@wooi-9 - Tumblr Blog

“Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm.”

— Toni Morrison, Jazz

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signedthemoon

— isa b. a sight near the sea

wike-wabbits

A metal heart decorated with small springs that unfolds to reveal paper covered with hand-written prayers in Italian and a small image of the Virgin Mary. Artemis Gallery

nevver

Last light, Mary Mattingly

weepingwidar

Caleb Hahne Quintana (Mexican-American, 1993) - A Flicker in the Ancient Rhythm (2025)

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lunamonchtuna

“…And who here is not buried in another person's heart?”

— Richard Jackson, from "Filling in the Graves at a Cherokee Site" (via lunamonchtuna)

petaltexturedskies

Touched bottom again. Decided to liberate myself. We are never trapped unless we choose to be.

Anaïs Nin, The Diary of Anaïs Nin, Vol. IV: 1944-1947

lifeinpoetry

The wound, / the past, is still bleeding.

— Saddiq Dzukogi, from Book Two, Bakandamiya

classicalcanvas

Seascape, Night Effect (1866) by Claude Monet

أن تجد الخلاص في شخص آخر‏ إنها أضمن طريقة للانهيار

‏سيمون دي بوفوار، العصر الناضج ج1

#اقتباس

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itres

بقية الأيام ليست إلا محاولات يائسه للخروج من جلباب ذلك اليوم

nemfrog

The student's room. The pink fairy book. 1897. Illustrated by H.J. Ford.

Internet Archive

7pleiades7

Eve (1885), (detail), by Anna Lea Merritt (American, 1844-1930), signed and dated 'Anna Lea Merritt/1885.' (lower left), oil on canvas, 30 x 43 in. (76.8 x 109.2 cm.), Private Collection

dailyclassicart

Thomas Cooper Gotch - "The Lantern Parade" (c. 1918)

b-r-i-n-i-c-l-e

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أنتِ شُجاعةٌ جدًا ‏وهادئه ‏لدرجة أنّني أنسى أنكِ تُعانين

‏همنغواي

XD

classicalcanvas

The Manneport, Rock Arch West of Etretat (1883) by Claude Monet

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