Rebecca Morris. Untitled (#12-23), 2023.
oil + spray paint on canvas

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Rebecca Morris. Untitled (#12-23), 2023.
oil + spray paint on canvas

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Jurassic - Willi Baumeister 1942
Edvard Weie (Danish, 1879-1943), Dante and Vergil in the Underworld, 1932. Oil on canvas, 101 x 100cm
Miles Cleveland Goodwin - Orpheus and Friends, 2022
Miles Cleveland Goodwin (American, 1980)
Adrian Wiszniewski (British, 1958), Künst [Arts], 1988. Woodcut print in colours on wove paper, sheet: 120.5 x 92 cm.

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Niki de Saint Phalle - Altar of a Dead Cat
Louise Bourgeois, Untitled, no. 36 of 36, from the series, The Fragile, 2007
Bruce Nauman, Raw War, 1971
Avery Palmer
(The Door), by Ivan Albright (1897-1983)

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luboš PIni, 2016
František Hudeček (1909-1990) — Night on the Train (oil on canvas, 1944)
Miles Cleveland Goodwin.
Agony, Arshile Gorky, 1947, MoMA: Painting and Sculpture
A. Conger Goodyear Fund Size: 40 x 50 ½" (101.6 x 128.3 cm) Medium: Oil on canvas
http://www.moma.org/collection/works/78740
Wooden Room, Anselm Kiefer, 1972, MoMA: Painting and Sculpture
Gift of The Jerry and Emily Spiegel Family Foundation, Inc. Size: 9’ 10" x 7’ 2 ½" (299.7 x 219.7 cm) Medium: Charcoal and oil on burlap
http://www.moma.org/collection/works/80576

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6EQUJ5, Jennifer Steinkamp, 2012-2013, Minneapolis Institute of Art: Contemporary Art
floating multicolored rocks/metors; four separate videos (#1, 2, 4, 5) Jennifer Steinkamp was born in 1958 in Denver, Colorado, and spent much of her childhood in Edina, Minnesota. In 1979, she moved to Los Angeles to attend the California Institute of the Arts, where she studied experimental animation. She worked for a time in industrial film, which allowed her to experiment with new digital technologies not yet being taught in art schools. She is currently a professor in the department of Design and Media Arts at UCLA. Armed with the latest advancements in new digital technologies, Steinkamp began to employ 3-D digital animation in her artwork in order to transform architectural spaces. Her early projections tended towards brightly colored abstractions; since 2003 she has increasingly incorporated nature-based imagery into her work. Through these highly realistic, digitally animated images, the artist creates illusionistic spaces within which the viewer becomes physically and perceptually absorbed. The title of this work, 6QUEJ5, comes from a signal scanned by one of the world’s most powerful radio telescopes that suggested the existence of extra-terrestrial intelligence. The artist has created what she calls “intelligent asteroids” by inscribing them with drawings and paintings that could be attributed to life on other planets and other theories of the universe. According to Steinkamp, she uses “natural forms because the motion can be so intriguing… Motion can touch you on an emotional and physical level in a timeless way.” As it happens, the subject of asteroids is particularly relevant of late as news of their relative proximity to earth has gained global attention. Size: Variable Medium: Digital projection
https://collections.artsmia.org/art/116191/
JEAN-LUC MOULÈNE Cat/Skull, 2016 concrete