homer is real actually…… but homer is YOU
#maybe the real homer was inside us all along
Sade Olutola
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Kiana Khansmith
One Nice Bug Per Day


roma★
Cosmic Funnies
Show & Tell
Not today Justin
almost home
taylor price
d e v o n

tannertan36
we're not kids anymore.

Product Placement
he wasn't even looking at me and he found me
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Jules of Nature
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@zeuss-kid
homer is real actually…… but homer is YOU
#maybe the real homer was inside us all along

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“oh shit” - Alcibiades, 404 BC
Achilles and Patroclus, Alexander and Hephaeston, Hadrian and Antinous, Alcibiades and probably Socrates: We were lovers.
Old Classicists: TwO BRoS CHilLiN iN a HOtTuB 5 FeET APaRt ‘COs THeY’Re NOoOOT GAy.
Hello LGBTA community (Lesbian, Gay, Boeotian, and Thessalian Aeolic)

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Sure, sex is great, but have you ever had the patronage of the esteemed Lady Catherine de Bourgh?
Heracles, after “defeating” the Lernean Hydra, only for more heads to grow back.
one of my favorite things about sappho 31 (the “he seems equal to the gods” poem) is how sappho describes herself as paler than grass when she looks at the girl she has a crush on like. the imagery of that stanza in general is beautiful and i love the idea of thin fire racing under her skin, but i really love what sappho does with her word usage for this particular phrase. the word she uses for “paler” is χλωροτέρα, which refers in general to a sort of pale-green color (it’s where we get “chlorophyll” from). but χλωρός also has a more specific connotation in homer- it is the color of fear, the color that a soldier turns when he realizes that he’s about to die. sappho uses a word that has an undertone of death to it, and immediately follows it up with talking about how she seems to herself to be little short of dying
so basically, this part of the poem is sappho rolling around on her bed doing the ancient greek equivalent “ugh she’s so CUTE and i like her so MUCH i’m literally going to DIE” and that’s quite frankly one of the most relatable things i’ve ever seen
SparkNotes’ Twitter is something else.

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Dido: I will go down with this ship! And I won’t put my hands up, and surrender! There will be no white flag above my door! I’m in love, and always will be!
Ten Year Old Me:
I thought this was talking about like the Carthaginian Dido and I was v confused
Same here
odysseus, immediately after telling polyphemus that his name is nobody, blinding polyphemus, and sneaking out of polyphemus’s cave: by the way the name’s odysseus lol, nothing you can do about it now
poseidon:
Temple C (Temple of Apollo)
Selinus, Sicily, Magna Graecia, Italy
6th century BCE
Doric order
Another post of Magna Graecia! Interesting to see this architecture developing next to, influenced by, and branching out of the now-forming strict Greek architecture.
It was one of the most ancient of the temples at Selinus, having probably been built on the acropolis a little after the middle of the sixth century BCE. Temple C was probably used as an archive (hundreds of seals have been recovered from it) and was dedicated to Apollo.
he building has a peristyle colonnade around the naos (peripteros) with six columns at the front (hexastyle) and seventeen on its long sides, leading to a very elongated floorplan, far from the canonical 1:2 proportion, but paralleled by some other archaic temples, such as the Temple of Hera at Olympia. A flight of eight steps takes up the whole of the front side, with the rest of the crepidoma has four steps as at the temple in Corinth, following a rule which remains constant in Sicily.
The pronaos has a two rows of columns, not placed in relation to the proportions of the naos. The opisthodomos was transformed into an empty space behind the naos (adyton), as is common among the doric temples of Magna Graecia. The columns were exceptionally slender (8.65 metres high) and the intercolumniation was wide in the facade, but on the sides was contracted to a more sensible dimension. The columns’ diameters vary widely, following a flexible pattern with little regard for the rules of the doric order, which had already become strict in Mainland Greece.
(one) breathe look at him don’t be afraid he’s the villain he’s the monster be ready to slay
(two) when his sister introduces him accept your fate watch him and recognize the slaughter waiting behind his eyes he’s part divine be ready to bleed
(three) they call you the hero so do what a hero does do great deeds don’t forget to smile save the helpless slay monsters you were never good enough for anything else
(four) when he kisses you ravish him greedily his mouth is your church and he is your divine creature ask for mercy ask for love pray
(five) when he touches you don’t doom him for the black of his hands or the blood of the ones that came before kiss it off swallow cry
(six) let him choke you with the red thread around your neck let him choke you with something called love
(seven) if they call him a monster accept it don’t try to make him a saint don’t try to make him a lover a monster cannot love remember that
(eight) you cannot change a monster’s nature you cannot change a monster’s past he will betray you be prepared
(nine) when the time comes kill him take your sword and cut him down put a bullet through his head do anything you have to to stop him
(ten) don’t mourn remember you’re the hero of this story he was the monster you were never meant to love him anyway
On loving the Minotaur from Wasteland r.m | buy the book

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from now on I will not respond to anything unless I am addressed with the epithet “of the giant strap-on penis”