finished reading bunny last night and i'm obsessed. need to read the sequel asap
Game of Thrones Daily
Claire Keane
Not today Justin
The Bowery Presents
TVSTRANGERTHINGS
sheepfilms
Noah Kahan

Kiana Khansmith

blake kathryn
đȘŒ

if i look back, i am lost
macklin celebrini has autism
cherry valley forever
Keni
đ©” avery cochrane đ©”

Xuebing Du
Sweet Seals For You, Always
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@wheatrice
finished reading bunny last night and i'm obsessed. need to read the sequel asap

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Birthday Girl àšà§
Summary: itâs your birthday and youâre stuck working a long shift at the diner. Your boyfriend makes it up to you when you get home.
⥠warnings: NSFW, MDNI, 18+, smut, oral sex (f!receiving), face sitting, face riding, lingerie, age-gap, older!bf, cute stuff, ur boyfriend loves u, user is 21+, no mentions of y/n, reader-insert.
wc: 2.9k |Â : I lovedddd writing this one so much <333 iâll be posting later today too!! i know the layout looks a little silly lol iâm posting from my phone LMAO
Eating You àšà§
summary: People are going missing, and so is your boyfriend; disappearing at night, returning in the morning, trying to satiate a hunger you donât know about. One night, thereâs no one to feed on, and youâre his last resort. ⥠warnings: NSFW, MDNI, 18+, vamp!bf, smut, unprotected sex, sleepy/unconscious sex (not cnc), oral sex (f!recieving) kissing (neck + stomach), breast play, manipulation, lying, angst, threats, many mentions of blood and bloodsucking + references to cannibalism, mentions of death, and missing people, reader is 21+, no mentions of y/n, reader insert. wc: 4.4k | : i love vampires far too much... had to make it and shout out to the request that made sure i did!! listened to black milk by Massive Attack while writing... listen if u wanna set the mood lol enjoy!!
i need a vampire bf so bad
i love having loose leaf teas. it feels so luxurious

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OMG IM SO GLAD I FOUND YOUR ACCOUNT AGAIN!! i was so worried bruh, but iâm glad to know youâre back & that youâre okay!! i was looking for your miles caton fics and when i couldnât find them, i damn near PANICKED. but, if you donât mind, i would LOVE to read your fics about him again. welcome back đ„čđ«¶đŸ!
my miles.
a miles caton fic
summary ~ youâve known miles since you were kids. time passes by, and your relationship dwindles. what will happen when you see the trailer for sinners?
includes ~ childhood friends to strangers to lovers // fluff
word count ~ 3,275
a/n ~ sending me back to my roots huh anon? đ
ââââââââââââââââââââââââ
need it
miles is so funny for this đ
i love him so bad
School Dazeâ
Sammie Moore x reader.
Modern 90s/2000s College AU!
Wrd count; 12,440
Warnings: come on yall know me by now đ(smut) Sammie MooreâŠâŠ
ââââââââââ
Back in school, you wasnât ever that girl folks looked twice at. Glasses too big, always ducked off somewhere, eyes to the floor like you was scared to be seen. You kept to yourself mostly. Not all the way soloâyou had a lil crew. Two, maybe three homegirls, but yâall was all on the same wave. Quiet. Closed off. Real lowkey.
But your girls started poppinâ over timeâglowinâ up for real. Got they first lil boyfriends. Started rockinâ with dance teams, joininâ clubs, throwinâ on them cheer uniforms. Meanwhile, you stayed tucked in. No boyfriend, no flings, no nothinâ. Head always in a book, studyinâ for some exam that wasnât even on the radar yet. Two semesters ahead, tryna be grown before you had to be.You did have one lil crush thoughâif thatâs what you could even call it that.
His name stayed floatinâ down them hallways like the beat of a marching band on game day. He had that kinda presenceâloud without even sayinâ nothinâ. You used to tag along to his games with your girls, sittinâ up in them bleachers pretendinâ like you was there for the team. But truth was, you barely even cheered. Just watched. Quiet. Nervous. Lowkey fascinated.
You liked Sammie in that way where just hearinâ his voice made your heart do flips. Couldnât even look him in the eye. That country accent? Whew. Only ever caught it when he passed by, talkinâ to his boys or flirtinâ with some girl in 3rd period.
Then one day he was gone. Transferred schoolsâsomethinâ about bigger chances, better shine. You ainât ask too many questions.
And just like that, the crush faded. So did that version of you.
Your girls held you down, pulled you outta that shell. Got you dressinâ different. Walkinâ different. Laughinâ louder. You was still shy, yeah, but you had a lil swag now. Started feelinâ yourself. Steppinâ into that new vibe. That grown woman glow-up.
And for the first time⊠you was feelinâ real good. Like, damn, this might be my season.
Delta U had that feel to it. Thatâs why you chose it.
Like somethinâ out a Spike Lee joint or a Jill Scott songâBlack, loud, full of soul. First week on campus was like a block party and a family reunion all wrapped in one. Greek orgs out on the yard strollinâ, grills fired up on the lawn, somebodyâs cousin tryna DJ off a Bluetooth speaker while the Ques already sweatinâ through they shirts. Whole campus smelled like shea butter and BBQ chicken. It was Welcome Day. And your dorm? A whole mess of chaos and lip gloss. You was posted up on the edge of your bed, half-dressed, heart racinâ. âI donât think I wanna go, yâall,â you mumbled, barely audible over the music cominâ from the hallway.
They all groaned in unison like a tired choir. âHere she go again, yâall,â one said, floppinâ down on the bed across from you.
âGirl, donât piss me off tonight,â your other homegirl snapped, already halfway through her winged eyeliner.
Then the ringleader of the crewâthe bold one with the rat tail comb always ready to check somebodyâgot dead in your face. Eye to eye. That comb damn near touched your nose.
âLook, bitch,â she said real calm, too calm. âItâs fine-ass niggas outside. The sun out. You thick as hell. And guess what? We in college now. Not high school. Not church. College. So guess what we doinâ? We goinâ out.â
She spun away like she dropped the mic. You sighed, stood up, and turned to the mirror. Took yourself in.
Them little jean shorts was hanginâ on by faith and friction. Your thighs was thanginâ. Your chest sittinâ real proper thanks to the double-bra combo your homegirl swore by. You turned side to side, let out a tiny smile.
You knew you looked good.
âAight, yâall⊠Iâm ready.â
You turned back to face the room, grinninâ from ear to ear.
The whole squad paused for half a secondâthen exploded. Screamin', tongues out, feet stompin', hypinâ you like you just stepped on stage at Homecoming.
âOKAY MISS MAâAM!â
âYES THICKNESS!â
âWe outside tonight!â
Yâall laughed, yellin' over each other, snatchinâ purses and keys, lip glosses flyin'.
Ready for whatever the night was gonna bring.
And in that moment? You wasnât shy no more.
You was just her.
Yâall finally hit the yard, and it felt like the ground was vibrating beneath your feet. Bass thumpinâ so hard your chest caught the beat before your ears did. Speakers stacked on folding tables, Greek letters spray-painted on bedsheets hangin' off dorm windows.
Boys in jerseys sweatinâ and flexinâ. Girls in sundresses glistening in the heat, edges laid, gold hoops swinginâ. DJ shoutinâ over the mic, âWELCOME TO DELTA U, CLASS OF LEGENDS!â and the crowd goinâ stupid.
Yâall walked through like you owned the place, hips swayinâ, laughs high-pitched, bodies glistening in that 5 p.m. sun. Somebody handed you a red cupâpink punch with that bite in it. You took a sip and coughed low, but didnât let it show. Your girls was already two-steppinâ near the speakers, hips rollinâ to the beat. Dudes slid up behind âem, tryna catch a vibe.
âAyo, ma, you got a man?â one dude tried, leanin' in a lil too close.
Your homegirl turned around slow, gave him a once-over. âI got three. All of 'em crazy.â
âDamn, you canât just say no?â
âI did say no,â she said, turning right back to the beat like he ainât exist.
Another boy tried your other friend: âYou dance like that in church too?â
âOnly if Jesus show up wearinâ grey sweatpants.â
He stood there stunned while she twirled away, drink in hand, and you laughedâfinally loosening up.
You were buzzed just enough to stop overthinking, but not enough to stop squintin'. Your lashes too long for your glasses, so everything looked like it had that soft blur to it.
You kept glancing around the yard, eyes skimming faces. Not really lookinâ for nobody⊠just watchinâ. Floatinâ
Thenâbump.
Hard shoulder to your arm. Your drink flew out your hand like it got snatched by the air.
âShitâ!â
Your cup hit the grass with a soft splat, pink liquid staining the blades.
Your girls turned fast.
âDamn! You canât say âscuse me, nigga?â your girl barked, already turninâ up.
His boys stepped forward like whatâs up then, all arms folded and necks cocked.
âMan, yâall too loud for no reason. It was an accident.â
âAccident is trippinâ over a curb. He bodied her like she ainât got bones!â
âNah, yâall better back up âfore we get un-Christian out here.â
You stayed quiet, eyes still low, focused on that cup layinâ sideways in the grass. Lips pressed tight.
You didnât like scenes.
Didnât like heat that wasnât from the sun.
Then you heard it.
âIâm sorry ma.â
âI ainât mean to.â
That voice.
Soft drawl. Familiar rhythm. Sounded like old gum wrappers and middle school yearbooks. Like gym bleachers and hallway whispers.
You blinked.
A handâbig, warm, steadyâcame into view. Reached down, picked up your cup like it was glass instead of plastic. And as your eyes followed his fingers up to his wrist, to his arm, to hisâ
â...Sammie.â
You said it out loud before you could catch yourself.
All your girls paused mid-argument. Froze. One even blinked twice like she needed confirmation.
âOh mf! Why didnât you say it was you?â your homegirl shouted at him, pushing her lipgloss back into her purse.
He looked at her for a second, then back at you. Smiling like trouble you knew better than to want.
âI remember you,â he said, voice low, rich.
âQuiet lil thang.â
He stepped back just a bit, eyes dragging over you real slow. Licked his lips. That old
Sammie habit.
You tried to hold it in, but your smile betrayed you. It was cominâ anyway, soft and shiny like the gloss your girl put on you.
Your girls noticed. Of course they did.
They looked at each other eyebrows raised, hands covering grins, whisperin' fast.
You panicked. Had to say something.
You cleared your throat. âI remember you too⊠benchwarmer.â
âOooooooohh!â
His boys hollered behind him, all hands to their mouths, jokinâ like they was on the schoolyard again. Sammie dropped his head, one hand rubbin' over his waves, that crooked smile sneakinâ back out.
âItâs like that, ma?â he said, eyes locked on you.
âMaybe,â you replied, real smooth. Then turned around like it was nothinâ.
You walked off, hips steady, heart doinâ flips. Your girls followed close behind, mouths pressed shut just enough to stop screaminâ. Yâall didnât have to say itâbut they knew.
You wasnât just out here now.
You was in it.
The party was long gone, the music a ghost now, just bass memories still rattlin' in your chest.
Your dorm was dim, lit only by the soft blue TV glow and a phone light somebody forgot to turn off. One of your girls was already knocked out across her bed, one shoe still on. The other halfway under the covers, lashes askew, mouth wide open. They didnât even bother changinâ.
You laid there for a second, buzz finally faded, makeup itchin', body tired but restless.
So you got up. Showered slow. Let the heat wash over you until the bass left your bones.
Now you were in your real skin. No lashes, no gloss. Just you. Clean. Barefaced. Sports bra, cotton shorts, big t-shirt. Edges puffed up, bonnet tied loose. Slippers slid on, keycard in hand.
You went lookin' for a snackâfirst the mini fridge, then the cabinets. Nothinâ but dry-ass ramen, ketchup packets, and your roommateâs suspicious yogurt.
You sighed, tugged your t-shirt lower, and shuffled down the hall to the vending machines.
The hallway was quiet, just the hum of old AC and the click of your steps.
You stood there, starin' through the glass like it was gonna speak to you. Your finger hovered over the buttons. Hot Cheetos? Snickers? Twix?
âDamn, the machine got you stuck like that?â
You turned, slow.
Sammie.
Leanin' in the doorway like he belonged there, hoodie half-zipped, white tee underneath, chain glintinâ under the cheap fluorescent lights. Eyes real low. Smile even lower.
You rolled your eyes. âWhy are you even in here?â
He stepped forward with a smirk.
âCo-ed, baby.â
You sighed and pressed B7. The machine groaned, then thunked out your Twix. You bent to grab it, not even thinkinâ about it.
Sammie thought about it though. Thought about it real hard.
His eyes trailed up from your calves, slow like honey. To the curve of your thighs. To the way them shorts barely held on. He bit the inside of his cheek.
Cornbread-fed. Just how he liked âem. He was from the Southâhe didnât believe in women who couldnât hold a plate or carry a manâs whole attention without even trying.
You stood back up, unbothered. Turned to him.
âGet a good look, pervert?â
You slid past him.
âI donât know⊠let me see again,â he
grinned.
You smacked his arm lightly. âHorny lilâ boy.â
âI was jokinâ, you know that, mama,â he said, stepping up close behind you. His arms slid over your shoulders like he done it before.
âBoy, if you donât get off meââ
He laughed but held on tighter. âWhy you beinâ like that?â
âI ainât beinâ like nothing. Boy, you got all these girls on you already. Drama ainât for me.â
He leaned back, blinked like you just told him the sky was purple. âAnd itâs for me?â
You gave him that be serious look. Chin tilted, eyes narrowed.
âIâm serious,â he said, voice low now. âThem girls just⊠girls. Thatâs it.â
You looked at him like he was wearinâ stupidity on his chest instead of that chain.
âBoy, you donât even make sense.â
You didnât wait for him to try again. You turned. Walked.
âGoodnight, Moore.â
Back in your dorm, you slipped into bed, pulled the blanket up, popped a DVD into your playerâ Brown Sugarâjust somethinâ soft and familiar.
You watched the screen flicker, eyes growinâ heavy.
He wasnât in the room.
But he was in your head now.
And you hated that.
The dining hall was loud like alwaysâlinoleum floors, the smell of syrup and turkey bacon mixin' with cheap coffee and last nightâs regrets. You sat at your usual table, bonnet still on, hoodie zipped, tray full of breakfast you barely picked at. Your girls were all around you, gigglin' between bites, still full off last nightâs turn-up.
âI know you not gonâ sit there and act like that ainât Sammie Moore had you stuck at the vending machine like a redbone deer in headlights,â one of your girls said, grinninâ wide.
âI was not stuck. I was mindinâ my business.â
âChile please,â another said, mouth full of biscuit, âyou was starinâ like he had a scholarship between his lips.â
You rolled your eyes, sippinâ your orange juice. âI donât even like what he stand for. He drama. I ainât come to college for all that. Iâm tryna keep it cute, keep it clean, get my degree.â
âCute and clean, huh?â your friend teased.
âIs that what they call that ass you had out last night?â
You swatted her with a napkin, smilinâ despite yourself.
Thatâs when some boys walked overâthree of them, tall and lookinâ like trouble dressed in varsity jackets and gold chains. One had dreads, the other two low fades. But it was the one in the black tank and Cuban link that caught your attention first.
He locked eyes with you like he already knew your name.
ââScuse me,â he said, voice low and syrupy, âdidnât mean to interrupt. Iâm Smoke.â
You raised a brow, not budginâ. âI donât do nicknames.â
He smiled slow, head tilt slight. âThen letâs get it right. Elias.â
That name sat nice on his lips.
You felt your spine react before your mouth even moved.
You cleared your throat, coolinâ the smile that wanted to creep. âOkay then, Elias.â
âOkay then,â he said back, eyes takinâ you in respectfulâbut not shy.
He turned a little so he wasnât blockinâ your homegirls. âYâall should come out tonight. We throwinâ somethinâ over on Palmer. Real easy. Just vibes.â
He looked back to you. âBe good to see you there.â
Then just like that, he turned and walked off, smooth like the song playinâ low from somebodyâs speaker nearby. You blinked, caught off guard.
âUhhhâHELLO?â your girls said in unison, smacking the table.
âYou better get your ass in formation!â
âGirl, who was THAT?â
âBaby Iâm wearinâ heels tonightâI donât care if my ankles bleed.â
You laughed, tray forgotten, heart a lil' fluttery. âI mean⊠why not?â
And right on cueâlike somebody summoned him with your thoughtsâSammie walked up, his boys trailing behind, chain swayinâ over his chest, durag tied down, eyes already scanning the table.
âWhat yâall so juiced about?â he asked, a lazy grin on his face.
You didnât even flinch. âElias invited us to his party.â
His smile dipped, just a second. He looked off to where Elias and his boys were posted up.
âWord?â
âMhm. Said itâd be good to see me there.â
You said it calm. But your girls caught the shiftâSammieâs jaw tighteninâ, the light in his eyes dimminâ just a touch. He played it off though, noddin' once.
You tilted your head, leaned forward just a little.
âYou jealous?â
He looked down at you, lips pressed but still smirkinâ.
âNah. Ainât no reason to be.â
You stood up, the air thick now, the table quiet like the cafeteria just paused for yâall.
âYou want me,â you said, eyes never leavinâ his.
He stepped up, close, eye to eye. He was taller, but you ainât back down.
âI do,â he said, noddinâ once.
That heat was backâheavy like the Delta sun in July. You felt it, and you liked it.
You looked in each of his eyes slow, readinâ the want sittin' behind them lids.
âDrop the hoes then, Moore.â
You popped your gum, eyes dragginâ down his chest and back up like you were takin' inventory. Then you turned and walked off with your girls, hips swinginâ, all of them whisper-screaminâ behind you like high school all over again.
Sammie and his boys were still there, stuck in place.
One of his boys leaned close, clapped his shoulder.
âBetter get busy, my boy.â
He didnât say nothinâ, just smiled slow, hands in his pockets as he watched you leave.
He had a type, sure.
But you werenât a type. You were a whole damn category.
And Sammie Moore wanted all of it.
Music knockinâ low from the speakerâsome classic R&B remix with a new-school beat. Perfume in the air. Heat from flat irons and the smell of edge control mixinâ with laughter. You and your girls were in full formation, baddie-mode activated.
Legs out, arms oiled, bangles singinâ every time yâall moved. Lip gloss poppinâ, shades sittinâ right on top of your brows. You had on a lil Baby Phat-style jean romper, hugging every curve like it got hands.
Pumps to the sky. Hair curled up with that midnight bounceâyour mama wouldâve smiled seeinâ them braids had finally done what they was supposed to.
You posed in the mirror, tongue peeking between your teeth, adjusting your hoops.
âDamn, I love college,â one of your girls said, doing a slow turn in the mirror.
Another smacked her gum, tossing her curls. âBoth them boy crews? Whew. It's like God dropped fine into the registration office.â
âOkay, but who you tryna lock in with?â they asked, looking right at you.
You smirked, sliding your shades down your nose.
âLetâs see who show up tonight.â
They screamed. Laughed loud. Even the shy one was gigglinâ. You all looked too good to be humble.
You raised your arm up, gold bracelet catchinâ the light.
âTO COLLEGE!â
They all clinked their red cups with yours. âTO COLLEGE!â
The energy was different on this sideâlower, smokier, but just as electric. Loud bass thumped from a Bluetooth speaker, weed smoke curling up to the ceiling fan.
Sammie was leaned back on the futon, durag hanginâ off, T-shirt stretched over his chest, black jeans crisp. One of his boys rollinâ a blunt, another lined himself up in the mirror with a phone flashlight.
âBroâŠâ one of them said, already crackinâ up.
Sammie looked up, raising a brow.
âYou really gonâ act like we ainât watch ole girl stiff-arm you in the caf this morning?â
The whole room broke out laughinâ.
Sammie shook his head, grinnin'. He could take it.
âAye, manâŠâ he exhaled, takinâ the blunt slow. âYâall wild. I ainât even on that lil groupie run no more. Iâm tryna make her mine. Real talk.â
One of his boys mugged up, snatching the blunt.
âMan, here you go with that soft shit again.â
He hit it, exhaled deep, voice cuttin' through the smoke.
âAll I know isâher girls? Man... them girls look like they stepped out a Vibe magazine.â
The room lit up with head nods, somebody clappinâ.
âThey bad bad.ââšâIâm talkinâ curated bad.â
âShit,â another said, sittinâ up, âwe could all lock in tonight.â
The whole room paused, lookinâ around.
âOh nah, yâall niggas trippinâ,â one laughed.
Sammie stood, brushing his shirt off, lookinâ in the mirror like he was about to sign a deal. Ran his hand over his waves, durag in one hand, gold watch glintinâ under the light.
He looked through the mirror at his boys, confidence written all over his face.
âLetâs roll.â
They stood like a unitâtoo loud, too good-lookinâ for their own good.
The four of you stepped out that car like destiny walkinâ on heels. Laughter on your lips, gloss shininâ under the porch lights, hips swayinâ to the beat echoing out the open doors.
Elias was the first to greet yâall.
âWhewwwâlook at this,â he said, leaninâ against the porch post like he been waitinâ all night. âIf yâall was any finer, Iâd need a warning label just to breathe.â
You smiled without tryinâ, lookinâ away as your girls giggled. His boys peeled off fast, gravitatinâ toward your crew like bees to fresh honey.
Elias took a step closer, hand brushing the small of your back.
âYou came,â he said, voice low and smooth.
âI said I would,â you replied, tryinâ like hell not to let his cologne live rent-free in your chest.
âCome on, letâs grab a drink.â
He led you through the crowd, shoulder to shoulder with strangers, the house alive with bass and bodies. Somewhere between the kitchen and hallway, a Soul Train line was tryinâ to start.
Girls were twerkinâ like it paid the rent. Air hot. Thick with weed. Full of life.
Yâall stopped at the drink tableâred cups stacked, Jungle Juice swirling in a Gatorade cooler.
âYou want sweet or strong?â Elias asked, already pourinâ.
âStrong,â you said, takinâ the cup from himâfingers brushing, eyes meeting.
Leaninâ against the counter, yâall fell into that low talk. He told you about his major, his plans, how he liked how you carried yourself. Quiet confidence, he called it.
You were just startinâ to let your smile relax whenâ
He walked in.
Sammie Moore.
Black tee clinginâ to his chest, pants sittinâ grown-man low, chain swayinâ like a whisper.
That smirk already cocked on his lips like he knew the script before the scene started. His eyes scanned the room onceâtwiceâ
Then locked on you.
You. And Elias.
You felt it in your neck, your spine, the base of your stomach.
He didnât stop. Didnât speak. Just dipped his chin, gave you that look, and walked deeper into the crowdâdap-tappinâ, noddinâ to the beat like it was just another Friday night.
But it wasnât.
Elias leaned close, voice soft in your ear.
âThat your man or somethinâ?â
You shook your head, steadyinâ yourself.
âNo.â
He grinned. âGood. Come dance with me then.â
You followed him to the living room-turned-dancefloor, Jungle Juice in hand. The song shiftedâAaliyahâs âOne in a Millionâ remix slid in low and sensual.
Yâall moved close. That slow grindâjust enough to spark heat but not burn. Elias knew how to move. Hand on your waist. Breath near your ear.
But your eyes kept driftinâ.
Across the roomâSammie, posted on the wall. Watchinâ. Not hiding it. Jaw tight. Eyes hard.
He wasnât sayinâ a word, but his body was yelling loud.
That look? That look said you had no damn business lookinâ that good with somebody else.
The song faded. Elias leaned back just a little, like he might say something deeper.
But thenâ
You felt it.
A hand on your wrist.
âLemme borrow her real quick,â Sammie said, low and gravelly, eyes never leavinâ yours.
Elias raised his brows, but you already knew. You nodded at Elias, heart thumpin', and let Sammie guide you away.
He pulled you down a short hallway, the noise behind yâall fading into a hum.
âBoy, what the hell is wrong with you?â you said, tryinâ to snatch your arm backâbut not really.
Sammie turned, steppinâ close âtil the wall kissed your back.
âYou was lookinâ too good to be up on him like that,â he muttered, voice thick.
You blinked at him, lips parted, chest tight.
âElias donât got nothinâ to do with you.â
He smirked, leaninâ in, his breath all up in your space.
âThen why you keep lookinâ at me like he do?â
No answer. Not with his hand braced beside your head, not with that fire in his eyes like he was daring you to lie.
Your breath caught. His face inched closer.
âYou know I want you.â
You swallowed, eyes lockinâ with his.
âI told you,â you whispered. âDrop the hoes, Sammie.â
He paused.
Then smiled.
âWatch me.â
Next day, class hitâbut your mind was somewhere else. Still buzzinâ from the party, from the hallway, from the way Sammie looked at you like you was the only thing in that room.
âšYou slid into your usual seat in the back of the lecture hall. Hoodie on, lips glossed, eyes low. Tryna stay out the way.
Then the door openedâand the whispers started before you even turned around.âšIt was him. Sammie Moore.
âšSteppinâ in like the whole classroom was his stage.
Girls straightened in their chairs.âšYou could hear the lil, âHey Sammie,â âOh my God he in this class?â floatinâ through the air like perfume.
âšHe didnât give none of âem no play. Just scanned the room, eyes movinâââtil they locked on you like a bullseye.âšThen he grinned.
Next thing you know, he jogginâ up the stairsâloud, on purposeâthen flopped down next to you like heâd been doinâ it all semester.âšHis arm slid over the back of your chair, all casual, like it belonged there.
You ainât say nothinâ at first. Just stared straight ahead, pretendinâ like your heart wasnât thumpinâ out your chest.
âMorning,â he said, voice low and lazyâlike yâall just rolled outta bed together. âYou miss me?â
You sucked your teeth, tryna hide your smile. âBoy, get on.â
He chuckled, leaned back, spread his legs wider like he paid rent in the seat.
Thatâs when they walked upâtwo girls in Fashion Nova fits, tryinâ to play it off like they needed help with the syllabus.
âšOne leaned in too close, eyes skippinâ past you like you ainât even there.
âYou really not gonâ say hey to nobody now?â she said, twisting her mouth. âYou actinâ brand new, Sammie.â
He didnât even blink. Didnât shift. Didnât smile.
âšâNah. Iâm good.â
The other girl gave you the slow once-over, nose turned up. âYou ainât even all that. He gonâ treat you the same way he did the rest of us.â
This was exactly what you meant.âšYou wasnât even gonâ say nothinâ. You ainât need to.
But Sammie turnedâslow. Looked her dead in the face.
âšAnd when he spoke? His voice dropped into somethinâ you hadnât heard beforeâdeep, steady, real.
âI donât talk to girls like this,â he said, jaw tight. âBut for her? I will. So back the fuck up.â
Silence.
You blinked. Looked at him like⊠who is this?
He was still watchinâ them, unblinking. Daring one of âem to say something.
âšThey didnât. Just rolled their eyes and stomped off, heels clackinâ down the stairs.
You turned back to him, still lowkey stunned.
âYou donât talk to girls like that?â you said quiet, voice almost teasing.
He leaned in, looked you dead in the eye.
âNah. Never had a reason to.â
Your heart dipped, flipped, did all types of flips.
You looked at him like you wanted to be mad⊠but you wasnât.âšNot even close.
Class started. Professor talkinâ about somethinâ you couldnât even pretend to care about.
âšâCause next to you? Sammieâs knee kept brushinâ yours. His arm still draped behind you. And that look on his face?
Like you was already his.
Professor Davis was old-school. Always came in wearinâ some too-tight slacks, cologne from the â70s, and vibes like he been waitinâ all year to catch somebody slippinâ.
âšHe clapped his hands onceâloudâsnappinâ everybody out they whisperinâ and giggling â.
âAight class, listen up. Time to separate the passers from the repeaters. First project of the semester starts today. Two-person teams. Full breakdown due in three weeks. Iâm assigning partnersâdonât come cryinâ to me.â
You sat up straight. That anxious flutter startinâ in your chest.
âšYou always took school serious. GPA clean. Ainât no way you was about to let some random boy mess that up.
Professor started callinâ names off his clipboard, pairinâ folks up one by one.âšâDanielle and Marcus⊠Tiffany and KaylaâŠâ
You tuned most of it out, untilâ he looked up pen pointing through the seats before his eyes landed on you.
âYou⊠and Sammie Moore.â
The whole row went: âOoooooooh.â
You closed your eyes, breathed deep. Lord, why me?
Sammie? Of all people?
You turned your head slow, like maybe you heard it wrong.
But there he wasâgrinninâ like he just won a Grammy.
âšMouth wide open. Gold flashinâ.
He slapped the desk once and leaned into your space, breath smellinâ like spearmint and sin.
âOh, this gone be fun,â he said, teeth gleaminâ.
You sighed. Loud.
âI ainât never even seen you with a syllabus, Sammie.â
He threw his head back laughinâ. âAyo chill on me! Iâm tryna turn over a new leaf. Be a scholar nâ whatnot.â
You side-eyed him. âYou ever even own a textbook?â
He pointed at your bag. âNah⊠but you do.âšAnd since we partners⊠closed mouths donât get honor roll.â
You blinked, jaw tight. âLord.â
He leaned closer, voice low, smooth. âWhat? You donât trust me?â
You crossed your arms.
âI donât even know you.â
He grinned wider, tapped the desk twice. âWell. Guess thatâs what the projectâs for.â
Sammie kept it one hundred.âšHe said heâd put in workâand he did.âšShowinâ up every day like clockwork.âšSometimes early, posted up outside the library like he belonged there.
âThought Iâd get a head start,â heâd say, flashinâ that cocky half-smile.
âšâOr maybe I just like lookinâ at you tryna act like you ainât impressed by a nigga.â
Youâd scoff, but you never sent him away.âšTruth wasâhe was tryinâ. Hard.
Heâd sit across from you, brow furrowed, tryna follow your notes while low-key givinâ you his own kind of test.
âYo, derivatives?â he said one day, flippinâ his notebook around with dramatic flair. âThese just wild disrespectful.â
You laughed before you could stop yourselfâand he grinned like he just won the championship game.
âThere she go,â he said. âKnew I could crack that mean girl shit eventually.â
You tried to play it cool. âFocus, Samuel.â
âI am focused,â he said, eyes lockinâ on you just long enough to make your heart skip.
âšâOn the sexiest tutor on campus. Donât blame a nigga if you distractinâ.â
Every time he talked slick like that, you swore you wouldnât react.
âšBut your cheeks always gave you awayâheat risinâ like you caught a sunburn indoors.
âThat a blush?â he teased, leaninâ in like he tryna get a better look. âDonât start fallinâ for me now.â
âIn your dreams,â you shot back. But even you heard the smile in your voice.
From then on, study sessions were never just about the project.
âšHeâd pass you a highlighter and let his fingers graze yours.
âšLet yâall knees touch under the table like it wasnât on purpose.
âšLean over your shoulder like he tryna read the worksheetâwhen really, he just wanted to breathe you in.
âOkay, brainiac,â heâd say when you breezed through a problem. âYou really just be out here rememberinâ formulas off the dome like that? You sexy as hell.â
You froze. âSammie.â
âWhat?â He shrugged, all fake innocence. Eyes scanning you full of anything but. âIâm just sayinââ brains and looks? Thatâs dangerous.â
It wasnât long before you started leaninâ in too.
âšNot âcause you had to.âšBut because you wanted to.
Little things added up.
âšA hand on your back when he leaned closer.âšThe way his eyes tracked every word when you explained something. Really listened.
âšLike you was the only person in the room.
He still messed up equations. Still talked too much. Still flirted like it was second nature.
But he was showinâ up.âšEvery time.âš
For you.
And somewhere between late-night study grinds and lowkey heart fluttersâŠâšSammie Moore stopped beinâ the boy from the back of the class and started becoming the one who had you smilinâ between blinks,âšblushinâ between smile lines and fallinâ just a little harder every time he cracked a joke.
College life meant party lifeâand here yâall go again.
Your girls talkinâ you into steppinâ out with âem.
âšYou was easier to convince than usual. All it took was them bringinâ up Sammie.
âHow close is close?â one of âem asked, nudginâ you.
âšYou tried to play it off, but that blush crept up quick.
âHe just⊠I meanâŠâ
âšYou rolled your eyes, but you told âem. How fine he was. How deep his voice got when he was focused. How you couldnât hold out much longer.
âWho said you had to?â one of them smirked.
Another girl leaned in, fanning herself. âI bet he talk you through it too,â she said, and yâall lost it, laughinâ all over again.
You grabbed your gloss, touched up in the mirror, and tried not to smile so hard.âšYou was feelinâ yourself tonight. And you should.
Yâall finally headed outâheels clickinâ, perfume thick in the air, dressed like you had something to prove.âšWhich maybe you did.
Or maybe⊠you just knew Sammie was gonâ be there.
âšAnd tonight, you was gonâ let him see it.
The party started before yâall even hit the door. Lights low. Bass heavy. Air thick with perfume, weed, and sweat. Everything bathed in that purple-blue glow like a dream you wasnât supposed to wake up from.
Yâall pulled up togetherâbut separate.âšYou and your girls all sharp edges and lip gloss, heels clickinâ, skin glisteninâ like honey under neon.
âšThem and Sammie? Posted on the opposite sidewalk, black tees, gold chains, eyes cuttinâ through the dark like heat.
It was automatic.
âšYou stepped out the car and locked eyes with him.
âšSammie already waitinâ. Already smilinâ.
âDamn,â he said under his breath, loud enough for the fellas to hear. âYâall see this?â
You tried not to, but you blushed. Again.
Your girls noticed. Teased you. One popped your arm with her clutch, whisperinâ, âGirl, if you donât go say heyââ
But you ainât have to.
âšSammie was already crossinâ the street. Already cominâ to get you.
He stopped in front of you, the world humminâ low behind his eyes.
âYou wear that for me?ââšHis voice hit your chest first, then your knees.
âšYou looked him up and downâblack denim, clean kicks, rings on his fingers, that gold chain you always noticed when he was leaninâ over your notes.
âYou think everything for you,â you murmured, tryinâ to sound unaffected.
He just grinned. âOnly the good shit.â
Your girls and his boys fell into that easy, flirty back-and-forth.
âšLaughinâ, flirtinâ, dappinâ each other up like this was just another night.âšBut you and Sammie?
âšYâall was in your own bubble. One step slower. One look longer.
And when the door to the club cracked open, that bassline slid out like smokeâand Sammie turned to you.
âAight,â he said, reaching for you smooth and easy, like he already had the right.âš
Arm slid over your shoulder. Firm. Warm. Protective.
âšâCome on. You witâ me.â
And just like that, you let him guide you in.
Walkinâ through that crowd like you was made for it.
âšShoulder to chest, his hand droppinâ to your hip when somebody brushed too close.âšEyes on the DJ, the dancers, the lightsâbut always cominâ back to you.
Inside, it was wall-to-wall heat.
âšBodies movinâ. Drinks spillinâ. Hooks loopinâ. Lights stutterinâ like camera flashes in slow motion.
Sammie leaned down, lips close to your ear.âšâYou good?â
You nodded, barely able to hear yourself think.
âšBut his arm didnât move. Stayed locked around you like it belonged there.âšAnd for the first time⊠you let it. Let yourself settle into it.
Let yourself feel how good it felt to be next to himânot just in study halls or library booths, but here.
âšIn the lights. In the noise. In his world.
Some girl tried to come up. He didnât move. Didnât speak.
âšJust kept his body turned toward you like she wasnât even there.
âYou drink?â he asked, mouth back at your ear.âšYou nodded again. And just like thatâhe was leading you through the crowd, still holdinâ you close.
You felt eyes.âšFelt envy.
âšFelt the beat thumpinâ in your chest.
But most of allâyou felt safe.
Like maybe, just maybe⊠this boy was serious.
Like maybe⊠you was ready to find out.
Sammie didnât say nothinââjust nodded toward the back, hand still resting heavy on your waist as he guided you through the bodies like he had a key to every room in the house.
Past the living room speakers, past the swayinâ couples, past the girl in red heels dancinâ like she ainât have a care in the world.
The kitchen was cooler, quieter.âšDim light from the stove clock. Ice clinkinâ in cheap glass cups.
âšSomebodyâs cousin passed by with a bottle tucked under his arm and a blunt behind his ear. Didnât even look twice at yâall.
Sammie stepped to the counter, opened the fridge like it was his place.
âWhat you drink?â he asked, back still to you.
You shrugged, leaninâ against the island. âPick for me.â
He turned, brow raised. âYou donât drink like I do.â
You tilted your head, smirkinâ just a lil. âTry me.â
He chuckledâlow, lazy.âšâThis gone be funny,â he said, grabbing a red bottle and somethinâ brown from the corner.
âšPoured heavy in two cups, eyes low from the weed humminâ through his system.
Then he took a sip.
âšSlow.
âšEyes on you the whole time.
Mouth still on the rim when your gaze droppedâfollowinâ the line of his throat, the way he pulled back from the cup slow, lips glossy, glistening under the overhead light.
He wiped his hand down his mouth, rings glintinâ, and your eyes tracked every. damn. move.
Thenâhe licked his lips.âšJust once.
Your gaze dropped there, couldnât help it. You watched his tongue slide across those thick lips, the gold of his slugs lookin at you.
He stepped in closer, the space between yâall shrinkinâ like breath in cold air.
âšHeld your cup in one hand, lifted your chin just a touch with the other.
âGo 'head,â he said, voice dipped in honey and dare. âLetâs see if you real.â
You opened your mouth, and he pushed the cup to your lipsâfingers gentle, but sure.âšHis other hand slid back, found the nape of your neck, thumb pressinâ just enough to ground you.
You drank.
All the while, his eyes never left youâlow, watchful, wantinâ.
âšThat tilted POV got you dizzy, heat spreadinâ slow down your spine.
âšHe smelled like kush and cologne and the sweat on his skin. You looked up from under your lashes, caught his mouth twitchinâ like he was thinkinâ somethinâ he couldnât say out loud.
You dropped the cup without speakinâ.
He let it fallâplastic, not glassâno spill. No need to say nothinâ.
His thumb brushed your bottom lip, slow.âšWet. Glossy. Warm.
He hummed low in his throat.âšâSweet,â he said. Couldâve meant the drink. Couldâve meant you. Didnât matter.
Then he pulled back, just enough to breathe, fingers curlinâ around yours.âšDidnât tug. Didnât pull. Just led.
Back through the smoke and color.âšBack to the music, where it was louder, hotter.
âšBack to the floor, where the bass made your bones hum and the lights turned his eyes to fire.
Hand in hand.
You and him.
And this time⊠you didnât let go.
AYEEE my first req of many whoever requested this it got too long baby this coming in parts but enjoy thiss one đ
Pt2 heređ«
Next up is : @yourm0mish0t Sammie x Reader cause yall canât get enough. Itâll come soon so hereâs a title âsongbird sinsâ #staytuned #stayloyal #stayfreaky
Iâm Grown
Sammie/Preacher's Boy x Black Reader
Genre: Smut with plot, Modern AU?(ig)
Warning: Smut, fingering, D in P, unprotected
Word Count: 3.8k+
Summary: You and sammie basically grew up together. Though you were only half a year older, you always treated him like a little kid.
Then college came, and you moved away. Now it's summer, and you start to realize the little preacher's boy you left...is a man now.
Writers note: Iâm still new to writing fan fics, so iâm not the best, but i hope yâall still like it! I plan to keep practicing and getting better!!âïž

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HANDSY.
^àŸàœČ PAIRING cameron cade x black fem!reader
^àŸàœČ IN WHICH one compliment gets you into some trouble with the star QB.
^àŸàœČ ÂĄWARNINGS! smut (smidge of plot/buildup). nail tech!reader, college athlete!cameron, angst, pet names, dirty talk, fingering, just mr. cade being nasty.
^àŸàœČ A/N i def based this on the part of quenâs video when she asked if he gets manicures đ his reaction after she called him nasty told me EVERYTHING! anywaysss, just had to see if i still got it lol, something sweet while i finish the rest of my drafts. be on the look out for the next week and after..hehe. thank yall for reading (interact pls) and lmk what you think! <3
âdo you get manicures? your hands are prettyâ
it was a mindless compliment, just something that slipped out in the spur of the moment. occupational hazard. you worked with hands all day long so cuticles and nail beds are the first things you notice about anyone.
you didnât know him well, or at all really, but you knew enough. cameron cade is practically a campus celebrity. his face is plastered everywhere you look, whispers of whatever rumor of the week involving him leaks from distant conversations. thatâs about as far as it got for you
so when heâd claimed the seat next to yours in your contemporary literature class, always as quiet as a church mouse, after weeks of stolen glances his clean, perfect hands had weirdly became something that you took notice of. fixated on.
âyour hands are prettyâ
cameronâs pen stilled over his page instantly. he almost thought heâd hallucinated the words. todayâs lecture faded into nothing but background noise, your honeyed voice was the only thing he cared about,
finally. he thought
the opening heâd been waiting for.
he couldnât help the slow grin that pulled at his lips.
you caught his attention easily on the first day of class. bright eyed and bubbly, draped in baby pink from head to toe. a walking ray of sunshine with the kind of natural, warm confidence that just makes you so much more attractive. it also didnât help that youâre fucking stacked. your body looks like it was hand crafted by god herself.
the two of you never really spoke much outside of borrowing pencils or sharing notesâhe was afraid of ruining any chance he might haveâbut cameron knew one thing: he needed you before the semester ended.
his sea green eyes flicked up to yours before dragging down your frame, and his pupils blew wide as he drank you in. entranced doesnât even begin to explain what you do to him.
ââpreciate it. i been tryna stay consistentâ he said lowly, leaning back further into his seat, his tongue gliding slowly over his bottom lip
your pulse spiked when you caught the way his eyes dipped. he was so clearly checking you out, and he wasnât shy about it
you cleared your throat, huffing a quiet laugh and picking nervously at the hello kitty charms that dangled freely from your square french tips
âwell youâre doing a good job. they look better than most peopleâs,â your gaze dropped to those veiny, well kept hands again before snapping back to his modelesque face
âway better. especially for an athleteâ
that did it for him. youâd given him just enough to make ends meet..amongst other things.
but how were you supposed to know that a stupid observation on his hygiene would be the key to open pandoraâs box?
youâd learn very, very quickly.
âoh yeah?,â he tilted his head slightly, smirking âsound like you been paying real close attentionâ
his pen was long gone. forgotten. sidelined at the edge of his notebook while he sat with his toned arms folded over his chest, angled toward you
you stammered ân-no! i justâ a giggle slipped through you before you could stop it, âi know nice hands when i see âemâ
the sweet, melodic sound made his skin hum, and his grin only widened once he realized he could pounce.
âalright then, miss hand expertâ he chuckled âsince you know what you talking âbout, maybe you can do âem for me sometimeâ
conversation flowed easily after that. heâd say something mildly flirty, youâd playfully roll your eyes and pretend to be taking notes
and the moment he caught up to you after class, all six foot something of his muscled, sun tinted frame towering over you, that gleaming dimpled smile and those misty green irises coaxing you back to his on-campus apartment to âjust talk some moreâ,
you were his for the taking.
the pilot episode of jury duty is barely audible beneath your helpless whimpering. not that cameron actually planned on paying attention anyway,
it took no time for him to laugh you right out of your clothes.
which is how he ended up flat on his stomach between your smooth brown legs, one hand planted firm on your thigh to keep you exactly where he wants you. prying you wide open for him to bask in the stunning view of your creamy, soppy pussy clamped tight around his thick fingers, glossy beneath the warm glow of the picture lights hung over the sofa.
âpussy so pretty..so perfectâ he rasps shaking his head in disbelief, âwish you could see how fucking good you look right nowâ the euphoric sound of your juices circling the air as he keeps his pace
suddenly his fingers curl upward digging straight into the ridges of your pleasure point,
you cry a string of curse words as he drills into your button again, and again, coaxing so much slick from you that itâs trickling down his hand
âmmmhmâ he hums, zeroed in and focused on the mess youâre making âgive me all that shit, mama. fuckâ the bulge in his sweats swells. heâs more than satisfied when he feels your warmth tighten around him
a high pitched, elongated moan spills from you. so pathetic that itâs almost embarrassing, ânngghâ ohhh myâ c-cameron!ââ your breathing stutters as you arch your back off the cushions,
âwhatâs wrong princess?â he coos softly, a devious smirk on his lips âyou love my hands, donât you?â
âtouching you like this? making you feel good? hmm?â
heâs delving deeper, harder, in a slow torturous rhythm that sends a burst of pleasure springing and coiling through your core. too much for you to handle all at once, and still not nearly enough. it just about takes you over the edge
your eyes widen, glassy with tears threatening to fall, âyes! fuck! waitââ you yelp âwait waitââ youâre gasping and palming his broad shoulders attempting to push away, but the grip he has on your leg only tightens.
âmm mm, stop movingâ he pauses his wrist mid stroke. the pressure thatâs building in the pit of your stomach depletes slowly, and those hypnotic blue green orbs snap up to yours, his voice dipping into something dangerous. âbe a good girl for me. you almost there, i can feel itâ he holds your gaze while he plants a warm, wet open mouthed kiss on your inner thigh and latches gently to the soft skin
a shaky breath courses through you as you attempt to steady yourself, part of you aching for more of him, part of you so close to the brink that you canât take it
but you do anyway.
âcamâŠpleaseâ you whimper, your lips pouty and trembling, breathing as torn up as you are. your brows softened into a frown
âi know, baby.â he coos âi got youâ
now his fingers are moving again. quicker, more precise. another broken moan rips from your throat, loud enough to break the sound barrier, probably earning nasty looks from his neighborsâ your classmatesâbut he couldnât care less.
heâs not letting you go anywhere anytime soon.
he rests his cheek on your inner thigh and takes his bottom lip into his mouth, slowly breaking his gaze away from your gorgeous, tear stained face before letting his eyes dip again, and his breath catches in his throat. shit, he almost combusts at the sight
arousal pooling in thick sticky heaps at the base of his fingers every time he curls into you. your pearl swollen and throbbing, your folds glistening with threads of slick. like something out of a painting
he breathes out,
âoh my god, look at youâ
you moan an attempt at a response as your head falls lazily to the cushion beneath you, the tremor of your thighs earning a hum of approval
and then a low, desperate moan tears through him, âdamn, this pussy dripping all over me,â his jaw falls slack. âcanât tell me you ainât mine nowâ heâs moving his fingers up in tighter circles, twisting and curling as far as he can reach, stimulating pressure in all of the right places,
carrying you right into an otherworldly orgasm.
âcameronâ you yelp âshit, shit, shit, youâre gonna make meâ
your words snag in your throat, overcome by the pitiful, whiny cry that ejects from you. everything fades for a split second, your brain turns to complete mush,
and heâs loving every second. heâs starry eyed, in awe watching you come apart for him. it feels like he has the whole world in his hands
âmhm, just like that,â
âcum all over my hand, prettyâ
a wise man once said:
zinzi must be happy as hell
unhuman unsub
tags: spencer reid x fem reader, agent reid x forks resident reader, spencer reid x twilight, criminal minds x twilight slow burn, psychological horror (ish), unreliable perception/unreliable narrator(s), dual pov, parallel investigation, eventual vampirism word count: 4,688 character count: 28,449 prologue/case file here
â------------------
on the failure of pattern recognition
it doesnât begin with the body.
that would imply a discrete origin, an event sufficiently bound to be observed, documented, and, with sufficient rigor, understood. bodies permit that kind, reid knows, of handling. they yield, eventually, to pattern, to taxonomy, to the quiet arrogance of human comprehension. they shift with viewership and formulate themselves to ink on paper, to be filed and placed into a box, which will be either, a) brought to court and debated to decide the course of a life, or b) sat on a shelf, collecting a thin layer of dust atop others with a similar fate.
this, however, resists.
dr. spencer reid first registers the discrepancy in the interval between review and comprehension, when the files, otherwise unremarkable in both their structure and content, fail to stabilize under the routine repetition that comes with working a case.
â
forks, washington.
population: negligible. growth rate: stagnant. violent crime: statistically insignificant.
there is absolutely no precedent for escalation in this town.Â
and yet he canât shake the unease that flooded through him upon crossing into forks. perhaps it was something in the rainwater, collected through the soil, seeped into the tall sourwoods that loomed hauntingly overhead. uncanny, almost.Â
the incidents accumulate. not in frequency - which would be legible - and not in method - which would be classifiable.Â
he reads the report again, itâs terms clinical and concise, clean of any adjectives that could carelessly cradle subjectivity.Â
male. twenty-seven. missing forty-eight hours prior to recovery. found three miles into woodland area, off-trail. cause-of-death: exsanguination. preliminary conclusion: large animal attack.
itâs important to see to see that reid doesn't dispute this classification. at least not immediately; not now, when he lacks concrete evidence.
he notes, instead, some of the reportâs phrasing.
âconsistent with.â
not confirmed. never confirmed. nor does it read as verified, supported, corroborated, proved, certified, substantiated, affirmed, or declared.Â
he flips the page, the lip of the sheet nicking his thumb in a way that makes him hiss and shake his hand to his side, willing the air to sweep the sting away. there is no medical basis to efficiency of this act, just patterns in human behavior, passed on over time.
another file, this time, with a different name, a different date. the same language drizzles over, no clear basis or guarantee in its slogans.Â
the pattern is not explicit, then. it doesnât announce itself in ways that would usually earn him praise from his team. lines donât jump out in his mind, maps donât triangulate themselves in front of his eyes. reid feels no need to run towards a corkboard and weave together a new storyline.Â
the pattern resists, which, in itself, constitutes a colder sort of data.Â
he leans back slightly, eyes still fixed on the page as if distance might force the coherence he so desperately craves at this moment into place.Â
it does not. and so he closes the file.Â
note: do not mistake this for reid being finished. that he is not. he closes the folder because continuing, at this stage, would produce diminishing returns - an economic framework that rationalizes the disorder in his mind.
spencer knows, as he always does, as he always must, that there is something between the black ink of the lines - which have begun to dampen and bleed as they swirl with the heavy humidity of the townâs air that bleeds into the forks police department - that has not articulated itself. something darker, misaligned and disarrayed.
and until the data speaks for itself, until numbers and mathematical principles and concrete evidence jump off of the pages, he waits.Â
â
the forests and their inhabitants deny reliable methods of articulation in this part of the pacific northwest.
here, it is not silent, per say, as this would suggest absence. among the trees -Â feeling taller as they loom over agents in vests, ages old and knowing something they donât, secrets coiled into the roots that threaten to break the groundâs surface. threatening reputably focused agents to stumble - it is acoustically attenuated, as though sound itself is absorbed before it can fully propagate: wind disperses without continuity, birdsong fractures mid-distance. the intrusion - the forests have made it glaringly clear that this is just that - of human movement - boots against wet soil, the low, crackling static of radio communication - fails to establish dominance over the space.Â
the effect is not quiet, but contained. held back.Â
reid notes this without comment, mimicking the natural restrictions of the space around him.
subjective anomalies, while inadmissible as evidence in a court of law, often precede the identification of structural irregularities. reid knows, objectively, they are not reliable, alongside hearsay, illegally seized material, and speculative testimony.Â
paradoxically, they are also not irrelevant.Â
âÂ
morganâs voice cuts through the radio, distorted by static crackles and stinging squelch tails, but intelligible. âreid, you seeing this terrain?â âyeah,â reid replied, gaze tracking the uneven ground. his voice feels lowered in the chilled air, his sharp analyses soddened by a heavy-hanging mist. greyer, perhaps. âlow foot traffic. soil composition retains impressions longer than average - if anything were to have been dragged, weâd have clearer disruption patterns.â
âmeaning?âÂ
âmeaning whatever happened here was either stationary,â reid says, âor controlled enough to avoid leaving a trace.â thereâs a pause on the other end, indistinguishable in its nature from either contemplation or poor signal.Â
âcontrolled,â morgan repeats hesitantly. âthatâs not what weâre supposed to be dealing with, kid.â it isnât.
reid crouches near the indicated site, careful not to disturb the perimeter markers. he notes the way that theyâre almost ironic in their bright, yellow coloring - theyâre meant to draw attention to a location, whether this be to forensics teams seeking out their evidence to collect, or for detectives to avoid leaving their designer footprints in. in a space this expansive, reid wonders if they truly make a difference at all.
the ground bears evidence of disturbance - this, spencer notes as a fact, in the rustled leaves, matted down everywhere else in the woodland from footsteps and rains repeating their cycle of compaction - but not violence. not in the conventional sense, at least.Â
here, there is no scatter pattern. no defensive displacement or clear struggle.Â
spencer stands again, feeling the movement in the socket of his knees. weighed down. he studies the spacing. the angles. the absence. there is always absence, reid knows. he cannot possibly gather every detail of every scene, place himself directly in the moment of the crimeâs occurence. no matter how many PhDs he collects, his mind wears, and he can only calculate so much. but this? it feels⊠curated.Â
in many ways, they are staring at a textbook scene - the body is central, the location is ideal, there are forensics teams collecting trace evidence left behind, swiping tabs in blood droplets and measuring their distance from one another. this is the issue.Â
itâs as if someone had ripped a page out of safersteinâs âcriminalistics: an introduction to forensic science,â and completed a worksheet out of it, or recreated for a forensics 101 lab - a live staging of sorts.Â
âreid,â morgan says again, quieter this time, his voice close. spencer didnât even hear him approach. âtalk to me.â
reid doesnât look up as the words flow out of him, as if he is a computer translating code for human consumption. âthereâs no evidence of predation behavior consistent with large fauna native to this region,â he says. âno tearing pattern. no feeding pattern. the body wasnât consumed.â âthen why call it an animal attack?â âbecause the alternative requires a level of precision that doesnât align with known offender typologies,â reid replies, stilling in his tracks. he tilts his head in one direction. pauses. tilts it in another. pauses again. âand what - this does?â morganâs voice is distant, confused when the path is not linear. spencer feels guilt thinking about his friend like this, but shoves it aside as he finally looks up. itâs not that morgan wasnât âsmartâ - of course he was. and itâs certainly not that reid felt⊠superior - oh, god no. but he couldnât deny a natural⊠capriciousness, for lack of a better term.Â
âno,â he says with a tense shake of his head, the extension feeling heavier now than it had when he arrived.
â------------------
you register the deviation before it is technically named.
after all, forks doesnât change. which, in many respects, is the point.
its predictability is not incidental, but maintained. youâve noted it before as an equilibrium sustained through habit, restraint, and a collective understanding of what remains unexamined. variations occur, of course, but they tend to resolve before they accumulate.Â
there is a car accident outside of the school every now and then, caused by students rushing to get off of the property they deem the seventh circle as soon as they can. forks high gathers teens into the aging gymnasium and sits them in creaking bleachers, repeating a yearly lecture on safe parking lot procedures.Â
a child went missing, once. the town stirred for a bit before she was brought back home, calling in private investigators and offering casseroles of comfort to the family - which, in reality, simply served as a way for the community to clear their refrigerators. even then, the case was closed when the girl was found hours later - she had forgotten to tell her mother that she planned on sleeping over a friendâs house after school, the next town over, and her cell had died in her locker earlier that day.Â
this had accumulated.Â
â
you do not require proximity to confirm it. information, even diluted through repetition, like a game of telephone, retains structural integrity when the pattern is simple enough. sure, the details may get distorted from person to person - was it a dog or a frog that jumped the fence? was there a watermelon or a wastebasket on the other side? - but the basic structure of the findings remain relatively as they began.
now, it read as follows:
missing.Â
found.Â
animal attack.
the classification the fbi released is convenient - situated on the olympic peninsula, surrounded by nearly a million acres of national parkland, there were bound to be animals, and as such, people who got too close. curiosity killed the cat, or however the saying goes. this classification, albeit reachable, is also incorrect. less solid of a fact, but veritable.Â
â
you close the book youâd been flipping the pages of absent-mindedly in your lap without marking the page. you will remember where you left off with a quick skim. you always do.
â
outside, the light is wrong. its quality is diffused beyond expectation, holding the kind of looming overcast that flattens depth perception and renders distance unreliable. you were sure the agents had added that to a manilla folder somewhere, and chalked another death up to whatever the procedural term for âclutzâ was - someone had fallen on a treeâs root, unbeknownst to them, as the light rays bent in a way that yielded no other outcome but a cracked skull.
you watch the treeline not because you expect to see anything, but because you donât. that is the point at which observation becomes necessary, youâve noticed. it matters not what lays in plain sight, but what lurks beyond the shadows.Â
thereâs a shift in the environment, not visual or auditory, but in the most functional manner. itâs almost as though something has passed through recently, and the space has not yet recalibrated - something has held mother nature back, vetoed her vote in the space beyond your property line, and holds her captive as the blood is slowly sucked from her neck.
you inhale slowly, taking so long that you feel lightheaded and your nostrils begin to suction in on themselves. recalibrating. the question youâve been trying to answer is not whether the situation is contained - this you know, for a fact once more, is not true - but whether it ever was. contained, that is.
â------------------
the house next door is empty, but not abandoned. thereâs no dust accumulation or structural neglect - the usual, visible signs of maintenance erosion. the warm wood siding of the dwelling doesnât appear rotting or spongy. the glass is not foggy or chipped, no windows are broken. the gutters have yet to rust, or gain the signs of old age resembled in flowers or sprouts and their time-consuming germination.
the house next door has been vacated, then. recently.
reid stands at the threshold, eyes scanning without entering. the door is unlocked, so there was no forced entry in the disappearance. no obvious disruptions to life as was. interruption, sure, but no dismantling.Â
â
âfamily?â morgan asks, stepping up behind him.Â
ânone listed locally,â reid replies, closing a briefing and placing it carefully on the corner of a black, granite countertop. it still smelled of polish. âmoved here eight months ago. limited social integration. employment history consistent, but largely isolated to the hospital.â
âneighbors?âÂ
âthereâs one,â he says.
â------------------
you see him before he knocks.Â
donât mistake this for subtly, because that, the man surely wasnât. you notice him precisely because he isnât. the crimson shadows that rest in the outer creases of his eyes, underneath the large bags they carry, announce a presence.Â
federal agents carry themselves with a particular kind of⊠discipline. it acts as an awareness of observation without the need to conceal function - everyone knows why theyâre around, and lets them act accordingly. itâs clinically efficient, and obviously identifiable.
you watch, not moving from your place at your kitchen table, the worn oak scratched and the coating bearing circles of coaster-less coffee mug contact from late nights pouring over texts, days spent sat and scrolling through online articles, the extensive blue-light contact forming similar fuchsia linings around your aperture, you were sure.
the man pauses before the door, assessing. his gaze shifts, briefly, to the windows. itâs like he is a robot, noting the spacing between the structures, the line of sight one could have from inside your home, planting himself there subconsciously.
â
you stand to open the door before he knocks, a calculated breach of expectation, which you know, doubtless, he registers.Â
âdr. spencer reid,â he says, producing credentials with minimal emphasis, going through a series of mechanical motions that heâd conducted dozens of times before, in your town alone. âiâm following up on your neighbor.â
you take in the identification without adjusting your posture, your eyes scanning the glossy card and the shiny, silver badge, wrapped in an authoritative black leather. âi assumed,â you reply.
a pause. one second that carries evaluation, estimation, appraisal, and analysis.Â
âiâm told you may have seen him prior to his departure,â reid continues.
âi saw him leave,â you say. âif thatâs what youâre asking.â âwhen?âÂ
âtwo days ago.â
he does not write that down. he doesnât write any of this down. you donât even think he has the presupposed, yellow legal pad on his person.Â
âtime?âÂ
you consider the question.
âearly,â you say.
âthatâs not particularly specific.â âneither is your line of inquiry.â
another pause, marginally longer now. you can tell heâs retracing the conversation, trying to crack your shell through the handful of words youâve given him. something quieter than amusement passes through you, but it remains brief - contained and unindulged. you wonder, shortly, what role heâs assigned you in his internal schema. you wonder how disappointed he would be to find it incorrect.
âapproximately,â he says now. his tone is not bored, as one would assume given your arid returns. exacting, may be the better word. levying - yes, that was it.
you allow it. âseven,â you say. âpossibly earlier.â âalone?âÂ
âyes.â âdid he indicate where he was going?â âno.âÂ
âwas that typical?âÂ
âyes.âÂ
a pattern, for once, establishes in your interaction with the agent: question, answer. itâs so beautifully cut and dry, so preciously black and white that you forget youâre being interviewed, swept up in the simplicity of dialogue that didnât swirl into forksâ natural greylands.Â
âdid he usually come back?â he says, the momentâs pattern now broken. the black and white begins to fade as his head ticks slightly, his eyes narrowing imperceptionally.Â
you look at him, properly for the first time. the question is unexpected, but you do not falter. âmost people do,â you say, the response sidestepping the informative, intentionally.Â
agent reid, as heâd introduced himself, holds your gaze for a fraction longer than necessary. he notices that you do not look away. probably notes it in his head to scribble onto a whiteboard somewhere. maybe if you were lucky, a photo of yourself would be bound to the scene with a red string, like in the true-crime documentaries you were obsessed with, once upon time. before there was an emphasis on the true aspect of the recordings.Â
âhave you noticed anything unusual in the past week?â he quizzes.Â
you consider smiling. âunusual is a relative designation. youâll have to be more specific, iâm afraid.â âa deviation from routine,â he clarifies, not taking your bait. âbehavioral, environmental, interpersonal.â sharp. academic. straightforward.Â
you tilt your head slightly, earnest in the motion. âis that how youâre classifying this?â you ask. âa deviation?â âyes.âÂ
you consider him. his structure, grammatically. itâs odd⊠a divergence from the cops in your town, to say the least.
âno,â you say.
he waits. âfor what?â âfor your answer. nothing unusual.â and itâs not a lie, not entirely. but you know his eyes are watching you, taking a photograph of your physical reactions with the instantaneous closing of his lids, adding them to a mental photo album like a childrenâs book plotline that sat dusty on your shelves, pushed behind books overborrowed from the public library. now, the aged beams sat filled with history so jarringly adult that it almost resembled young adult fiction.
âthank you,â he says, eventually.Â
you incline your head as he steps back. he doesnât engage, and neither do you.
â------------------
reid walks away before he understands fully why he doesnât trust the exchange. his uncertainty did resemble distrust in the conventional sense, for there wasnât any detectable deception pattern, or microexpressions consistent with typical evasion of the truth. he couldnât detect any linguistic markers that indicated fabrication, there wasnât fidgeting in her posture or a stance that indicated closure of the conversation.Â
her responses were consistent, efficient, controlled. almost too controlled.Â
he replays the interaction. note: the interaction, not the content. after all, she answered every question. she provided no information, which, in itself, is not unusual in questioning, especially in a town like forks. people tend to be⊠secluded.Â
the thing reid focuses on is her lack of hesitation. there was no search latency in what he asked, no cognitive lag in her processing of questions and return of response. she selected her answers, almost off of a mental list of possible replies, rather than retrieving them from the memories themselves.Â
he breathes out, releasing a breath he didnât know he was holding.
âsomething off?â morgan asks, tilting his head and narrowing his eyes at reid.Â
he doesnât answer immediately, instead looking back at the house. the forest green door is closed now, the pattern of the wood underneath beginning to show through the wear of the rain. there was no movement behind the windows. in fact, they were open, uncovered by the conventional dated, lace curtain cliche. the house indicated nothing of the interaction that just occurred.Â
âyes,â he says, finally. simply.
âyeah?â morgan presses.Â
reid hesitates here, his explanation for his unease insufficient. what was he supposed to say? that she opened the door, answered every inquiry, and waited until he had initiated finality before closing the door? âi donât know what yet,â he sighs, the sound of the gears of his mind almost louder than the washington wind that whipped around them.
â------------------
you wait until he leaves your line of sight, a disciplined habit youâd had since you were little, unaware when it had started but unable to change your cautious behaviors.Â
then, and only then, do you close the door. lock it, maintaining a habitual structure of surface politeness when a guest is present.Â
as you move back to the window, you note that the agent - spencer, his first name was - is still visible at the edge of the property line, speaking to his partner. his posture has shifted since he stood on your porch step, though. he stands less formally, his badge back in his pocket, his hands in his pockets, his head down, but not relaxed. judging by the obvious tension in his shoulders, you wonder if heâd ever felt true tranquility. then again, you wouldnât be the right person to assess what that looked like anyway.Â
his head tilts slightly as he listens to the man next to him, processing his words in an unemotional, instinctive manner.Â
youâd expected him to reconstruct your interaction, as every police officer, sheriff, bureaucrat, and agent before him had done. youâd anticipated him to analyze your posture, watch for shuffling, record any deviations from normality. but this new delegate was doing so to an imperceptible degree.Â
so, naturally, you pick through your own behaviors - and subsequently, the academicâs adjustments - replaying the exchange scene by scene from a birdseye view.
his questions were strangely vague, purposefully leaving room for you to trip, say something you shouldnât. the sequence, the deflection, the new sense of measurement mid-conversation.Â
a cool disquiet ferments in your stomach, vining up your spine, whispering in your ear that he is closer than the should be to the structure of the truth. how inconvenient.Â
your gaze shifts slowly, intuitively, toward the tree line, a natural fir boundary between poised realism and a murky mythos. the forest remains unchanged, the spruces and cedars still fixed in the soil beneath them. this is, increasingly, the problem.Â
â------------------
reid returns to the site before sunset. anywhere else in the world, this position of the sun would cast a golden radiance across each surface, illuminating even the dullest of displays with an optimistic warmth. in forks, the evergreen abnormality, the airspace carries a green-ish hue, darkening the jaded shades that have seeped into every aspect of the locality.Â
he stands at the edge of the marked area, the once-yellow âcrime sceneâ tape turned chartreuse, watching as the light shifts further, diffusing.Â
the team has cleared out, all gone their separate ways - hotch to call jack; emily, jj, and morgan to a local diner; rossi to precinct, mumbling about needing to shine the italian leather of his boots and complaining about the townshipâs abundance of mud. none of them argued when reid said he wanted to take another look. none of them noted that he really didnât need to.Â
reid steps past the tape, no longer looking for evidence, but absence thereof. this time, in the green-gold light of the late-afternoon, he searched for discontinuity, anything that might resist typical classification.Â
the ground is unchanged - because of course it is - but there is something new this time around. not tangible, not something that couldâve been packaged and sent back to quantico. not visible either, no need to call in a photographer or whip out his cell phone camera and snap a grainy shot. he doubted the pixels would calibrate properly through the mist that undoubtedly wouldâve clung to his lens.Â
a sensation, perhaps? no. not that. an⊠awareness. yes, that was it. an awareness that he wasnât alone.Â
reid straightens slightly, still and listening. nothing. obviously, nothing.Â
he exhales. turns and stops. turns and paces. takes a tentative look back, pretends to be distracted by something else - a squirrel maybe, and returns his gaze to the scene beyond the tape. it looks the same.Â
i mean, what did he think would happen? that this was an elementary game of wax museum? that when he wasnât looking, the site would giggle under its breath and change positions, cheekily awaiting the moment his back would turn again.Â
reid pressed two fingers to the space between his eyes, which constantly seemed to hold pressure these days. heâd tried sunglasses, wondering if this was a bout of migraines, a reaction to caffeine overconsumption, a bad mix of hemicrania suppressants.Â
a thought - the thought - the one heâd fought daily to subdue, pushed back into the depths of his intellect, sought to cuff into an unlit edge of his mind like the subjects he dealt with daily. because they were crazy. they - the killers, the robbers, the ones who did bad - where the ones who had âschizophreniaâ written down in the file that followed them to lock up.Â
and yet, even then, normalcy aside, reid still couldnât help the feeling this place carried. it was wrong. so, so wrong, as though something within its structure had shifted position, not moving actively, but past moved. so there he stands, not calling for backup on the walkie that he had silenced upon entering the curtain of pine. there, he observes, stews, sinks his feet into the dampened land beneath him.Â
â------------------
from the timberline, you watch him. some would call this stalking, but that would constitute a pattern of repeated, unwanted, and obsessive attention, while this was simply a one-off occasion of⊠noticing.Â
you noticed that he was here alone. he was not supposed to be, which was data to be added to your set as far as you were concerned.Â
every other investigator that came into forks relied on reinforcements for safety, for verification. fact: observation is stabilized through census. this is where the philosophical debate of the tree falling in the forest arises. if the agent were to find something groundbreaking in this moment, if the stage in front of him were to reset itself and spell out a lead, would anything come of it?
he, whoever he was, had removed that variable. interesting, you thought. very interesting.Â
you noticed that he steps into the space with a deliberate precision, each movement considered and each placement overly intentional.Â
you notice his idiosyncrasies in the fact that he does not retreat, but repositions when he, eventually, comes up empty of evidence.Â
objectively, there is no benefit in escalation. youâd get your name in a file you were sure was already pages long. this one would leave, eventually, as they always do. the death of your neighbor would be chalked up to a mountain lion, a bear, or, if this team was feeling nuanced, a more unique species of local fauna, with a disease that causes it to feed on human flesh, but surely, given the time since the attack, would have taken the poor beasts life by now. a pamphlet on animal-spread illness would be distributed to concerned residents, and secondary-school teachers would warn their students to stay away from the forests at recess for some time. life would come as it does. vita procedit, vita manet.Â
but as you continue to notice him, still standing there, still scrapping for resolve in something that refuses resolution, you briefly experience something closer to interest, which, you decide, is significantly more dangerous than any creature that may lurk beyond mapped lines.Â
â------------------
reid leaves after dark, the turquoise tint to the town now twisting into a myrtle, midnight shade. the conditions have changed as night introduces erratics he cannot yet account for.Â
he walks back toward the winding road, his mind still working through the same undetermined sequence; all consistent, all inadequate:Â
case file.
scene.Â
witness.Â
he cannot prove the something he feels is here. he cannot prove its presence, not abstractly or metaphorically, or in some roundabout derivation from an equation used by mathematicians decades past. not yet.Â
but he will, because patterns - no matter how resistant - are eventually bound to break. he questions now, so terribly long gone in his lone exploration, what will no doubt emerge when they do.
unhuman unsub
on the classification of anomalous events
(supplementary materials: case file, prologue)
chapter one here
FEDERAL BUREAU OF INVESTIGATION
BEHAVIORAL ANALYSIS UNIT
Quantico, VA
CASE FILE: 06-43-WA
CLASSIFICATION: Pending Review
STATUS: Active
LOCATION: Forks, Washington
JURISDICTION: Local law enforcement, Olympic Peninsula
REQUESTING AGENCY: Forks Police Department
SUMMARY:
Between [REDACTED] and [REDACTED], three bodies were recovered within a twelve-mile radius of Forks, Washington. Each subject was reported missing approximately 24-72 hours prior to discovery. Recovery sites were located off established trails, with no evidence of witness presence or civilian interference.
Preliminary cause of death has been listed in all cases as exsanguination, with contributing factors consistent with large animal attack.
No definitive animal markers have been identified.
Language remains consistent across all reports.
VICTIMOLOGY:
No shared occupation
No consistent routine overlap
No confirmed interpersonal connection
No geographic clustering beyond recovery radius
Pattern formation: inconclusive
BEHAVIORAL NOTES:
Initial assessment suggests an absence of conventional escalation markers.
No evidence of predation behavior consistent with known regional fauna.
No clear offender signature.
Observed conditions do not align with established typologies.
Further classification pending.
ENVIRONMENTAL FACTORS:
Dense forest coverage; limited visibility
Low population density
Minimal external traffic
High annual rainfall
Terrain may contribute to evidence degradation.
Terrain does not account for uniformity of wound presentation.
ASSIGNED UNIT:
Supervisory Special Agent Aaron Hotchner
Special Agent David Rossi
Special Agent Derek Morgan
Special Agent Emily Prentiss
Special Agent Jennifer Jareu
Special Agent Dr. Spencer Reid
Technical Analyst Penelope Garcia
SUPPLEMENTAL NOTE:
Dr. Reid has expressed concern regarding the reliability of initial classifications.
No formal objection has been filed.
ADDENDUM A:
All cases remain categorized as animal attacks pending further review.
No public advisory issued beyond standard wildlife precautions.
ADDENDUM B:
Local reports indicate no significant deviation in community behavior.
Residents describe the area as âunchanged.â
ADDENDUM C:
Further review recommended.
END FILE
infinite loop

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So I watched Sinners (for the third time), and this time around it really struck me how integral Delta Slim is to Sammy's musical journey. When Sammy first met him, he was awestruck that it's THE Delta Slim. In the 'Lied To Me' sequence, we get a quiet moment of Slim explaining to Sammy that Blues is music that they brought with them, and it's not imposed on them like Christianity. It's Slim who tells Sammy to introduce himself before he plays. It's Slim who stands up to Remmick to say that he can't have Sammy when Remmick tells them that Sammy is the one he wants. In the final fight, when Delta Slim sacrifices himself to help Sammy escape, Slim is the one that makes sure he takes his guitar and hands it to him. And when Sammy confronts his father at the end, it cuts to Pearline when he says his heart, but cuts to Slim for Sammy's voice. Delta Slim's drunkeness is used for comedic timing, but the impact he has on Sammy and his love for the Blues is momentous.
I love how "Sinners" didn't villify the sinners in the movie. Sammie's father told him that playing music for "drunkards and philanderers who abandon their family responbilities to sweat all over each other" was a sin. And he was right about the kind of people going to the juke joint: Delta Slim is an alcoholic, and Pearline a cheater. It would have been easy to villify them, but the movie tells us that despite their flaws, they are humans worthy of love, respect and freedom.
Delta Slim drinks because he's traumatized by the horrors Black people of his time face. And he's kind and compassionate, encouraging and reassuring Sammie, and sacrificing himself to save everyone else.
Pearline literally saved Sammie's life and sacrificed herself to protect him, a boy she had only known for a day. It shows her kindness because she could have easily stayed back when Remmick tried to bite Sammy and not endangered her life more than necessary.
The movie shows us that preachers blindly condemning those sinners are wrong: Sammie is only alive because drunkards, philanderers and gangsters (Smoke) gave their lives to protect him. They are people, with flaws and qualities.
I love how nuanced the movie is: Sammie's father is not wrong about the kind of people Sammie wants to associate with and their potential bad influence, but he's wrong about them being evil and not deserving of respect.