The Grand Dock at Le Havre, 1872, Claude Monet
Medium: oil,canvas
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@what-about-impressionism
The Grand Dock at Le Havre, 1872, Claude Monet
Medium: oil,canvas

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The Painter’s Young Wife, Île d'Orléans, 1919, Clarence Gagnon
https://www.wikiart.org/en/clarence-gagnon/the-painter-s-young-wife-le-d-orl-ans-1919
Los puntos de Signac - Seurat
“El neoimpresionista no trabaja con puntos, divide.”, nos comunica Signac en su obra “De Delacroix al neoimpresionismo”, publicado en 1898.
Paul Signac, junto con George Seurat, nos proyectan un nuevo mundo: un juego en el cual participan los matices, tonos y pinceladas ordenadas. Su meta es un arte objetivo; un arte en el cual se aprecia el movimiento y armonía con figuras estáticas; un grado optimo del color.
Su manera de pintar se aleja de la técnica impresionista, evitando la mezcla de colores en la paleta, aproximándose a la yuxtaposición para que la mezcla se vuelva óptica. “Así el color adquiere mas energía y frescura”.
La Parade (detalle) - George Seurat
En fin, estos “neoimpresionistas” fueron influidos por su Maestro Delacroix y sus predecesores impresionistas, todos con un mismo fin: el de conseguir la mayor luminosidad posible de un matiz.
Verdaderamente, el medio de realización de la obra pictórica es de mucho valor; no se trata de hacer puntos por doquier, sino de que las pinceladas estén divididas acorde al formato.
Su servidora se encuentra enamorada de Monet y Mary Cassat, pero me encuentro fascinada por personajes como Seurat y Signac que trataron de llevar el control de la luz a otro nivel, inspirados por el magnífico Delacroix.
Bañistas de Asnieres - George Seurat
El palacio papal de Avignon - Paul Signac
Las Islas de Oro - Henri Edmond Cross
Les Andelys la Berger - Paul Signac
La boya roja - Paul Signac
La vela verde en Venecia - Paul Signac
La Parade - George Seurat
Tarde de domingo en la isla de la Grande Jatte - George Seurat
A Sunday on La Grande Jatte, c. 1884. Georges Seurat (French, Paris 1859–1891 Paris)
Behind a TED-Ed Lesson: Animation + Inspiration
To celebrate George Seurat’s birthday today, we thought we’d do a deep dive behind the scenes of one of our animated lessons, How do schools of fish swim in harmony?, which is about the concept of ‘emergence’ and whose animated style just so happens to have been largely influenced by the paintings of George Seurat and his contemporaries.
Emergence refers to the spontaneous creation of sophisticated behaviors and functions from large groups of simple elements, and can be used to explain the movements of ants, fish, and birds, as well as how the tiny cells in your brain give rise to the complex thoughts, memories, and consciousness that are you.
A Sunday Afternoon on the Island of La Grande Jatte, George Seurat (1884–86)
It’s kind of like a pointillist painting. When you zoom in real close, it’s just a collection of chaotic brush strokes. But take a few steps back, and you’ll see that all of those brush strokes are working together to illustrate a complex and detailed scene.
Pointillism stems from Impressionism, and depending on the artist’s technique, the size of the brush strokes vary, but are always visible. For example, Vincent van Gogh’s The Starry Night uses larger brush strokes in the night sky. Both the above and below concept designs show the animator of this lesson testing out how different brushstrokes interact to create depth within a scene. She decided that the swirling waters would make sense as large brushstrokes, which also offered contrast to allow the small fish to stand out.
George Seurat also employed a technique called ‘divisionism’, sometimes known as ‘chromoluminarism’, in which colors were separated into individual dots or patches which interacted optically. So, rather than relying on mixing colors, painters like Seurat and Paul Signac juxtaposed contrasting colors to allow for optical mixing - which in theory would produce more vibrant and pure colors than the traditional process of mixing pigments.
Circus Sideshow (Parade de Cirque), George Seurat (1887–88)
While designing this TED-Ed lesson, George Seurat and Paul Signac’s paintings provided inspiration not just for the brushstroke technique, but also for the color palette.
This GIF of the brain and it’s neural connections draws many of its colors from Seurat’s circus series palette, while the brighter colors - such as the ones used in the title GIF above - are drawn from the more vibrant colors commonly used by Paul Signac, like in the painting below.
Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles, Paul Signac (1905-06)
Animating this lesson was an opportunity to renew a sense of wonder in our ever complex universe, whether studying it up close or from afar. We hope that watching it might do the same for you!
From the TED-Ed Lesson How do schools of fish swim in harmony? - Nathan S. Jacobs
Animation by TED-Ed // Lisa LaBracio

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Capo di Noli, 1898, Paul Signac
Medium: oil,canvas
The Railway at Bois Colombes, 1886, Paul Signac
Medium: oil,canvas
Comblat and the valley of the Cere, 1887, Paul Signac
Overlooking the Valley of the Gouffre, Charlevoix, 1915, Clarence Gagnon
La Salute from the Ponte della Paglia, Venice, 1905, Clarence Gagnon

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Evening in the North Shore.
1924; clarence gagnon.
óleo en lienzo de dimensiones 77x81.6cm.
Summer day, Les Andelys, Normandy.
1910; clarence gagnon.
óleo en lienzo de dimensiones 50.8x76.2cm.
jarrón de girasoles.
1881, claude monet.
óleo en lienzo de dimensiones 101x85.5cm.