i dont care if Monday's lit. Tuesday Wednesday touch my clit. Thursday i don't give a shit. it's Friday I'm in love

JVL

Love Begins
Sweet Seals For You, Always

Discoholic 🪩
Misplaced Lens Cap
almost home
Sade Olutola
wallacepolsom
Stranger Things
Lint Roller? I Barely Know Her

Product Placement
Peter Solarz
Keni
Jules of Nature

Andulka
taylor price
I'd rather be in outer space 🛸

★
sheepfilms

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@witchdrugs
i dont care if Monday's lit. Tuesday Wednesday touch my clit. Thursday i don't give a shit. it's Friday I'm in love

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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doing things at the right age is literally a made up concept. you can start/pursue anything at any age. btw.
ur actually a bad person and a terrible human being for shaving ur legs, is that what u wanna hear
daemon “well she’s my wife” and mysaria “well she trusts me more than you” going back and forth until alicent gets brought up and both their dumbasses just gotta sit there like this because she still tops overall
another emily axford all-timer from ccod finale

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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''what if you regret it'' then you will expirience regret - a normal and unavoidable part of the human expirience.
the more you twist yourself into a pretzel to avoid regret the harder it will hit when it eventually catches up to you.
Arun || Armand
What Table Would You Be At?
In the long dark winter of our soul (aka the summer break) something needs to take the effects of my hyper fixation
Are you a Soldier? On a quest for justice or revenge? Ready to fight and flee and raise your weapons?
Are you a Seeker, searching for something lost? Something that needs to be found before it is too late.
Or are you a Schemer? Do you have a day job that needs work and night shifts that keep you up until dawn doing the hard work it takes to change fates?
Show me your results! I wanna seeeeeeee
I did my best to keep spoilers out of it, so you should be able to take the quiz even if you're not caught up on Arc 1 yet.
How long have you been on Tumblr?
Over 16 years (before 2010) (toddlers in the dawn of the ant colony)
16 to 14 years (2010-2012) (livejournal and Myspace refugees)
13 to 11 years (2013-2015) (you used to follow thebootydiaries)
10 to 8 years (2016-2018) (era of Russian bot conspiracy)
7 to 3.5 years (2019-2022) (post sex ban to Goncharov)
3.5 years or less (2023–2026) (Twitter refugee)
Rebagel for science pls.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Azune Nayar is not someone who was failed in his youth by the adults around him.
Azune Nayar is someone whose childhood and youth were marked by adults who, faced with bad choices, made the less-worse one because they cared about him.
His parents starved themselves to give him and his sister the chance of being recruited as child soldiers by a mercenary group, because that was the only way to protect him from starvation.
Thjazi Fang saw a child abandoned by the roadside, desperately, determinedly, and implausibly claiming he could fight. Thazi Fang was in the middle of waging a rebellion against the powers of Araman. That rebellion wasn’t the best place for a child of twelve. But it was a better place than abandoned by the roadside or picked up by another mercenary group, and Thjazi cared, so Thjazi took him in and assigned him to noncombat work away from the front lines.
By 15 Azune was fighting on the front lines. (In an earlier war, the same was true of Thazi at that age.)
Thjazi’s rebellion failed. He asked his brother Hal to look out for the teenage Azune. Hal did so, treating Azune as part of his family. Hal did the same for other people who needed it. Being like family wasn’t the same as being Hal’s kid.
The tragedy of Azune isn’t that he was failed or abandoned or uncared for or used. The tragedy of Azune is that the best that people who cared about him could give him still wasn’t the same as what he needed, because being an adult doesn’t make you all-powerful. Azune’s problems weren’t created by those who loved him. They were created by the world he lives in.
Azune lived his adult life for the Torn Banner because it was the life he knew; or out of loyalty; or because they were the ones trying to change that world into something different.
He offers understanding and empathy to enemies (Julien) and strangers (Vaelus). He learned that somewhere.
He will self-immolate for a cause. He likely learned that from his parents, who did it for him, and from Thjazi, who did it for the same cause.
we really should be calling it fanworks, not content
I'm here for fun and community not to rp a mega corporation's underpaid social media intern
More of you need to learn about these ☝️
women were not banging out spirk fanfiction in the 60s for you to be AI generating your fic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
brennan has put a lot of care into building a setting where there is no immutable source of evil within the world it makes the villains rich and diverse. placing the onus of the sundered houses' villainy upon sorcery as a concept is simply flattening the setting at every level. sorcerers aren't evil. at no point is the concept of innate magic considered bad.
sorcerers are just a fact of the setting. they're not evil because they're sorcerers and they're not sorcerers because they're evil. sorcerers exist because of ancient pacts or boons or a chance of biology or simply being born in proximity to magical places, and that's clear in all of the sundered house mythos. i think speculating that the ancient versions of the sundered houses got their magic nefariously is falling into the "some things are Just Evil." we can't assume that because the human sorcerers of modern aramán are engaging in class warfare, their ancestors were wicked.
there are sundered houses who took the heroic position of defying the shapers during the shapers war. the priestly houses are rotten not because sorcerers are rotten but because wealth and resource hoarding and the dismissive carelessness they treat mortal life with is evil. otto einfasen isn't evil because he's an einfasen, he's evil because he took a commoner girl's head off with a hammer. and there's endless nuance to be found here: the einfasens are nominally allied with the protagonists, but it doesn't render them heroic, they're still canonically authoritarians. the royces are complicit in every evil done by the sundered houses for the last 70 years, but they are inexorably tied to the heroes in a positive way and are making active efforts to break away from the evil system.
additionally: assuming that the primordials were bad because they wed the shapers is a big leap. the shapers murdered them. thaisha saw the desecration of tehana's shrine in favor of trozhna as wrong and insulting. if it were one evil covering another, it would not have been impactful to notice the desecration. the primordials might have been a neutral or evil force on the world, we don't actually know, but they are a part of the foundation of the world, so it's more likely that forces of nature are simply a neutral concept.
aramán is a setting where evil consistently is shown to be an active choice. even the shapers. there is no indication that they were just born bad. they chose to come to aramán, kill the primordials and repress the population, turning them into playthings in their sibling squabbles as they bent the world to their will. those are the reasons they are evil, not because they come from Evil Land.
brennan is using a lot of heightened fantasy genre conventions. it speaks to lord of the rings and a song of ice and fire and old fairytales and legends, but this campaign takes ideas about good and evil from classic D&D settings, and fixes them. good and evil are a choice, always. a demon can do good. an angel can do bad. the villainy is complex. there is no evil race or class (in the D&D sense of the word). complaining about the villains shows a lack of understanding of the setting.
CRITICAL ROLE 4.31 Trick of the Light