Bleh

Look, I get what you're saying, but sometimes you've gotta reach for the low-hanging fruit. Let's get you a proper meal, refill your meds, and unfuck your living space as best we're able; if after that you still want cute girls to kill you with axes, you'll be in a much better physical and mental place to pursue that goal.

The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.

You've heard of the man, the myth, the legend. Now get ready for the woman, the omen, the portent.

Jolene

Even in a post-capitalist, post-consumerist world, you still need to produce goods, as a result of this, you need factories because it is more effective to have a few people making a lot of clothes in a factory than every woman being forced to sit down and spin wool all day.

The issue with factories is poor wages, unsafe working conditions and environmental impact, all of which can be fixed through things like regulatory bodies and unions, the issue is not the fact that goods are no longer all made at home

it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?

Two figures arguing on my shoulders, except instead of an angel and a devil, it's an architect and an engineer.