Vielleicht kommst aber doch nochmal in eine Bildungseinrichtung zum Verifizieren…. Kann nicht schaden🤷🏻♀🙈
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Vielleicht kommst aber doch nochmal in eine Bildungseinrichtung zum Verifizieren…. Kann nicht schaden🤷🏻♀🙈

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Hello? Is anybody there?
Als Semmelrogge im Archiv war😃
Bekommt hier eigentlich noch wer ausschließlich Viagra-Werbung?

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Nach der Ausstellung ist vor der Ausstellung
30 March 2022
Some rare book room finds.
So...
was machen wir hier jetzt? Eigentlich wollte ich ja weniger Zeit mit social media verbringen. Verrückt, wie das Leben so spielt.
#fwa22 #eatmytimetumblr #reizüberflutungtumblr

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This petition protesting the tariff on works of art reads like a who’s who of the art world in late nineteenth century America.
Artists Childe Hassam, Thomas Moran, Albert Bierstadt, Asher Brown Durand, Louis Comfort Tiffany, Thomas Eakins, Jasper Francis Cropsey, Augustus Saint-Gaudens, William Merritt Chase, Frederic Edwin Church, Eastman Johnson, and Daniel Chester French, and architects Stanford White, Frank Furness, and James Renwick, Jr., are among hundreds of signatories on this 1886 petition which was referred to the House Ways and Means Committee.
These artists asked Congress to enact a law admitting works of art – paintings, sculptures, engravings, casts, models, antiques, and photographs – ;from foreign countries into the United States free of duty. They joined a growing movement protesting the 30% tariff on imported works of art enacted by Congress in 1883. While the petition argues that art is a means for education and civilization, some artists, like Childe Hassam, added their own arguments. Hassam handwrote on his petition “art is universal and needs no taxation,” but apparently he did not think much of Italian watercolors sold to tourists, as he added, “tax the rot that comes into the country in the way of Italian watercolors.” Ouch! As ever, art is in the eye of the beholder.
Petition of American Artists, 1886; Petitions and Memorials Referred to the Committee on the Ways and Means, 49th Congress; U.S. House of Representatives, Record Group 233.