someone do a love island inspired mumu w me !!!

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someone do a love island inspired mumu w me !!!

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i am so delusional but like i know whats going on
Leslie Grace as Nina Rosario from In the Heights (2021) dir. Jon M. Chu
important note : dear readers, in the last few months i realized the turkish fcs in the rpc has been increased so much and it makes me happy to see them on my dash, in the tags and generally all around the rpc. i just wanted to get something off my chest that has been bothering me a lot as of lately. i made a post about it earlier but i felt the need to make another post about it because it’s happening more often now. people are using names for their muses that don’t make sense in the slightest bit. i’ve seen more turkish fcs with other names than turkish names and this is REALLY OFFENDING. yes, your muse could’ve changed their name (which is not a situation as common as rpc wants to believe, especially for the first names) but how can 9 out of 10 muses that i’ve seen in the rpc change their name? this just means that people don’t do researches on their choice of fc and just erase their whole background (and i’m not even talking about the culture yet). please make sure to do research on any choice of your fc. to make it a bit easier picking names for your turkish fc, click here to be directed to a masterlist of first names/click here to be directed to a masterlist of surnames that i made a while ago. if you have any questions, don’t hesitate to message me.
i really wish yall would stop depending on celebrity relationships to determine if you will find love or not.

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hey stop using “cisfemale” to describe your characters
general psa for the rpc that just as we cannot stand when people refer to women as “females” irl, we should end this emphasis on using “male” and “female” in rps as though that makes us sound more scientific or accurate — especially because no one says trans male or trans female and these terms can be harmful !! cis man, cis woman, trans man, trans woman ( and always w/ a space in between ) from now on thank you
ZENDAYA COLEMAN GQ Magazine February 2021
hi! i just wanted to say that evan mock, one of the rpc's fav filipino faceclaims, is bisaya on his mother's side! i know we know he's filipino but i freaked out when he posted an ig story of his mom talking to him in bisaya. and he understands the language too, which makes me so happy! so if you're playing evan, i hope you consider acknowledging his bisaya heritage! it's so rare for me to see a faceclaim as popular as evan be bisaya AND be in touch with his heritage too.
me: oH MY GOD YAAAAAS LETS PLOT IM SO EXCITED them: haha sure me:
im starting to see evan mock muses which i love but i am also seeing them w usually only spanish last names so :) here is a link of traditional filipino surnames that u can maybe give him instead :) bc he is filipino :)
*also wanna add that idk if evan is tagalog or bisaya or kapapampangan or waray or etc so! also keep that in mind if it was ever told/known/discovered/u get it

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*me lying to men* oh wow that’s so interesting
hii! lately i've been having trouble with describing my characters emotions and feelings (basically the show not tell thing, i feel?) and i don't know how i can improve this, though i've tried many things already... i'm just not satisfied with how i do it... i dont know if it helps, but i write from third person pov focusing on one character's pov especifically
Trouble Describing Emotions
Learning to describe emotions (rather than label them) is one of the early challenges many writers face in improving their writing skills. So, trust me, you’re in good company. It’s something a lot of newer writers (and even some more seasoned ones) struggle with. Fortunately, there are a lot of things that can help.
1) Labeling vs Describing
First and foremost, it helps to understand the difference between labeling an emotion and describing one.
Emotion labels are words like happy, sad, scared, worried, elated, horrified, angry, embarrassed, etc.
Every one of those emotions has specific facial expressions, body language, and internal cues that go along with them. If I realize my best friend has a crush on my next door neighbor, and when I call her out on it she’s embarrassed, I’ll probably be able to tell that just by looking at her. Any one or combination of the following might happen: blushing, hives, nervous giggling, wide eyes, shaking head no, waving it off, hiding face in hands, hysterical laughter, biting bottom lip, not willing to make eye contact, etc. These visual cues will let me know she’s embarrassed. Likewise, she’ll know she’s embarrassed because of the things she’s feeling physically, like her cheeks burning, nervous energy, inability to stop giggling, butterflies in the stomach, watering eyes, etc.
So, the key to describing emotions, rather than labeling them, is to think about the cues that indicate what someone is feeling, and describe those rather than labeling the emotion. For example:
Terrance got down on one knee and Aisha was super happy!
“Super happy” is a label. What visual cues might we see that indicate Aisha’s super happiness?
Terrance got down on one knee and Aisha's jaw dropped, her eyes widening as everything sunk in. She gasped and brought her hand to her mouth as she burst into tears, but her twinkling eyes reflected her smiling face before she revealed it to Terrance. “Oh my God, T! Yes! Of course I will marry you!”
See the difference?
I strongly encourage you to get a copy of The Emotion Thesaurus by Angela Ackerman and Becca Puglisi, as this provides all of the external and internal cues common to a huge variety of emotion labels and is a super handy reference for any writer’s desk.
2) When to Show Emotions (And When Not To)
Remember, fiction is made up of three elements: narrative exposition (explaining information or internal monologue), action (describing things that are happening), and dialogue (characters having conversations.)
The main point when you will show emotions rather than label them is during action, which is when something is happening, like Terrance proposing to Aisha. This is a moment the reader is watching unfold, so you want the visceral impact of the description rather than the blunt and weak label.
You may also sometimes show emotions when characters are recalling something that happened, specifically when that recall is being used to show the reader something that happened outside the events of the story, like in the past or between chapters. Here again, the moment is technically meant to be unfolding for the reader, so it helps to have the impact of description.
However, sometimes a character is recalling or thinking about something that happened that the reader already saw unfold. This could be happening internally, as in they’re thinking about it, or it could be happening externally, in dialogue with another character. This is a point where it might be better to label rather than describe. For instance, if your character is sitting in a coffee shop and another friend arrives, and that friend sits down and says, “OMG, did you hear Terrance proposed to Aisha?” If your character happened to be there when it happened, it might be weird for her to answer, “Yes! I was there! Her jaw dropped, her eyes widened as everything sunk in. She gasped and brought her hand to her mouth, bursting into tears...” That’s just not really the way people talk. In this case, it would make more sense for your character to say, “Yes! I was there! She cried but she was super happy!”
On the flipside, let’s say the reader didn’t see the actual proposal unfold. Terrance is sitting in a coffee shop when his friend arrives and asks, “How did it go with Aisha? What did she do when you proposed?” He could certainly answer, “She cried. She was super happy...” but it also might make sense for him to say, “Her jaw dropped and she burst into tears, but she was smiling so big, and she said yes!” Not quite as much description since it’s dialogue, but since the reader didn’t actually see it unfold, it’s more than just a label to give the moment a bit more impact.
3) Treat Emotion Labels As Alarm Bells
Try to think of emotion labels as alarm bells. When you see them in your writing or are tempted to use one, stop and consider whether it’s best to label or describe, according to what you learned in #2. When it’s a situation where you should be describing, consider what those cues would be (or look them up in The Emotion Thesaurus) and formulate a description rather than relying on a label.
I hope that helps! <3
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Have a question? My inbox is always open, but make sure to check my FAQ and post master lists first to see if I’ve already answered a similar question. :)
i’m a simple girl i see a man with big arms and a kind heart and i get a little stupid
there should b a white woman equivalent of toxic masculinity bc the amnt of times white women have used their supposed fragile femininity to shut down any criticisms regarding their racism is fucking astounding.
it’s like,, u call them out for being racist and IMMEDIATELY the tears start to fall, they accuse u of being a misogynist, they accuse u of being anti-feminist, they pretend (or, in some special cases, genuinely believe) they’re incredibly hurt by ur words and “wrongful” accusations, and in general do everything in their power to weaponize their white womanhood so as not to be held responsible for their actions.
if you then get frustrated and/or angry at them for not getting it, you “prove their point” of being ~aggressive~ and ~unwilling to compromise or educate~. if you hold your tongue and instead console and apologize to the very person hurting you, you’re back to square one while also implicitly letting them know they can get away with being racist and even get called right for doing so as long as they play their cards right.
it’s a no-win situation for people of colour.
I can’t remember if I read it or watched a video, but I remember a black woman describing how she deals with this. She neither argues nor consoles, she just calmly tells the white woman “I’ll let you collect yourself and we can finish this conversation later.” In other words she treats them like the (evil) toddlers they are.

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do you have any tips for admins to make sure everyone is being included?
ive answered some slightly similar stuff before . check out here and here . let me know if that helps or if ur after smth a bit more specific / different !
having 1 on 1s with ur members
hosting ooc surveys where members can provide anonymous feedback is also super important . make sure u actually follow up on the feedback u receive though !
be transparent and open with communicating , but don't be too friendly / pick favourites with rpers in ur rp !
if something is wrong / someone has upset another person , u need to moderate it and try fix it / come up with a solution for both parties asap . otherwise shit will get messy
encourage diversity . employ that diversity urself
reach out to ppl who are playing less ' popular ' fcs . plot with them . connect with them . bc not many other people will
encourage people from different timezones to join
don't have an ooc chat ( i say this all the time but ppl can find these v overwhelming and notoriously cliquey )
listen to minorities first and foremost . always . if they have an odd feeling , its 99.9% of the time very valid
encourage open communication and an open door policy . do not be seen as 'intimidating' or ' scary '. trust me , theres nothing cool or healthy abt seeming like this to ur rpers .
im sure theres plenty more but this is all i can think abt rn !