Impressionist memories of the Young Performing Art Lovers meeting held during the Festival TERRORisms in Stuttgart in June 2015. Thanks to UTE-Union des Théâtres de l'Europe www.ypal.eu
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-Even if they think about it, it will always be a fictional and imaginery audience.
-Who is this "audience"? rich people that can afford ticket? citizens? theater goers?
-Artists are selfish, they do not think about the audience at first.
-Artists have a responsibility towards society, not necessarily the audience.
-Audience do not have to understand to enjoy a show.
-Understanding is sometimes just about creating a connexion between the audience and the show.
-What is the limit of the audience?
-Are the spectators supposed to endure and accept everything that happens on stage?
-The experience as spectator is not only related to the show itself, it also depends on the diversity of experiences we had and the various shows we had the chance to attend during the years.
-I feel more as an artist than a spectator. I miss being a "normal" spectator, because I know what happens backstage and behind the stage.
-You can understand when you feel and you also feel when you understand.
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La Ribot
Rodrigo Garcia
Jean-Louis Costes
Ricci Forte
François Chaignaud
Wajdi Mouawad
Stanislas Nordey
East West Theatre Company
Danis Tanovic
Ilan Ronen
Branko Miliskovic
Federico Leon
…
And all the artists invited during the TERRORisms Festival:
We chew on the bones of time de Jonas Corell Petersen
Théâtre National d´Oslo, Norvège
The Dragonslayers de Milena Markovic
Théâtre dramatique yougoslave Belgrade, Serbie
God waits at the Station de Maya Arad
Habima - Théâtre National de Tel Aviv, Israël
5 morgen de Fritz Kater
Staatsschauspiel Stuttgart, Allemagne
La Baraque d´Aïat Fayez
Comédie de Reims, France
During the 5 days of our meeting, we spoke about a lot of artists or shows who left us a strong impression. They accompanied us in our discussions about theater, art, artist and the place of spectators.
by Dominique Vidal, avril 2015, Le Monde diplomatique
The 11th of January will be remembered in French History as one of the biggest popular demonstration. French people have this rare ability for strong réactions, as the 13th of February 1962 to bury the deads of Charonne (demonstators against War in Algery died because of police suppression), the 13th of May 1968 to condemn the police suppression or the 1rst of May 2002 to say no to Jean-Marie Le Pen (presidential election).
What billions of people have marched against this day ? « Terrorism » is a very often used word, that very few people can explain. Proof is that many international organisations, included UN, have failed to give a definition accepted by everyone. And that’s logical : since the anarchist attacks at the end of the 19th Century, the word of « Terrorism » has been used for very different realities (for example it was used by German occupying forces against French Resistance during WW2, by French people during colonialist period against FLN in Algery, or English people against Nelson Mandela in South Africa...).
« Islamist terrorism » appears in the seventies and continues in the next decades : Lebanese civil war, attacks in France in 1986 et 1995, 11th of September 2001 in the USA. Then Madrid, Londres...
How to use adjectives is a problem too. When M. Anders Behring Breivik murders 70 people the 22th of July 2011 and says he did it to protect white people against Muslim invasion, which medium calls him a « Christian terrorist » ? But when Mohamed Merah ... Saïd et Chérif Kouachi... kill several people, their crimes fall on Islam : as if 5 million of Muslims living in France were responsible of the acts of 5 of them. And the warnings against combination don’t change anything : there were more violent acts against Muslim people in a month after the 7th and 9th of January than during all 2014.
But why young French – and Danish – people are enough angry to kill other people ? We have to answer this question if we want to end those acts, the police answer isn’t enough. Worst : this one is a pretext to restrict liberties. Le terreau du terrorisme est quadruple. Terrorism has four reasons.
The first one is called « territorial, socila and ethnic apartheid » by Manual Valls, French Prime Minister. If it’s not exactly like the white government in South Africa, this expression is good to evoke discrimination, ghettoïsation and racism.
The second is the way that western military interventions, victims they did and political systems they let after them, are perceived. The third is the cololialist past. The fourth is the djihadism...
The answer to the terrorism is radical transformations, in city and international politics. It’s important to mobilize young people in underprivileged districts, with neccessary self-sufficiency and help of sacrified generation in the name of austerity. Every one will win in these changes.
Dominique Vidal is a journalist and historian who wrote with Alain Gresh Les 100 Clés du Proche-Orient, Fayard, Paris, 2011.
This article was proposed and translated from French by Rénilde for our workshop about TERRORisms.
The original version in French is available here: http://www.monde-diplomatique.fr/mav/140/VIDAL/52797
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This video is made of moving memories of the performance “We chew on the bones of time”, which was presented in the framework of the TERRORisms Festival held in Stuttgart in June 2015.
This is a spontaneous and joyful tribute to this show, following a workshop organized by the Young Performing Art Lovers.
With the participation of: Hannah, Louisa, Miriam, Fanny and Rénilde.
Special thanks to Quentin for the facilitation of the workshop and to Lucie for the organization of the whole YPAL meeting.
“We chew on the bones of time” by Jonas Corell Petersen
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