I said something, hoping to placate him. Perhaps I said that, ah well, it had all worked out in the end, and it hadnât been the end of the world, and suggested it was time to not be angry any more.
Terry looked at me. He said: âDo not underestimate this anger. This anger was the engine that powered Good Omens.â I thought of the driven way that Terry wrote, and of the way that he drove the rest of us with him, and IÂ knew that he was right.
There is a fury to Terry Pratchettâs writing: itâs the fury that was the engine that powered Discworld. Itâs also the anger at the headmaster who would decide that six-year-old Terry Pratchett would never be smart enough for the 11-plus; anger at pompous critics, and at those who think serious is the opposite of funny; anger at his early American publishers who could not bring his books out successfully.
The anger is always there, an engine that drives. By the time Terry learned he had a rare, early onset form of Alzheimerâs, the targets of his fury changed: he was angry with his brain and his genetics and, more than these, furious at a country that would not permit him (or others in a similarly intolerable situation) to choose the manner and the time of their passing.
And that anger, it seems to me, is about Terryâs underlying sense of what is fair and what is not. It is that sense of fairness that underlies Terryâs work and his writing, and itâs what drove him from school to journalism to the press office of the SouthWestern Electricity Board to the position of being one of the best-loved and bestselling writers in the world.
Terryâs authorial voice is always Terryâs: genial, informed, sensible, drily amused. I suppose that, if you look quickly and are not paying attention, you might, perhaps, mistake it for jolly. But beneath any jollity there is a foundation of fury. Terry Pratchett is not one to go gentle into any night, good or otherwise.
He will rage, as he leaves, against so many things: stupidity, injustice, human foolishness and shortsightedness, not just the dying of the light. And, hand in hand with the anger, like an angel and a demon walking into the sunset, there is love: for human beings, in all our fallibility; for treasured objects; for stories; and ultimately and in all things, love for human dignity.
Or to put it another way, anger is the engine that drives him, but it is the greatness of spirit that deploys that anger on the side of the angels, or better yet for all of us, the orangutans.