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Carra Patterson as JOSEPHINE BAKER in Lovecraft Country (2020 -)

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Sunlight, Mika’s room

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The Terrorizers 1986 ‘恐怖份子’ Directed by Edward Yang

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Everywhere At the End of Time - Brendon Burton

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billykidd

Armando Cabral was shot by Billy Kidd.

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Music in Film: To All The Boys I’ve Loved Before (2018) dir. Susan Johnson

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interiors in Genova, Italy, February 2018

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“High art, my arse” - Hannah Gadsby

larmoyante

“Perhaps the problem is not the intensity of your love but the quality of the people you are loving.”

— Warsan Shire

santiagonex

#LOOK @ ALL MY QUEER PPL OF COLOR LIVING THEIR BEST LIVES I LUV THIS SO MUCH

3vz

Me, you & a lit 90s playlist

chokkilissa-nahollos

i understand that my friends don’t wanna talk every day. i understand that my s/o doesn’t wanna be lovey dovey and super indulgent every day. lots of people need rest from performative emotions. all people need rest in general! it’s okay!! it doesn’t mean they don’t love me!! it’s not a judgement or punishment!! they deserve to take their rest, and they deserve for me to treat their needs with respect!

ro-beau

not a lot of ppl grasp this.

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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empiregalaxy

The Many Subgenres of Science Fiction

Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible. ~ Ray Bradbury

Films & TV Shows depicted (from top to bottom): The Man In The High Castle, Orphan Black, City of Lost Children, Mad Max: Fury Road, The Handmaid’s Tale, Arrival, Aliens, Westworld, Firefly, The Prestige, Lost

wordsnquotes

“What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”

— Margaret Atwood, The Handmaid’s Tale

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