Writing

Sup, fellow kids. I’m Charlie. I write.

I’ve also translated and proofread four full-length novels, so I now suffer from the work-related condition of never being able to turn my editing glasses off. This can make reading fanfic a bitch for me. Because, let’s be real: unbeta’d amateur work easily lets a lot of mistakes slip through.

It is, however, possible to minimize those mistakes.

Is the world going to end if there are errors in your fanfic? Of course not. If you want to focus on the content of your writing more than adhering to rules of language, by all means, do that. There’s time to learn this stuff later.

But you know what? Formatting matters. If you truly want to get better at writing, then eventually you are going to have to deal with this aspect of it. And yes, it’s hard work – but I hope to help you along the way.

THE POINT OF THIS ESSAY: PUNCTUATING DIALOGUE

This seems to be the #1 formatting problem that amateur writers struggle with. However, there are boatloads of experienced fanfic writers who still seem to struggle with it, or are just so used to making mistakes that they’ve made it “their style.” And at the risk of sounding like a total bitch, it doesn’t matter how amazing or well-loved their work is otherwise: wrong is still wrong. Just because someone is consistent about always writing “your” instead of “you’re” doesn’t make it correct, and dialogue is no different.

If these kinds of persistent mistakes don’t bother you, then good for you. Your life is probably a lot more fun than mine.

But if you want to learn to do it right – if you want the great look and perfect flow that immaculate punctuation will bring your writing – then you have to rise above this.

Time for some rules.

COMMA VS. PERIOD – THE ULTIMATE SHOWDOWN

Let’s start with something simple.

“Hey,” he said.

This is a good sentence. This sentence is an upstanding member of our society. You can’t go wrong with this sentence. Got me? Okay.

Now let’s have a look at another one.

“Hello.” She said.

This sentence is a delinquent. In fact, it’s not even a sentence – it’s two sentences. And it is always, always, always wrong. Rule of thumb: never do this. Ever.

This isn’t just some elitist, snooty gatekeeping crap, either. There’s a purely functional reason why it’s incorrect.

By putting a period after your dialogue, you are cutting it off from whatever comes next. Whatever follows dialogue that ends with a period has to be an independent sentence. This distinction is used to regulate the rhythm and flow of the writing.

Now, “said” is a transitive verb, meaning it needs to take an object. While you can sigh, yawn, or laugh independently of anything else, “saying” isn’t possible unless you are saying SOMETHING. (I.e., “She laughed” is a complete sentence on its own; “He said” isn’t.) Same goes for synonyms of “say,” such as whisper, repeat, and exclaim. They almost always get lonely without some dialogue attached to them with a comma.

Let’s look at some examples.

“I’m fine.” He said. “I’m fine,” he said.

The first example IS NEVER CORRECT. NOT EVER. It should ALWAYS be the latter. ALWAYS.

However:

“I’m fine,” he laughed. “I’m fine.” He laughed.

These examples are BOTH CORRECT, but convey different nuances. In the first example, he laughs the words. In the second, he says the words first, and laughs afterward. These are separate things, not two different ways to express the same idea. No matter how much fic you’ve read where they’re treated as synonymous, they are not. They are not. They are not.

GETTING FUNKY WITH “?” AND “!”

When a sentence in dialogue ends with a question mark or exclamation point, you always keep that punctuation – you never replace it with a comma. This is where we use the above rule to make sure things don’t get ambiguous.

“What’s up?” they yawned. “What’s up?” They yawned.

Again, these examples are BOTH CORRECT. In the first, they are yawning the words. In the second, they yawn after speaking. By capitalizing “they,” you are indicating that the question mark is behaving like a period. You are thereby orphaning the sentence that follows the dialogue. In this case, since the sentence can stand alone, that’s perfectly fine.

Next example:

“I’m okay!” the boy repeated. “I’m okay!” The boy repeated.

Here, the first example is CORRECT. The second is ALWAYS WRONG. Remember, capitalizing “the” means you are drawing a line between the dialogue and the following sentence. “Repeated” needs an object, but now, because the exclamation point is behaving like a period, “The boy repeated” stands alone. That’s an ungrammatical sentence, and without the implied attachment to the preceding dialogue, it drifts alone in the void.

And, well, that’s not good.

BONUS LEVEL

Special section to address this other weird shit I’ve seen:

“I’m fine.” He murmured, pouring himself another cup of coffee, “I promise.”

This is a big WTF that has basically just reversed the correct order of things. It should be:

“I’m fine,” he murmured, pouring himself another cup of coffee. “I promise.”

Another example:

“That’s pretty cool.” The doctor laughed, turning to her girlfriend, “You should try it.”

We have two options to fix this, depending on if we want her to laugh the words or not.

“That’s pretty cool,” the doctor laughed, turning to her girlfriend. “You should try it.” (laughing as she speaks)

“That’s pretty cool.” The doctor laughed, turning to her girlfriend. “You should try it.” (laughing after speaking)

Sometimes, especially when you start working with more complex sentences, things can get confusing, and your options can increase. Feel free to shoot me a message if you’re not sure. However, the rules above are the basic ones to keep in mind.

Okay, you made it to the end! If it feels like a lot, that’s because it is. Yes, it’s plenty to remember, because writing is hard. Try to think about these rules when you’re reading published books (not fanfic, you can’t trust fanfic), and eventually you’ll get the hang of it.

Believe in the me that believes in you.

for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Don’t think of your writing as terrible; think of it as preparing to contribute something great.

for the self-conscious late bloomer: Look at old writing as how far you’ve come. You can’t get to where you are today without covering all that past ground. For that, be proud.

for the perfectionist: Think about how much you complain about things you love—the mistakes and retcons in all your favorite series—and how you still love them anyway. Give yourself that same space.

for the realist: There will be people who hate your story even if it’s considered a classic. But there will be people who love your story, even if it is strange and unpopular.

for the fanfic writer: Your work isn’t lesser for not following canon. When you write, you’ve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all. 

for the writer’s blocked: It doesn’t need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.

Hi everyone! As you all know - or could probably guess - I’m kind of an OC whore. I’ve got such an arsenal of muses that when I decided to make an archive for them, it took me two days just to fill in all the characters and basic information! 

So these OCs are for roleplaying and just in general if you want to ask about them, or give me prompts for me to do! All of the OCs are tagged so that they’ll appear when you click on one of the filters on the left here:

Just about all of the actual, individual character pages are under construction since I haven’t had the time to really sit down to fill them out. But with the weekend coming up, I hope to at least get some of them done. Some have just a design and a name to them, whereas others are heavily fleshed out.

first law: write the fic you wish to see in the world aka goddammit do I have to do everything myself around here

second law: it’s going to be longer than you think. much longer. hahaha so long. why are you crying 

third law: the time spent writing is inversely proportional to the amount of smut present, dammit

fourth law: flesh out your secondary characters. make them real people. have them take over. oh god. put them back. somebody please help 

fifth law: the time spent researching canon is directly proportional to the amount of time you’ll spend altering your plot. that one person on the internet 

sixth law: the time spent researching in general will eclipse the time you spend writing. the nsa agent monitoring your internet search history is curled up in a corner. his boss wants to know if you’re a threat. “I don’t know,” the agent sobs. “I just really don’t know.” 

read it on ao3

In a world devoid of creative freedom, the city of Silencia sits covered in black clouds. Under the cover of night, sparkers emerge to paint the city with their lasting spirit - the last members of a rebellion that the government intends on destroying. The ruthless silencers who patrol the streets of Silencia have only two jobs: keep the city safe from the monstrous feeders that flock to color and beauty, and capture the sparkers dead or alive. Keith is the government’s top silencer, who has never known anything but blind obedience. After a chance encounter with Lance McClain, the city’s most wanted sparker, he begins to question everything. As he’s thrown headfirst into a new world full of color, light, and freedom, Keith must make a choice between the life he’s always known and the life he’s always wanted.  

Sometimes all it takes is a spark.

chapters: 1/14 and 2/14

pairing: klance

rating: mature

written by panglosian, beta’d by seabreezy

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