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Godfried Schalcken (Dutch, 1643-1706)
De boetvaardige Maria Magdalena
"COME CLOSER," said the thing whose name sounded like Hornet Head, but was not. "LET US TALK... OF MANY THINGS."
Some recommended books on traditional witchcraft and folk magic 🐐
The God of the witches; Margaret Murray
Treading the Mill; Nigel Pearson
The Devil’s Dozen; Gemma gary
The black toad; Gemma Gary
Traditional Witchcraft A Cornish Book of Ways; Gemma gary
A History of Magic, Witchcraft and the occult
Mastering Witchcraft; Paul Huson
The crooked Path; Kelden
The Witch cult in western Europe; Margaret Murray
folk witchcraft: a guide to lore, land, and the familiar spirit for the solitary practitioner; Roger J horne
The Witches' Devil: Myth and Lore for Modern Cunning; Roger J horne
A Broom at Midnight: 13 Gates of Witchcraft by Spirit Flight; Roger J horne
The Witch's Art of Incantation: Spoken Charms, Spells, & Curses in Folk Witchcraft; Roger j Horne
The black Book of Isobel Gowdie: and other Scottish Spells & Charms
Cartomancy in Folk Witchcraft: Playing Cards and Marseille Tarot in Divination, Magic, and Lore; Roger J Horne
Alive With Spirits: The Path and Practice of Animistic Witchcraft
Besom, Stang and Sword: A Guide to Traditional Witchcraft, the Six-Fold Path and the Hidden Landscape
The Witch-Hunt in Early Modern Europe, Brian P. Levack
The Malleus Maleficarum
The clovenstone working; Robin Artisson
Demons and Spirits of the land, Claude Lecouteux
Under the witching tree; Corinne Boyer
Letters From The Devil’s Forest; Robin Artisson
The magic of the horse shoe; Lawrence
These are just a few books on traditional witchcraft and folk magic; I hope this has been helpful:)
the malleus maleficarum is an extremely odd addition to this list? the witches' hammer is what they used to kill women with.
@chargedobjex I understand your point of view, but I included it because I believe it makes no sense to practise mindfully without knowing the history, including its most brutal and inhumane aspects. The Malleus’s a terrible text, but it is essential for understanding how prejudice against witches developed and how it led to persecution.
Something that i think needs to be brought back into mainstream occult consciousness is that Witches can be spirits too. Having a Witch coming for you doesn't always mean it's a physical person, in folklore sometimes witches are spiritual intangible beings. They're the wild places made real in form, they are the vengeful dead, or the spirits we're born with that are attached to us but aren't us.
So the local Witch in your community may not even be an embodied person, they could be a pesky spirit haunting people. And sometimes the witchcraft in our lives comes from these Witches in spirit, so trying to find a person to blame can lead you down false paths

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Hail to the devil of the midnight sabbath,
Hail to the horned one who gave us Art,
Hail to the man in black,
Hail to the lord of the mound,
Hail to the great initiator
last summer 🫠
toleration will eventually lead to resentment.
Carrie Mae Weems, I Looked and Looked and Failed to See What so Terrified You, from the Louisiana Project series

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(x)
Tracee Ellis Ross at her first Mugler show. Spring 1991.
I dont think things can be treated with that kind of duality. For Japanese who don't think that way, the gods are in the darkness. They may come out into the light at times, but they are usually deep in the forest or mountains. When a holy spot is created, the gods drop down onto it. That is why, in the shrines that are closest to their original form that still exist in Okinawa . . . the image of the god is just a tree or a stone. And such a shrine isn't in a bright, shining place, it's in an overgrown dark area where the silence is deep—a butterfly may flit about, but it's a bit eerie. When I went there . . . it felt as if something were there. This sense of dark awe is the sort of veneration that Japanese have toward certain forests and natural objects.
Hayao Miyazaki, "Totoro Was Not Made as a Nostalgia Piece" in Starting Point: 1979-1996
Many places have a "forest that shouldn't be entered." Even people who are used to working in the mountains feel there is something there. They are suddenly overcome with fear and it becomes the custom to avoid certain places. These places exist. I don't know what is there, but I think they are real . . . The world is more than we can fathom with our five senses. The world doesn't exist just for humans. So I think it is all right to have such things. This is why I think it's a mistake to think about nature from the idea of efficiency, that forests should be preserved because they are essential for human beings . . . I am concerned, because for me the deep forest is connected in some way to the darkness deep in my heart. I feel that if it is erased, then the darkness inside my heart would also disappear, and my existence would grow shallow.
Hayao Miyazaki, “Totoro Was Not Made as a Nostalgia Piece” in Starting Point: 1979-1996

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From Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace by David Lipsky.