ps central · event 38 · costume appreciation REBECCA FERGUSON AS LADY JESSICA dune and dune part two — primary colours
i don't do bad sauce passes
Lint Roller? I Barely Know Her
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ps central · event 38 · costume appreciation REBECCA FERGUSON AS LADY JESSICA dune and dune part two — primary colours

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This is currently doing numbers on the hell site.
She and her brother could not be people. They had to be something more.
PAUL ATREIDES and ALIA ATREIDES in DUNE 3
*Valley Girl voice*: I must, like, not fear. Fear is literally the mind-killer. Like it’s basically the little-death that brings total obliteration. I will totally face my fear. I will permit it to pass over me and through me, and? When it’s gone? I’m gonna like turn the inner eye to see its path! Where the fear has gone there will be literally nothing. Only I will remain.
so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!

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(nods sagely) (nods basily) (nods rosemarily) (nods saltly) (nods star anisely)
I've gone. Not one for goodbyes, I thought it best to slip out quietly. Love to you all, Giles.
Rest in peace, Anthony Stewart Head (1954 – 2026)
The Mummy (1999), dir. Stephen Sommers

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Don Balke (American, b. 1933). Black-tailed Jackrabbit, Magnolia, Mississippi, 1980. Gouache and watercolor on board.
MutualArt
#france in shambles. automation truly comes for us all.

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And dat's what punk is really all about
Real photos of the event, since the original Twitter post seems been written by a bot using an AI image.
This pictures were taken by Enrico Scuro during the italian punk festival Bologna Rock in 1979.
Skiantos were considered an art, comedy and performative band and they leave the stage that night famously screaming: "You do not understand a fucking thing: this is avant-garde, you piece-of-shit audience."
What they did was conceptual and protest art, the denial of putting a show against the expectative of it. Punk was born in part as a rejection of the grandiosity of progressive rock: no 20-minute solos, no stages with pyrotechnics, no distance between the band and the listener.
But there's an irony that Skiantos pushed to the limit: as soon as punk became a spectacle, it also began to betray its own code. Counterculture and performance art.