on an expression that is a combination of all of those things and leaves you convinced, in an even shorter amount of time, that you are in danger. āDid you really think youād be out of here in fifteen minutes?ā
āNo.ā You look at his lips again, and then face forward to cut yourself off. āMaybe.ā You squeeze your eyes shut. āIt would have been fine if you ohfuckāā
This last because he presses back into you, all the way, at the same time his hand finds your clit. āDo you still think that?ā
āNo.ā Your voice is quiet, shaky.
āNo?ā
Louder now, āNo, nope, not even a littleāā
āGlad to hear it.ā He starts moving again. Itās slow, and his voice is strained, but heās moving and his fingers are on you at the same time heās inside you, and heās taking advantage of the pace to really focus on what spots heās angling himself against. āOtherwise I might have gotten offended.ā
āDidnāt mean toāokay.ā Your elbows are beginning to go the way of your knees, which is to say you lower yourself back down to the table while you are still capable of doing so in a safe and controlled manner. His hand is still wrapped around yours. āOh God. You canāfaster. Faster, please.ā
āI will. I just want to get you a little closer.ā
āI alreadyāā
āNo, that didnāt count.ā He is going faster, whether he realizes it or not; and it is getting you closer, which was maybe part of the point. āThat didnāt count. I want you to come for me.ā
āI did come for you.ā
āOn me. Around me. Thatās whatāthatās all Iām waiting for, you just have toāā
Itās working. What he did with his tongue, what he started and finished and started againāyou feel it, feel the threads of it, lengthening, growing, sparking again each time he thrusts inside you.Ā
āYeah,ā you say, because what else can you say. āYeah. Can you justāā You bite your lip.Ā
āWhat?ā Heās breathing faster, again, almost panting.
āYour hand,ā you manage. āOnāon my neck.ā
āYour neck?ā
You nod against the table.
āOkay.ā He doesnāt stop. āOkay. Can youāwith your handācan you keep rubbing yourself? Can you do that for me?ā
You are flat against the table. The hand around yours doesnāt loosen at all. With some effort, you move your other hand down, under you, and it brushes his for a moment before he makes way for you, and uses his newly freed hand to reach up and wrap around the back of your neck.
āLike this?āā he asks. He sounds almost hoarse, though nothing compared to the sound you let out as you nod, clenching around him even tighter than before. āOkay. And donāt stopāyour clitāgood, thatās good, justāā
His hand tightens around your neck slightly, just on the sides, as he starts fucking you hard, harder than before, hard and fast in a way that is forcing sounds out of you that you cannot control. You try to rub your clit in some approximation of what he was doing, and itās more slippery than you could have anticipated and your fingers keep grazing his cock as he thrusts into you, and youāre close, youāre close again.
āIāā You make a sound into the table. āIām.ā
āI know.ā He doesnāt stop. āI know, I know, Iām hereāāĀ
He squeezes your hand again, and for some reason this is the thing that undoes you.
This orgasm is a different kind of good from the first. That was a sharp, hot, precise flash of pleasure; this time is broader, gentler, warmer. True to his word, he follows almost immediately after, shooting hot inside you, and you are full as you squeeze around him and pant into the table.
You can hear his breathing, too, behind you. You listen to it slow in time with yours.
He squeezes your hand again, this time as a precursor to letting go, and it almost hurts as much as the loss of him pulling out of you. He runs the other hand, the neck one, down your back, smoothing your skirt back down as he goes. There are shuffling soundsāboxers, zipper, belt. You donāt move.
āHey.ā His hand is on your hip againālighter. Tentative, like he wasnāt just digging into it ninety seconds ago. āAre you okay?ā
āYeah.ā You are still face planted into the table for the same reason as before: if you stand up, you will have to look at him, and why you ever thought that would be easier after he fucked you than before is one of the great mysteries of the universe. āYeah. That wasāIām justā.ā You stand up very abruptly. āOh my god.ā
āWhat?ā He sounds alarmed.Ā
āI need to lie down.ā
āAre you dizzy?ā He sounds even more alarmed. āAre youāthe couch, is the couch okay?ā
āYes, Iām fine, the couch is fine but, do you have a towel, itās justāI need to lie down for twenty minutes,ā you say, apologetically as you can muster. He crosses a step to the kitchen, and grabs a towel, and tosses it to you. You catch it without looking at him, and you waddle over to the couch in the unsexiest manner possible, where you proceed to put the towel on top of a pillow and lie down with the pillow under your hips. Your skirt flips back up. You cross your legs as though it will help. It really doesnāt. āI completely forgot. Just so it doesnātāyou know.ā
A pause. āSo it doesnāt what?ā
You look at him. In very short order he has gone from sounding alarmed to wearing a poorly-hidden smirk.
You narrow your eyes at him. āYou know.ā
āYeah,ā he agrees. āI do. I think. But I kind of want to hear you say it.ā
You purse your lips. You stare at the ceiling, then look back at him, then back at the ceiling, then at the insides of your hands. āSo it doesnāt leak out,ā you say, muffled against your palms. āThere. I said it.ā
āYou did,ā he says, sounding annoyingly pleased.
āAre you happy now?ā
āVery.ā His voice is getting closer.
When you open your eyes again, heās standing over you. You frown, and push his face away with both hands. āI hate you.ā
āI know.ā
āYouāre the worst.ā
āI know.ā
āI canāt believe I left my underwear in the car.ā
āWhy did you do that?ā he says, sounding equal parts delighted and bewildered.
āI donāt know,ā you wail, except you canāt help but laugh with him. āIt just seemed like something people do!ā
āWhat people?ā His voice is further away now, like heās leaving the room, and thereās a vague sound of drawers being open and shut. āInternet people? Is this a porn thing I donāt know about? Because porn is not supposed to be a good representation of real life, you know, thatās a specific thing I have to say in the sex ed unit. I have to say that. To a room full of eighth graders.ā A drawer shuts. āIs porn where you got the table idea from?ā
āNo,ā you say miserably, back into your hands. You arenāt sure if he can hear you, and you donāt care. āThat was all me.ā
A piece of fabric hits the back of your hands. You pick it up, to look at it. Boxers. White. Black text on the band.Ā
āFor you,ā he says. āTheyāre clean.ā
āOh. Thanks.ā You look at them a moment more, then pull them on. āYou know, I really wasnāt expecting this from you.ā
āOkay,ā he says, leaving to the kitchen. āSo what Iām hearing is that first, you thought Iād be the guy who would finish having sex and kick you out within fifteen minutesāstill not over that, by the wayāand then you also thought Iād let you leak in misery on the couch? For another twenty minutes? And I was still your first choice of sperm donor? Because if thatās the case, we need to have a serious chat about your taste in sexual partners.ā
āYou can connect with Olya about that. I think she already had an intervention planned.ā You pull the waistband of the underwear out, then release, letting it snap against your waist. āBut I was talking about the Calvins. I kind of assumed thereād be, like, little Bunsen burners around the band. Or some kind of day-of-the-week situation.ā
āThe Bunsen burners are my Thursday pair,ā he says, emerging from the kitchen with a glass of water. He passes it to you before plopping down on the floor next to the couch.
You take a sip. āWhat are you doing?ā
āSitting. Next to you.ā
āIt looks like youāre lying down.ā
He is, in fact, flat on the carpet without so much as a pillow. āYeah. Next to you. Is that allowed?ā
āOf course itās allowed, itās your house. I just donāt want to stop you from doing the things you need to do.ā
āWhat do I need to do?ā
āI donāt know. Put your cold Chinese food in the fridge?ā
āI did that already.ā
āOh.ā You take another sip. āPrepare for parent teacher conferences?ā
āI did that already. At school. Itās mostly the same every time. Parents agree. Parents disagree.ā
āParents hit on you,ā you continue for him.
His face turns a little pink. āSometimes, yeah.ā
You roll your eyes. āOf course they do.ā
āWhat, you donāt believe me?ā
āI literally said of course they do. Because of course they do.ā
āWhat does that mean?ā
āYouāre. You know.ā You look at himāmessy hair, messy glasses, messy smileāand then determinedly back at the ceiling. āYouāre not completely horrible to look at.ā
āWow. And this is you after two orgasms.ā
āThat was a nice thing! I said a nice thing!ā
āYouāre in my house, wearing my boxersāā
āYes, your Bunsen-burner-less boxers. Iāll have to plan around Thursdays, going forward.ā
āGoing forward?ā he says.
You freeze. You do not look at him. āIf itās not too much of an imposition,ā you say carefullyāand then you are immediately cut off by his hand smushing your face.
āItās not an imposition,ā he says. āIt is absolutely not an imposition. We can do this as much as you want.ā
āMmph,ā you say.
He pulls his hand back. You look at him. āI just didnāt want to assume,ā he says.
You stare. Messy glasses, hair, smileāyou look back at the glass. āLike you said, this is me after two orgasms.ā You are very interested in the glass and, furthermore, the water inside it. āWhich was, for the record, not the point.ā
āOf course itās the point.ā
āBut like, okay, if we were doing this with a turkey baster, that wouldnāt even be a concernāā
āWell, we arenāt doing this with a turkey baster. I made it very clear that it was on you to provide the turkey baster, and you didnāt, soāā
You shove the water at him, if only to shut him up, but youāre grinning. Heās also grinning. You take the water back, and struggle to take a sip, because it is significantly emptier and you are still flat on your back.
He stands up. āCāmere,ā he says. He helps you sit up, and then sits down where your head was, letting you lay back in his lap. āIs this okay? If I sit here?ā
āItās your house, Ryland, you can sit wherever you wantāā He pinches your nose. You glare up at him. He smiles pleasantly down at you. āYes. Idds fide,ā you say. āAwesobe. Really.ā
He releases your nose, and runs a hand back through your hair. Your eyes shut automatically.
āBut seriously,ā he says. āWas thatāwas there anything bad? Anything you didnāt like? Iām very open to notes. For next time. Since thereās going to be a next time.ā
āIt was all good,ā you say. You think it might be the first time youāve said that to a guy and honestly meant it. āThe whole thing.ā
āThat canāt be true.ā
You open one eye. āAre you calling me a liar?ā The other eye opens. āOr, wait, was it bad for you?ā
āWhat? No.ā
āI mean it. I am also open to feedback, and I know I was being super weird at the beginning, I was just, like you said, I was nervous, but I can be so much more normal next timeāā
āYou were perfect,ā he says, at the same time he runs a hand back over your head. āAnd, sure, Iād prefer if you werenāt that nervous all the time, but thatās because I donāt want to be doing things that make you nervous. So if I amāā
āYou werenāt. Itās just you.ā
As in, thereās nothing you could have done better. As in, you make me nervous just existing. As in, Iāve thought you were perfect since we were in elementary school, and I know you donāt mean it back the same way but if you were going to say it at all I wish it had been sooner than this.
He smiles. āYeah,ā he says softly. āItās just me. And itās just you. So thereās nothing to be nervous about, yeah?ā
āMm.ā You let your eyes close back shut as you turn your head, snuggling more firmly into his lap. He makes a noise that sounds like a wince, and shifts beneath you, and you look back up at him. āSorry. Did Iāā
āNope,ā he says. His voice is definitely strained. āNo. Youāre fine. I just. Has it been twenty minutes yet?ā
You look at him. Then you look at his lap. Then you look back at him. āAlready?ā
āYeah, I think. I think itās been about twenty minutes.ā
āIām pretty sure itās been less.ā
āHas it been an amount of time that would qualify as going forward?ā he asks. Then: āWe donāt have to, if youāre not up to it.ā
You make a show of genuinely considering. āI am a little sore.ā
āRight. That, that makes sense.ā
āBut not that sore.ā You meet his gaze. āAnd probably going again is good. Statistically.ā
He nods as you sit up and put the water down on the coffee table. He keeps nodding as you begin to shimmy off his underwear, his own hands going back to deal with his belt and his zipper and all. āYeah. Better odds, definitely better. The numbers alone. If youāre sore, do you want to be on top this time? So you can have more control over howāā
"Right. I just feel like, is that counterproductive? Like, I spent all that time on my back, just to let gravity..."
āIāllāā His mouth clamps shut. āNope.ā
You stare at him. In years and years, in decades, youāve never known any version of Ryland Grace to do anything but say exactly what he thinks, exactly at the speed he thinks it. āWhat was that.ā
āI was just about to say the worst thing I've ever thought."
"What."
"You'll leave if I tell you."
"What?"
"I was going to say, I'll plug you up."
Youāre not smiling. Really, youāre not. Itās just that the corners of your mouth are pulling so far up and out that itās hurting your cheeks. āOh my god."
"I know."
"That's terrible.ā
"I told you!"
āLike Iām, what, a sink? A power socket?ā His face is too buried in his hands to allow anything but a muffled groan in response. You grin. He is somehow, in spite of all of this, still hard. āIf you wanted me to leave you could have just said so."
āI donātāā
"Hey, signal received, loud and clear. Iāll justāā You stand, and turn to the door. You mean it as a joke. It doesnāt matter, though, because you donāt get that far before he catches your wrist and tugs you back.
It only takes two or three movements for you to straddle him.
All at once your field of vision is very full of nothing but messy hair, and eyes bright behind his glasses, and his stupid perfect nose, and his mouthā
"We can't kiss," you blurt out.
He blinks. His face stays still otherwise. āOkay.ā
"It's a rule I have. For hookups. No kissing on the mouth.ā At the word mouth, his eyes drop to yours, which is fine, thatās normal, you canāt just tell someone not to think of an elephant. But the thought of him thinking about kissing you makes you dizzy enough that you rush to continue, āEverywhere else is fine, though."
You are not a good liar. He is an even worse liar, which might be the only way you get away with this.Ā He also might be justifiably distracted by the fact that the entire naked length of him is pressed up against the entire naked length of you, and you are wetter than before from his mouth and from two orgasms and from him leaking out of you.
"Everywhere else?" he asks.
You nod.Ā
āHere?ā His hand is warm against the back of your neck as he drags his thumb back and forth across your neck, just below your ear.Ā
When you nod, he follows with his mouth.
He continues lower, fingers and then lips, to your shoulderāāHere?āāyour sternumāāHere?āāand then his hand is cupping your breast over your dressāāHere?āāat which point your nodding becomes frantic. You dip your shoulder, helping him push down the strap and the neckline until heās able to dip into your bra and free you and drag a tongue across the curve, closing his mouth around your nipple as you wrap an arm around his head and press him to you and wind your fingers into his hair.Ā
He sucks harder, harder, until the pleasure has a sting to it. You tug at his hair. He relents, pulling away only to replace his mouth with his hand, his thumb, back and forth as he laughs into your neck.
āYouāre so,ā he starts, then pauses to press his hips more firmly into you, then huffs out another laugh, low and disbelieving. āThe sounds you make.ā
Your face heats up. āSorry,ā you mumble into the side of his head.
āNo. Donāt you dare. Theyāre great sounds. Excellent sounds. Very helpful.ā You throb against him at that, and he must feel it, because his next laugh chokes off. āCan Iāare youāinside?ā
āInside,ā you agree, a little breathlessly. You lift your hips just enough to line him up to you, and thereās a genuine pang in your chest from how badly you want to kiss himā
ābut then heās inside you, and inside you and inside you and inside you, taking up so much space that you donāt have any left for silly things like regret.
His mouth is back on your chest, your collar, pushing down your dress on the other side. Youāre struck withāsomething. Jealousy, maybe. Your hands loosen from their death grip on his shoulders to grab at his shirt, the buttons, greedy, frantic. āCan Iāā
Youāre clumsy with the buttons, so he comes to your rescue. Heās somehow even worse. Between the two of you, you manage to fumble a few open, and having those few inches of chest-to-chest contact when you bury your head back in his neck feels nothing short of religious.Ā
Aside from minute adjustments of the hips, and a twitch inside you, heās trying very hard to be still. You can tell its an effort because, when you finally move, lifting up slowly on shaky legs, his fingers tighten on your hips. You sink back onto him with a slow, intentional breath.
āGood?ā he asks into your jugular. āIt doesnāt hurt?ā
āNo.ā
It does. But itās a low, quiet ache, a base note of soreness that only intensifies the pleasure, until your thighs give out and you lower yourself back down more quickly than planned, and the hit of him against your cervix makes you yelp. āA little,ā you amend.
āSorry!ā He sounds panicked, which is so endearing it almost makes you forget about the pain. His hands visit lower on your hips, cupping your ass, helping you lift up a little as he presses his hips down and away from you, and a sound escapes you that has nothing to do with pain or soreness and everything to do with the drag of him inside you. āSorry, sorry. Is thatāwe should stop. Letās stop.ā
Now itās your turn to panic. āNo. No stopping.ā
āI donāt want to hurt you.ā
āYou wonāt. Itās all right if you do.ā
āIt is absolutely not all right, thatāsāā
āI like it,ā you admit, and when he looks up you force yourself not to close your eyes or look away. Whatever sentence he was in the middle of dies on his lips. You need to stop looking at his lips.
āOh,ā he says.
āIt feels good.ā You watch him watching you. āI want to be a little sore. I want to be able to remember you were inside me.ā
That last part slips out on accident, and you have a front row seat to watch it land.
His eyes are bright behind the glasses (crooked, smudged, a little foggy), but thereās a stillness to his expression overall, like heās trying very carefully not to scare off an endangered animal, except for a tiny little twitch at the corner of his mouth, and you want to kiss the corner of his mouth so now you do have to close your eyes.
The next two seconds feel like they last about an hour.
āOkay,ā he says, like heās still thinking it over as he says it, and then, more resolutely: āOkay.ā
Something unties in your chest. You open your eyes, and see him looking at you likeālikeāyou canāt examine that expression too closely, actually. If you think about that expression too much you are going to start having all kinds of other thoughts you arenāt allowed to have. āOkay?ā
āBut we go slow.ā
āSlow is good.ā
āAnd if it starts toāif it hurts in a way that doesnāt feel good, we stop. Tell me right away, and weāll stop.ā
āI will,ā you agree, already shifting your hips a bit in his hands to press back against him. You donāt take him all the way down to the hilt. Almost, but not quite. You feel him press against the back of you, and you let yourself sink down just a millimeter more, earning that bit of pain, the sweet ache, before nodding.Ā āThere.ā Your eyes flutter shut, your head tipping down. āUntil there is good.ā
He nods. His forehead is pressed to yoursānot on purpose, you think, thatās just how your head fell, thatās out of your controlāand youāre breathing the same air, and you honestly deserve a Nobel for not closing those last few centimeters.
āGood.ā His voice has dropped about an octave.
You clench around him, and you feel his thighs flex, under yours, through his pants, as he presumably fights the urge to thrust up into you.
āSorry,ā he says, which confirms it. You feel the tip of his nose travel up across your forehead, followed by his lips, ending at your hairline. āWeāre going slow. I want to go slow. Itās good that weāre going slow. I can kiss you here?ā
āYes.ā He presses his mouth more firmly against your head, and you angle your face into his neck. āWe donāt actually have to go that slow.ā
āItās good,ā he repeats, like heās trying to convince himself, āthat weāre going slow.ā
āBut your food. Itāll get cold. Itās probably already cold.ā
āI have a microwave. A great one.ā
āMmhm.ā
āActually itās just okay, you remember, itās the same one, I think itās probably been here since the Cold Warāā You laugh again, which makes you pulse around him again, and he lets out a shaky exhale. āHave I mentioned how glad I am that weāre going slow.ā
āOnce or twice.ā
āGreat, great. Good. Just wanted to make sure you got that. On the record. In your records. One of them. Both. Either. And it doesnāt hurt.ā
āNot in any way I donāt like.ā
He makes a sound into your hair that could best be described as tortured. His fingers are tight on your hips, digging. You know that itās just practical, that heās mostly doing it to help support your weight so that you donāt move too fast, donāt hurt yourself again. You are still hopeful of bruises tomorrow. You are also hopeful that heāll fuck you properly sometime in the next ten seconds, because if he doesnāt you might die.
āYou donāt have to hold backā you say. āI mean it. As fast as you need. As hard as you need.ā
A pause. Then he guides your hips forwardānot deeper, but closer, flush against him, and the pressure takes you by surprise, and you whimper.
āYou get to feel good too,ā he says. āYou said whatever I need, right? Anything I want?ā
āMmhm.ā He moves you, and you let him. āMmhm.ā
āRight. Not too deep,ā His mouth finds its way back to your neck, just below your ear, and you keep rocking against him in that heavy, unrushed rhythm, your clit pressed back and forth against his stomach where his shirt has ridden up. āNot running anywhere, just this, justāā You pulse around him, and his voice breaks. āā just like that. Need to hear you make those pretty noises while you squeeze down on me.ā
āRyāā
āYou want me to fill you up, right, you want me to put a baby in you, thatās the whole point, and I want to, Iām going to, I justāthen I need to feel youāneed you to feel good. Need you to come again.ā
āRyland.ā
āYou can do that for me, right, you can, you can, itās only fair.ā
You donāt know how long you stay like this. Itās slower than you wanted, but exactly as fast as you need, and he is patient, steady, even as the monologue runs away from him and he begins babbling nonsense into your ear. Or maybe heās making perfect sense. You think you hear your name a few times, but who even knows anymore. Youāre pretty sure youāve lost the ability to process language.
He lets go of your hips on one side to get a hand back on your chest, gentle, rolling your nipple between forefinger and thumb. You bury your face in his neck, and then make some effort to lift it back up, until you are practically cheek to cheek.
āItās only fair, you have your rule, I have mine,ā he says. You donāt even know what heās talking about. Youāre not sure he does, either. His mouth is next to your mouth, level, along the same plane, and it would be so easy, nothing at all, to turn your head andā
And then his mouth moves higher, to your eyes, next to your eyes, and heās saying, āHere, is here okay, can I kiss you here, can I please kiss you here.ā
You make some sort of noise of agreement, so far past words you donāt know if you could produce a full sentence if you tried.
The moment he has your permission, he turns his head just the slightest bit to properly press his mouth against your temple, and he keeps it there while he crushes you to his chest with one arm around your waist, keeping the pressure of his pelvis against your clit,Ā and every sound he makes vibrates through your skull as he finishes inside you.
Neither of you moves for a long, long time. Your chest is pressed to his. You could almost swear you feel his heart beat through it, a little faster than yours, a little out of rhythm.Ā
āYour food is definitely cold,ā is the first thing you manage.
āIt is,ā he agrees. āBecause I put it in the fridge.ā
āOh.ā The freckles do go down to his shoulders, you see now. You run your finger between them, tracing constellations, up until the place where they disappear under his shirt where you pushed it back. āWow. When did you do that?ā
āBefore. After. Between. I told you that. I said it out loud.ā
āI forgot.ā The comfortable silence returns. You feel his hand, slow up and down your back, and the other in your hair, still, his thumb against your temple. āI probably need to lay down again,ā you finally say. āFor twenty minutes. I think thatās the rule.ā
āSure. Just one more second.ā
āOkay.ā
You let several minutes pass.
āI donāt even know why twenty minutes. It seems like an arbitrary amount of timeā
āYeah?ā He kisses your temple againāslow, like heās committing it to memoryāand then your jaw, and then your collarbone, and then your neck again, and it tickles and you giggle and while you giggle he finally turns, careful, and lowers you back down to the couch. He pulls out of you, soft, and youād protest but you are honestly too satisfied down to your bones to do anything but let him. āI thought you did all that research.ā
āI did. Nobody on Reddit could agree on a number.ā
āYou did not just use research and Reddit in the same sentence,ā he says, walking back to the kitchen. The sink goes, and then stops. The fridge opens. A bag crinkles on the counter. The chiming of silverware in a drawer, the one to the right of the sink, next to the junk drawer. Your heart feels so full it could burst. Hereās to the things that last.
āCool it, doc. We canāt all have a fancy degree.ā
āYou want fried rice, or white?ā
āBoth.ā
āOn it. And you literally have a J.D. Juris doctor.ā
āYes, but that doesnāt make me a researcher, it just means I get paid twice as much to do half the work of one.ā
āMean,ā he says. You stick a tongue out at him, even though you know he canāt see it. āBut fair.ā
The microwave goes. You lie back, having pulled his boxers back on, and you update your mental profile of him, this man youāve known for the better part of thirty-four years.
Ryland Grace is not the kind of guy who has sex and then kicks you out within fifteen minutes.
Ryland Grace is also not the kind of guy who lets you leak in misery on the couch.
Ryland Grace is smart but not obnoxious about it.
āYou want something other than water? I guess itās late for coffee. Or is that one of those things you canāt have? Like alcohol? I didāI havenāt done, like, research, thatās a completely different thing, but I was reading aboutā¦ā
Ryland Grace is smart but mostly not obnoxious about it.
Ryland Grace prints things out at the library if heās afraid theyāre inappropriate for the school printer
Ryland Grace is the kind of guy who agrees to donate sperm to an old friend without question.
He is tall, and brilliant, and sweet, and funny, and has a great head of hair, and is also built to a crazy degree for someone whose primary form of exercise seems to be biking places.
Heās farsighted, but that means he keeps the glasses on during sex and that honestly has to count as a pro.
He is good in bed, and you get to keep on sleeping with him for as long as it takes for you to get pregnant.
That last part makes you pause.
The as long as it takes part. The part where thereās a guaranteed end date.
Which is your fault, of course, and also entirely by design. Help me have a baby is a very different context than help me have a baby and also we should date. Itās completely different than help me have a baby and also remember that time sixteen years ago when I poured my heart out to you and youā
āThere.ā He places a coaster on the coffee table, and a steaming plate on top of it. āYou donāt have to sit up yet, itās pretty hot. I just put a little of everything. And itās definitely a no on the coffee, unless you want decaf, but then I remembered you hate coffee so I just brought more water.ā
You take the fork he offers you. āThanks, Ryland,ā you say.
It comes out softer than you meant for it to. He doesnāt notice. He just smiles, and goes back to the kitchen to make himself a plate. You watch him go, and you think:
Ryland Grace is the perfect person for you to have fun with, have a baby with, and then forget about completely.
You can do that. You can totally do that. You just donāt know how youāre going to do that.
But then he comes back with a steaming plate of food of his own, and jokes about burning his tongue, and then immediately burns his tongue, and you laugh at it like a friend would. And, once youāre satisfied that youāve been on your back enough to be relatively leak-proof, you sit up and race him to see who can finish their noodles the fastest (he lets you win, like he used to when you were kids), and every time you offer to leave he finds some excuse or some question that requires you to stay, until he actually has to leave to avoid being late for work, and you drive home and you shower and you go to sleep in your own bed. And you wake up only thinking about him a little.
And that feels like a good place to start.















