hello! welcome to the fun house. you'll find plenty of wesker and zeno content to simp for here. i will typically keep all of my fics gender neutral unless otherwise specified to keep things inclusive <3 i do not have any resident evil ships but i may rb content if the wesker and/or zeno aspect makes me feral enough
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The Hand That Guides You Home (Albert Wesker x gn!Reader) - Lover Leader Liar
3800 words, non-chronological, s.t.a.r.s. wesker, yearning, hand holding, grief, death, no proofreading we die like dr. dipshit, part of the lover leader liar series | Fic Directory
Something unfamiliar...
Heâs never seen anything like this before.
Death comes with the job. Hell, itâs come with his life entirely. S.T.A.R.S. was no exception and there would always be horrors in every facet. But heâs never seen it with you thrown into the mix.
The elderly man before himâLawrence Wallace is his nameâhad vanished weeks ago. Dementia and suchâthe usual. S.T.A.R.S. had received a tip after a civilian spotted a man roaming around a town nearly an hour away that just so happened to match what one would expect from a runaway senior. A search party was sent out and now before him plays a far different scene than expected.
Mister Wallace had managed to establish a home in the lower levels of an old steel factory. The two of you found him first.
The sound of terminal secretions was a newer experience for Wesker. After all, heâs never exactly seen a life end in the more⌠natural way.
âOh.â Came your weak acknowledgment of the situation.
He radios for an ambulance.
You take a seat beside the manâs makeshift bed, taking his limp hand in yours. âHi, Mister Larry.â
Wesker observes. The time between breaths is relatively far, each one amplified by the infamous death rattle. He comes closer and places his fingers over the manâs pulse point. It wonât be long at all. He looks to you as if to convey this, but itâs as if he doesnât exist right now.
âThereâs lots of people excited to see you when you head home today, yeah?â You reach your free hand to the manâs forehead, smoothing over pallid skin to the oily mess of his sparse hair. For a moment, you part from him and remove your S.T.A.R.S. branded windbreaker, resting it over Lawrenceâs chest, taking his hand once more. âShould be a little less cold for you now, hm?â
But that isnât the case at all. Lawrence would not feel this. At this stage, a person is in a deep state of unconsciousness. Lawrence would not know if heâs cold, nor would he necessarily know if someone is at his side. The ambulance wonât arrive in time before he is little more than a corpse. Not that there is anything to be done. He more or less already is one.
It doesnât faze Wesker.
But you do.
How many times have you done this?
âItâs gonna be a nice trip, you know? Heading home.â
You hold his hand like youâre meant to guide him there. Â
âNice and easy. Like falling asleep. Think youâre already asleep, but thatâs okay.â
You speak like thereâs a point to it all. Heâs not blind to the way your fingers press to Lawrenceâs wrist. The pulse beneath was already extremely weak when he checked at the neck. It must be near nothing now.
âIâm proud of you, Mister Wallace.â
When it finally happens, you simply smile and bring Lawrenceâs hand up, pressing a single kiss to his knuckles before gently releasing your hold. A tear rolls down your cheek. Youâre crying for a stranger. For an old man whose hand you held as his life expired. And youâre doing it with a smile on your face.
A deep discomfort grows deep in Weskerâs chestâŚÂ He cannot name it, nor does he want to, so he focuses instead on updating the situation over the radio.
Despite it all, you look⌠different. Strange.
Terribly, beautifully strange with a sorrowful glow the likes of which heâs never experienced. Like youâve seen something otherworldlyâno, like you were part of something otherworldly. You personally ferried a stranger across the river as if it were second nature.
He does not like how it makes him feel, knowing youâve done this before.
You both watch the body retrieval. He walks out with you, a hand between your shoulders as you make your way through the ruined factory. The only noise to be heard is the crunch of debris and shattered glass underfoot.Â
Wesker doesnât know why he keeps a hand on you. You arenât unsteady. You arenât in hysterics nor are you incapable of standing on your own two feet. Even once youâve both stepped foot outside to the commotion of emergency lights and protocol, he does not separate from you. Not until youâre gazing up at him from the passenger seat after heâs leaned across and clicked your seatbelt into place, offering you his own jacket.
Youâd left yours with Lawrence.
He takes his seat beside you, slipping the key into the ignition of the patrol car. He should bring you back to the station so you both can begin the proper paperwork, but a glance over to where youâre bathed in the golden light of the setting sun dissolves the thought immediately. Why should he make you? Why should protocol take priority right now?
Can he really look at you with your head resting against the window, eyes distant, mind elsewhere, drowning in something heâll never understand, and say that you must put yourself aside for the sake of reports? Heâs never been one to abandon his dutiesâŚ
He knows his answer once he shifts gears and begins to coast from the scene.
He knows it when he looks over and sees you havenât quite moved.
It doesnât take terribly long for you to return to yourself, or perhaps an echo of it. He lets you fiddle with the radio without care or criticism for what you choose. Duran Duranâs âOrdinary Worldâ was not what he would have gone with himself, but he finds appreciation in its alignment with recent events and potential soothing properties.
Curious. Do you find expression through music or is it just noise to distract? He should ask you, but perhaps another day is best. He takes note of what songs you skip, deducing your preferences with ease and mentally comparing them to his own.
Over the course of the hour, you exchange only small talk with him and hums of amusement here and there. Sometimes you hold his windbreaker close, the shuffling of it audible over the songs that fill the gaps, each crinkle causing a strange twinge in his chest that heâs come to associate with the oddity of your existence.
âHey, waitââ
âWeâre not going back tonight,â he says matter-of-factly as he drives past the station. âI will pick you up tomorrow. You wonât have to worry about transportation.â
âBut thereâs reports, andâŚâ
âNothing that cannot be handled tomorrow.â
âButâŚâ You look at him as if heâs grown a second head. Â
He wonders what you must be thinking. Even Wesker knows he has a reputation for being uniquely strict about procedure. Â
âI am⌠making an exception.â He murmurs. It is all he has left to say on the matter as he navigates to the outer edge of the city where your apartment complex is located. He can tell you want to ask how he knows where you live, and he probably should have thought ahead and asked for your address outright to mask that he already has this information. âI make it a point to know of important locations,â he says when the question finally emerges. âI apologize if Iâve overstepped a boundary.â
âHm, important huh?â
âYes.â He pulls into the parking space marked with your apartment number and exits the car to make his way to your side, offering you a hand. He is pleased when you accept it. âMay I walk you to your door?â
He should probably let go. For once, he wishes heâd gone without his gloves. Still, the feeling of your skin against his fingers is pleasant. Heâd like to feel it in his palm as well. StrangeâŚ
âY-Yeah,â you nod in the direction of your apartment. âCâmon.â You lead him there, your hold never faltering even as you arrive at your doorstep. Â
There is an anticipation brewing with every step closer. Something suppressed. Thoughts heâs shooed away many times. Some are innocent. Others are⌠not. None of them are permitted beyond the confines of his skull. Your key goes in the lock, hand still in his, and he holds his breath as if doing so could freeze time.
Perhaps in another lifeâŚ
âDâyou want to come in for a bit?â Â
The question stuns him for a moment, his eyebrows raising above the ridge of his sunglasses. Does he want to enter your home?
âYou donât have to, I justââ You nod your head softly from side to side. âLong drive, long dayâŚâ
âIâŚâ He falters. It isnât often that he comes up short for words. He wants to. God, he wants to, but he shouldnât. He shouâ âYes.â Not have said thatâŚ
But you smile so brightly when he agrees.
You flick the lights on, hand still in his, and lead him to the living room. Everything in here speaks to some aspect of your person whether it be the lighting, the color choices, or even just the throw blanket tossed over the back of the couchâŚÂ He takes in every detail even as your hold on his hand finally leaves, settling on something in particular as you head elsewhere. Â
âWant anything to eat or drink?â You call from the kitchen. âNot to brag, but Iâm really good at heating up frozen pizzas.â
He steps carefully toward it. âSure,â he answers absently, barely registering what youâd even asked. Before him atop a table stand is a box urn with an engraved plaque. Beneath the name reads âBeloved Grandfather.â Next to it is a photo of you and an old man in a wheelchair. Wesker lifts it for closer inspection, removing his sunglasses with his other hand and hooking them into the dip of his collar. The man is visibly frail, one arm curled close to his chest. His smile matches your own. Big and brightâŚ
The photo is recent if your appearance in it is anything to go by. The date on the urn confirms that the man had passed just before youâd joined S.T.A.R.S..
âThatâs Papa.â
He didnât hear you return to the room.
âApologies.â He says, immediately placing the picture frame back in its original spot.Â
âNo, itâs okay.â You set two cups on the coffee table and come closer, reaching for the box urn to gently swipe your fingers over the top a few times. âSorry. You kinda just reminded me to dust him.â
At that, Wesker hums. âYou were close, I take it?â These are the questions people ask in these moments, right?
âVery.â
He swallows thickly. âMy condolences.â He glances at you, finding you once again stricken with that strange glow. Something he could bask in just as easily as he could suffocate in it.
âItâs okay,â you turn and head toward the couch. âI have the oven pre-heating, by the way. Do you want to stay to eat?â
âYou were serious about frozen pizza?â
The smile you give him flicks at that odd sensation in his chest again. Like a frayed thread being pulled tighter. That thing he shouldnât acknowledge.
âIâm always serious about frozen pizza.â
And serious you were. Not quite half an hour later, youâre both on the couch with plates of not-so-terrible pepperoni pizza. Heâd wanted to object to eating anywhere other than a proper table, but he decided to let one more rule be broken for the night despite all of the etiquette teachings of his youth screaming in protest. In the background, the TV plays some nonsense that has managed to pull a chuckle or two from him while you both exchange banter not unlike the comforting kind that has been shared over countless lunches.
And then the subject of Lawrence comes up again. Normal. Inquiries about when he needs your report submitted and such. But he takes it furtherâperhaps too farâwith a single question.
âYouâve done that before, havenât you?â The curiosity had been overwhelming, but he still didnât intend to pry so directly. Suppose youâve always had a way of making him more honest than he means to be. âSat with someone like that.â
You donât scold him, nor does your demeanor sour except for the near-inaudible crunch of pizza crust beneath the tightening pinch of your grip. âMmâyeah.â You nod, then gesture toward the stand where your grandfatherâs remains rest.
âWhatâs it⌠like?â He really doesnât know how the words came out before he could stop them.
At that, you raise a brow and he understands why. The question is absurd but your eyes soften, gaze falling to the plate resting on your lap, nodding absently. âWhy do you ask?â
There is no accusation in your question.
âBecause IâŚâ He looks up to think, to choose the words properly. âI donât understand it, I suppose.â
âHave you never lost anyone before?â
âItâs a curiosity of mine,â he shakes his head. Itâs better to say that than to somehow appear sorrowful that he did not, in fact, have anyone to lose at all. Itâs not a shameful admission, but perhaps it feels too⌠soft to discuss it. Inappropriate.
You keep a brow raised at him, not a single speck of pressure to be found in your gazeâanticipation, perhaps, that heâll continueâbut he caves anyway.
âI havenât lost anyone before.â Not even in the Executive Training School, where fellow students became test subjects, did the impact of death strike him.
Your head tilts. Of course it does. A man in his late thirties having never experienced the woe of loss? Such a thing would certainly breed curiosity.
âI donât,â he averts his gaze momentarily, steeling himself for a perfectly direct delivery, âhave any family.â Or friends, he wants to say. But perhaps you may find that hurtful. After all, heâs unsure of exactly what youâve labeled your relationship. âI was an orphan.â The words feel hollow on his tongue.
âOh.â You seem stunned and he hates that. He hates that you may look at him differently from here on. âIâm sorry.â Itâs precisely why he doesnât discuss such things.
He shakes his head and hums. âNo need.â The circumstances of his youth are not yours to apologize for. Â
âWell, uhâŚâ You begin, and you tell him all you can. How youâve seen so many people go and have known so many who are no longer among the living. That you were born to an older family and the consequence of that is knowing death like a familiar friend.  How the agony of it burns for monthsâyears, evenâand it doesnât end for a lifetime. That it sneaks up on you in the middle of a random day and suffocates you from the inside out. You tell him how the first person whose hand you held was your grandfatherâs and how, prior, youâd seen death but had never felt it. You speak of how you sat at his bedside for two days straight, wiping drool and applying chapstick to him because youâd thought heâd be uncomfortable were he awake to know that his lips were so dry. Holding his hand, watching the way his heart worked so hard that it pushed against his chest and made every beat visible.
You tell him how you cried the entire first day, holding Papaâs hand while telling him over and over again that you didnât know how you were going to get through it as if saying such a thing could undo what nature had demanded. How much you would miss him, how youâd miss his hugs and his silly little voice. How, despite the movement being involuntary, he would tense and squeeze your hand in return sometimes and his eyes would flutter open and roll forwardâthings that could only happen at all because machinery kept him alive. Reminders of what would never happen again.
You tell him that the last life you saw in Papa was the push of his heart one final time against his chest, and that your last words to him were how proud you were that he fought so hard for so long. You say that you felt him go. Something that, to Wesker, makes no sense.
Then you reminisce on all that the old man meant to you. And sure there was the occasional tear or two, but you mostly smiled. You reflected upon a life that gave joy to your own, that brought love and kindness into your world and shaped your very being into the person you are today. The very same person who seems to be doing much the same to Wesker these daysâone of those thoughts he intends to keep confined to his mind.
In the end, that strange glow makes sense.
âSorry,â you chuckle as you wipe your eyes. âDidnât mean to talk that long about it.â
âI would prefer you donât apologize for educating me.â Wesker says. âEspecially at my own request.â
A beat of comfortable silence settles, each of you opting to focus on your food. He takes note that you donât eat the crust of the pizza.
âYou were really an orphan?â You blurt.
He was certain you would ask.
âIndeed.â He knows youâll want more detail. âI was raised in a boysâ home. There isnât terribly much to tell.â
âWellâŚÂ I hope they took good care of you, at least.â
Heâs hit with the urge to tell you that they didnât. Instead, he nods.
âDid you have friends?â
He chuckles at that, letting himself dance back through the memories of what is no longer. Perhaps he should say yes. Birkinâs existence is the only thing keeping it from being a lie, but he isnât sure their relationship constitutes true friendship.
âHmmâŚâ you hum to yourself, eyes narrowed the way they do when you analyze things.
His lack of a legitimate answer seems to be enough of one for you to understand. Still, he thinks you would somehow know even if he did try to lie. Perhaps you know that his last answer was one as well. Whatever the case, it serves as yet another example of your strange ability to bypass his walls. Heâs lied to you, yesâheâs lied to everyone in S.T.A.R.S. every dayâbut itâs harder when itâs you. Hell, heâs sure if you went quiet for long enough that he may just blurt out something that he has no intention of saying at all.
He both loves and hates it. In a way, it makes you his greatest adversary to know that you may see through his deceit so easily. Heâs had a lifetime to practice a stoic demeanorâsomething that works on everyone else all the timeâbut you seem to have found some sort of tell he isnât aware of. Being known was always the danger of accepting your kindness, but then⌠heâs known.
He reaches for the fastener of the glove on his right hand, tugging at the velcro.
If heâs knownâŚ
He pulls at the finger openings, working them up over his digits.
If heâs known, and youâve shown over and over again that your understanding of him results in care, then that means something unfamiliar. Something he didnât know in the dormitory or the courtyard. Not even the classrooms.
He begins to pull the glove free.
Something he most certainly did not know in the laboratoriesâŚ
He bares his hand, turning it so that the light catches on his knuckles just right, revealing the faded pale of where disciplinary action had broken and shredded his skin many times.
You glance back and forth between the scarring and the ice of his eyes, your own hands rising to take his so that you may run your thumbs over the remnants of damage. Your brow furrows.
âThey were generous with physical punishment,â he tells you. Why heâs saying this or even showing you is beyond him. Perhaps youâd just gone quiet and pulled the truth free. Â
âIs this why you wear gloves all the time?â
What an endearing questionâŚ
âNo. I am⌠selective about who and what I touch.â
âOh.â Your grip begins to loosen. âSorry.â
Wesker curls his fingers tighter around yours to stop your departure. âThe gloves maintain a boundary.â He glances at the TV, watching the animation of yellow characters and their strange features go about their shenanigans, then back to you. âThis,â he nods to your joined touch, âis acceptable.â
Your eyes flicker to his for a second and your lips fight a smile, but itâs a fight you quickly lose as a gentle laugh forces a beaming grin to the surface. âAcceptable, huh?â Your amusement is noticeably tainted by a fascinating fondness. Something almost perfectly contagious that he wonât let show on himself.
Youâd fallen asleep not terribly long ago. Â
He carries you through the hall toward your bedroom door, angling just right to slip through the threshold without disturbing you. He couldnât leave you to sleep on the couch. You would be terribly sore when you woke from that position you were in. Â
Wesker lowers you slowly onto your unmade bed and it occurs to him that he really should explain to you sometime that it is a kindness to the self to make oneâs bed in the morning.
Youâre still in your uniform, but it would be improper to alter your state of dress even if it was done to preserve your comfort. He chooses the lightest blanket to cover you, then takes a moment to look around. Your desk is littered with scattered mail and documents, and a laptop sits askew atop the chaos. There is a laundry basket piled up with folded clothes that need to be put away. On your nightstand sits a bottle of pills that he reaches for carefully so as not to rattle them. Heâd seen this in your medical files, courtesy of his privileges at Umbrellaâthe same company whose logo is stamped at the corner of the labelâthough holding the bottle of antidepressants is more impactful than reading the name on a screen.Â
Each corner of your bedroom appears as organized chaos. The mark of a workaholic, which he can only confidently conclude due to the fact he writes your schedule and knows you stay past your time nearly every day. A workaholic. A gentle soul. Forthright in your kindnessâŚ
His fingers squeeze tighter around the pill bottle, eyes locked on the rise and fall of your chest as if they could see through to that beating, living thing within thatâs led him to stand in this very spot.
He thinks in systems. Structure, organization, categorizationâŚÂ Everything has a place and purpose. If it doesnât, then it should be discarded.
So why then does he feel so at home in your chaos?
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The Hand That Guides You Home (Albert Wesker x gn!Reader) - Lover Leader Liar
3800 words, non-chronological, s.t.a.r.s. wesker, yearning, hand holding, grief, death, no proofreading we die like dr. dipshit, part of the lover leader liar series | Fic Directory
Something unfamiliar...
Heâs never seen anything like this before.
Death comes with the job. Hell, itâs come with his life entirely. S.T.A.R.S. was no exception and there would always be horrors in every facet. But heâs never seen it with you thrown into the mix.
The elderly man before himâLawrence Wallace is his nameâhad vanished weeks ago. Dementia and suchâthe usual. S.T.A.R.S. had received a tip after a civilian spotted a man roaming around a town nearly an hour away that just so happened to match what one would expect from a runaway senior. A search party was sent out and now before him plays a far different scene than expected.
Mister Wallace had managed to establish a home in the lower levels of an old steel factory. The two of you found him first.
The sound of terminal secretions was a newer experience for Wesker. After all, heâs never exactly seen a life end in the more⌠natural way.
âOh.â Came your weak acknowledgment of the situation.
He radios for an ambulance.
You take a seat beside the manâs makeshift bed, taking his limp hand in yours. âHi, Mister Larry.â
Wesker observes. The time between breaths is relatively far, each one amplified by the infamous death rattle. He comes closer and places his fingers over the manâs pulse point. It wonât be long at all. He looks to you as if to convey this, but itâs as if he doesnât exist right now.
âThereâs lots of people excited to see you when you head home today, yeah?â You reach your free hand to the manâs forehead, smoothing over pallid skin to the oily mess of his sparse hair. For a moment, you part from him and remove your S.T.A.R.S. branded windbreaker, resting it over Lawrenceâs chest, taking his hand once more. âShould be a little less cold for you now, hm?â
But that isnât the case at all. Lawrence would not feel this. At this stage, a person is in a deep state of unconsciousness. Lawrence would not know if heâs cold, nor would he necessarily know if someone is at his side. The ambulance wonât arrive in time before he is little more than a corpse. Not that there is anything to be done. He more or less already is one.
It doesnât faze Wesker.
But you do.
How many times have you done this?
âItâs gonna be a nice trip, you know? Heading home.â
You hold his hand like youâre meant to guide him there. Â
âNice and easy. Like falling asleep. Think youâre already asleep, but thatâs okay.â
You speak like thereâs a point to it all. Heâs not blind to the way your fingers press to Lawrenceâs wrist. The pulse beneath was already extremely weak when he checked at the neck. It must be near nothing now.
âIâm proud of you, Mister Wallace.â
When it finally happens, you simply smile and bring Lawrenceâs hand up, pressing a single kiss to his knuckles before gently releasing your hold. A tear rolls down your cheek. Youâre crying for a stranger. For an old man whose hand you held as his life expired. And youâre doing it with a smile on your face.
A deep discomfort grows deep in Weskerâs chestâŚÂ He cannot name it, nor does he want to, so he focuses instead on updating the situation over the radio.
Despite it all, you look⌠different. Strange.
Terribly, beautifully strange with a sorrowful glow the likes of which heâs never experienced. Like youâve seen something otherworldlyâno, like you were part of something otherworldly. You personally ferried a stranger across the river as if it were second nature.
He does not like how it makes him feel, knowing youâve done this before.
You both watch the body retrieval. He walks out with you, a hand between your shoulders as you make your way through the ruined factory. The only noise to be heard is the crunch of debris and shattered glass underfoot.Â
Wesker doesnât know why he keeps a hand on you. You arenât unsteady. You arenât in hysterics nor are you incapable of standing on your own two feet. Even once youâve both stepped foot outside to the commotion of emergency lights and protocol, he does not separate from you. Not until youâre gazing up at him from the passenger seat after heâs leaned across and clicked your seatbelt into place, offering you his own jacket.
Youâd left yours with Lawrence.
He takes his seat beside you, slipping the key into the ignition of the patrol car. He should bring you back to the station so you both can begin the proper paperwork, but a glance over to where youâre bathed in the golden light of the setting sun dissolves the thought immediately. Why should he make you? Why should protocol take priority right now?
Can he really look at you with your head resting against the window, eyes distant, mind elsewhere, drowning in something heâll never understand, and say that you must put yourself aside for the sake of reports? Heâs never been one to abandon his dutiesâŚ
He knows his answer once he shifts gears and begins to coast from the scene.
He knows it when he looks over and sees you havenât quite moved.
It doesnât take terribly long for you to return to yourself, or perhaps an echo of it. He lets you fiddle with the radio without care or criticism for what you choose. Duran Duranâs âOrdinary Worldâ was not what he would have gone with himself, but he finds appreciation in its alignment with recent events and potential soothing properties.
Curious. Do you find expression through music or is it just noise to distract? He should ask you, but perhaps another day is best. He takes note of what songs you skip, deducing your preferences with ease and mentally comparing them to his own.
Over the course of the hour, you exchange only small talk with him and hums of amusement here and there. Sometimes you hold his windbreaker close, the shuffling of it audible over the songs that fill the gaps, each crinkle causing a strange twinge in his chest that heâs come to associate with the oddity of your existence.
âHey, waitââ
âWeâre not going back tonight,â he says matter-of-factly as he drives past the station. âI will pick you up tomorrow. You wonât have to worry about transportation.â
âBut thereâs reports, andâŚâ
âNothing that cannot be handled tomorrow.â
âButâŚâ You look at him as if heâs grown a second head. Â
He wonders what you must be thinking. Even Wesker knows he has a reputation for being uniquely strict about procedure. Â
âI am⌠making an exception.â He murmurs. It is all he has left to say on the matter as he navigates to the outer edge of the city where your apartment complex is located. He can tell you want to ask how he knows where you live, and he probably should have thought ahead and asked for your address outright to mask that he already has this information. âI make it a point to know of important locations,â he says when the question finally emerges. âI apologize if Iâve overstepped a boundary.â
âHm, important huh?â
âYes.â He pulls into the parking space marked with your apartment number and exits the car to make his way to your side, offering you a hand. He is pleased when you accept it. âMay I walk you to your door?â
He should probably let go. For once, he wishes heâd gone without his gloves. Still, the feeling of your skin against his fingers is pleasant. Heâd like to feel it in his palm as well. StrangeâŚ
âY-Yeah,â you nod in the direction of your apartment. âCâmon.â You lead him there, your hold never faltering even as you arrive at your doorstep. Â
There is an anticipation brewing with every step closer. Something suppressed. Thoughts heâs shooed away many times. Some are innocent. Others are⌠not. None of them are permitted beyond the confines of his skull. Your key goes in the lock, hand still in his, and he holds his breath as if doing so could freeze time.
Perhaps in another lifeâŚ
âDâyou want to come in for a bit?â Â
The question stuns him for a moment, his eyebrows raising above the ridge of his sunglasses. Does he want to enter your home?
âYou donât have to, I justââ You nod your head softly from side to side. âLong drive, long dayâŚâ
âIâŚâ He falters. It isnât often that he comes up short for words. He wants to. God, he wants to, but he shouldnât. He shouâ âYes.â Not have said thatâŚ
But you smile so brightly when he agrees.
You flick the lights on, hand still in his, and lead him to the living room. Everything in here speaks to some aspect of your person whether it be the lighting, the color choices, or even just the throw blanket tossed over the back of the couchâŚÂ He takes in every detail even as your hold on his hand finally leaves, settling on something in particular as you head elsewhere. Â
âWant anything to eat or drink?â You call from the kitchen. âNot to brag, but Iâm really good at heating up frozen pizzas.â
He steps carefully toward it. âSure,â he answers absently, barely registering what youâd even asked. Before him atop a table stand is a box urn with an engraved plaque. Beneath the name reads âBeloved Grandfather.â Next to it is a photo of you and an old man in a wheelchair. Wesker lifts it for closer inspection, removing his sunglasses with his other hand and hooking them into the dip of his collar. The man is visibly frail, one arm curled close to his chest. His smile matches your own. Big and brightâŚ
The photo is recent if your appearance in it is anything to go by. The date on the urn confirms that the man had passed just before youâd joined S.T.A.R.S..
âThatâs Papa.â
He didnât hear you return to the room.
âApologies.â He says, immediately placing the picture frame back in its original spot.Â
âNo, itâs okay.â You set two cups on the coffee table and come closer, reaching for the box urn to gently swipe your fingers over the top a few times. âSorry. You kinda just reminded me to dust him.â
At that, Wesker hums. âYou were close, I take it?â These are the questions people ask in these moments, right?
âVery.â
He swallows thickly. âMy condolences.â He glances at you, finding you once again stricken with that strange glow. Something he could bask in just as easily as he could suffocate in it.
âItâs okay,â you turn and head toward the couch. âI have the oven pre-heating, by the way. Do you want to stay to eat?â
âYou were serious about frozen pizza?â
The smile you give him flicks at that odd sensation in his chest again. Like a frayed thread being pulled tighter. That thing he shouldnât acknowledge.
âIâm always serious about frozen pizza.â
And serious you were. Not quite half an hour later, youâre both on the couch with plates of not-so-terrible pepperoni pizza. Heâd wanted to object to eating anywhere other than a proper table, but he decided to let one more rule be broken for the night despite all of the etiquette teachings of his youth screaming in protest. In the background, the TV plays some nonsense that has managed to pull a chuckle or two from him while you both exchange banter not unlike the comforting kind that has been shared over countless lunches.
And then the subject of Lawrence comes up again. Normal. Inquiries about when he needs your report submitted and such. But he takes it furtherâperhaps too farâwith a single question.
âYouâve done that before, havenât you?â The curiosity had been overwhelming, but he still didnât intend to pry so directly. Suppose youâve always had a way of making him more honest than he means to be. âSat with someone like that.â
You donât scold him, nor does your demeanor sour except for the near-inaudible crunch of pizza crust beneath the tightening pinch of your grip. âMmâyeah.â You nod, then gesture toward the stand where your grandfatherâs remains rest.
âWhatâs it⌠like?â He really doesnât know how the words came out before he could stop them.
At that, you raise a brow and he understands why. The question is absurd but your eyes soften, gaze falling to the plate resting on your lap, nodding absently. âWhy do you ask?â
There is no accusation in your question.
âBecause IâŚâ He looks up to think, to choose the words properly. âI donât understand it, I suppose.â
âHave you never lost anyone before?â
âItâs a curiosity of mine,â he shakes his head. Itâs better to say that than to somehow appear sorrowful that he did not, in fact, have anyone to lose at all. Itâs not a shameful admission, but perhaps it feels too⌠soft to discuss it. Inappropriate.
You keep a brow raised at him, not a single speck of pressure to be found in your gazeâanticipation, perhaps, that heâll continueâbut he caves anyway.
âI havenât lost anyone before.â Not even in the Executive Training School, where fellow students became test subjects, did the impact of death strike him.
Your head tilts. Of course it does. A man in his late thirties having never experienced the woe of loss? Such a thing would certainly breed curiosity.
âI donât,â he averts his gaze momentarily, steeling himself for a perfectly direct delivery, âhave any family.â Or friends, he wants to say. But perhaps you may find that hurtful. After all, heâs unsure of exactly what youâve labeled your relationship. âI was an orphan.â The words feel hollow on his tongue.
âOh.â You seem stunned and he hates that. He hates that you may look at him differently from here on. âIâm sorry.â Itâs precisely why he doesnât discuss such things.
He shakes his head and hums. âNo need.â The circumstances of his youth are not yours to apologize for. Â
âWell, uhâŚâ You begin, and you tell him all you can. How youâve seen so many people go and have known so many who are no longer among the living. That you were born to an older family and the consequence of that is knowing death like a familiar friend.  How the agony of it burns for monthsâyears, evenâand it doesnât end for a lifetime. That it sneaks up on you in the middle of a random day and suffocates you from the inside out. You tell him how the first person whose hand you held was your grandfatherâs and how, prior, youâd seen death but had never felt it. You speak of how you sat at his bedside for two days straight, wiping drool and applying chapstick to him because youâd thought heâd be uncomfortable were he awake to know that his lips were so dry. Holding his hand, watching the way his heart worked so hard that it pushed against his chest and made every beat visible.
You tell him how you cried the entire first day, holding Papaâs hand while telling him over and over again that you didnât know how you were going to get through it as if saying such a thing could undo what nature had demanded. How much you would miss him, how youâd miss his hugs and his silly little voice. How, despite the movement being involuntary, he would tense and squeeze your hand in return sometimes and his eyes would flutter open and roll forwardâthings that could only happen at all because machinery kept him alive. Reminders of what would never happen again.
You tell him that the last life you saw in Papa was the push of his heart one final time against his chest, and that your last words to him were how proud you were that he fought so hard for so long. You say that you felt him go. Something that, to Wesker, makes no sense.
Then you reminisce on all that the old man meant to you. And sure there was the occasional tear or two, but you mostly smiled. You reflected upon a life that gave joy to your own, that brought love and kindness into your world and shaped your very being into the person you are today. The very same person who seems to be doing much the same to Wesker these daysâone of those thoughts he intends to keep confined to his mind.
In the end, that strange glow makes sense.
âSorry,â you chuckle as you wipe your eyes. âDidnât mean to talk that long about it.â
âI would prefer you donât apologize for educating me.â Wesker says. âEspecially at my own request.â
A beat of comfortable silence settles, each of you opting to focus on your food. He takes note that you donât eat the crust of the pizza.
âYou were really an orphan?â You blurt.
He was certain you would ask.
âIndeed.â He knows youâll want more detail. âI was raised in a boysâ home. There isnât terribly much to tell.â
âWellâŚÂ I hope they took good care of you, at least.â
Heâs hit with the urge to tell you that they didnât. Instead, he nods.
âDid you have friends?â
He chuckles at that, letting himself dance back through the memories of what is no longer. Perhaps he should say yes. Birkinâs existence is the only thing keeping it from being a lie, but he isnât sure their relationship constitutes true friendship.
âHmmâŚâ you hum to yourself, eyes narrowed the way they do when you analyze things.
His lack of a legitimate answer seems to be enough of one for you to understand. Still, he thinks you would somehow know even if he did try to lie. Perhaps you know that his last answer was one as well. Whatever the case, it serves as yet another example of your strange ability to bypass his walls. Heâs lied to you, yesâheâs lied to everyone in S.T.A.R.S. every dayâbut itâs harder when itâs you. Hell, heâs sure if you went quiet for long enough that he may just blurt out something that he has no intention of saying at all.
He both loves and hates it. In a way, it makes you his greatest adversary to know that you may see through his deceit so easily. Heâs had a lifetime to practice a stoic demeanorâsomething that works on everyone else all the timeâbut you seem to have found some sort of tell he isnât aware of. Being known was always the danger of accepting your kindness, but then⌠heâs known.
He reaches for the fastener of the glove on his right hand, tugging at the velcro.
If heâs knownâŚ
He pulls at the finger openings, working them up over his digits.
If heâs known, and youâve shown over and over again that your understanding of him results in care, then that means something unfamiliar. Something he didnât know in the dormitory or the courtyard. Not even the classrooms.
He begins to pull the glove free.
Something he most certainly did not know in the laboratoriesâŚ
He bares his hand, turning it so that the light catches on his knuckles just right, revealing the faded pale of where disciplinary action had broken and shredded his skin many times.
You glance back and forth between the scarring and the ice of his eyes, your own hands rising to take his so that you may run your thumbs over the remnants of damage. Your brow furrows.
âThey were generous with physical punishment,â he tells you. Why heâs saying this or even showing you is beyond him. Perhaps youâd just gone quiet and pulled the truth free. Â
âIs this why you wear gloves all the time?â
What an endearing questionâŚ
âNo. I am⌠selective about who and what I touch.â
âOh.â Your grip begins to loosen. âSorry.â
Wesker curls his fingers tighter around yours to stop your departure. âThe gloves maintain a boundary.â He glances at the TV, watching the animation of yellow characters and their strange features go about their shenanigans, then back to you. âThis,â he nods to your joined touch, âis acceptable.â
Your eyes flicker to his for a second and your lips fight a smile, but itâs a fight you quickly lose as a gentle laugh forces a beaming grin to the surface. âAcceptable, huh?â Your amusement is noticeably tainted by a fascinating fondness. Something almost perfectly contagious that he wonât let show on himself.
Youâd fallen asleep not terribly long ago. Â
He carries you through the hall toward your bedroom door, angling just right to slip through the threshold without disturbing you. He couldnât leave you to sleep on the couch. You would be terribly sore when you woke from that position you were in. Â
Wesker lowers you slowly onto your unmade bed and it occurs to him that he really should explain to you sometime that it is a kindness to the self to make oneâs bed in the morning.
Youâre still in your uniform, but it would be improper to alter your state of dress even if it was done to preserve your comfort. He chooses the lightest blanket to cover you, then takes a moment to look around. Your desk is littered with scattered mail and documents, and a laptop sits askew atop the chaos. There is a laundry basket piled up with folded clothes that need to be put away. On your nightstand sits a bottle of pills that he reaches for carefully so as not to rattle them. Heâd seen this in your medical files, courtesy of his privileges at Umbrellaâthe same company whose logo is stamped at the corner of the labelâthough holding the bottle of antidepressants is more impactful than reading the name on a screen.Â
Each corner of your bedroom appears as organized chaos. The mark of a workaholic, which he can only confidently conclude due to the fact he writes your schedule and knows you stay past your time nearly every day. A workaholic. A gentle soul. Forthright in your kindnessâŚ
His fingers squeeze tighter around the pill bottle, eyes locked on the rise and fall of your chest as if they could see through to that beating, living thing within thatâs led him to stand in this very spot.
He thinks in systems. Structure, organization, categorizationâŚÂ Everything has a place and purpose. If it doesnât, then it should be discarded.
So why then does he feel so at home in your chaos?
x reader as a writing style is so beautiful because itâs a writing form that speaks back at you. everyone writes reader in different ways, and sometimes youâll see trends in how you write reader, how your written reader changes depending on where you are in life. and sometimes people might relate to your reader, or fall in love with them, or see them in a completely different light than you wrote them in. and even though that reader you wrote is now separate from you, now belongs to the actual reader, there is still so much joy in seeing those reactions.
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Still obsessed with the (U)MVC3 model for Wesker after ... 15 years...?! I used to be kinda EH at aspects of MVC3's cel-shading, but I really appreciate it now that games are even more obsessed with every-pore-visible realism and copy-paste scanning and realistic mocap. MVC3'S Wesker has the best aspects of RE5's middle-aged crinkly version, but sculpted by hand rather than scanned directly from a real person. So you get artist's choices like accentuating the cheekbones, nose bridge, and the TINY WAIST with LONG LEGS. That waist to thigh proportion got me gnawing at the air for a bite. đśđŚ´
Also something funny about Wesker and Deadpool being the main 4th wall breakers in the game, fucking with the camera-person.
Something really fascinating to me about the face sculpt being obviously older than previous versions, but you can still see the anime bishonen he used to be (Code Veronica version!) within the scowl and wrinkles. My favorite sort of character design.. the implication of time passing and time lost. Wesker wasted his bishie youth being a no good misanthropic backstabbing jabroni mark. He should have been at the german goth latex kink club with his nipples out in the bathroom stall with 5 other sets of legs in there.