Alisa U Zemlji Chuda
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ojovivo
cherry valley forever
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$LAYYYTER
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS
art blog(derogatory)
Misplaced Lens Cap
#extradirty
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Product Placement
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let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
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@wensdiary
tumblr tuesday: collage!
Behold! Another week, another Tuesday. Here are some things folk have made with their very own scissors. Yes, that’s right. Perhaps some pens, glue, even paints were involved. Let’s not jump to conclusions. Here, have some collages for your troubles.
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more and more and more
Preserved last remaining cherry blossom in this spring this morning.
The tree in front of my home from late winter to spring. It's the time to say goodbye, spring 2019.
🍃🍂
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As the food is broken down into small, simple parts, the mold absorbs them and grows.
Mold helps food and other materials rot, which is an icky but necessary thing. In a natural environment, rotting things return to the soil, providing nutrients for other living things. Mold is a natural recycler.
Growing mold on rice. Processing well.
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Preparing coating more rotten tomatoes on the attic. Keep floor out of mould.
04-04-2019
“If this is what this material does now, just treat it as a positive thing.“
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Ryan Foerster’s photographs are more about photography itself than they are focused on the subject in front of the lens. He conserves materials, finding new uses for the scraps left over from his projects. He conserves the relics of his community, picking up detritus as he moves around his adopted home of Brighton Beach, New York. He conserves energy, allowing the elements of nature and time to collaborate with him in his process.
Ryan Foerster embraces chance and the transformative effects of time, weather, and other organic processes in abstract photographs that range from ethereal to tempestuous. In works like Hurricane/ Julie Shower (2006-2012), Foerster places photosensitive paper outdoors, leaving the reactive tabula rasas to interact with sun, rain, dirt, leaves, and insects. The resulting compositions—sometimes built over several years—are richly hued and layered with spontaneous, alchemic gestures that resemble bonfires, celestial bodies, and starbursts.
The interesting experiment of the actual things with photosensitive paper.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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We speak to Korean born, NYC based photographer KangHee Kim about her new book Golden Hour, published through Same Paper.
An inspiration for layering images by KangHee Kim.
