as you can tell. i can’t draw guitars… also im here to spread my remus with eyeliner agenda
AnasAbdin
I'd rather be in outer space 🛸


shark vs the universe
Lint Roller? I Barely Know Her

Acquired Stardust

izzy's playlists!
styofa doing anything

@theartofmadeline
YOU ARE THE REASON
he wasn't even looking at me and he found me

Kaledo Art
cherry valley forever

Love Begins
todays bird

oozey mess
hello vonnie
Misplaced Lens Cap

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@witchyarchives
as you can tell. i can’t draw guitars… also im here to spread my remus with eyeliner agenda

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if you think about it, one of the funniest moments in gtn was when Gideon thought she got herself into a love triangle and was super embarrassed and thought she was going to resolve a personal drama, meanwhile Palamedes was literally on a murder-suicide mission
another objectively hilarious thing from gtn was that Harrow and Gideon were freaking out that someome will realise that Gideon isn't a real cavalier, that she has to use the rapier perfectly and not even think about her sword, that she has to be 100% obedient and loyal to Harrow and blah blah blah.
meanwhile Camilla also used the rapier only for show, Naberius and the twins were inches away from calling eachother stupid cunts and Protesilaus was literally a zombie
Happy Pride
How Vampire Knight should be rewritten these days (based on my preferences and tastes obv, this is in no ways meant to be a good remodeling):
Don't get me wrong, I used to be such a great fan of Vampire Knight when I was a teenager (also happened to be team Kaname upsss) my problem with the story is that no one cared for the girls. Yuki is a tool and a concept, not a real person (it's a similar story to phantom of the opera really). Women don't have desires or independent opinions, they aren't allowed to make mistakes, and when they do they are hated by other women.
The plot is fundamentally based on classism, it does not approach at any moment the fact that there are people suffering from the ones at the top of the hierarchy, and when it does, the "solution" they offer sucks. I obviously don't know anything about vampirism in the Japan culture, but I always thought it was such a waste to use anything as interesting as the figure of the outsider/monster to embody dominance and power and do not approach it from the perspective of the "fear of the unknown".
I do really think Yuki as human at first and then when turns into a pureblood vampire could have had lots of queer, sex and identity discovering themes, like how she was supposed to act as a model role and once she's put out of the standards of society she finds unlimited possibilities to express her love and desires until she faces the new reality of being a powerful vampire, with a new, and more dark, society who also has expectations of her, and then, she miserably fails at fulfilling them, but she just doesn't care anymore, because she's allowed to make mistakes and learn from them.
Personally, I always thought the problem with the male leads was that they were created in a time when the "hegemonic masculinity" wasn't questioned, so we just picked one or another based on our preferences, nowadays tho, the lack of consent, the being manipulative and stuff should def change cause in no way we should keep selling that as "healthy romantic love". All things said tho, we LOVE toxic vampires, but they could be toxic in a way that's not rooted in misogyny you know.
And this is just my preference, so do not read these two paragraphs if you're team Zero or couldn't stand Kaname... I read a beautiful fic once (written in my mother tongue so it's no available in English) which basically bettered Kaname's personality, keeping his essence but making him more approachable and with more characters standing up to him when he's in the wrong, so he finally learns how to communicate and trust his friends (Yuki in this fic never lets him get away with a thing so yeah, go girl!!!).
Based on this I always thought the real problem of those two was that they were imbalanced, and I am not thinking in terms of age but in terms of experience and power dynamics. We had to agree to the romance but the plot never actually explains it, neither the narrative helps to portray that they really are perfect for each other because they never were, and that's basically because Yuki never had a personality of her own (also we have to stop considering love as this great "it was destined thing"). We should have seen her make mistakes, like really big and hurtful mistakes, to the point she confronts Kaname when he still chooses her and keeps justifying her actions. And that should have happened in a timeline of decades. And once they both get to have other meaningful relationships (they could be platonic or queer-platonic I don't mind), then they learn that the thing never was about "destined and compromised since they were born", but actively choosing each other and being capable of saying when they are in the wrong.
And least but not last, all the mother fucking vampires should have been queer. I do not care how, but do not dare coming to my town expecting straight vampires, all of them at least should be bisexual and half of them trans. Thank you very much.
And about that, I would have made the ancestor of the Kuran's a female. Because in no way it's going to be a male. Probably a masculine woman or so. She wouldn't have had kids of her own, so the dynasty would have passed by their non blood related siblings or something (because I do believe they weren't related at first and the surnames were more of a clan thing, and that also solves the incest problem). That way, once reborn in Kaname's body, we could explore themes of body horror and dysphoria and how he navigates with the memories of an ancient female pureblood who has a preference for women (aka Yuki) and a deep hatred towards his new body (mixing the theme of bloodlust with sexuality).

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At this point of the semester I am Remus Lupin from Ever Thus hating all my master's classmates
mechanics sirius and marlene who work at the potter's car shop and james and reg work the front desk and dead broke roomates remus, cas, and lily come in w their shared fucked up car anyone?
The absolute terrified look on Hope's face when she invited Remus's boyfriend to the Lupins cottage for summer, expecting a shy but gentle young man on the train station and the one that clings over her son is the embodiment of a very problematic rockstar: hair too long, ears pierced, a big black tattoo on his left arm, and why is he wearing a leather jacket on summer?
Lyall just laughed and said: "he's got his dad's taste. Didn't you use to ride on a motorbike the first year we date?"
Hope Lupin meeting her son's boyfriend for the first time at the train station after summer break and seeing his tattoos, jacket, split lip, and jewelery and for a second thinking "Really? That one? Surely even you can see he's trouble" right up until Sirius spots Remus and his whole face lights up in absolute delight and he flings himself into his arms squealing
Wolfstar who aren’t together yet dancing at the bar, driving each other mad with how close they are, until Remus goes to the bathroom and comes out to see Sirius leaning against a sink, an air of defiance on his face, daring Remus to do something. Remus considers it for a second before walking off, but Sirius knows by the look on his face that he’s supposed to follow.They both cross the bar in big strides, Sirius bumping into a few people while Remus seemingly makes it out before him, so when Sirius gets outside and doesn’t see Remus, he frantically looks around before he feels a hand grip his wrist and pull him in. Before he knows it, he’s shoved against a wall, Remus pressed against him and roughly asking, “Yes?” Sirius simply pulls him in by his shirt.

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authentically Welsh remus who spends hours playing with random sheep in fields whenever he's bored
(he's trying to cancel out the wolf)
literally where in the world are people getting “sirius only cares about his friends / his chosen few and no one else”. this is fanon. there is nothing in canon to indicate this. canon sirius as an adult is nice to molly weasley and comforts her about percy despite their differences. of course, adult sirius is very different from teen sirius, but young sirius as an eleven year old moves over for lily at the sorting despite having just met her (and made fun of her!). ETA: and what madame rosmerta says about him! and given his breaking away from his family, i think he’s very open to getting to know other people to hear different perspectives, especially muggleborns. sirius cares about people a lot and that is fundamental to his character.
The first time Remus and Sirius had sex, they both ended up tearing up.
Sirius, because no one ever treated him that gently before. No one ever gave him cuddles and kisses afterwards.
Remus, because no one ever looked at his body with such obvious desire. The first time he felt beautiful with his scars, not despite them.
Nevermore could tell Enid and Wednesday were dating because Enid's nail polish started to be monochrome
Fashion designer Regulus and supermodel Sirius who share a flat in France and work together
They both live in a very precarious state and start to get tired of the fashion industry until one day they meet an indie photographer called James Potter who works in a fusion restaurant and is friends with the son of the bakery owners who also works part time there while he's taking a PhD in queer literature

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need more of wolfstar having fun sex. them trying different ridiculous positions from magazines, one second away from dislocating something and spending more time laughing than actually doing anything because sirius keeps going like no wait i think your leg goes there, while remus is fighting for his life trying not to drop him headfirst onto the kitchen counter
If you keep hyper masculinising Remus I'm going to get nuts LET THE POOR GUY BE WEIRD AND SOFT there's nothing wrong with being gay and also a fucking human being who behaves non cishet manly for god's sake just because Sirius is genderqueer doesn't mean Remus HAS TO BE A "REAL MAN" y'all need to learn about deconstruction and masculinities