March Of Robots 2018 by Aedel Fakhrie
Sade Olutola

Kiana Khansmith
Keni

blake kathryn

Love Begins
One Nice Bug Per Day
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS

#extradirty

he wasn't even looking at me and he found me

Andulka

oozey mess

if i look back, i am lost
KIROKAZE
untitled
Not today Justin

@theartofmadeline

gracie abrams
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@wholebitmedia
March Of Robots 2018 by Aedel Fakhrie

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Mau Lencinas, Illustrations.
Absolutely phenomenal illustrative work from artist Mau Lencinas which seems to be heavily influenced by Katsuhiro Otomoâs AKIRA (Not complaining!) but in turn uses the iconic imagery of such things as the pill (Good for healthâŚ) and âcapsuleâ stickers to create a newfound and intriguing set of characters fighting their way through their own stories.
Definitely continue below to see more of Mauâs work:
Keep reading
Just because I'm from Texas doesn't mean I have a missle up my butt.
Kaichi Kobayashi - Nymph in Lake and Camelia, C.1930. Woodblock print envelope
We had the pleasure of contributing to the new Virgin Media Advert â9.58 Secondsâ featuring legendary Usain Bolt.Â
Animation and Sequence Director: Wesley Louis Animators: James Duveen, Wesley Louis Layout and Backgrounds: Maxime Dupuy Compositor: Max Taylor

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(FaltyDL)
Hyper-Reality
PSA - HIGHLY RECOMMENDED
Short film by Keiichi Matsuda offers first person perspective in a highly saturated world of augmented reality - this really is worth six minutes of your time:
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience,offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in MedellĂn, Colombia.
You can find out more about the project here
Love at first analysis
Itâs almost impossible not to fall in love with every puppy you come across. But when it comes to guide dogs, pairing the right one to a blind or visually impaired owner requires much more than puppy love. Guiding Eyes for the Blind, a non-profit guide dog organization, uses Watson Analytics to screen over half-a-million canine health and temperament records in the IBM Cloud. Thatâs hundreds of data points for each pup to help increase the chances of a successful pairing.
Read more about training guide dogs â
Media Room Eclectic Media Room Minneapolis

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Wall Systems & Shelving | Sunset Books Š1981
Creator spotlight: Floyd E. Norman
Floyd Norman (born June 22, 1935) is an American animator, writer, and comic book artist. Over the course of his career, Norman has worked for a number of animation companies, among them Walt Disney Animation Studios, Hanna-Barbera Productions, Ruby-Spears, Film Roman and Pixar.
Norman had his start as an assistant to Katy Keene comic book artist Bill Woggon, who lived in the Santa Barbara, California area Norman grew up in. In 1956, Norman was employed as an inbetweener on Sleeping Beauty (released in 1959) at Walt Disney Productions, becoming the first African-American artist to remain at the studio on a long-term basis.Â
Following his work on Sleeping Beauty, Norman was drafted, and returned to the studio after his service in 1960 to work on One Hundred and One Dalmatians (1961) and The Sword in the Stone (1963). After Walt Disney saw some of the inter-office sketches Norman made to entertain his co-workers, he was reassigned to the story department, where he worked with Larry Clemons on the story for The Jungle Book.Â
After Walt Disneyâs death in 1966, Floyd Norman left the Disney studio to co-found Vignette Films, Inc. with business partner animator/director Leo Sullivan. Vignette Films, Inc. produced six animated films and was one of the first companies to produce films on the subject of black history. Â
Norman and Sullivan worked together on various projects, including segments for Sesame Street and the original Hey, Hey, Hey, Itâs Fat Albert television special conceived by Bill Cosby, which aired in 1969 on NBC.In 1972, a different Fat Albert and the Cosby Kids Saturday morning cartoon series was produced for CBS by Filmation Associates). In 1999, Norman and Sullivan created a multicultural internet site, afrokids.com, designed to present a variety of African-American images to children.
Norman was a recipient of the Winsor McCay Award for Recognition of lifetime or career contributions to the art of animation at the 2002 Annie Awards. Norman was named a Disney Legend in 2007.Â
In 2008, he appeared as Guest of Honor at Anthrocon 2008 and at Comic-Con International, where he was given an Inkpot Award. In 2013 Norman was honored with the âSergio Awardâ from The Comic Art Professional Society (CAPS). (X)
Websites: afrokids.com / blog / twitter
[ Follow SuperheroesInColor on facebook / instagram / twitter / tumblr ]
One of the smartest, nicest dudes Iâve encountered online, and still quite active in animation and illustration at the age of 80. Mr. Norman worked everywhere and for and alongside legends in the industry. Such a font of animation history.
! Gay! Iâm callin it!
Because thatâs valuable information to be â1stâ on, right? All that heâs accomplished in a much more turbulent time for people who look like you and me, at 80 years old, and you arrived at what his sexual orientation is? Noteworthy indeed. His wifeâs name is Adreianne Brown, by the way.
Alchemical Vectors.
Mech by medders on DeviantArt
Amazing Shots from National Geographicâs Daily Travel Photo: Best of 2015
National Geographic recently released a gallery featuring the best Daily Travel Photos submitted in 2015. This round-up includes 50 photographs from all over world, gathered as part of their ongoing travel series. Here are some colourful images selected from that gallery, but be sure to check out the rest of the amazing shots at National Geographic.
Enjoy past photography features and follow us on Twitter.
posted by Margaret

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Afterdepth âś GAL UNIT ăblack diamondă