ModulaciĂłn 213 (Modulation 213) Julio Le Parc, 1977 acrylic on canvas
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ModulaciĂłn 213 (Modulation 213) Julio Le Parc, 1977 acrylic on canvas

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Dimitris Ladopoulos (coding Armin Hoffman)
Dark Juniper Campbell Tileworks
Art Nouveau flower tile in glossy dark green glaze 6 x 6
Mark Rothko, No. 16 {Green, White, Yellow on Yellow}, 1951
oil on canvas, 67-5/8" Ă— 44-5/8" (171.8 cm Ă— 113.3 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
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Lbf
Form Unformed

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𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, Untitled, 1968
Acrylic on paper laid down on panel
57 7/8 Ă— 40 3/4 inches
📸 mark.cashion (instagram)
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
This is a much better shot than the auction catalog so I'm sharing it here because you can see a lot more of the paint texture, and that's pretty cool
This might be the one
Not to be unkind, but it seems to be a universal truth that a person who leaves a petulant comment on how Rorthko's art is garbage on my posts will reliably have the most embarrassing art possible on their own blog.
Today was a good day off. My favorite part was napping with my cat. I had a good day and yet my heart is still confused and a little bummed out. It doesn’t make sense and maybe it never will, I have to be okay with that. I have to be okay with that.

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Josef Albers | Full Evening
oil on masonite 18 x 18in. (45.8 x 45.8cm.) painted in 1956
Mark Rothko, No. 8, 1964  oil, acrylic and mixed media on canvas 105 ¼ × 80 ¼ in. (266.7 × 203.2 cm) National Gallery of Art, Washington, D.C.Â
I am replacing our old somewhat washed out scan with a better new one, the dark paintings look different everywhere, even different from tumblr to somewhere else on the web. I have noticed over the last few years one of the big issues is the amount of brown/plum tint harnessing the black as well as how much direct light (warm or cool) is on the picture.Â
I have seen this person and under those conditions, I saw very little border but more of a very dark painting with warm highlights in the middle. It just depends on the room and the camera.
All that aside, our old scan was very old and this is far superior. Appropriate for our dark days.
(this is one of the “Black Form” paintings of 1964)
It will take you a good year of being single after having been in relationships all your 20s to realize that being alone is essential and all the love you’ve been searching for exists within you and your friends.
Agnès Varda | Bord de Mer [2009]

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