I'm Luna (she/her) and I occasionally write my blorbos!
I'm into Anime, games, tv shows, way too many things to actually list. I play almost all Mihoyo games, mostly Honkai Impact and Starrail, and I'd love to talk about them so feel free to dm me.
Requests are open (tho it might take a while I'm slow)
Masterlist
I write for multiple fandoms. Mostly Genshin, Honkai Starrail, Jujutsu etc.
This is a 18+ blog and I post nsfw works. I try my best to monitor but if you're a minor don't interact.
And that's that! I'd be glad to hear what you think about my works and/or talk to me about your ideas.
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Thank-you to all of my new Internet stranger friends for being so gracious about having my post shoved onto your dashboards. I loved reading all of your kind tags and comments! Both Martin and Bosco have been gone for several years now but for 24 hours, they felt very present in my life. I greatly appreciate this gift. ❤️
Thank you to everyone who commented in their tags or messaged me. Indeed, today is “Martin and Bosco Day”. I originally whimsically blazed this photo on 13 July 2022. I never expected Martin and Bosco to travel so far and make so many new friends. The experience has been such a gift for me.
if you’re struggling to start writing a new story, i suggest writing a 0 draft to get yourself started! all you have to do is think of a scene—it can be from your outline if you have one or just based on a vibe you want to capture—and word vomit onto a document. it can be as many pages as you want. when you feel like you have a flow, start writing the real thing! if you like the 0 draft you can use it and tweak it to fit in where ever you need to, as well. i tend to just word vomit a few intro pages and clean them up in the first draft. this helps sooooo much as a discovery writer.
@urfriendlywriter | req by @everynowandthenihaveacrisis @aidyaiden :)
know your character. from their deepest fears to what they cherish the most. know your deepest fear, ask yourself how you will react and feel at that moment. "oh shit, if this happened to me I'll lose my mind" what's that type of scenario for you? write it. :)
and then, decide on--what reaction you can take out of your character by doing what to them.
are they gonna be, held at a gunpoint to give something up? or have their soul wrecked by whom they thought were close to them? or is it going be horror, or etctec, decide on it.
moving on to actually writing it-
Tip 1 - Use sensory details.
her eyes brimmed with tears
his chest heaved
pain clawed at his heart, as his face twisted with hurt
his scream pierced my heart
her lips quivered
she dug her nails into her palms (to distract herself, to stop it from shaking, etc)
show what is happening to ur MC, instead of telling it.
Tip 2 - how to actually write it.
If they're panicking, make them notice too many things at once, show every detail that they're seeing, feeling, from touch, to that burning sensation on their eyes, the blood on the ground, that dryness of their throat, the buzzing in their head and their parted lips unable to trust their own sight, and--and, boom! have them register that they're really really in trouble. and that they've to act fast.
use short, very minimal type of writing for this. make it long, but not long enough that it feels like it's being dragged.
the readers should hold themselves back from skimming the page out of curiousity, they should be in their toes to find out what happens next.
what does your MC do in times of panic? do they chant calm down to themselves, do they get angry, or start crying.. or?? what makes your character genuinely feel an emotion so hard that they'll burst?
there's always something, someone that'll always give them love and easily can be that something or someone to take it away. yk.
Tip 3 - crying.
what is close to your character that u can deprive them of? will it make them cry? beg for it?
what will make ur character cry so hard, that their scream fills everyone's ear, stays in their minds like ghosts and always haunts them?
make a character who never cries, burst out with tears.
while writing crying, focus on the 5 senses, one after the other.
focus it on their breath, make them run out of breath, gasp for air, feel like they're being choked, cry so scrutinizingly. it shud punch the reader's gut.
have them replay what had just happened over and over again in their head
best books and writing styles (for angst) to analyse and learn from (in my opinion);
3rd book in the AGGTM series (yk it hit hard like a truck. it got me depressed in bed the entire time lmao)
Five Survive by Holly Jackson. The moments of red outside of the truck, and moments leading to it.
there's this book called " Warm by @untalentedwriter127 " in wattpad. the author served angst for breakfast, lunch anddd dinner.
and if there's more angsty ones, drop em in the comments! :)
Hope this helps, tag me when yall write a masterpiece! ;)
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I think part of what people respond to about Rolan in BG3 is that he pushes back against the protagonist in a way that NPCs rarely do. He sasses you. He lashes out at you. That makes him feel like a much realer element and gives him an internality NPCs often don't get.
I also think that people are drawn to the way that he's really the protagonist of his own story that just parallels yours. Things happen to him offscreen that move him and his story forward. Things that change and shape him. He is having his own heroes' journey that you keep stepping on. And ultimately you're his savior, but he responds to that in an appropriately complex way. He's not at all pleased at having to be saved. Which is really relatable.
So yeah. For a side character, Rolan has a ton of his own internality and complexity. Plus he's got the fandom catnip of off-screen scenes very worth expanding on. I get it. He's good stuff.
Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!
Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.
Facial Expressions
Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:
Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.
Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.
Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.
Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.
Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.
Body Language and Gestures
Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:
Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.
Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.
Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.
Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.
Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.
Vocal Cues and Dialogue
Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:
Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.
Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.
Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.
Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.
Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.
Reactions and Physical Responses
Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:
Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.
Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.
Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.
Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.
Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.
Types of Fear and Emotional Depth
Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:
Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.
Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.
Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.
Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.
Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.
Verbs and Adjectives for Writing Fear
Here's a list of verbs and adjectives to help you convey fear effectively in your writing:
One of the things that still really frustrates me is how we know the crew of OFMD were so intentional with cutting off any "Ed is abusive!" allegations at the knees.
There are three things from Ed's kraken spiral that we know for a fact did not make it into the show. One of them (the scene of Ed throwing a knife at Izzy) even made it into the trailer before it was cut; the other two I'm thinking of are the bts footage we have of Ed drinking heavily the night he has his last fantasy of looking at the cake toppers and a still of Ed making the bride cake topper push around the groom.
I think all three of these things were very wise to cut and it's obvious why they did it. The drinking and throwing stuff ran the risk of making Ed look too much like his abusive dad (not to mention heavy drinking tied to abusive behavior runs into deeply uncomfortable stereotypes about indigenous men like Ed), and when all we see of Ed is him gently caressing the cake topper that reminds him of Stede, it reinforces a core aspect of Ed as a person, which is how he would never, ever hurt Stede and wants nothing but gentleness and tenderness for and from him.
And it's incredibly frustrating that these things weren't enough. We're shown over and over again that Ed during the kraken spiral, right up until his mutiny-as-a-suicide-attempt, is doing normal piracy (that's why Archie is here! The only characters who are emotionally affected are the ones who know what life was like on Stede's ship!), and the only person who is actually physically harmed is Izzy (for good reason in Ed's mind; he was the trigger for the whole thing and Ed lists him along with booze and drugs as destructive influences on his life). We even get other characters say things to Stede like "do you think Blackbeard is gonna murder you" and Stede, who explicitly knows Ed better than anyone, is always like "what the fuck are you talking about? Of course not," and he's obviously right.
It's just so disheartening that there can be this much intentionality in making sure it's next to impossible to read a man of color as abusive and it will still happen. White fandom has such a tendency to center itself and white characters that it doesn't even matter how much effort they put into taking the audience by the shoulders and saying "this guy isn't abusive, he's being an imperfect victim in response to being abused himself," up to and including having the white guy in question say on his deathbed "sorry for abusing you for years." And people still wonder why fans of color are sick and tired of this shit to the point where some of us just want to leave fandom altogether.
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Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Because Alastor doesn't like being touched he would have your hands tied or handcuffed over your head or behind your back while he has sex with you. You being so helpless underneath him and begging him to touch you and to get you off is such a turn on for him. There's so much power he has over you right now, your pleasure is his to give or his to take away.
PSA that has been given 100 times already but needs to be said again:
The reason you, gen Z queers, need to be kink positive isn't because you support those kinks. It is okay to be disgusted by them, actually.
The reason you need to support kinksters is because "these kinks are disgusting" is the framework the alt-right is using and will continue to use to outlaw you. They don't think you're any different from the guys at Pride in leather puppy suits. They think your ENTIRE EXISTENCE is sexual. They think you holding hands with someone of the same gender, or existing as a trans person at all, is the same as a straight couple playing tonsil hockey in public.
YOU ARE A FETISH TO THEM. That is all you will ever be to the alt-right. They will never see you as human. When they talk about "our children being exposed to sexual perversion" they don't mean BDSM like you think they do. They mean YOU.
The only way to preserve your own existence is to fight for the right of kink to exist, because the instant kink becomes taboo or outlawed again*, rest assured, the alt-right will become MUCH more transparent about just what they think about your existence.
When you harp on about disgusting kinks and how they need to be hidden or outlawed and how they're harmful and everyone who does them is (insert thing here), you are giving the alt-right the tools they will use to imprison you as soon as they have unchecked power to do so.
THAT is why kinksters have been part of the queer community, part of Pride, from the start. Because the only way to keep our community safe is by truly ensuring everyone has unlimited sexual autonomy so long as the activity is taking place between consenting adults. It's just like how abortion-related laws are the lynchpin for all manner of medical autonomy laws.
The queer community can't stand without kinksters and vice versa. Even if you yourself aren't a kinkster and find them disgusting, like it or not, that is just how it is.
*Sodomy was illegal in Texas until 2003 and the law is still on the books, just not allowed to be enforced thanks to Lawrence v Texas, which SCOTUS has said they have an interest in striking down
In general, "this thing is bad because it disgusts me" is reactionary thinking that the right uses to discriminate against literally everything. They will deliberately talk about the grossest possible things (or what they think is the grossest possible thing) in order to justify their bigotry.
The classic argument against being gay? Bringing up anal sex. A lot. In as graphic terms as possible. Just talking a lot about poop and anal prolapse and other viscerally disgusting things... and then using that as the reason why two men shouldn't hold hands in public. Because holding hands is actually signalling that you practice coprophagia, obviously.
(I am not exaggerating: spend any time listening to someone like Alex Jones talking about gay men, or reading anti-gay pamphlets from the 90s and early 2000s, and it's just nonstop discussions of poop and poop-related things)
One of the classic ways of othering immigrants? Talking about how disgusting their food is. Koreans eat rotten cabbage. Chinese people eat dogs. Fuck, there's a scene in It's A Wonderful Life where Mr. Potter is trying to flatter George Bailey and get him to give up the Building & Loan (while being extremely bigoted about the people George Bailey is helping), and he calls Italian immigrants "garlic-eaters." Because garlic is gross and smelly, obviously.
Women? Talk about how gross menstruation and vaginas are.
Trans people? Call a neovagina an "open wound" and wring your hands about how testosterone makes people smelly and hairy and ugly.
Unhoused people? Complain about how they're pissing and shitting in the street.
It is okay to not like stuff! It is okay to feel disgust! But I promise you that there is something you find totally normal that other people find gross. You cannot make disgust the basis of your morality system.
one of the characters insists that every group of friends needs to have a regular Karaoke night and they expect everyone to come
their friend group is physically affectionate with each other and they don't care what other people think about that
one character gets surprised with an intervention by their friends - bonus points if the problem they’re talking about is actually not that serious
the whole friend group is living together - which is a dream and a nightmare in one
one character is sick and a bit of a handful as a patient, but they need someone to take care of them, so their friends rotate as the nurse
as their friends it was their job to check out any potential partner to see if they were worth being with their friend
the friend group loses one of their members during a parade/concert/event and are trying to find them
one character comes across a mystery in the neighborhood and they make their friends come with them to solve it
the friends wanted to have a fun night out, going to the movies or the bowling alley, but for some reason everything is closed and they have to find something else to do for fun
one of the characters has an important game or audition, etc. in a different city and their friends want to surprise them and drive there to support them. What follows is a chaotic roadtrip and the question: will they make it in time?
they were not just friends; they liked to joke that they were a dysfunctional family enough to believe it was actually true
they missed the last train/bus and it’s the middle of the night and they’re still 20 km away from the place they live/stay at
two of the characters are always bickering with each other and their friends have to figure out how to handle them together
having a chaotic friend group comes hand in hand with a truly unhinged group chat
they shared everything with their friend group, relying on their different opinions to come to a conclusion to any problem
they all met on the internet and it’s finally time for their first meeting in real life
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Imagine having been with Zhongli for a while now, and you're suspicious about his true identity. So you decide to stage a confrontation when the two of you are alone at Wuwang Hill one night.
"I know what you are."
Zhongli stiffens, a little perturbed by the seriousness in your tone. The blue wisps of light dancing around you two cast an eerie glow upon the scene, which happens to be unfolding in the dead of night. He clears his throat. "Please, enlighten me, my dear."
You continue, looking him square in the eye. "Your skin is pale, and...alright, admittedly not cold. You never seem to need sleep. You only wear dark colors, and you have a refined manner of speaking and thinking, almost like...you come from another time."
Outwardly, Zhongli maintains his composure, though in his head he's already going through numerous ways he can gently break the news to you without you passing out.
"You really like silk flowers, which are red...like blood," you say excitedly. "Your eyes are unnaturally amber. Blood also comes in shades of amber, sometimes."
Your lover's brows are furrowed now. He only becomes even more perplexed when you start taking off the scarf around your neck, unraveling it slowly. "Darling, it's cold tonight-"
"So, you're a vampire, aren't you?" you cut in pointedly, a triumphant grin plastered on your face. "I should have known! I suspected it all along."
Zhongli blinks. "Er...pardon?"
Your grin widens. "Now that I know, please don't think I'll be scared of you! I've always been into supernatural creatures. So...feel free to drink my blood whenever you please!" You bare your neck to him, practically giddy. "But be gentle, it's my first time!"
When the appalled Zhongli reveals his real identity as the Prime of Adepti, God of Contracts, and former Geo Archon, you merely sigh, upset at having gotten it wrong.
more than i even like self inserts i love the power of the second person perspective. like from a literary standpoint, the discomfort of you is so deeply appealing to me. it forces the reader to engage with a story in a way it is not required from other perspectives. i like it literature and in video games and in art. i like when a story challenges my concept of self and tells me: forget everything. this is a story about you (disambiguation)
when you free yourself from cringe or work past the initial embarrassment there is something so so powerful about being told that this is a story about you. a you that isn't you. a someone you've never met. there is something so incredible about a creative speaking to you directly. im going to tell you a story about you. for a while become them. become you and i will tell you a story about yourself.
Luna writes @x-lunawrites-x - Tumblr Blog | Tumlook
