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about me

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“We know aesthetics are politics. They’re not even about politics, they are politics. Because when you ask who is defining aesthetics, at what particular point – what social class, what kind of background these people have – you realize quickly again that the most effective ideological construction are the ones that don’t look like it. If you say, I’m political, I’m ideological, that is not going to work, because people know where you are coming from. But if you say, “Hi! My name is Bob and this is it,” then they say, that’s not political. It’s invisible and it really works. I think certain elements of beauty used to attract the viewer are indispensable. I don’t want to make art just for people who can read Fredrick Jameson sitting upright on a Mackintosh chair. I want to make art for people who watch the Golden Girls and sit in a big, brown, Lazy-boy chair. They’re part of my public too”
— Felix Gonzalez Torres
Felix Gonzalez Torres
“Above all else, it is about leaving a mark that I existed: I was here. I was hungry. I was defeated. I was happy. I was sad. I was in love. I was afraid. I was hopeful. I had an idea and I had a good purpose and that’s why I made works of art.”
— Felix Gonzalez-Torres

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I circle around God, around the primordial tower.
I’ve been circling for thousands of years.
And still I don’t know: am I a falcon, a storm, or a great song?
Rainer Maria Rilke, The Book of Hours
Ana Mendieta | Untitled (“Chac Mool”), 1976