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conlanging is such a fun hobby it's so sad that you can't share it pretty much anywhere outside of conlang spaces without it being called useless or ignored completely
Actual roman epitaph for a dog
Teutonic Word of the Week #5
vicca (noun.fem/masc) - witch, wizard
/ˈ wik:a/
vicca comes from Proto West Germanic *wikkō, but because final -ō becomes -a at the ends of words, vicca is both a masculine and feminine noun. This word would later become wiċċa "wizard" in Old English, eventually leading to the modern English witch. In the late 1940s and 50s, a version of this word would later be chosen for the modern neopagan religion Wicca.
GFs and their ugly dolls (based on new merch art)

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данилка багров
Transfem Peter Parker drawings I forgot to post
tuva, russia
Trust
Playing Dark Souls 2 again and damn, in spite of its rough edges, I think it’s my favorite.
They’re all good, mind you. Dark Souls 1 is the foundation, and 3 is playing the hits while also saying that it can’t just play the hits forever and has to end.
And Dark Souls 2 is doing its own weird different thing and I love it.
I think it has the best story of the three games, because it really concerns itself with people.
The intro isn’t a list of people and monsters you need to kill, it’s your story. How you came into this land. You are afflicted with the curse of undeath, and it’s destroying your life and your mind. Everything that follows is based around that. You’re not the Chosen Undead, a title put on you in the first game because of a role you’re expected to play in some legend. You’re the Bearer of the Curse, because that’s your concern in all this, your curse.
You see it afflict others throughout the game, too. Most of the characters in Majula can’t remember how they got here, their goals, their lives before Drangleic are fading, same as yours. Lucatiel is by far my favorite NPC in any Souls game, a tragic view of another cursed undead that doesn’t quite make it. You fight alongside her. She confides in you, forms a bond with you. And then, as the last remnants of her mind, her self, leave her, she begs you to remember her name. Vendrick, the mighty king of Drangleic, is a shell of himself. He shuffles around in his own tomb, having long ago succumbed to the curse. He may as well already be dead. In every way that matters, he is.
And if you don’t figure something out, it’s going to happen to you, too.
Some to do has been made about the world layout not making sense. Some say it’s bad design or development troubles leading to compromises. Others say it’s intentional, that time and space are warped, though I think that’s either not true here or done much better in DS3. I subscribe to a third camp I’ve seen a bit less frequently: These nonsensical ways you move between some of these places are because you forgot how you got from one place to the other.
“So you got to the top of the tower, then what?”
“Oh, then I got on an elevator, which took me up— up to… I was on an elevator… then I was in an old keep sinking into a lake of lava.”
You’re losing your mind and your memory, you just can’t remember what happened between Earthen Peak and Old Iron Keep.
So you go slay the old ones, find Vendrick, seek out the ancient dragon, defeat Nashandra and—
It doesn’t work. You don’t cure the curse. You can either take the throne, or keep looking for a cure. We don’t see what kind of monarch you are to your ruined kingdom if you stay. And we don’t see you find a cure to the curse if you leave.
You lose.
It’s left to you to decide, does continuing to fight this fate have meaning? Is the struggle, in and of itself, worthwhile?
Dark Souls 2 is about going Hollow, and I love that it goes in such a different direction with its lore and story to be that.

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mad
The Pursuer
Darklurker request
An Introduction to Teutonic (Part 5): Verbs
Part 1 Part 2 Part 3 Part 4 Introduction
This posts focuses on the verbal system of Teutonic - this is easily the most complex aspect of the language, due to the amount of forms and patterns each verb has. However, they can be simplified by dividing verbs into two categories: strong and weak verbs
Strong verbs
Teutonic strong verbs change the vowel in the root word depending on the tense. We can see this in modern English sing-sang-sung, rather than the incorrect forms singed, have singed. Not every verb uses this specific model. Rather than grouping by vowel, it is more useful to classify verbs via number. Generally, each strong verb changes its internal vowel for the infinitive, past first-person singular, past third-person plural, and past participle. The chart below demonstrates the vowel alternations of each strong verb (note that the words following an asterisk are their Proto-Germanic predecessors):
Past participles are suffixed with the unstressed prefix ge- (/je/). This prefix is very common in German, such as schlafen "to sleep" -> geschlafen "slept."
Below is an example of the conjugation of the strong verb lesan "to read", with additional explanations of verbal aspects (shared by all verbs):
There are two tenses: past and present. The past tense covers every action that has happened before the current context. If you want to be more specific, you can use adverbs, dates, or other clarifying words.
ic las boc "I read a book"
gesteran ic las boc "yesterday I read a book"
By contrast, the present tense describes a verb's actions in current time. It does not distinguish between general present tense "I read a book" versus "I am reading a book" like in English, meaning the sentence ic les boc can mean either or. Past tense forms remain the same regardless of person.
vi las boc "we read a book"
ii las boc "y'all read a book"
hia las boc "they read a book"
Most verbs have what is called the subjunctive mood. Indicative verbs indicate the action taking place, while verbs in the subjunctive mood express a desired, ambiguous, or suggestive actions. It also varies depending on the tense.
thu lesist boc "you read a book" -> lesast thu boc? "would you read a book?"
Finally, there are the participles or "adjectival verbs," special forms of the verb that are used like adjectives. Unlike typical adjectives, they do not decline at all and are always attached to the noun they modify.
mann les "a man reads" -> lesand mann "a reading man"
The past participle is also used to form passive verbs (verbs that indicate the action is being done to the subject). Using the past participle gelesand, we can form the sentence sa boc vas gelesand "the book was read."
Weak verbs
Most verbs in Teutonic are so-called "weak" verbs, meaning that they do not change their internal vowel and only rely on adding the -ad suffix to form the past tense.
Preterite-Present verbs
This category originates from Proto-Germanic verbs whose present-tense forms are from historical past-tense variants. But in effect, this still means they are a form of strong verb. While they only comprise of eleven verbs (cunnan, dugan, durran, ganugan, magan, motan, munan, thurfan, skulan, unnan, vitan), these verbs are commonly used, including sculan "shall, will" which forms future tense verbs with the infinitive. The conjugation of which is below:
ic les boc "I read a book" -> ic scal lesan boc "I shall read a book"
Irregular verbs
Lastly, some verbs are entirely irregular and must be memorized individually. These verbs are: vesan, vilian, don, and gan. Because vesan "to be" is one of the most important verbs, the conjugation of which is below:
Do you prefer Madoka's or Homura's dress? :)
Illustration by me, the dresses are from the official Madoka Magica Nyanya collab!

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ik hata mein hindarkund leik :)