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Next Big Thing - Annie Eve / Beatrice Eli / Solomon Grey
Itâs that time of the week again. Ready for your new music fix? Good, because weâre about to give it to you â with three hotter-than-hot artists ready for your listening pleasure. Jump on in to our Next Big Thing station to hear incredible tracks from these three, alongside all our recent picks from previous weeks.
Annie Eve
Searching for the hottest new name in the world of beautifully hushed acoustic numbers? Then look no further than Sony-signed Annie Eve. The 23 year old North Londoner is already picking up rave reviews from the Evening Standard, Guardian and Daily Mirror â all charmed by intense, atmospheric songs like current single Ropes. The female answer to Ben Howard? We reckon so.
Beatrice Eli
Straight out of Stockholm, Beatrice Eli is the latest Scandi star looking to follow in the footsteps of Icona Pop. Shooting for international success with a heady mix of 80s synths and sleek vocals, her new single Moment of Clarity slots in nicely next to the likes of Charli XCX and Marina & The Diamonds. Devilishly catchy, Beatrice Eli sums up everything we love about Swedish pop.
Solomon Grey
Itâs hard to pinpoint quite where Solomon Grey sits on the musical spectrum. From touches of Fleet Foxes-esque folk to rippling electronica, this enigmatic duo - comprised of Tom Kingston and Joe Wilson - make achingly beautiful soundscapes. Signed to impossibly cool label Black Butter and already picking up strong support from Zane Lowe and 6 Music, with the right attention these guys feel like they could suddenly explode into the spotlight with only a momentâs notice.
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Our friends over at F&F seem to have a fabulous habit of officially picking the best Dance tunes for their TV ads. Summer 2014 saw the use of one of the most sought after Dance tracks in recent years, FCLâs âItâs Youâ, and this Autumn, yes, theyâve done it again! What better way to complete their new Urban Retro look than with music from Tieks; the 90âs inspired, soul-charged beat maker, responsible for the killer Dance track âSing That Songâ featuring Celeste (we love a good feat.).
Ahead of the single release on 19th October, we caught up with the man behind the music and had a chat with Tieks about the ever-growing popularity of the Dance music movement.
 Tieks on why Dance music is so hot right nowâŚ
I think that itâs a reflection of the way the music industryâs moved from a record buying public to how people consume their music. People used to go to a shop and buy your record, now theyâre consuming it by going onto the internet or actually going to a gig or festival or club. You can't put on a festival everyday, you can't put on a gig every day but you can put on a club night every day, and so I think itâs a by-product of how the shift has happenedâŚWhen weâre on computers, I had this conversation with Duke (Dumont), itâs hard to emote art via a computer screen, so the more soul you have what ever that soul is, weâre always trying to search for the most soulful vocal possible and I think at the moment itâs reaching overâŚ
 Superstar DJ vs. Producer â Whatâs the difference?
The whole idea of producer has changed... I think Hip Hop and Dance music change what the producer is, where as pop music is fifty years old, itâs a new industry⌠It goes both ways. You have these guys who are DJâs who are now producers but then you have guys who are producers who are DJâs in their spare time, but then their job is more and more becoming a DJ. Weâve got guys like Calvin Harris, he wasnât a DJ when he started, he was a writer and a producer and now heâs a superstar DJ, but it goes the other way, youâve got guys like David Guetta who are more DJâs. I think the technology has allowed it as well, itâs simplified the process to a degree, itâs allowed more cross pollination of the change of rolls.
 How do your peers and contemporaries influence your music?
I think itâs actually counter-productive to look at what your peers are doing. As musicians weâre always taking something from somewhere, weâre taking something to try and make something new, to put a new twist on it, but I try and steer clear. Thereâs always going to be similar things because thereâs a sound of the moment, using the same tools, going to the same clubs; thereâs always going to be similar things. I tend to listen to the older productions/ older acts, guys like Todd Edwards and Iâm a massive fan of the âFrench touchâ so I still listen to all my Daft Punk albums. That was the stuff in the 90s that I was listening to, but then again I love Disclosure, I think theyâre incredible, itâs a very different sound to what I do. Duke Dumont is an amazing producer who Iâve worked with and heâs ones of the guys who does things that not a lot of people can do to be honest, and (Julio) Bashmore, those guys are sort of like a cut above.
 On how it feels having recently gained support from the likes of Annie Mac, Zane Lowe and DJ TargetâŚ
Its good, being in the music industry as an artist writer or producer is very tough, you have to keep up in order to make sure youâre still relevant, so to get support form certain people is definitely beneficial. I wouldnât say itâs something I long for or something Iâve tried to seek out, I just want people to like the music. I think the by-product of that is that hopefully the right people hear it and the people like your Annie Macâs play it; theyâre a good gateway to everyone else who are fans of them. It just means you can go to a bigger audience which is what we all want.
 And next up? Any future album plans?
I donât know, Iâm an albums guy, Iâm sort of that last generation I guess of kids that bought albums the early 2000s, the dark ages! In fact I did an album when I was 18, it was a House record and it was terrible. I just did it for myself, it was on mini-disc. At the moment I donât know if Iâm going to do an album, itâs about what the current climate dictates and I donât know if the current climate people need albums right now. If I did an album Iâd do it for myself but right now Iâm happy trying to bang out as many amazing singles as I can right now and weâll see.
 Canât get enough of Gorgon City, Breach and Disclosure? Then we guarantee youâll be loving Tieks, so check out his Dance inspired Hosted By station and tune into songs from some of his favourites, such as Duke Dumont, MNEK, Shift K3Y, Klangkarussell and loads more.Â
The 80s wasnât all about massive hair-doâs, colourful clothes and blasting Club Tropicana on endless repeat. Oh no â for the discerning music fan it was the decade that gave us everything from The Smiths to the Stone Roses, via Echo & The Bunnymen and Public Image Ltd.Â
With the birth of alternative rock as we understand it today, the 80s proved that even when life seems gloomiest, music is always be there to save the day.
Thatâs why weâve compiled some of the best tracks together into our Alternative 80s station â just tune in below and enjoy a fitting tribute to doing things differently.
Always team NME, never Smash Hits.
THE SMITHS (for many of you, probably the only band that mattered in the 80s)
Brand New & Brilliant - Jessie J, Ariana Grande & Nicki Minaj / Shift K3Y / Nick Mulvey
Is that a slight chill in the air? Autumnâs definitely on its way â and so are a fresh heap of exciting new tracks! Thatâs right, itâs Brand New & Brilliant time again, as we cherry pick out some of the weekâs hottest new releases.
Jessie J, Ariana Grande & Nicki Minaj â Bang Bang
Three of the biggest forces in pop team up for this collab of Lady Marmalade proportions. Brimming with sass, this groovy number is the best thing Jessie J has put out in ages â but itâs girl-of-the-moment Ariana Grande who really comes out on top here. Bang Bang has got No. 1 written all over it, and this first-rate threesome is as action packed as it gets.
Shift K3Y â I Know
Continuing to make some of the most exciting UK dance music out there right now, London producer Lewis Shay Jankel â aka Shift K3Y â offers up another futuristic smash on I Know. The follow-up to Top 5 effort Touch, this energetic number trades a soulful vocal line with some seriously squelchy bass. A perfect one for all those Freshersâ Week parties out there, we reckon.
Nick Mulvey â Cucurucu
Now with a Mercury Music Prize nomination under his belt, Nick Mulvey will no doubt be basking in a fresh wave of attention for his stunning debut solo effort First Mind. This week he re-releases standout track Cucurucu - as charming as it is unpronounceable; all delicately chilled acoustic strumming that builds toward an almost symphonic beauty. If Nickâs not on your radar yet, he most definitely should be.
Next Big Thing - Kimberly Anne/ Hudson Taylor/ Pablo Nouvelle
Ever get the feeling that the world of new music and undiscovered talent is a daunting place? Here at blinkbox Music we certainly understand how overwhelming it can seem, so why not leave the searching to us and take a listen to what could be some of your future favourites.
Keeping you ahead of the curve with our latest batch of Next Big Things, this week we present three unique acts, all carrying different but brilliant musicalness.
Hear their music, plus loads more from our other featured newbies, in our Next Big Thing station here.
Kimberly Anne
Introducing rising South London soul singer Kimberly Anne, inspired by her love for poetry and spoken word and influenced by the narrative rapping styles of Nas, hereâs one lady whoâs absolutely beaming with raw talent and authentic spirit. The songstress has worked with a number of top quality producers (those behind the songs of Bastille, Lianne La Havas and Bombay Bicycle Club) and her latest effort âLiarâ is a beautiful soulful cut, melody rich and driven by her powerful vocal. You might have recognised her sweet sound in a recent episode of Made In Chelsea, where the show featured her now chart climbing beautiful cover of Simon & Garfunkelâs âSound of Silenceâ. Â
Hudson Taylor
Already making waves in the UK, this year has seen Irish folk-pop brothers Harry and Alfie gain prestigious recognition from Radio 1âs Hugh Stevens and Zane Low, with both DJâs choosing their current and previous singles as their âHottest Record In The Worldâ. The boys have spent the summer establishing themselves as a firm live favourite, recently finishing up their massive festival stint, including performances at Reading & Leeds, and next month will see them support Jake Bugg at his live show in Alexandra Palace, London. We sense a big breakthrough over the next upcoming months, and we can't wait for their debut album, set for release next year.
Pablo Nouvelle
Like your music mellow? Then youâll love this Swiss producer whoâs serving up something a little different. We first discovered his new track on the website of his label; the same label whoâve brought us Rudimental and Clean Bandit. First entering the world of music producing hip hop and influenced by a melting pot of different genres, Nouvelleâs organic songs are formed through a combination of soulful R&B sounds and relaxed vocal samples, topped off with electronic beats. Have this song on hand for a relaxing Sunday. Best served chilled.Â
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WIN Tickets To Bombay Bicycle Club's December Tour
Fancy winning a pair of tickets to Bombay Bicycle Clubâs biggest UK tour to date? Of course you do!Â
The four-piece â on a high since nabbing their first No. 1 album back in February â will be taking a jaunt round the UK this December with a run of dates including Earls Court.
All you have to do to be in with a chance of winning a pair of tickets to the date of your choice is tweet us at @blinkboxmusic with the name of one of the artists the band play as part of the exclusive Hosted By station we recorded with the band.
Want a better insight into the influences and inspirations that get the band fired up? Then take a listen right now by following the link below!
Good luck!Â
The full list of December dates is:
03 â LEICESTER DE MONTFORT HALL
04 â PLYMOUTH PAVILIONS 05 â BOURNEMOUTH BIC SOLENT HALL
07 â MANCHESTER O2 APOLLO
10 â WOLVERHAMPTON CIVIC HALL
11 â EDINBURGH USHER HALL
12 â NEWCASTLE O2 ACADEMY
13 â LONDON EARLS COURT
Terms and Conditions
1. The competition is open to all UK residents aged 18 or over, except for anyone directly connected with the planning or administration of the competition.
2. Entries must be received by 11:59pm 2nd October.
3. Illegible, damaged, lost or late entries cannot be accepted. Proof of posting is not proof of receipt.
4. Only one prize per household.
5. The entry instructions form part of the rules. By entering, you agree to accept and be bound by the rules.
6. The winning entry will be selected on 3rd October. The judgesâ decision is final and no correspondence will be entered into.
7. The competition prize is one pair of tickets to one date of the Bombay Bicycle Club UK Tour (date to be of winnerâs choosing)
8. Prizes are subject to availability and the prize providerâs own terms and conditions.
9. There are no cash alternatives.
10. Winners will be notified in writing/via email by 3rd October. Winnersâ names will be available after that date by emailing / sending a SAE to the competition address.
11. Prizes not claimed within 14 days of the prize winner being notified will be redrawn and awarded to the new winner.
12. Winners agree to their names and photographs being used for promotional purposes. Copyright in all material submitted as entries rests with the promoter.
Brand New & Brilliant - Sigma / Professor Green / Lily Allen
As Summer slips into Autumn, weâve got another bunch of exciting new tracks to get your ears around this week! Remember, you can download the Brand New & Brilliant station to your mobile or tablet any time â perfect for when youâre stuck without wi-fi on the morning commute.
Sigma feat. Paloma Faith â Changing
Ever since this track first debuted, it was clear it was going to be one of the biggest dance hits of the year. Itâs easy to see why, with Sigma laying down a hectic drum nâ bass beat to back Palomaâs incredible vocals. This has got Number One stamped all over it, and personally we reckon itâs Palomaâs finest moment to date. That chorus! Just WOW!
Professor Green â Lullaby
The charismatic Brit-rapper is finally back â two years on since his last single graced the airwaves. Itâs a confident return though, with new single Lullaby capturing the same melancholy vibes as Proâs mega-hit Read All About It.
Lily Allen â As Long As I Got You
No one does cheeky, chirpy pop quite as well as Lily Allen. Her new cut is one of the better moments on her provocative Sheezus album, mixing quirky country sounds and a sing-song vocal line. A surprisingly catchy toe-tapper!
Gaining worldwide success with hit 'Riptide' this year wasnât a bad way to kickstart the 26 year old âs music career. Fast-forward half a year, and this month we see Aussie singer-songwriter Vance Joy explore his sweet and breezy sound a little further with the release of his debut album âDream Your Life Awayâ.
With acoustic music as popular as ever, we see Vance Joy join the recent wave of trending singer-songwriters and their stripped down, organic styles weâve been loving all year, along with Ed Sheeran, Sam Smith & Paolo.
Tune into to our Hosted by station to listen to new music from Vance Joy, discover his wide-ranging musical influences from The Killers to Avicii, as well as tunes heâs currently loving right now.Â
2014 has been pretty kind to Bombay Bicycle Club. Not only did they nab their first UK No. 1 with their excellent album So Long, See You Tomorrow, but last week they found out it had also been nominated for the Mercury Music Prize.
 The bandâs career has seen them go from strength to strength since their acclaimed 2009 debut, blending in increasingly varied sounds with each album; from electronica to Bollywood.
 With such a wide range of influences to discuss, we sat down with Ed and Jamie from the band to quiz them on inspiration old and new, teenage musical tastes, headlining festivals, and a surprising love of Kanye West.
 And thatâs not all â be sure to check back later this week as weâll have a fantastic opportunity for you to win tickets to the bandâs hotly anticipated UK tour this December.
 Just tune in below to hear Jamie and Ed introduce a selection of their favourite songs, the perfect audio accompaniment to the full interview below!
***
If you could single out an artist or album that youâre particularly loving this year, who would you go for?
 Ed: My favourite this year is the most recent The War On Drugs album. I know Iâve been saying that in every single interview weâve done and it probably looks like Iâm not into new music, but I just canât get over the album. The song Red Eyes, in particular, is one of the best Iâve heard in the last couple of years.
 Jamie: Heâs been talking about that album a lot. We were actually put on the spot the other day about who we thought was going to win the Mercury Prize and whether we thought we might have a chance. I resoundingly said we didnât have a chance and then I sort of panicked and couldnât think of a single album that had come out this year.
 I think retrospectively, Iâve really enjoyed the Jungle album and particularly enjoyed seeing them live as well.  Who I actually think will win the Mercury Prize is FKA twigs. I think sheâs released a really exciting record. Thereâs stuff thatâs hopefully coming out later in the year that Iâm almost more excited about than what has come out already. Iâm very excited about the prospect of another Kanye West album, which seems like it might be round the corner. Iâm hoping itâs dropped on us with twelve hours notice, and no big run up to it.
 And can you tell us a little about the particular influences that went into your current album?
 Jamie: On our latest album, I guess it was a departure from what we were doing as a band when we started, which was very much a two-guitars-bass-and-drums four-piece. Over the last four or fives years weâve evolved and moved away from that, while hopefully retaining some of what made the band good in the first place.
 I guess the most obvious influence on this album â at least on a few of the songs â was Bollywood music, and music from that part of the world. Without intending to make a ââWorld Albumââ, we were looking to music outside of the Western classical canon. Along with that, there was stuff that weâd explored on the previous album, which was a lot of electronic music. Not really individual artists, as such â but the way that hip-hop and dance music producers produce the music, so a lot of sampling; which again comes back to the Bollywood, and a lot of electronic drum loops.
 Ed: Itâs more the process of making the music, and the way itâs all put together and structurally how it works. Man Dole Mera Tan Dole by Lata Mangeshkar, which is the song sampled for Feel â itâs probably the most recognisable sample on the album. It turns out that itâs one of the most famous Bollywood songs in the world ever, but we obviously didnât know that at the time.
 So when Jack [lead vocalist] sent us through the song to begin with - apparently Suren [drummer] was listening to it in his house â and his brother walked in and asked âwhy the hell are you listening to this?â Itâs kind of the equivalent of sampling the Beatles or something like that in England. Itâs just unbelievably famous and we were lucky enough to be able to clear it. Needless to say, that cost a lot of money [laughs].
 So itâs more that the album was informed by a particular movement or style of music than any selection of artists in particular?
 Jamie: There are actually only probably two or three songs on the album that are like that, or maybe four, but because thatâs an interesting thing to write about, it inevitably turns to that and ends up defining all the PR around the album and then you get sick of talking about it. But Iâm not sick of it yet.
 I do think bands are always loathe to pinpoint individual people that theyâve been listening to because then journalists are inevitably going to say âOh, it sounds a lot like thisâ and I donât think you want to define yourself in that way at the start of making the record.
 If you were put on the spot though and had to single out one influence on you as an individual â not necessarily something that had fed into the current record - who would you pick?
 Jamie: I think a really big influence for me - and maybe an indirect influence for the band - is David Bowie. This was really reinforced when I went to see the exhibition about him at the V&A last year. Thereâs not even an individual point in his career that I could say was very influential for me, but it was his willingness to change which has always amazed me. I hope the band is able to change and evolve in a similar way. Not only did he remain really relevant, but every time he did something new it was ahead of the curve and was cooler than what anyone else was doing at the time.
 Ed: This is going to sound ridiculous, but Kanye West is one of my all time favourite musicians. I think there are some similarities between him and David Bowie. I really do think heâs at the forefront of pop music - heâs pushing it. The last album he did â Yeezus - doesnât sound like anything else that anyone is putting out at the moment. Thereâs a concept there. Itâs clever. It sounds completely bizarre. He didnât have to advertise it or push it or anything like that, and people still listen to it. Heâs got a point to make.
 Jamie: Heâs Jesus.
 Ed: He is Jesus. Heâs a God. And, you know, in terms of his lifestyle, I like to follow suit. I like to live like he does. Marry a Kardashian - itâs an ambition we all have.
 Ed: In pop and hip-hop it seems all the mainstream rappers start off very underground, low-key and raw, and as they get bigger and bigger they become popstars and it becomes more polished and accessible. Kanye West is entirely the opposite. Those early albums are pop albums, and theyâre full of pop songs. As heâs progressed heâs moved away from that more than anyone else.
 Jamie: I think heâs not afraid of getting it wrong or changing. Heâs got that self-belief and drive.
 Ed: Heâs a confident man, to say the least. The other thing is, there are no real rockstars anymore. The rappers are the new rockstars. Really, all the people doing rock ânâ roll things are either rappers or sportsmen. People playing guitar music donât do anything like that anymore.
 Jamie: Because we donât have enough money. [laughs]
 Looking back to your older material, is there anything that you feel especially nostalgic about and still always enjoy playing live?
 Jamie: Our live show - despite the fact that all the albums are quite different to one another - is a nice collection of everything that weâve done. I think on our next tour weâve really decided that instead of trying to play down the differences we want to emphasise them and and celebrate the diversity of all of it and not get embarrassed about playing shuffly acoustic songs live.
 A lot of the songs from our first album have this ability to just take me back to being a 15 or 16 year old and they all retain this sense of nostalgia. I think when our first album came out, itâs why so many other young people latched onto it, because there was a sense of realism about it, that it could inform their own lives and their teenage anxieties, particularly about relationships, which is what most teenagers are concerned about, I think. So, for that reason, Iâm going to probably say that What If - from our first album - is still one of my favourite songs to play live.
 Ed: I find it difficult to listen to our first two albums because it reminds me of being a teenager. Itâs like going back to the music you used to listen to or going back to an old diary or something like that. It immediately reminds you of that time. But when you have to play it every day on stage, you have no choice about being taken back to that. I do find it very strange. My favourite song to play live is a new song - Eyes Off You - and I only play in it for about thirty seconds, but the part itself is great fun to play. Aside from that, Jackâs playing piano on it, which is always a pleasure to watch and something he doesnât do enough. Heâs incredibly good at it.
 And on that note, what were you music tastes when you were 15? Do you still stand by them?
 Jamie: We definitely still stand by them, and I guess the reason we started the band in the first place was over a shared love of the same music and going to gigs. I think what we were influenced by then still informs the music we make now. Back then, for me, it was the golden age of indie because it was when everything was in the charts and it felt like guitar bands actually mattered, in a way that they donât really now. So, we were listening to Arcade Fire, The Strokes, Bloc Party and also a lot of early nineties indie rock like The Pixies, Sonic Youth, Pavement, that kind of thing. It was very much just indie guitar music.
 I donât know if itâs just being a Londoner, but I find that people donât really seem to define themselves by the type of music that they listen to, in a way that they did when I was younger. But I do find when you go to somewhere like Manchester, there is more of a, you know⌠âIâm an indie kidâ â and itâs interesting, that. I see a lot of men that still dress the same as they did eight years ago.
 Ed: I think we still dress much the same as we did eight years ago, and we had better music taste back then, it seems. You saying all of that made me realise that I havenât really gone to look for new music in the last year or two, whereas when I was 15 it was such an important thing.
 Jamie: Yes, but youâd define yourself by knowing what was cool at that point, in a way that I couldnât do now. I couldnât tell you what was cool.
 Ed: Weâve just admitted weâre not cool now.
 A lot of people have commented on those changes in listening habits, and how people seem to invest far less times in listening to albums all the way throughâŚ
 Jamie: I think that just shows that people arenât prepared to get invested in the same way, and Iâm guilty of that as much as the next person. However much I deride people ten years younger than me for having very short attention spans and only listening to the first song of an album before dismissing it, Iâm equally guilty of doing the same thing.
 Youâve had a great track record of featuring female guest vocalists on your records who then go on to success of their own. Is their anyone youâd tip for us to keep our ears out for in the future?
 Ed: To replicate Lucy and Rae live for the new record, we got a girl called Liz Lawrence singing with us, whose range is unbelievable. She can do the quiet Lucy Rose stuff and the loud, belting Rae Morris stuff amazingly. She does her own music, under the name Liz Lawrence, as well as a couple of other side projects, but Iâve got to recommend her. Sheâs fantastic. In fact, sheâll probably leave us to go and do that because sheâs got big ambition.
 Jamie: They always leave. I know that there are other female singer-songwriters that Jack would like to work with. I would always prefer to find someone that is unknown and up-and-coming, and weâd hopefully be able to play some sort of role in their rise, as opposed to just finding a big established star, because putting a ââfeaturing whoeverââ on your track gives it some added credibility or something.
 For us the band is like a collective really. Itâs not just the four of us. Thereâs always going to be other people playing on the records. And live, itâs a six-piece, and we celebrate the fact that itâs a six-piece. We donât just put the emphasis on us. Everyone is equally as important and the show couldnât work without any one. Itâs very democratic basically.
 Youâve had incredible support from the likes of Radio 1 with this current album. Is that something youâre proud of? Do you feel there should be more guitar music on mainstream radio?
 Jamie: The interesting thing is that we moved away from making really guitar based music, and as a result we got on Radio 1 more. Whether thereâs a correlation between the two, I donât know. I donât know whether the songwriting was just better. People are always saying that rock music is back this year and every year thereâs not really that much around. And certainly not that much that actually sells records. I think Royal Blood are doing very well at the moment and are being championed by Radio 1, and theyâre a great band.
 I donât listen to mainstream radio enough to tell you whether something is on there enough or not. Iâm personally - and particularly after going to other countries - very proud of a lot of radio in this country and a lot of music on the BBC, because if you go to America, all they have is commercial stations in individual cities with no real overall direction. Most of them - and this is the alternative stations - are just playing 90s rock on repeat. In this country I think there is a real effort to actually promote new music, and I think thatâs something to be applauded.
 And what about festivals? Do you have any ambitions for next year? Do you feel ready to headline a big show?
 Jamie: I would have felt ready to do that this year, I suppose. There were some festivals - Latitude in particular - in which I thought we shouldâve been higher up the bill. I thought we shouldâve headlined Latitude really. I think this summer, for me, has cemented the fact that we are a very good festival band. Reading and Leeds were really, really great, and blew everything else weâd done out the water. So I think the potential is there, we just need to do it.
 I canât speak on behalf of the rest of the band, but I think we deserve to be in those positions. Itâs easy for us, though, because we have four albums to draw on, so we can get an hour set of just singles. Thatâs not something a lot of bands or our contemporaries can do.
 Ed: Yeah, we just need the offer. If anyoneâs listening. Itâs out there. Weâll do it.
 Youâve done four albums for your label â Island â now, building your success with each one. Do you think labels should be prepared for the long game more these days, working with a band across a number of years and seeing them grow?
 Jamie: I think our record label were very patient, but weâre in a really good position now because we donât even have an A&R rep there really. They just let us get on with it and, to an extent, do what we want. That did come from having a successful first album. Even if when it came out initially it wasnât very successful, it did build. If you donât cost your label lots of money, they make life very easy. I think the people that tend to complain about being on major labels just havenât done very well, really. I think theyâd find something to complain about, whatever they were doing.
 I think in some ways we are the exception to the rule. Most 19 year olds arenât going to get a chance to grow naturally within the music industry. Itâs sad that so many people get messed around on their first album and then feel unable to have a go at it again properly.
 And with the success and the fact youâve now had a Number One album, are there hopes to make it big in America? Are your label pushing for you to go there?
 Jamie: Theyâre mainly focused on the UK, our label here, and then we have other labels around the world. Weâre definitely a lot bigger in the UK than we are in America. I think one thing where itâs actually hurt us â the growing slowly thing â is internationally, because it wasnât until our third album where we really decided to push it a lot. Weâre playing catch up in some of the places. But at the same time weâve got this big catalogue of songs to play and itâs actually quite great introducing people to older stuff elsewhere.
 How do you get the balance right between touring and recording new music? Do you think you could keep up with releasing an album every year?
 Jamie: Iâm sure we could release an album every year if we didnât want to go on tour, but I think weâre a better live band than we are a studio band anyway, so I think itâll be every two/two and a half years probably. Which is still quite a lot, so donât hold me to that!
 Ed: We also want to make the albums better than the previous one. At the beginning we put all the songs we had on it and - especially with Flaws - all the songs that were there available to go on the album, we put on it. We didnât have any to hold back. With the most recent album there were probably twice as many songs that werenât on the album, than went on it. So thatâs probably another reason that it took so long to do.
 Jamie: I think the reason we were able to make albums in such a short space of time was the fact that we were changing so radically. I think if weâd been trying to recreate the same album over and over again it wouldâve taken a lot longer. At this stage Iâm not sure we have that luxury of âwhere do we go?â. Are we going to make a jazz album or something? I donât think that would be very good, but we could try. So I think it will take longer from now on.
 So no typical âback to basicsâ album after your dabbling with electronic and world music influences?
 Jamie: Iâm quite conscious of not doing that, because I think itâs almost too obvious really. There were songs on the album that blended the electronic and original Bombay Bicycle Club sound well. Iâd be interested in exploring that more. More than the poppier stuff like Luna and Feel, which is maybe a bit too poppy â Iâve got to get that guitar in my hands!
 And is there anything you wish you could go back and change about your early years as a band?
 Ed: You canât look at things like that. Thereâs tons of stuff that weâd go and change now, but obviously we made those decisions at the time for a reason.
 Jamie: Yeah, I donât think anyone -whatever you do - wants to live their life like that, because youâd be obsessed with the past and I think as humans weâre all too obsessed with the past anyway.
 Ed: There are things I did this morning that Iâd change. Like every single day. Itâs not worth thinking about. I couldâve got up earlier, couldâve gone to the gym, not had ten pieces of toast for breakfast!
Next Big Thing - TIEKS / Tom Misch / Sway Clarke II
For this week's Next Big Thing we're placing our bets on three individuals who stand out among other artists in the current music scene for their distinctive sounds, strong image, and ability to make us feel good!
So, hopefully you'll be smiling by the end of this post (and our station, of course!) If not, then just give it another listen...
TIEKS
This particular Next Big Thing is hotting up fast! TIEKS is the London-born talent who has been making appearances all over the place this summer, from Reading & Leeds to Bestival - this guy clearly loves a festival! He's also got the backing of top Radio 1 DJ Annie Mac who tipped his dark dance track 'The Number' for her Free Music Monday. His tunes are the perfect floor-fillers - laden with house beats, delightful harmonies (that remind us of TIEKS' buddy MNEK), and a little bit of flashback synths thrown in there for good measure. This is probably the closest we'll get to time travel... destination - the 90s.
Tom Misch
We've got another Londoner for you, but his music is a hell of a lot more chilled out. Singles like 'Memory' from 19-year-old Tom Misch remind us that sometimes it's good to take things easy, especially when there's steel drums involved. A blanket of beachside melodies should help you drift off in that "happy place" in your head, or you could take a relaxation tip from Tom, who gently sings "Tonight I'm sleeping under the stars." Perfect for the end of summer and the start of sleepy autumn, we've got this one on repeat.
Sway Clarke II
Right, time to head out of Britain for our next newbie. Originally from Toronto, loveable singer Sway Clarke II made the big move to Berlin and starting putting out singles like 'Secret Garden'. We're actually struggling to put him into any genre... R&B is probably the closest we're going to get. As the artist explains on his Facebook bio under 'Influences', "This a stupid section, but the answer is EVERYTHING! From Peter Tosh, to Peter Gabriel. From Bob Dylan to Bob Marley. From Steely Dan to Dan Auerback. From Deadmouse to Modest Mouse. Radiohead to Talking Heads. Jay Z to ZZ Top. All of it."Â So, if you want to hear what music sounds like when it's inspired by 'everything', then tune in.
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The 2014 blinkbox Music Prize - Nominees Announced
With nominations for the esteemed Barclaycard Mercury Prize revealed today - celebrating the finest albums of the past year - we couldn't let 10 September pass without unveiling our own personal picks. That's right people, it's the very first blinkbox Music Prize! (We're excited! Are you excited?)
With so much musical brilliance on offer over the past year, we thought it only right that we hold the spotlight up to some of the albums that have been stuck on repeat on the office stereo. Whether it be an album packed full of some of the downright catchiest choruses, or the debut effort from a bright new talent, here at blinkbox Music HQ we've spent the past couple of weeks deciding and fighting for the albums we love⌠so, we're proud to announce our 10 nominees are:Â
Bombay Bicycle Club â So Long, See You Tomorrow
Chvrches â The Bones of What You Believe
Coldplay â Ghost Stories
Ed Sheeran â X
Foxes â Glorious
Katy B â Little Red
La Roux â Trouble In Paradise
Little Mix â Salute
Paolo Nutini â Caustic Love
Sam Smith â In The Lonely Hour
Of course, there can only be one winner in the end - so be sure to check back on October 29th as we announce the winning album, representing the last 12 months in British music.
You can listen to a selection of the finest songs from all the nominated albums in our blinkbox Music Prize station.
It certainly feels like a long time since The Kooks shook up the British indie pop scene in 2006 with Inside In/Inside Out, when their refreshing singles Naive and She Moves In Her Own Way brightened up everybodyâs year.
But it's been a little while since the Brighton boysâ last album, 2011âs Junk of the Heart. Fast forward three years though and theyâre finally back, with frontman Luke Pritchard having spent time honing in on a new style of songwriting.
Their experiments with a hip-hop vibe have resulted in a bouncy electronic-flavoured fourth album, titled Listen.
In celebration of the release of the album, weâve pieced together a Kooks station for you, featuring lead single Down, as well as some classics from their catalogue. The station also blends some of The Kooksâ contemporaries from the indie wave of the 2000s, with some of their older influences, as well as the David Bowie song that inspired their band name! Itâs all available below.
Next Big Thing - Only Real / Troye Sivan / Billie Marten
Fancy a little new music to warm your cockles as the days get colder and we ease into Autumn? It wonât be long until all those âSound of 2015â lists start coming out, so we thought weâd get a head start on it all and start scouring around for some more ace new music. Take a look at this weekâs new additions below, and tune in to our Next Big Thing station for your perfect fix of the hottest new acts around.
Only Real
Freshly signed to Virgin EMI, Only Real isnât a band, but in fact West London youngster Niall Galvin. Making dreamy, indie-meets-urban tracks like standout Cadillac Girl, thereâs an intense nostalgia to Galvinâs records that throws back to classic Blur via a touch of Pulpâs slice of life lyrics. The next Bastille? We reckon he could be.
Troye Sivan
Originally born in South Africa but moving to Australia when he was two, Nineteen year old Troye Sivan could very well be the Aussie answer to Justin Timberlake. He acts (with an early role in X Men Origins: Wolverine, no less!), he sings, and heâs had over 112 million views on YouTube already. His debut single Happy Little Pill is already a big hit in Australia and across Europe - blending trippy synths and a smooth vocal line, itâs not hard to imagine Troye as the next big global superstar in waiting.
Billie Marten
Weâre loving the gentle acoustic tones of insanely talented fourteen year old Billie Marten. She reminds us of the likes of Nina Nesbitt and Laura Marling, all tender vocals and delicately picked guitar. If sheâs this good at only fourteen, imagine what sheâll be like in a few years time! Beautiful stuff.
blinkbox Billion - Most Played Solo Female - Katy Perry
Sheâs the nations favourite guilty-pleasure, best know for her fun, fresh, catchy pop, unconventional style and over-the-top fashion sense.
We canât get enough kooky K-Pez, and neither can you! Not only has she been the most played solo female on blinkbox Music, but sheâs been our most played artist on the service as a whole, beating the likes of Lady Gaga, Ellie Goulding (just!) and Rihanna.
Weâre celebrating the brightly coloured world of Katy Perry and her hits as she continues to prove her self as one the industries biggest female pop stars. Â
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Brand New & Brilliant This Week - Demi Lovato / Paolo Nutini / The Script
A new month brings with it a bevy of new releases, and as we inch closer to the dizzy heights of Q4 and the Christmas gifting season, the release schedule is really starting to hot up. With new tunes from favourites like Paolo Nutini and The Script, we take a closer look at whatâs catching our fancy this week with the latest Brand New & Brilliant updateâŚ
Demi Lovato feat. Cher Lloyd â Really Donât Care
Two of our favourite pop princesses team up on this feisty anthem. Packed full of youthful charm and bucket loads of energy, this is a shoe-in for teen parties and re-affirms our love for Demi as one of the USâs premiere hit-makers right now.
Paolo Nutini â Iron Sky
Immediately singled out as one of the finest highlights from Paoloâs phenomenally successful third album, Iron Sky is a torturously powerful ballad that sees Paoloâs incredible vocals backed by a soaring, epic soundscape. With a spoken word sample from Charlie Chaplinâs iconic flick The Great Dictator, this is deep, emotional stuff.
The Script â Superheroes
Everyoneâs favourite Irish lads are back in action here as they gear up for their fifth album. This jaunty, empowering number builds on the sound of their last record and ends up sounding like their take on Coldplayâs stadium-packer Paradise. Another lighters in the air moment from Danny and co.
For many, the 80s and âNew Waveâ go hand in hand. It was all about flashy colours, glam clothes and the sense that style was every bit as important as the music itself.
Of course, what followed changed the face of music forever, as acts like Bananarama, Frankie Goes to Hollywood and Simple Minds became some of the biggest British acts to âgo globalâ since the Beatles.
It was the era of big hair, big choruses and countless one hit wonders. But we reckon it gave us some of the most incredible songs of all time â so without further ado, get stuck in with our 80s New Wave station and take a trip back in time to when Britain (or at the very least, Duran Duran) ruled the waves.