miles is so funny for this 😭
i love him so bad
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@wheatrice
miles is so funny for this 😭
i love him so bad

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School Daze’
Sammie Moore x reader.
Modern 90s/2000s College AU!
Wrd count; 12,440
Warnings: come on yall know me by now 😏(smut) Sammie Moore……
——————————
Back in school, you wasn’t ever that girl folks looked twice at. Glasses too big, always ducked off somewhere, eyes to the floor like you was scared to be seen. You kept to yourself mostly. Not all the way solo—you had a lil crew. Two, maybe three homegirls, but y’all was all on the same wave. Quiet. Closed off. Real lowkey.
But your girls started poppin’ over time—glowin’ up for real. Got they first lil boyfriends. Started rockin’ with dance teams, joinin’ clubs, throwin’ on them cheer uniforms. Meanwhile, you stayed tucked in. No boyfriend, no flings, no nothin’. Head always in a book, studyin’ for some exam that wasn’t even on the radar yet. Two semesters ahead, tryna be grown before you had to be.You did have one lil crush though—if that’s what you could even call it that.
His name stayed floatin’ down them hallways like the beat of a marching band on game day. He had that kinda presence—loud without even sayin’ nothin’. You used to tag along to his games with your girls, sittin’ up in them bleachers pretendin’ like you was there for the team. But truth was, you barely even cheered. Just watched. Quiet. Nervous. Lowkey fascinated.
You liked Sammie in that way where just hearin’ his voice made your heart do flips. Couldn’t even look him in the eye. That country accent? Whew. Only ever caught it when he passed by, talkin’ to his boys or flirtin’ with some girl in 3rd period.
Then one day he was gone. Transferred schools—somethin’ about bigger chances, better shine. You ain’t ask too many questions.
And just like that, the crush faded. So did that version of you.
Your girls held you down, pulled you outta that shell. Got you dressin’ different. Walkin’ different. Laughin’ louder. You was still shy, yeah, but you had a lil swag now. Started feelin’ yourself. Steppin’ into that new vibe. That grown woman glow-up.
And for the first time… you was feelin’ real good. Like, damn, this might be my season.
Delta U had that feel to it. That’s why you chose it.
Like somethin’ out a Spike Lee joint or a Jill Scott song—Black, loud, full of soul. First week on campus was like a block party and a family reunion all wrapped in one. Greek orgs out on the yard strollin’, grills fired up on the lawn, somebody’s cousin tryna DJ off a Bluetooth speaker while the Ques already sweatin’ through they shirts. Whole campus smelled like shea butter and BBQ chicken. It was Welcome Day. And your dorm? A whole mess of chaos and lip gloss. You was posted up on the edge of your bed, half-dressed, heart racin’. “I don’t think I wanna go, y’all,” you mumbled, barely audible over the music comin’ from the hallway.
They all groaned in unison like a tired choir. “Here she go again, y’all,” one said, floppin’ down on the bed across from you.
“Girl, don’t piss me off tonight,” your other homegirl snapped, already halfway through her winged eyeliner.
Then the ringleader of the crew—the bold one with the rat tail comb always ready to check somebody—got dead in your face. Eye to eye. That comb damn near touched your nose.
“Look, bitch,” she said real calm, too calm. “It’s fine-ass niggas outside. The sun out. You thick as hell. And guess what? We in college now. Not high school. Not church. College. So guess what we doin’? We goin’ out.”
She spun away like she dropped the mic. You sighed, stood up, and turned to the mirror. Took yourself in.
Them little jean shorts was hangin’ on by faith and friction. Your thighs was thangin’. Your chest sittin’ real proper thanks to the double-bra combo your homegirl swore by. You turned side to side, let out a tiny smile.
You knew you looked good.
“Aight, y’all… I’m ready.”
You turned back to face the room, grinnin’ from ear to ear.
The whole squad paused for half a second—then exploded. Screamin', tongues out, feet stompin', hypin’ you like you just stepped on stage at Homecoming.
“OKAY MISS MA’AM!”
“YES THICKNESS!”
“We outside tonight!”
Y’all laughed, yellin' over each other, snatchin’ purses and keys, lip glosses flyin'.
Ready for whatever the night was gonna bring.
And in that moment? You wasn’t shy no more.
You was just her.
Y’all finally hit the yard, and it felt like the ground was vibrating beneath your feet. Bass thumpin’ so hard your chest caught the beat before your ears did. Speakers stacked on folding tables, Greek letters spray-painted on bedsheets hangin' off dorm windows.
Boys in jerseys sweatin’ and flexin’. Girls in sundresses glistening in the heat, edges laid, gold hoops swingin’. DJ shoutin’ over the mic, “WELCOME TO DELTA U, CLASS OF LEGENDS!” and the crowd goin’ stupid.
Y’all walked through like you owned the place, hips swayin’, laughs high-pitched, bodies glistening in that 5 p.m. sun. Somebody handed you a red cup—pink punch with that bite in it. You took a sip and coughed low, but didn’t let it show. Your girls was already two-steppin’ near the speakers, hips rollin’ to the beat. Dudes slid up behind ‘em, tryna catch a vibe.
“Ayo, ma, you got a man?” one dude tried, leanin' in a lil too close.
Your homegirl turned around slow, gave him a once-over. “I got three. All of 'em crazy.”
“Damn, you can’t just say no?”
“I did say no,” she said, turning right back to the beat like he ain’t exist.
Another boy tried your other friend: “You dance like that in church too?”
“Only if Jesus show up wearin’ grey sweatpants.”
He stood there stunned while she twirled away, drink in hand, and you laughed—finally loosening up.
You were buzzed just enough to stop overthinking, but not enough to stop squintin'. Your lashes too long for your glasses, so everything looked like it had that soft blur to it.
You kept glancing around the yard, eyes skimming faces. Not really lookin’ for nobody… just watchin’. Floatin’
Then—bump.
Hard shoulder to your arm. Your drink flew out your hand like it got snatched by the air.
“Shit—!”
Your cup hit the grass with a soft splat, pink liquid staining the blades.
Your girls turned fast.
“Damn! You can’t say ‘scuse me, nigga?” your girl barked, already turnin’ up.
His boys stepped forward like what’s up then, all arms folded and necks cocked.
“Man, y’all too loud for no reason. It was an accident.”
“Accident is trippin’ over a curb. He bodied her like she ain’t got bones!”
“Nah, y’all better back up ‘fore we get un-Christian out here.”
You stayed quiet, eyes still low, focused on that cup layin’ sideways in the grass. Lips pressed tight.
You didn’t like scenes.
Didn’t like heat that wasn’t from the sun.
Then you heard it.
“I’m sorry ma.”
“I ain’t mean to.”
That voice.
Soft drawl. Familiar rhythm. Sounded like old gum wrappers and middle school yearbooks. Like gym bleachers and hallway whispers.
You blinked.
A hand—big, warm, steady—came into view. Reached down, picked up your cup like it was glass instead of plastic. And as your eyes followed his fingers up to his wrist, to his arm, to his—
“...Sammie.”
You said it out loud before you could catch yourself.
All your girls paused mid-argument. Froze. One even blinked twice like she needed confirmation.
“Oh mf! Why didn’t you say it was you?” your homegirl shouted at him, pushing her lipgloss back into her purse.
He looked at her for a second, then back at you. Smiling like trouble you knew better than to want.
“I remember you,” he said, voice low, rich.
“Quiet lil thang.”
He stepped back just a bit, eyes dragging over you real slow. Licked his lips. That old
Sammie habit.
You tried to hold it in, but your smile betrayed you. It was comin’ anyway, soft and shiny like the gloss your girl put on you.
Your girls noticed. Of course they did.
They looked at each other eyebrows raised, hands covering grins, whisperin' fast.
You panicked. Had to say something.
You cleared your throat. “I remember you too… benchwarmer.”
“Oooooooohh!”
His boys hollered behind him, all hands to their mouths, jokin’ like they was on the schoolyard again. Sammie dropped his head, one hand rubbin' over his waves, that crooked smile sneakin’ back out.
“It’s like that, ma?” he said, eyes locked on you.
“Maybe,” you replied, real smooth. Then turned around like it was nothin’.
You walked off, hips steady, heart doin’ flips. Your girls followed close behind, mouths pressed shut just enough to stop screamin’. Y’all didn’t have to say it—but they knew.
You wasn’t just out here now.
You was in it.
The party was long gone, the music a ghost now, just bass memories still rattlin' in your chest.
Your dorm was dim, lit only by the soft blue TV glow and a phone light somebody forgot to turn off. One of your girls was already knocked out across her bed, one shoe still on. The other halfway under the covers, lashes askew, mouth wide open. They didn’t even bother changin’.
You laid there for a second, buzz finally faded, makeup itchin', body tired but restless.
So you got up. Showered slow. Let the heat wash over you until the bass left your bones.
Now you were in your real skin. No lashes, no gloss. Just you. Clean. Barefaced. Sports bra, cotton shorts, big t-shirt. Edges puffed up, bonnet tied loose. Slippers slid on, keycard in hand.
You went lookin' for a snack—first the mini fridge, then the cabinets. Nothin’ but dry-ass ramen, ketchup packets, and your roommate’s suspicious yogurt.
You sighed, tugged your t-shirt lower, and shuffled down the hall to the vending machines.
The hallway was quiet, just the hum of old AC and the click of your steps.
You stood there, starin' through the glass like it was gonna speak to you. Your finger hovered over the buttons. Hot Cheetos? Snickers? Twix?
“Damn, the machine got you stuck like that?”
You turned, slow.
Sammie.
Leanin' in the doorway like he belonged there, hoodie half-zipped, white tee underneath, chain glintin’ under the cheap fluorescent lights. Eyes real low. Smile even lower.
You rolled your eyes. “Why are you even in here?”
He stepped forward with a smirk.
“Co-ed, baby.”
You sighed and pressed B7. The machine groaned, then thunked out your Twix. You bent to grab it, not even thinkin’ about it.
Sammie thought about it though. Thought about it real hard.
His eyes trailed up from your calves, slow like honey. To the curve of your thighs. To the way them shorts barely held on. He bit the inside of his cheek.
Cornbread-fed. Just how he liked ‘em. He was from the South—he didn’t believe in women who couldn’t hold a plate or carry a man’s whole attention without even trying.
You stood back up, unbothered. Turned to him.
“Get a good look, pervert?”
You slid past him.
“I don’t know… let me see again,” he
grinned.
You smacked his arm lightly. “Horny lil’ boy.”
“I was jokin’, you know that, mama,” he said, stepping up close behind you. His arms slid over your shoulders like he done it before.
“Boy, if you don’t get off me—”
He laughed but held on tighter. “Why you bein’ like that?”
“I ain’t bein’ like nothing. Boy, you got all these girls on you already. Drama ain’t for me.”
He leaned back, blinked like you just told him the sky was purple. “And it’s for me?”
You gave him that be serious look. Chin tilted, eyes narrowed.
“I’m serious,” he said, voice low now. “Them girls just… girls. That’s it.”
You looked at him like he was wearin’ stupidity on his chest instead of that chain.
“Boy, you don’t even make sense.”
You didn’t wait for him to try again. You turned. Walked.
“Goodnight, Moore.”
Back in your dorm, you slipped into bed, pulled the blanket up, popped a DVD into your player— Brown Sugar—just somethin’ soft and familiar.
You watched the screen flicker, eyes growin’ heavy.
He wasn’t in the room.
But he was in your head now.
And you hated that.
The dining hall was loud like always—linoleum floors, the smell of syrup and turkey bacon mixin' with cheap coffee and last night’s regrets. You sat at your usual table, bonnet still on, hoodie zipped, tray full of breakfast you barely picked at. Your girls were all around you, gigglin' between bites, still full off last night’s turn-up.
“I know you not gon’ sit there and act like that ain’t Sammie Moore had you stuck at the vending machine like a redbone deer in headlights,” one of your girls said, grinnin’ wide.
“I was not stuck. I was mindin’ my business.”
“Chile please,” another said, mouth full of biscuit, “you was starin’ like he had a scholarship between his lips.”
You rolled your eyes, sippin’ your orange juice. “I don’t even like what he stand for. He drama. I ain’t come to college for all that. I’m tryna keep it cute, keep it clean, get my degree.”
“Cute and clean, huh?” your friend teased.
“Is that what they call that ass you had out last night?”
You swatted her with a napkin, smilin’ despite yourself.
That’s when some boys walked over—three of them, tall and lookin’ like trouble dressed in varsity jackets and gold chains. One had dreads, the other two low fades. But it was the one in the black tank and Cuban link that caught your attention first.
He locked eyes with you like he already knew your name.
“’Scuse me,” he said, voice low and syrupy, “didn’t mean to interrupt. I’m Smoke.”
You raised a brow, not budgin’. “I don’t do nicknames.”
He smiled slow, head tilt slight. “Then let’s get it right. Elias.”
That name sat nice on his lips.
You felt your spine react before your mouth even moved.
You cleared your throat, coolin’ the smile that wanted to creep. “Okay then, Elias.”
“Okay then,” he said back, eyes takin’ you in respectful—but not shy.
He turned a little so he wasn’t blockin’ your homegirls. “Y’all should come out tonight. We throwin’ somethin’ over on Palmer. Real easy. Just vibes.”
He looked back to you. “Be good to see you there.”
Then just like that, he turned and walked off, smooth like the song playin’ low from somebody’s speaker nearby. You blinked, caught off guard.
“Uhhh–HELLO?” your girls said in unison, smacking the table.
“You better get your ass in formation!”
“Girl, who was THAT?”
“Baby I’m wearin’ heels tonight—I don’t care if my ankles bleed.”
You laughed, tray forgotten, heart a lil' fluttery. “I mean… why not?”
And right on cue—like somebody summoned him with your thoughts—Sammie walked up, his boys trailing behind, chain swayin’ over his chest, durag tied down, eyes already scanning the table.
“What y’all so juiced about?” he asked, a lazy grin on his face.
You didn’t even flinch. “Elias invited us to his party.”
His smile dipped, just a second. He looked off to where Elias and his boys were posted up.
“Word?”
“Mhm. Said it’d be good to see me there.”
You said it calm. But your girls caught the shift—Sammie’s jaw tightenin’, the light in his eyes dimmin’ just a touch. He played it off though, noddin' once.
You tilted your head, leaned forward just a little.
“You jealous?”
He looked down at you, lips pressed but still smirkin’.
“Nah. Ain’t no reason to be.”
You stood up, the air thick now, the table quiet like the cafeteria just paused for y’all.
“You want me,” you said, eyes never leavin’ his.
He stepped up, close, eye to eye. He was taller, but you ain’t back down.
“I do,” he said, noddin’ once.
That heat was back—heavy like the Delta sun in July. You felt it, and you liked it.
You looked in each of his eyes slow, readin’ the want sittin' behind them lids.
“Drop the hoes then, Moore.”
You popped your gum, eyes draggin’ down his chest and back up like you were takin' inventory. Then you turned and walked off with your girls, hips swingin’, all of them whisper-screamin’ behind you like high school all over again.
Sammie and his boys were still there, stuck in place.
One of his boys leaned close, clapped his shoulder.
“Better get busy, my boy.”
He didn’t say nothin’, just smiled slow, hands in his pockets as he watched you leave.
He had a type, sure.
But you weren’t a type. You were a whole damn category.
And Sammie Moore wanted all of it.
Music knockin’ low from the speaker—some classic R&B remix with a new-school beat. Perfume in the air. Heat from flat irons and the smell of edge control mixin’ with laughter. You and your girls were in full formation, baddie-mode activated.
Legs out, arms oiled, bangles singin’ every time y’all moved. Lip gloss poppin’, shades sittin’ right on top of your brows. You had on a lil Baby Phat-style jean romper, hugging every curve like it got hands.
Pumps to the sky. Hair curled up with that midnight bounce—your mama would’ve smiled seein’ them braids had finally done what they was supposed to.
You posed in the mirror, tongue peeking between your teeth, adjusting your hoops.
“Damn, I love college,” one of your girls said, doing a slow turn in the mirror.
Another smacked her gum, tossing her curls. “Both them boy crews? Whew. It's like God dropped fine into the registration office.”
“Okay, but who you tryna lock in with?” they asked, looking right at you.
You smirked, sliding your shades down your nose.
“Let’s see who show up tonight.”
They screamed. Laughed loud. Even the shy one was gigglin’. You all looked too good to be humble.
You raised your arm up, gold bracelet catchin’ the light.
“TO COLLEGE!”
They all clinked their red cups with yours. “TO COLLEGE!”
The energy was different on this side—lower, smokier, but just as electric. Loud bass thumped from a Bluetooth speaker, weed smoke curling up to the ceiling fan.
Sammie was leaned back on the futon, durag hangin’ off, T-shirt stretched over his chest, black jeans crisp. One of his boys rollin’ a blunt, another lined himself up in the mirror with a phone flashlight.
“Bro…” one of them said, already crackin’ up.
Sammie looked up, raising a brow.
“You really gon’ act like we ain’t watch ole girl stiff-arm you in the caf this morning?”
The whole room broke out laughin’.
Sammie shook his head, grinnin'. He could take it.
“Aye, man…” he exhaled, takin’ the blunt slow. “Y’all wild. I ain’t even on that lil groupie run no more. I’m tryna make her mine. Real talk.”
One of his boys mugged up, snatching the blunt.
“Man, here you go with that soft shit again.”
He hit it, exhaled deep, voice cuttin' through the smoke.
“All I know is—her girls? Man... them girls look like they stepped out a Vibe magazine.”
The room lit up with head nods, somebody clappin’.
“They bad bad.” “I’m talkin’ curated bad.”
“Shit,” another said, sittin’ up, “we could all lock in tonight.”
The whole room paused, lookin’ around.
“Oh nah, y’all niggas trippin’,” one laughed.
Sammie stood, brushing his shirt off, lookin’ in the mirror like he was about to sign a deal. Ran his hand over his waves, durag in one hand, gold watch glintin’ under the light.
He looked through the mirror at his boys, confidence written all over his face.
“Let’s roll.”
They stood like a unit—too loud, too good-lookin’ for their own good.
The four of you stepped out that car like destiny walkin’ on heels. Laughter on your lips, gloss shinin’ under the porch lights, hips swayin’ to the beat echoing out the open doors.
Elias was the first to greet y’all.
“Whewww—look at this,” he said, leanin’ against the porch post like he been waitin’ all night. “If y’all was any finer, I’d need a warning label just to breathe.”
You smiled without tryin’, lookin’ away as your girls giggled. His boys peeled off fast, gravitatin’ toward your crew like bees to fresh honey.
Elias took a step closer, hand brushing the small of your back.
“You came,” he said, voice low and smooth.
“I said I would,” you replied, tryin’ like hell not to let his cologne live rent-free in your chest.
“Come on, let’s grab a drink.”
He led you through the crowd, shoulder to shoulder with strangers, the house alive with bass and bodies. Somewhere between the kitchen and hallway, a Soul Train line was tryin’ to start.
Girls were twerkin’ like it paid the rent. Air hot. Thick with weed. Full of life.
Y’all stopped at the drink table—red cups stacked, Jungle Juice swirling in a Gatorade cooler.
“You want sweet or strong?” Elias asked, already pourin’.
“Strong,” you said, takin’ the cup from him—fingers brushing, eyes meeting.
Leanin’ against the counter, y’all fell into that low talk. He told you about his major, his plans, how he liked how you carried yourself. Quiet confidence, he called it.
You were just startin’ to let your smile relax when—
He walked in.
Sammie Moore.
Black tee clingin’ to his chest, pants sittin’ grown-man low, chain swayin’ like a whisper.
That smirk already cocked on his lips like he knew the script before the scene started. His eyes scanned the room once—twice—
Then locked on you.
You. And Elias.
You felt it in your neck, your spine, the base of your stomach.
He didn’t stop. Didn’t speak. Just dipped his chin, gave you that look, and walked deeper into the crowd—dap-tappin’, noddin’ to the beat like it was just another Friday night.
But it wasn’t.
Elias leaned close, voice soft in your ear.
“That your man or somethin’?”
You shook your head, steadyin’ yourself.
“No.”
He grinned. “Good. Come dance with me then.”
You followed him to the living room-turned-dancefloor, Jungle Juice in hand. The song shifted—Aaliyah’s “One in a Million” remix slid in low and sensual.
Y’all moved close. That slow grind—just enough to spark heat but not burn. Elias knew how to move. Hand on your waist. Breath near your ear.
But your eyes kept driftin’.
Across the room—Sammie, posted on the wall. Watchin’. Not hiding it. Jaw tight. Eyes hard.
He wasn’t sayin’ a word, but his body was yelling loud.
That look? That look said you had no damn business lookin’ that good with somebody else.
The song faded. Elias leaned back just a little, like he might say something deeper.
But then—
You felt it.
A hand on your wrist.
“Lemme borrow her real quick,” Sammie said, low and gravelly, eyes never leavin’ yours.
Elias raised his brows, but you already knew. You nodded at Elias, heart thumpin', and let Sammie guide you away.
He pulled you down a short hallway, the noise behind y’all fading into a hum.
“Boy, what the hell is wrong with you?” you said, tryin’ to snatch your arm back—but not really.
Sammie turned, steppin’ close ‘til the wall kissed your back.
“You was lookin’ too good to be up on him like that,” he muttered, voice thick.
You blinked at him, lips parted, chest tight.
“Elias don’t got nothin’ to do with you.”
He smirked, leanin’ in, his breath all up in your space.
“Then why you keep lookin’ at me like he do?”
No answer. Not with his hand braced beside your head, not with that fire in his eyes like he was daring you to lie.
Your breath caught. His face inched closer.
“You know I want you.”
You swallowed, eyes lockin’ with his.
“I told you,” you whispered. “Drop the hoes, Sammie.”
He paused.
Then smiled.
“Watch me.”
Next day, class hit—but your mind was somewhere else. Still buzzin’ from the party, from the hallway, from the way Sammie looked at you like you was the only thing in that room.
You slid into your usual seat in the back of the lecture hall. Hoodie on, lips glossed, eyes low. Tryna stay out the way.
Then the door opened—and the whispers started before you even turned around. It was him. Sammie Moore.
Steppin’ in like the whole classroom was his stage.
Girls straightened in their chairs. You could hear the lil, “Hey Sammie,” “Oh my God he in this class?” floatin’ through the air like perfume.
He didn’t give none of ’em no play. Just scanned the room, eyes movin’—’til they locked on you like a bullseye. Then he grinned.
Next thing you know, he joggin’ up the stairs—loud, on purpose—then flopped down next to you like he’d been doin’ it all semester. His arm slid over the back of your chair, all casual, like it belonged there.
You ain’t say nothin’ at first. Just stared straight ahead, pretendin’ like your heart wasn’t thumpin’ out your chest.
“Morning,” he said, voice low and lazy—like y’all just rolled outta bed together. “You miss me?”
You sucked your teeth, tryna hide your smile. “Boy, get on.”
He chuckled, leaned back, spread his legs wider like he paid rent in the seat.
That’s when they walked up—two girls in Fashion Nova fits, tryin’ to play it off like they needed help with the syllabus.
One leaned in too close, eyes skippin’ past you like you ain’t even there.
“You really not gon’ say hey to nobody now?” she said, twisting her mouth. “You actin’ brand new, Sammie.”
He didn’t even blink. Didn’t shift. Didn’t smile.
“Nah. I’m good.”
The other girl gave you the slow once-over, nose turned up. “You ain’t even all that. He gon’ treat you the same way he did the rest of us.”
This was exactly what you meant. You wasn’t even gon’ say nothin’. You ain’t need to.
But Sammie turned—slow. Looked her dead in the face.
And when he spoke? His voice dropped into somethin’ you hadn’t heard before—deep, steady, real.
“I don’t talk to girls like this,” he said, jaw tight. “But for her? I will. So back the fuck up.”
Silence.
You blinked. Looked at him like… who is this?
He was still watchin’ them, unblinking. Daring one of ’em to say something.
They didn’t. Just rolled their eyes and stomped off, heels clackin’ down the stairs.
You turned back to him, still lowkey stunned.
“You don’t talk to girls like that?” you said quiet, voice almost teasing.
He leaned in, looked you dead in the eye.
“Nah. Never had a reason to.”
Your heart dipped, flipped, did all types of flips.
You looked at him like you wanted to be mad… but you wasn’t. Not even close.
Class started. Professor talkin’ about somethin’ you couldn’t even pretend to care about.
‘Cause next to you? Sammie’s knee kept brushin’ yours. His arm still draped behind you. And that look on his face?
Like you was already his.
Professor Davis was old-school. Always came in wearin’ some too-tight slacks, cologne from the ‘70s, and vibes like he been waitin’ all year to catch somebody slippin’.
He clapped his hands once—loud—snappin’ everybody out they whisperin’ and giggling ’.
“Aight class, listen up. Time to separate the passers from the repeaters. First project of the semester starts today. Two-person teams. Full breakdown due in three weeks. I’m assigning partners—don’t come cryin’ to me.”
You sat up straight. That anxious flutter startin’ in your chest.
You always took school serious. GPA clean. Ain’t no way you was about to let some random boy mess that up.
Professor started callin’ names off his clipboard, pairin’ folks up one by one. “Danielle and Marcus… Tiffany and Kayla…”
You tuned most of it out, until— he looked up pen pointing through the seats before his eyes landed on you.
“You… and Sammie Moore.”
The whole row went: “Ooooooooh.”
You closed your eyes, breathed deep. Lord, why me?
Sammie? Of all people?
You turned your head slow, like maybe you heard it wrong.
But there he was—grinnin’ like he just won a Grammy.
Mouth wide open. Gold flashin’.
He slapped the desk once and leaned into your space, breath smellin’ like spearmint and sin.
“Oh, this gone be fun,” he said, teeth gleamin’.
You sighed. Loud.
“I ain’t never even seen you with a syllabus, Sammie.”
He threw his head back laughin’. “Ayo chill on me! I’m tryna turn over a new leaf. Be a scholar n’ whatnot.”
You side-eyed him. “You ever even own a textbook?”
He pointed at your bag. “Nah… but you do. And since we partners… closed mouths don’t get honor roll.”
You blinked, jaw tight. “Lord.”
He leaned closer, voice low, smooth. “What? You don’t trust me?”
You crossed your arms.
“I don’t even know you.”
He grinned wider, tapped the desk twice. “Well. Guess that’s what the project’s for.”
Sammie kept it one hundred. He said he’d put in work—and he did. Showin’ up every day like clockwork. Sometimes early, posted up outside the library like he belonged there.
“Thought I’d get a head start,” he’d say, flashin’ that cocky half-smile.
“Or maybe I just like lookin’ at you tryna act like you ain’t impressed by a nigga.”
You’d scoff, but you never sent him away. Truth was—he was tryin’. Hard.
He’d sit across from you, brow furrowed, tryna follow your notes while low-key givin’ you his own kind of test.
“Yo, derivatives?” he said one day, flippin’ his notebook around with dramatic flair. “These just wild disrespectful.”
You laughed before you could stop yourself—and he grinned like he just won the championship game.
“There she go,” he said. “Knew I could crack that mean girl shit eventually.”
You tried to play it cool. “Focus, Samuel.”
“I am focused,” he said, eyes lockin’ on you just long enough to make your heart skip.
“On the sexiest tutor on campus. Don’t blame a nigga if you distractin’.”
Every time he talked slick like that, you swore you wouldn’t react.
But your cheeks always gave you away—heat risin’ like you caught a sunburn indoors.
“That a blush?” he teased, leanin’ in like he tryna get a better look. “Don’t start fallin’ for me now.”
“In your dreams,” you shot back. But even you heard the smile in your voice.
From then on, study sessions were never just about the project.
He’d pass you a highlighter and let his fingers graze yours.
Let y’all knees touch under the table like it wasn’t on purpose.
Lean over your shoulder like he tryna read the worksheet—when really, he just wanted to breathe you in.
“Okay, brainiac,” he’d say when you breezed through a problem. “You really just be out here rememberin’ formulas off the dome like that? You sexy as hell.”
You froze. “Sammie.”
“What?” He shrugged, all fake innocence. Eyes scanning you full of anything but. “I’m just sayin’— brains and looks? That’s dangerous.”
It wasn’t long before you started leanin’ in too.
Not ‘cause you had to. But because you wanted to.
Little things added up.
A hand on your back when he leaned closer. The way his eyes tracked every word when you explained something. Really listened.
Like you was the only person in the room.
He still messed up equations. Still talked too much. Still flirted like it was second nature.
But he was showin’ up. Every time.
For you.
And somewhere between late-night study grinds and lowkey heart flutters… Sammie Moore stopped bein’ the boy from the back of the class and started becoming the one who had you smilin’ between blinks, blushin’ between smile lines and fallin’ just a little harder every time he cracked a joke.
College life meant party life—and here y’all go again.
Your girls talkin’ you into steppin’ out with ’em.
You was easier to convince than usual. All it took was them bringin’ up Sammie.
“How close is close?” one of ’em asked, nudgin’ you.
You tried to play it off, but that blush crept up quick.
“He just… I mean…”
You rolled your eyes, but you told ’em. How fine he was. How deep his voice got when he was focused. How you couldn’t hold out much longer.
“Who said you had to?” one of them smirked.
Another girl leaned in, fanning herself. “I bet he talk you through it too,” she said, and y’all lost it, laughin’ all over again.
You grabbed your gloss, touched up in the mirror, and tried not to smile so hard. You was feelin’ yourself tonight. And you should.
Y’all finally headed out—heels clickin’, perfume thick in the air, dressed like you had something to prove. Which maybe you did.
Or maybe… you just knew Sammie was gon’ be there.
And tonight, you was gon’ let him see it.
The party started before y’all even hit the door. Lights low. Bass heavy. Air thick with perfume, weed, and sweat. Everything bathed in that purple-blue glow like a dream you wasn’t supposed to wake up from.
Y’all pulled up together—but separate. You and your girls all sharp edges and lip gloss, heels clickin’, skin glistenin’ like honey under neon.
Them and Sammie? Posted on the opposite sidewalk, black tees, gold chains, eyes cuttin’ through the dark like heat.
It was automatic.
You stepped out the car and locked eyes with him.
Sammie already waitin’. Already smilin’.
“Damn,” he said under his breath, loud enough for the fellas to hear. “Y’all see this?”
You tried not to, but you blushed. Again.
Your girls noticed. Teased you. One popped your arm with her clutch, whisperin’, “Girl, if you don’t go say hey—”
But you ain’t have to.
Sammie was already crossin’ the street. Already comin’ to get you.
He stopped in front of you, the world hummin’ low behind his eyes.
“You wear that for me?” His voice hit your chest first, then your knees.
You looked him up and down—black denim, clean kicks, rings on his fingers, that gold chain you always noticed when he was leanin’ over your notes.
“You think everything for you,” you murmured, tryin’ to sound unaffected.
He just grinned. “Only the good shit.”
Your girls and his boys fell into that easy, flirty back-and-forth.
Laughin’, flirtin’, dappin’ each other up like this was just another night. But you and Sammie?
Y’all was in your own bubble. One step slower. One look longer.
And when the door to the club cracked open, that bassline slid out like smoke—and Sammie turned to you.
“Aight,” he said, reaching for you smooth and easy, like he already had the right.
Arm slid over your shoulder. Firm. Warm. Protective.
“Come on. You wit’ me.”
And just like that, you let him guide you in.
Walkin’ through that crowd like you was made for it.
Shoulder to chest, his hand droppin’ to your hip when somebody brushed too close. Eyes on the DJ, the dancers, the lights—but always comin’ back to you.
Inside, it was wall-to-wall heat.
Bodies movin’. Drinks spillin’. Hooks loopin’. Lights stutterin’ like camera flashes in slow motion.
Sammie leaned down, lips close to your ear. “You good?”
You nodded, barely able to hear yourself think.
But his arm didn’t move. Stayed locked around you like it belonged there. And for the first time… you let it. Let yourself settle into it.
Let yourself feel how good it felt to be next to him—not just in study halls or library booths, but here.
In the lights. In the noise. In his world.
Some girl tried to come up. He didn’t move. Didn’t speak.
Just kept his body turned toward you like she wasn’t even there.
“You drink?” he asked, mouth back at your ear. You nodded again. And just like that—he was leading you through the crowd, still holdin’ you close.
You felt eyes. Felt envy.
Felt the beat thumpin’ in your chest.
But most of all—you felt safe.
Like maybe, just maybe… this boy was serious.
Like maybe… you was ready to find out.
Sammie didn’t say nothin’—just nodded toward the back, hand still resting heavy on your waist as he guided you through the bodies like he had a key to every room in the house.
Past the living room speakers, past the swayin’ couples, past the girl in red heels dancin’ like she ain’t have a care in the world.
The kitchen was cooler, quieter. Dim light from the stove clock. Ice clinkin’ in cheap glass cups.
Somebody’s cousin passed by with a bottle tucked under his arm and a blunt behind his ear. Didn’t even look twice at y’all.
Sammie stepped to the counter, opened the fridge like it was his place.
“What you drink?” he asked, back still to you.
You shrugged, leanin’ against the island. “Pick for me.”
He turned, brow raised. “You don’t drink like I do.”
You tilted your head, smirkin’ just a lil. “Try me.”
He chuckled—low, lazy. “This gone be funny,” he said, grabbing a red bottle and somethin’ brown from the corner.
Poured heavy in two cups, eyes low from the weed hummin’ through his system.
Then he took a sip.
Slow.
Eyes on you the whole time.
Mouth still on the rim when your gaze dropped—followin’ the line of his throat, the way he pulled back from the cup slow, lips glossy, glistening under the overhead light.
He wiped his hand down his mouth, rings glintin’, and your eyes tracked every. damn. move.
Then—he licked his lips. Just once.
Your gaze dropped there, couldn’t help it. You watched his tongue slide across those thick lips, the gold of his slugs lookin at you.
He stepped in closer, the space between y’all shrinkin’ like breath in cold air.
Held your cup in one hand, lifted your chin just a touch with the other.
“Go 'head,” he said, voice dipped in honey and dare. “Let’s see if you real.”
You opened your mouth, and he pushed the cup to your lips—fingers gentle, but sure. His other hand slid back, found the nape of your neck, thumb pressin’ just enough to ground you.
You drank.
All the while, his eyes never left you—low, watchful, wantin’.
That tilted POV got you dizzy, heat spreadin’ slow down your spine.
He smelled like kush and cologne and the sweat on his skin. You looked up from under your lashes, caught his mouth twitchin’ like he was thinkin’ somethin’ he couldn’t say out loud.
You dropped the cup without speakin’.
He let it fall—plastic, not glass—no spill. No need to say nothin’.
His thumb brushed your bottom lip, slow. Wet. Glossy. Warm.
He hummed low in his throat. “Sweet,” he said. Could’ve meant the drink. Could’ve meant you. Didn’t matter.
Then he pulled back, just enough to breathe, fingers curlin’ around yours. Didn’t tug. Didn’t pull. Just led.
Back through the smoke and color. Back to the music, where it was louder, hotter.
Back to the floor, where the bass made your bones hum and the lights turned his eyes to fire.
Hand in hand.
You and him.
And this time… you didn’t let go.
AYEEE my first req of many whoever requested this it got too long baby this coming in parts but enjoy thiss one 😏
Pt2 here😫
Next up is : @yourm0mish0t Sammie x Reader cause yall can’t get enough. It’ll come soon so here’s a title ‘songbird sins’ #staytuned #stayloyal #stayfreaky
I’m Grown
Sammie/Preacher's Boy x Black Reader
Genre: Smut with plot, Modern AU?(ig)
Warning: Smut, fingering, D in P, unprotected
Word Count: 3.8k+
Summary: You and sammie basically grew up together. Though you were only half a year older, you always treated him like a little kid.
Then college came, and you moved away. Now it's summer, and you start to realize the little preacher's boy you left...is a man now.
Writers note: I’m still new to writing fan fics, so i’m not the best, but i hope y’all still like it! I plan to keep practicing and getting better!!⭐️
HANDSY.
^ྀི PAIRING cameron cade x black fem!reader
^ྀི IN WHICH one compliment gets you into some trouble with the star QB.
^ྀི ¡WARNINGS! smut (smidge of plot/buildup). nail tech!reader, college athlete!cameron, angst, pet names, dirty talk, fingering, just mr. cade being nasty.
^ྀི A/N i def based this on the part of quen’s video when she asked if he gets manicures 😭 his reaction after she called him nasty told me EVERYTHING! anywaysss, just had to see if i still got it lol, something sweet while i finish the rest of my drafts. be on the look out for the next week and after..hehe. thank yall for reading (interact pls) and lmk what you think! <3
“do you get manicures? your hands are pretty”
it was a mindless compliment, just something that slipped out in the spur of the moment. occupational hazard. you worked with hands all day long so cuticles and nail beds are the first things you notice about anyone.
you didn’t know him well, or at all really, but you knew enough. cameron cade is practically a campus celebrity. his face is plastered everywhere you look, whispers of whatever rumor of the week involving him leaks from distant conversations. that’s about as far as it got for you
so when he’d claimed the seat next to yours in your contemporary literature class, always as quiet as a church mouse, after weeks of stolen glances his clean, perfect hands had weirdly became something that you took notice of. fixated on.
“your hands are pretty”
cameron’s pen stilled over his page instantly. he almost thought he’d hallucinated the words. today’s lecture faded into nothing but background noise, your honeyed voice was the only thing he cared about,
finally. he thought
the opening he’d been waiting for.
he couldn’t help the slow grin that pulled at his lips.
you caught his attention easily on the first day of class. bright eyed and bubbly, draped in baby pink from head to toe. a walking ray of sunshine with the kind of natural, warm confidence that just makes you so much more attractive. it also didn’t help that you’re fucking stacked. your body looks like it was hand crafted by god herself.
the two of you never really spoke much outside of borrowing pencils or sharing notes—he was afraid of ruining any chance he might have—but cameron knew one thing: he needed you before the semester ended.
his sea green eyes flicked up to yours before dragging down your frame, and his pupils blew wide as he drank you in. entranced doesn’t even begin to explain what you do to him.
“‘preciate it. i been tryna stay consistent” he said lowly, leaning back further into his seat, his tongue gliding slowly over his bottom lip
your pulse spiked when you caught the way his eyes dipped. he was so clearly checking you out, and he wasn’t shy about it
you cleared your throat, huffing a quiet laugh and picking nervously at the hello kitty charms that dangled freely from your square french tips
“well you’re doing a good job. they look better than most people’s,” your gaze dropped to those veiny, well kept hands again before snapping back to his modelesque face
“way better. especially for an athlete”
that did it for him. you’d given him just enough to make ends meet..amongst other things.
but how were you supposed to know that a stupid observation on his hygiene would be the key to open pandora’s box?
you’d learn very, very quickly.
“oh yeah?,” he tilted his head slightly, smirking “sound like you been paying real close attention”
his pen was long gone. forgotten. sidelined at the edge of his notebook while he sat with his toned arms folded over his chest, angled toward you
you stammered “n-no! i just— a giggle slipped through you before you could stop it, “i know nice hands when i see ‘em”
the sweet, melodic sound made his skin hum, and his grin only widened once he realized he could pounce.
“alright then, miss hand expert” he chuckled “since you know what you talking ‘bout, maybe you can do ‘em for me sometime”
conversation flowed easily after that. he’d say something mildly flirty, you’d playfully roll your eyes and pretend to be taking notes
and the moment he caught up to you after class, all six foot something of his muscled, sun tinted frame towering over you, that gleaming dimpled smile and those misty green irises coaxing you back to his on-campus apartment to “just talk some more”,
you were his for the taking.
the pilot episode of jury duty is barely audible beneath your helpless whimpering. not that cameron actually planned on paying attention anyway,
it took no time for him to laugh you right out of your clothes.
which is how he ended up flat on his stomach between your smooth brown legs, one hand planted firm on your thigh to keep you exactly where he wants you. prying you wide open for him to bask in the stunning view of your creamy, soppy pussy clamped tight around his thick fingers, glossy beneath the warm glow of the picture lights hung over the sofa.
“pussy so pretty..so perfect” he rasps shaking his head in disbelief, “wish you could see how fucking good you look right now” the euphoric sound of your juices circling the air as he keeps his pace
suddenly his fingers curl upward digging straight into the ridges of your pleasure point,
you cry a string of curse words as he drills into your button again, and again, coaxing so much slick from you that it’s trickling down his hand
“mmmhm” he hums, zeroed in and focused on the mess you’re making “give me all that shit, mama. fuck” the bulge in his sweats swells. he’s more than satisfied when he feels your warmth tighten around him
a high pitched, elongated moan spills from you. so pathetic that it’s almost embarrassing, “nnggh— ohhh my— c-cameron!—” your breathing stutters as you arch your back off the cushions,
“what’s wrong princess?” he coos softly, a devious smirk on his lips “you love my hands, don’t you?”
“touching you like this? making you feel good? hmm?”
he’s delving deeper, harder, in a slow torturous rhythm that sends a burst of pleasure springing and coiling through your core. too much for you to handle all at once, and still not nearly enough. it just about takes you over the edge
your eyes widen, glassy with tears threatening to fall, “yes! fuck! wait—” you yelp “wait wait—” you’re gasping and palming his broad shoulders attempting to push away, but the grip he has on your leg only tightens.
“mm mm, stop moving” he pauses his wrist mid stroke. the pressure that’s building in the pit of your stomach depletes slowly, and those hypnotic blue green orbs snap up to yours, his voice dipping into something dangerous. “be a good girl for me. you almost there, i can feel it” he holds your gaze while he plants a warm, wet open mouthed kiss on your inner thigh and latches gently to the soft skin
a shaky breath courses through you as you attempt to steady yourself, part of you aching for more of him, part of you so close to the brink that you can’t take it
but you do anyway.
“cam…please” you whimper, your lips pouty and trembling, breathing as torn up as you are. your brows softened into a frown
“i know, baby.” he coos “i got you”
now his fingers are moving again. quicker, more precise. another broken moan rips from your throat, loud enough to break the sound barrier, probably earning nasty looks from his neighbors— your classmates—but he couldn’t care less.
he’s not letting you go anywhere anytime soon.
he rests his cheek on your inner thigh and takes his bottom lip into his mouth, slowly breaking his gaze away from your gorgeous, tear stained face before letting his eyes dip again, and his breath catches in his throat. shit, he almost combusts at the sight
arousal pooling in thick sticky heaps at the base of his fingers every time he curls into you. your pearl swollen and throbbing, your folds glistening with threads of slick. like something out of a painting
he breathes out,
“oh my god, look at you”
you moan an attempt at a response as your head falls lazily to the cushion beneath you, the tremor of your thighs earning a hum of approval
and then a low, desperate moan tears through him, “damn, this pussy dripping all over me,” his jaw falls slack. “can’t tell me you ain’t mine now” he’s moving his fingers up in tighter circles, twisting and curling as far as he can reach, stimulating pressure in all of the right places,
carrying you right into an otherworldly orgasm.
“cameron— you yelp “shit, shit, shit, you’re gonna make me—
your words snag in your throat, overcome by the pitiful, whiny cry that ejects from you. everything fades for a split second, your brain turns to complete mush,
and he’s loving every second. he’s starry eyed, in awe watching you come apart for him. it feels like he has the whole world in his hands
“mhm, just like that,”
“cum all over my hand, pretty”
a wise man once said:
zinzi must be happy as hell

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unhuman unsub
tags: spencer reid x fem reader, agent reid x forks resident reader, spencer reid x twilight, criminal minds x twilight slow burn, psychological horror (ish), unreliable perception/unreliable narrator(s), dual pov, parallel investigation, eventual vampirism word count: 4,688 character count: 28,449 prologue/case file here
—------------------
on the failure of pattern recognition
it doesn’t begin with the body.
that would imply a discrete origin, an event sufficiently bound to be observed, documented, and, with sufficient rigor, understood. bodies permit that kind, reid knows, of handling. they yield, eventually, to pattern, to taxonomy, to the quiet arrogance of human comprehension. they shift with viewership and formulate themselves to ink on paper, to be filed and placed into a box, which will be either, a) brought to court and debated to decide the course of a life, or b) sat on a shelf, collecting a thin layer of dust atop others with a similar fate.
this, however, resists.
dr. spencer reid first registers the discrepancy in the interval between review and comprehension, when the files, otherwise unremarkable in both their structure and content, fail to stabilize under the routine repetition that comes with working a case.
–
forks, washington.
population: negligible. growth rate: stagnant. violent crime: statistically insignificant.
there is absolutely no precedent for escalation in this town.
and yet he can’t shake the unease that flooded through him upon crossing into forks. perhaps it was something in the rainwater, collected through the soil, seeped into the tall sourwoods that loomed hauntingly overhead. uncanny, almost.
the incidents accumulate. not in frequency - which would be legible - and not in method - which would be classifiable.
he reads the report again, it’s terms clinical and concise, clean of any adjectives that could carelessly cradle subjectivity.
male. twenty-seven. missing forty-eight hours prior to recovery. found three miles into woodland area, off-trail. cause-of-death: exsanguination. preliminary conclusion: large animal attack.
it’s important to see to see that reid doesn't dispute this classification. at least not immediately; not now, when he lacks concrete evidence.
he notes, instead, some of the report’s phrasing.
“consistent with.”
not confirmed. never confirmed. nor does it read as verified, supported, corroborated, proved, certified, substantiated, affirmed, or declared.
he flips the page, the lip of the sheet nicking his thumb in a way that makes him hiss and shake his hand to his side, willing the air to sweep the sting away. there is no medical basis to efficiency of this act, just patterns in human behavior, passed on over time.
another file, this time, with a different name, a different date. the same language drizzles over, no clear basis or guarantee in its slogans.
the pattern is not explicit, then. it doesn’t announce itself in ways that would usually earn him praise from his team. lines don’t jump out in his mind, maps don’t triangulate themselves in front of his eyes. reid feels no need to run towards a corkboard and weave together a new storyline.
the pattern resists, which, in itself, constitutes a colder sort of data.
he leans back slightly, eyes still fixed on the page as if distance might force the coherence he so desperately craves at this moment into place.
it does not. and so he closes the file.
note: do not mistake this for reid being finished. that he is not. he closes the folder because continuing, at this stage, would produce diminishing returns - an economic framework that rationalizes the disorder in his mind.
spencer knows, as he always does, as he always must, that there is something between the black ink of the lines - which have begun to dampen and bleed as they swirl with the heavy humidity of the town’s air that bleeds into the forks police department - that has not articulated itself. something darker, misaligned and disarrayed.
and until the data speaks for itself, until numbers and mathematical principles and concrete evidence jump off of the pages, he waits.
–
the forests and their inhabitants deny reliable methods of articulation in this part of the pacific northwest.
here, it is not silent, per say, as this would suggest absence. among the trees - feeling taller as they loom over agents in vests, ages old and knowing something they don’t, secrets coiled into the roots that threaten to break the ground’s surface. threatening reputably focused agents to stumble - it is acoustically attenuated, as though sound itself is absorbed before it can fully propagate: wind disperses without continuity, birdsong fractures mid-distance. the intrusion - the forests have made it glaringly clear that this is just that - of human movement - boots against wet soil, the low, crackling static of radio communication - fails to establish dominance over the space.
the effect is not quiet, but contained. held back.
reid notes this without comment, mimicking the natural restrictions of the space around him.
subjective anomalies, while inadmissible as evidence in a court of law, often precede the identification of structural irregularities. reid knows, objectively, they are not reliable, alongside hearsay, illegally seized material, and speculative testimony.
paradoxically, they are also not irrelevant.
–
morgan’s voice cuts through the radio, distorted by static crackles and stinging squelch tails, but intelligible. “reid, you seeing this terrain?” “yeah,” reid replied, gaze tracking the uneven ground. his voice feels lowered in the chilled air, his sharp analyses soddened by a heavy-hanging mist. greyer, perhaps. “low foot traffic. soil composition retains impressions longer than average - if anything were to have been dragged, we’d have clearer disruption patterns.”
“meaning?”
“meaning whatever happened here was either stationary,” reid says, “or controlled enough to avoid leaving a trace.” there’s a pause on the other end, indistinguishable in its nature from either contemplation or poor signal.
“controlled,” morgan repeats hesitantly. “that’s not what we’re supposed to be dealing with, kid.” it isn’t.
reid crouches near the indicated site, careful not to disturb the perimeter markers. he notes the way that they’re almost ironic in their bright, yellow coloring - they’re meant to draw attention to a location, whether this be to forensics teams seeking out their evidence to collect, or for detectives to avoid leaving their designer footprints in. in a space this expansive, reid wonders if they truly make a difference at all.
the ground bears evidence of disturbance - this, spencer notes as a fact, in the rustled leaves, matted down everywhere else in the woodland from footsteps and rains repeating their cycle of compaction - but not violence. not in the conventional sense, at least.
here, there is no scatter pattern. no defensive displacement or clear struggle.
spencer stands again, feeling the movement in the socket of his knees. weighed down. he studies the spacing. the angles. the absence. there is always absence, reid knows. he cannot possibly gather every detail of every scene, place himself directly in the moment of the crime’s occurence. no matter how many PhDs he collects, his mind wears, and he can only calculate so much. but this? it feels… curated.
in many ways, they are staring at a textbook scene - the body is central, the location is ideal, there are forensics teams collecting trace evidence left behind, swiping tabs in blood droplets and measuring their distance from one another. this is the issue.
it’s as if someone had ripped a page out of saferstein’s ‘criminalistics: an introduction to forensic science,’ and completed a worksheet out of it, or recreated for a forensics 101 lab - a live staging of sorts.
“reid,” morgan says again, quieter this time, his voice close. spencer didn’t even hear him approach. “talk to me.”
reid doesn’t look up as the words flow out of him, as if he is a computer translating code for human consumption. “there’s no evidence of predation behavior consistent with large fauna native to this region,” he says. “no tearing pattern. no feeding pattern. the body wasn’t consumed.” “then why call it an animal attack?” “because the alternative requires a level of precision that doesn’t align with known offender typologies,” reid replies, stilling in his tracks. he tilts his head in one direction. pauses. tilts it in another. pauses again. “and what - this does?” morgan’s voice is distant, confused when the path is not linear. spencer feels guilt thinking about his friend like this, but shoves it aside as he finally looks up. it’s not that morgan wasn’t “smart” - of course he was. and it’s certainly not that reid felt… superior - oh, god no. but he couldn’t deny a natural… capriciousness, for lack of a better term.
“no,” he says with a tense shake of his head, the extension feeling heavier now than it had when he arrived.
—------------------
you register the deviation before it is technically named.
after all, forks doesn’t change. which, in many respects, is the point.
its predictability is not incidental, but maintained. you’ve noted it before as an equilibrium sustained through habit, restraint, and a collective understanding of what remains unexamined. variations occur, of course, but they tend to resolve before they accumulate.
there is a car accident outside of the school every now and then, caused by students rushing to get off of the property they deem the seventh circle as soon as they can. forks high gathers teens into the aging gymnasium and sits them in creaking bleachers, repeating a yearly lecture on safe parking lot procedures.
a child went missing, once. the town stirred for a bit before she was brought back home, calling in private investigators and offering casseroles of comfort to the family - which, in reality, simply served as a way for the community to clear their refrigerators. even then, the case was closed when the girl was found hours later - she had forgotten to tell her mother that she planned on sleeping over a friend’s house after school, the next town over, and her cell had died in her locker earlier that day.
this had accumulated.
—
you do not require proximity to confirm it. information, even diluted through repetition, like a game of telephone, retains structural integrity when the pattern is simple enough. sure, the details may get distorted from person to person - was it a dog or a frog that jumped the fence? was there a watermelon or a wastebasket on the other side? - but the basic structure of the findings remain relatively as they began.
now, it read as follows:
missing.
found.
animal attack.
the classification the fbi released is convenient - situated on the olympic peninsula, surrounded by nearly a million acres of national parkland, there were bound to be animals, and as such, people who got too close. curiosity killed the cat, or however the saying goes. this classification, albeit reachable, is also incorrect. less solid of a fact, but veritable.
–
you close the book you’d been flipping the pages of absent-mindedly in your lap without marking the page. you will remember where you left off with a quick skim. you always do.
–
outside, the light is wrong. its quality is diffused beyond expectation, holding the kind of looming overcast that flattens depth perception and renders distance unreliable. you were sure the agents had added that to a manilla folder somewhere, and chalked another death up to whatever the procedural term for “clutz” was - someone had fallen on a tree’s root, unbeknownst to them, as the light rays bent in a way that yielded no other outcome but a cracked skull.
you watch the treeline not because you expect to see anything, but because you don’t. that is the point at which observation becomes necessary, you’ve noticed. it matters not what lays in plain sight, but what lurks beyond the shadows.
there’s a shift in the environment, not visual or auditory, but in the most functional manner. it’s almost as though something has passed through recently, and the space has not yet recalibrated - something has held mother nature back, vetoed her vote in the space beyond your property line, and holds her captive as the blood is slowly sucked from her neck.
you inhale slowly, taking so long that you feel lightheaded and your nostrils begin to suction in on themselves. recalibrating. the question you’ve been trying to answer is not whether the situation is contained - this you know, for a fact once more, is not true - but whether it ever was. contained, that is.
—------------------
the house next door is empty, but not abandoned. there’s no dust accumulation or structural neglect - the usual, visible signs of maintenance erosion. the warm wood siding of the dwelling doesn’t appear rotting or spongy. the glass is not foggy or chipped, no windows are broken. the gutters have yet to rust, or gain the signs of old age resembled in flowers or sprouts and their time-consuming germination.
the house next door has been vacated, then. recently.
reid stands at the threshold, eyes scanning without entering. the door is unlocked, so there was no forced entry in the disappearance. no obvious disruptions to life as was. interruption, sure, but no dismantling.
–
“family?” morgan asks, stepping up behind him.
“none listed locally,” reid replies, closing a briefing and placing it carefully on the corner of a black, granite countertop. it still smelled of polish. “moved here eight months ago. limited social integration. employment history consistent, but largely isolated to the hospital.”
“neighbors?”
“there’s one,” he says.
—------------------
you see him before he knocks.
don’t mistake this for subtly, because that, the man surely wasn’t. you notice him precisely because he isn’t. the crimson shadows that rest in the outer creases of his eyes, underneath the large bags they carry, announce a presence.
federal agents carry themselves with a particular kind of… discipline. it acts as an awareness of observation without the need to conceal function - everyone knows why they’re around, and lets them act accordingly. it’s clinically efficient, and obviously identifiable.
you watch, not moving from your place at your kitchen table, the worn oak scratched and the coating bearing circles of coaster-less coffee mug contact from late nights pouring over texts, days spent sat and scrolling through online articles, the extensive blue-light contact forming similar fuchsia linings around your aperture, you were sure.
the man pauses before the door, assessing. his gaze shifts, briefly, to the windows. it’s like he is a robot, noting the spacing between the structures, the line of sight one could have from inside your home, planting himself there subconsciously.
–
you stand to open the door before he knocks, a calculated breach of expectation, which you know, doubtless, he registers.
“dr. spencer reid,” he says, producing credentials with minimal emphasis, going through a series of mechanical motions that he’d conducted dozens of times before, in your town alone. “i’m following up on your neighbor.”
you take in the identification without adjusting your posture, your eyes scanning the glossy card and the shiny, silver badge, wrapped in an authoritative black leather. “i assumed,” you reply.
a pause. one second that carries evaluation, estimation, appraisal, and analysis.
“i’m told you may have seen him prior to his departure,” reid continues.
“i saw him leave,” you say. “if that’s what you’re asking.” “when?”
“two days ago.”
he does not write that down. he doesn’t write any of this down. you don’t even think he has the presupposed, yellow legal pad on his person.
“time?”
you consider the question.
“early,” you say.
“that’s not particularly specific.” “neither is your line of inquiry.”
another pause, marginally longer now. you can tell he’s retracing the conversation, trying to crack your shell through the handful of words you’ve given him. something quieter than amusement passes through you, but it remains brief - contained and unindulged. you wonder, shortly, what role he’s assigned you in his internal schema. you wonder how disappointed he would be to find it incorrect.
“approximately,” he says now. his tone is not bored, as one would assume given your arid returns. exacting, may be the better word. levying - yes, that was it.
you allow it. “seven,” you say. “possibly earlier.” “alone?”
“yes.” “did he indicate where he was going?” “no.”
“was that typical?”
“yes.”
a pattern, for once, establishes in your interaction with the agent: question, answer. it’s so beautifully cut and dry, so preciously black and white that you forget you’re being interviewed, swept up in the simplicity of dialogue that didn’t swirl into forks’ natural greylands.
“did he usually come back?” he says, the moment’s pattern now broken. the black and white begins to fade as his head ticks slightly, his eyes narrowing imperceptionally.
you look at him, properly for the first time. the question is unexpected, but you do not falter. “most people do,” you say, the response sidestepping the informative, intentionally.
agent reid, as he’d introduced himself, holds your gaze for a fraction longer than necessary. he notices that you do not look away. probably notes it in his head to scribble onto a whiteboard somewhere. maybe if you were lucky, a photo of yourself would be bound to the scene with a red string, like in the true-crime documentaries you were obsessed with, once upon time. before there was an emphasis on the true aspect of the recordings.
“have you noticed anything unusual in the past week?” he quizzes.
you consider smiling. “unusual is a relative designation. you’ll have to be more specific, i’m afraid.” “a deviation from routine,” he clarifies, not taking your bait. “behavioral, environmental, interpersonal.” sharp. academic. straightforward.
you tilt your head slightly, earnest in the motion. “is that how you’re classifying this?” you ask. “a deviation?” “yes.”
you consider him. his structure, grammatically. it’s odd… a divergence from the cops in your town, to say the least.
“no,” you say.
he waits. “for what?” “for your answer. nothing unusual.” and it’s not a lie, not entirely. but you know his eyes are watching you, taking a photograph of your physical reactions with the instantaneous closing of his lids, adding them to a mental photo album like a children’s book plotline that sat dusty on your shelves, pushed behind books overborrowed from the public library. now, the aged beams sat filled with history so jarringly adult that it almost resembled young adult fiction.
“thank you,” he says, eventually.
you incline your head as he steps back. he doesn’t engage, and neither do you.
—------------------
reid walks away before he understands fully why he doesn’t trust the exchange. his uncertainty did resemble distrust in the conventional sense, for there wasn’t any detectable deception pattern, or microexpressions consistent with typical evasion of the truth. he couldn’t detect any linguistic markers that indicated fabrication, there wasn’t fidgeting in her posture or a stance that indicated closure of the conversation.
her responses were consistent, efficient, controlled. almost too controlled.
he replays the interaction. note: the interaction, not the content. after all, she answered every question. she provided no information, which, in itself, is not unusual in questioning, especially in a town like forks. people tend to be… secluded.
the thing reid focuses on is her lack of hesitation. there was no search latency in what he asked, no cognitive lag in her processing of questions and return of response. she selected her answers, almost off of a mental list of possible replies, rather than retrieving them from the memories themselves.
he breathes out, releasing a breath he didn’t know he was holding.
“something off?” morgan asks, tilting his head and narrowing his eyes at reid.
he doesn’t answer immediately, instead looking back at the house. the forest green door is closed now, the pattern of the wood underneath beginning to show through the wear of the rain. there was no movement behind the windows. in fact, they were open, uncovered by the conventional dated, lace curtain cliche. the house indicated nothing of the interaction that just occurred.
“yes,” he says, finally. simply.
“yeah?” morgan presses.
reid hesitates here, his explanation for his unease insufficient. what was he supposed to say? that she opened the door, answered every inquiry, and waited until he had initiated finality before closing the door? “i don’t know what yet,” he sighs, the sound of the gears of his mind almost louder than the washington wind that whipped around them.
—------------------
you wait until he leaves your line of sight, a disciplined habit you’d had since you were little, unaware when it had started but unable to change your cautious behaviors.
then, and only then, do you close the door. lock it, maintaining a habitual structure of surface politeness when a guest is present.
as you move back to the window, you note that the agent - spencer, his first name was - is still visible at the edge of the property line, speaking to his partner. his posture has shifted since he stood on your porch step, though. he stands less formally, his badge back in his pocket, his hands in his pockets, his head down, but not relaxed. judging by the obvious tension in his shoulders, you wonder if he’d ever felt true tranquility. then again, you wouldn’t be the right person to assess what that looked like anyway.
his head tilts slightly as he listens to the man next to him, processing his words in an unemotional, instinctive manner.
you’d expected him to reconstruct your interaction, as every police officer, sheriff, bureaucrat, and agent before him had done. you’d anticipated him to analyze your posture, watch for shuffling, record any deviations from normality. but this new delegate was doing so to an imperceptible degree.
so, naturally, you pick through your own behaviors - and subsequently, the academic’s adjustments - replaying the exchange scene by scene from a birdseye view.
his questions were strangely vague, purposefully leaving room for you to trip, say something you shouldn’t. the sequence, the deflection, the new sense of measurement mid-conversation.
a cool disquiet ferments in your stomach, vining up your spine, whispering in your ear that he is closer than the should be to the structure of the truth. how inconvenient.
your gaze shifts slowly, intuitively, toward the tree line, a natural fir boundary between poised realism and a murky mythos. the forest remains unchanged, the spruces and cedars still fixed in the soil beneath them. this is, increasingly, the problem.
—------------------
reid returns to the site before sunset. anywhere else in the world, this position of the sun would cast a golden radiance across each surface, illuminating even the dullest of displays with an optimistic warmth. in forks, the evergreen abnormality, the airspace carries a green-ish hue, darkening the jaded shades that have seeped into every aspect of the locality.
he stands at the edge of the marked area, the once-yellow ‘crime scene’ tape turned chartreuse, watching as the light shifts further, diffusing.
the team has cleared out, all gone their separate ways - hotch to call jack; emily, jj, and morgan to a local diner; rossi to precinct, mumbling about needing to shine the italian leather of his boots and complaining about the township’s abundance of mud. none of them argued when reid said he wanted to take another look. none of them noted that he really didn’t need to.
reid steps past the tape, no longer looking for evidence, but absence thereof. this time, in the green-gold light of the late-afternoon, he searched for discontinuity, anything that might resist typical classification.
the ground is unchanged - because of course it is - but there is something new this time around. not tangible, not something that could’ve been packaged and sent back to quantico. not visible either, no need to call in a photographer or whip out his cell phone camera and snap a grainy shot. he doubted the pixels would calibrate properly through the mist that undoubtedly would’ve clung to his lens.
a sensation, perhaps? no. not that. an… awareness. yes, that was it. an awareness that he wasn’t alone.
reid straightens slightly, still and listening. nothing. obviously, nothing.
he exhales. turns and stops. turns and paces. takes a tentative look back, pretends to be distracted by something else - a squirrel maybe, and returns his gaze to the scene beyond the tape. it looks the same.
i mean, what did he think would happen? that this was an elementary game of wax museum? that when he wasn’t looking, the site would giggle under its breath and change positions, cheekily awaiting the moment his back would turn again.
reid pressed two fingers to the space between his eyes, which constantly seemed to hold pressure these days. he’d tried sunglasses, wondering if this was a bout of migraines, a reaction to caffeine overconsumption, a bad mix of hemicrania suppressants.
a thought - the thought - the one he’d fought daily to subdue, pushed back into the depths of his intellect, sought to cuff into an unlit edge of his mind like the subjects he dealt with daily. because they were crazy. they - the killers, the robbers, the ones who did bad - where the ones who had ‘schizophrenia’ written down in the file that followed them to lock up.
and yet, even then, normalcy aside, reid still couldn’t help the feeling this place carried. it was wrong. so, so wrong, as though something within its structure had shifted position, not moving actively, but past moved. so there he stands, not calling for backup on the walkie that he had silenced upon entering the curtain of pine. there, he observes, stews, sinks his feet into the dampened land beneath him.
—------------------
from the timberline, you watch him. some would call this stalking, but that would constitute a pattern of repeated, unwanted, and obsessive attention, while this was simply a one-off occasion of… noticing.
you noticed that he was here alone. he was not supposed to be, which was data to be added to your set as far as you were concerned.
every other investigator that came into forks relied on reinforcements for safety, for verification. fact: observation is stabilized through census. this is where the philosophical debate of the tree falling in the forest arises. if the agent were to find something groundbreaking in this moment, if the stage in front of him were to reset itself and spell out a lead, would anything come of it?
he, whoever he was, had removed that variable. interesting, you thought. very interesting.
you noticed that he steps into the space with a deliberate precision, each movement considered and each placement overly intentional.
you notice his idiosyncrasies in the fact that he does not retreat, but repositions when he, eventually, comes up empty of evidence.
objectively, there is no benefit in escalation. you’d get your name in a file you were sure was already pages long. this one would leave, eventually, as they always do. the death of your neighbor would be chalked up to a mountain lion, a bear, or, if this team was feeling nuanced, a more unique species of local fauna, with a disease that causes it to feed on human flesh, but surely, given the time since the attack, would have taken the poor beasts life by now. a pamphlet on animal-spread illness would be distributed to concerned residents, and secondary-school teachers would warn their students to stay away from the forests at recess for some time. life would come as it does. vita procedit, vita manet.
but as you continue to notice him, still standing there, still scrapping for resolve in something that refuses resolution, you briefly experience something closer to interest, which, you decide, is significantly more dangerous than any creature that may lurk beyond mapped lines.
—------------------
reid leaves after dark, the turquoise tint to the town now twisting into a myrtle, midnight shade. the conditions have changed as night introduces erratics he cannot yet account for.
he walks back toward the winding road, his mind still working through the same undetermined sequence; all consistent, all inadequate:
case file.
scene.
witness.
he cannot prove the something he feels is here. he cannot prove its presence, not abstractly or metaphorically, or in some roundabout derivation from an equation used by mathematicians decades past. not yet.
but he will, because patterns - no matter how resistant - are eventually bound to break. he questions now, so terribly long gone in his lone exploration, what will no doubt emerge when they do.
unhuman unsub
on the classification of anomalous events
(supplementary materials: case file, prologue)
chapter one here
FEDERAL BUREAU OF INVESTIGATION
BEHAVIORAL ANALYSIS UNIT
Quantico, VA
CASE FILE: 06-43-WA
CLASSIFICATION: Pending Review
STATUS: Active
LOCATION: Forks, Washington
JURISDICTION: Local law enforcement, Olympic Peninsula
REQUESTING AGENCY: Forks Police Department
SUMMARY:
Between [REDACTED] and [REDACTED], three bodies were recovered within a twelve-mile radius of Forks, Washington. Each subject was reported missing approximately 24-72 hours prior to discovery. Recovery sites were located off established trails, with no evidence of witness presence or civilian interference.
Preliminary cause of death has been listed in all cases as exsanguination, with contributing factors consistent with large animal attack.
No definitive animal markers have been identified.
Language remains consistent across all reports.
VICTIMOLOGY:
No shared occupation
No consistent routine overlap
No confirmed interpersonal connection
No geographic clustering beyond recovery radius
Pattern formation: inconclusive
BEHAVIORAL NOTES:
Initial assessment suggests an absence of conventional escalation markers.
No evidence of predation behavior consistent with known regional fauna.
No clear offender signature.
Observed conditions do not align with established typologies.
Further classification pending.
ENVIRONMENTAL FACTORS:
Dense forest coverage; limited visibility
Low population density
Minimal external traffic
High annual rainfall
Terrain may contribute to evidence degradation.
Terrain does not account for uniformity of wound presentation.
ASSIGNED UNIT:
Supervisory Special Agent Aaron Hotchner
Special Agent David Rossi
Special Agent Derek Morgan
Special Agent Emily Prentiss
Special Agent Jennifer Jareu
Special Agent Dr. Spencer Reid
Technical Analyst Penelope Garcia
SUPPLEMENTAL NOTE:
Dr. Reid has expressed concern regarding the reliability of initial classifications.
No formal objection has been filed.
ADDENDUM A:
All cases remain categorized as animal attacks pending further review.
No public advisory issued beyond standard wildlife precautions.
ADDENDUM B:
Local reports indicate no significant deviation in community behavior.
Residents describe the area as “unchanged.”
ADDENDUM C:
Further review recommended.
END FILE
infinite loop
So I watched Sinners (for the third time), and this time around it really struck me how integral Delta Slim is to Sammy's musical journey. When Sammy first met him, he was awestruck that it's THE Delta Slim. In the 'Lied To Me' sequence, we get a quiet moment of Slim explaining to Sammy that Blues is music that they brought with them, and it's not imposed on them like Christianity. It's Slim who tells Sammy to introduce himself before he plays. It's Slim who stands up to Remmick to say that he can't have Sammy when Remmick tells them that Sammy is the one he wants. In the final fight, when Delta Slim sacrifices himself to help Sammy escape, Slim is the one that makes sure he takes his guitar and hands it to him. And when Sammy confronts his father at the end, it cuts to Pearline when he says his heart, but cuts to Slim for Sammy's voice. Delta Slim's drunkeness is used for comedic timing, but the impact he has on Sammy and his love for the Blues is momentous.
I love how "Sinners" didn't villify the sinners in the movie. Sammie's father told him that playing music for "drunkards and philanderers who abandon their family responbilities to sweat all over each other" was a sin. And he was right about the kind of people going to the juke joint: Delta Slim is an alcoholic, and Pearline a cheater. It would have been easy to villify them, but the movie tells us that despite their flaws, they are humans worthy of love, respect and freedom.
Delta Slim drinks because he's traumatized by the horrors Black people of his time face. And he's kind and compassionate, encouraging and reassuring Sammie, and sacrificing himself to save everyone else.
Pearline literally saved Sammie's life and sacrificed herself to protect him, a boy she had only known for a day. It shows her kindness because she could have easily stayed back when Remmick tried to bite Sammy and not endangered her life more than necessary.
The movie shows us that preachers blindly condemning those sinners are wrong: Sammie is only alive because drunkards, philanderers and gangsters (Smoke) gave their lives to protect him. They are people, with flaws and qualities.
I love how nuanced the movie is: Sammie's father is not wrong about the kind of people Sammie wants to associate with and their potential bad influence, but he's wrong about them being evil and not deserving of respect.

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GET OUT (2017) dir. Jordan Peele SINNERS (2025) dir. Ryan Coogler
You keep dancing with the devil… one day he's gonna follow you home. SINNERS (2025) dir. Ryan Coogler
Ryan and Michael
Miles Caton as Sammie Moore 🎥: Eli Joshua
ex-husband!nanami putting you in full nelson !
you dropped your daughter off at kento’s apartment like every other friday, the four year old already bouncing in his arms the second he opened the door, chubby hands reaching for his tie while she babbled about her day at preschool.
he was still in his work shirt, sleeves rolled up neat, blonde hair a little messy from the long hours but his smile was soft and real when he looked at her, the same calm steady patience he always had.
things between you two hadn’t worked out, the fights got too loud and the silences too heavy after she was born, but kento never missed a single pickup, never skipped a bedtime story, never forgot the tiny sailor moon backpack she loved. he was the best dad, always had been, and watching him swing her around gently while promising ice cream tomorrow made your chest ache in that familiar way you tried to ignore.
tonight though the handoff stretched longer than usual. she fell asleep on his couch mid-story when you arrived to pick her up and he offered you tea like always, voice low and polite, but the air felt thicker, eyes lingering on your mouth when you sipped from the mug. one thing led to another, quiet words turning into his hand on your waist, then your back against the kitchen counter, then somehow both of you stumbling into his bedroom still half dressed.
now he had you folded up so perfectly in full nelson, strong arms hooked under your knees and locked tight behind your neck, pinning u helpless against his chest while he thrust up from behind. you back arched hard over his torso, legs spread wide and useless in the air, pussy completely exposed and stretched around every thick inch of his cock as he pounded deep into you. the position kept you folded in half like a pretty little pretzel, spine curved, ass lifted off the bed just enough for him to slam home over and over, heavy balls slapping wet against your skin with every brutal snap of his hips.
“fuck… still so tight for me,” he groaned right against your ear, voice all gravelly and already wrecked. your pussy took him so greedily, puffy lips creaming thick white rings around the base of his cock every time he bottomed out, messy slick dripping down his balls and soaking the sheets underneath. each thrust made wet squelching sounds echo loud in the quiet room, your walls fluttering and clenching like they never wanted to let him go, gushing fresh cream every time his fat tip bullied against your cervix.
you could barely breathe, arms trapped useless at your sides, body bouncing helpless in his iron grip while he fucked you senseless, hips pistoning up fast and mean. “ken… ahhhn… s’too deep—hah…” your voice came out all broken and babbling, tears slipping down your cheeks from the overwhelming stretch, pussy creaming even harder around him till it frothed white and bubbly at the fat base.
he didn’t slow, just growled low and fucked up harder into your poor cunt, using his strength to bounce you on his cock like u weighed nothing, the slap of skin so filthy and loud.
“come back to me, love” he panted hot against ur neck, teeth grazing your skin while he ground deep and stayed there for a second, letting u feel every throbbing inch. “miss this pussy… miss my wife… come home, baby, let me take care of both of you again.” his cock twitched hard inside you at the words, dragging another gush of cream from your fluttering walls as he started pounding even meaner, hips snapping up relentless.
your head spun, vision blurry from how full you felt, pussy clenching around him like vice, slick running down your ass and soaking his balls.
“nnghh… kento—ahhn… can’t… too much… hahh…” you whined incoherently, body shaking in his hold, legs trembling uselessly in the air while he railed you stupid, the position keeping you pinned perfectly for every deep stroke.
he just kept going, voice dropping lower and even filthier. “look at how you’re creaming all over me… still mine, yeah? this pussy knows who it belongs to.” another brutal thrust, another wet squelch of your cunt, your walls spasming wild around his thickness till u were sobbing soft little sounds, cumming hard and gushing around him while he fucked you right through it.
after, when you were both panting and sticky, still tangled on the sheets, yoi finally caught your breath enough to mumble against his chest, “this… doesn’t mean anything yet… just.. give me time to... think about this.” your voice was all soft and breathy, pussy still twitching around his softening cock.
kento just huffed a quiet laugh, his big hand stroking down your back slow and gentle like he used to, lips burshing your sweaty temple. “still saying that after i just fucked you senseless? we might’ve made a sibling for our daughter tonight, sweetheart… but sure, take all the time you need.” he pressed one last soft kiss to your hair, arms tightening around you like he had no plans of letting go anytime soon.
“i’ll wait. i’m not going anywhere.”
note. not proofread so sorry for the typos ^_^
🏷️ : @oyasumiaikko @vesserz

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Miles Caton performs "Little Light of Mine" with his cousin, CJ Cooper & The DC 6 Singers Collective at the 2026 #ActorsAwards
Michael B. Jordan & Miles Caton at the 57th NAACP Image Awards ❤️