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@yasuke3w
Yoshikawa Kanpo Satō Shōtarō, publisher, Actor Nakamura Ganjirō I as Kamiya Jihei, 1923 woodblock print on paper H: 16 1/8 in. x W: 10 3/4 in. (40.96 x 27.31 cm) Carnegie Museum of Art, Pittsburgh: Bequest of Dr. James B. Austin, 89.28.1505
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Where centuries-old aesthetics meet machine precision—crafted by AI, inspired by human legacy.
This woodblock-style print was born not from chisel and hand—but from code and creativity.
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Old techniques, new streets. Toronto rendered in digital woodblock form—quiet moments, layered lines, and modern life pressed into timeless frames.
#AIArt #WoodblockPrint #TorontoStreets
Ancient technique, future hand. The Scarborough Bluffs reimagined as AI woodblock prints—where layered cliffs, water, and time collide into a quiet, modern ukiyo-e moment.
#AIArt #WoodblockPrint #ScarboroughBluffs
Moon over Miyajima, Ito Yuhan, ca. 1930
Crow and blossom, Ohara Koson, 1910
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Takeuchi Seihō (竹内 栖鳳, Japan, 1864-1942)
Wild #Boar, c.1938-40
“This print was a part of two groups of prints, produced by Unsodo in Kyoto between 1938-40. These prints were never reprinted because the blocks were transported from Kyoto to Tokyo during the war. They were lost due to the carpet bombing of Tokyo at the end of WWll.”
Masao Maeda (前田 政雄) (Japanese, 1904-1974) - Kuroneko (Black Cat in Tree) (1940-1946)
Flying Bats, woodblock print by Kono Bairei
Utagawa Kuniyoshi, “Yamabuki Gozen”, c. 1844-47
Books and a Bookcase
Keisai Eisen Japanese 19th century
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Hokusai (1760-1849), "Back of Fuji fr. Minobu River" (36 Views of Mt Fuji), c. 1820s, colour woodcut. From the Visual Arts Legacy Collection (JSTOR)
Utagawa Hiroshige Cuckoo 1840s or later inscription: Signature: Hiroshige\r\nArtist Seal: Ryusai; inscription_translation: None; inscription_remark: None color woodblock print Overall: 33.4 x 15.3 cm (13 1/8 x 6 in.)
