⠀⠀⠀⠀⠀⠀⠀⠀⠀eternal
and let an arrow pierce my chest,
the heart need not be spared its end;
far more terrifying than death
to turn to stone in stranger’s hands.
/ art study
occasionally subtle
ojovivo
we're not kids anymore.
todays bird
taylor price

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if i look back, i am lost
will byers stan first human second
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Stranger Things
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PUT YOUR BEARD IN MY MOUTH
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@whisperinghallwaysofmirrors
⠀⠀⠀⠀⠀⠀⠀⠀⠀eternal
and let an arrow pierce my chest,
the heart need not be spared its end;
far more terrifying than death
to turn to stone in stranger’s hands.
/ art study

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Pierre-Paul Prud'hon
Dreaming by Robert Fowler (1850 – 1926)
Night (1875) by Auguste Alexandre Hirsch (French, 1833 – 1912), signed and dated ‘Alexandre-Auguste Hirsch 1875.’ (bottom left), oil on canvas, 105 cm (41.3 in) x 168 cm (66.1 in), Private Collection

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Mariska Karto
red roses [1] 2026/05/30
Authors don’t have to make their language accessible to you.
They are not obligated to use “easy words” or pander to the lowest common denominator.
They should not feel required to neuter their prose in the name of “accessibility”.
Dictionaries exist. Learning new vocabulary is one of the most wonderful side effects of reading.
(And honestly, language is beautiful. It has evolved through thousands of years of oral and written traditions into something rich and complex. Why would you want to throw out words like susurration or glimmering or viscid? That’s like removing the seasoning from a stew)
🦉 🖤🦷🌌
oh so when other people call a baby "cute enough to eat" it's sweet and charming. but when i, cronus,

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Lilith, (Detail), (1887), by John Collier (English, 1850 – 1934), oil on canvas, 194 cm (76.3 in) x 104 cm (40.9 in), Atkinson Art Gallery and Library, England
you've heard of faithful translations now get ready for unfaithful translations where i'm constantly cheating on the text i'm translating with another text that i find more interesting
it is important to cling to wonder btw
many people grow up and forget what it feels like to be a child. we must remember this. we have to remember what a joy it is to play. to learn. to build connections. to grow. to experience. we must hold onto the things that awe us. we are changed by what we love
The opposite of “the elephant in the room” is “the centipede in the room”: something that’s not actually an issue but everyone is freaking out about
Memory of Sasha

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REVENGE on @krowfaced !!
Had SO much fun drawing this dude! I made him a little wormy in terms of anatomy, sorry i just wanted to push the pose—his design calls for movement!!! XD
I hope you like :>>
Can I offer a reframe of the common "write the shitty first draft" advice? I like that advice a lot but I think the way it's often presented bounces off a lot of people and activates shit that does not help writing happen.
I think of the first draft as an armature.
If I was making a beautiful bronze statue, I would need to make a clay model first. And, depending on the shape, before I even got out my clay I would need to get some good thick wire and create a basic shape for the clay to adhere to, so it doesn't all fall down. Once I have this essential 3D wire frame, I can start building and subtracting and refining.
But if I try to refine on just clay, it won't have enough of a core to hold it up. I'll sculpt a beautiful hand only to have the whole arm fall off and go smush.
The armature isn't the sculpture. It is the frame you build the sculpture around.
The first draft isn't the novel, it's a sort-of-novel-shaped thing that will hold up everything you build and beautify later.
Write the armature draft. Try to make it a good armature, instead of trying to make it a good novel before it's ready.