SAM REID CALLING OMEGAVERSE "VERY URSULA LE GUIN"
almost home
Keni

Love Begins
2025 on Tumblr: Trends That Defined the Year

tannertan36
i don't do bad sauce passes
taylor price


roma★

Janaina Medeiros
I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open
noise dept.

DEAR READER
sheepfilms
Alisa U Zemlji Chuda
Jules of Nature

★
PUT YOUR BEARD IN MY MOUTH

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@wanderingoff
SAM REID CALLING OMEGAVERSE "VERY URSULA LE GUIN"

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you solve the mystery of what to have for dinner one night and you think "hell yeah case closed forever" WRONG there is a dinner mystery the next night too
tumblr is like if hotel california was a website
Koujak-Jaber Building Beirut, Lebanon
Architect: Victor Bisharat, 1967
Younger folk are getting really good at spotting AI slop, to the consternation of marketing execs.
Found on Mastodon.
From what I remember of back when Millennials were outpacing Boomers at internet and tech stuff in general, this is going to cause a lot of issues for companies angling to use slop in marketing because the younger set are always going to be better at spotting it than the older, but the older are going to be the ones approving marketing campaigns and ads and etc. Meaning, the older people will not ever be able to tell what might actually convince the younger.
The good news is that if it persists and Gen Z and Gen Alpha continue to scoff at the generated stuff, then marketing departments aiming at them will just have to give up on using it because they won't be able to figure out how to fool their targets with it.
The bad news is that this won't apply to scams and campaigns aimed at older people, so once again we're going to have a situation where the kids will be the ones lunging across the coffee table to stop Mom from giving her financial info to that really obvious fake scam mom oh my god do NOT buy that it isn't even a real thing.
Anyway godspeed to the younger generations.

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The crowd was as much a part of the show as the band. Everyone was there: North Beach beatniks and barrio zoots, the bored bikers in black leather, teenagers in the back row kissing. There were long-haired, lithe girls in belly-dance get-ups, pink-haired punks safety-pinned together, hippie suburbanites, movie stars so beautiful they left you dumbstruck, muscle gayboys with perfect mustaches, butch dykes in blue jeans, and fairies of all genders in thrift-store dresses. We rode the mirrored ball on glittering LSD and love power. Dance fused us, magical and cleansing. We were all in a swirl of color and light. It was like a rainbow.
A rainbow. That’s the moment when I knew exactly what kind of flag I would make.
-Excerpt from Gilbert Baker's memoirs.
walkable cities are such a terrible idea when you think about them for literally any longer than a single second. more steps = more cracks = more mothers’ backs broken. simple fucking math. if you wanted your mom’s back blown out so bad you could’ve just called me
[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]
in happier pride news i actually found this deeply heartwarming
that's solidarity baybeeee
Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.
At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.
Stephen Guy, the chair of the Durham Miners’ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to “encourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community […] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.”

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Rest in peace, Patrick Haggerty, it was a blessing to have met you. Haggerty was a country singer and queer activist, whose 1973 album Lavender Country is widely considered to be the first openly queer country album ever made. I originally became hip to Patrick through his 2016 StoryCorps short called “The Saint of Dry Creek”, a Sundance Film Festival selection that tells the story of being young and gay in rural america, and his father, a dairy farmer, who impressed upon him the beauty in being true to yourself.
“‘Look, everybody knows I’m a dairy farmer. This is who I am.’ And he looked me square in the eye. And then he said, ‘Now, how bout you? When you’re a full-grown man, who are you gonna go out with at night?’ And I said, ‘I don’t know.’ And he said, ‘I think you do know. Now, I’m gonna tell you something today, and you might not know what to think of it now, but you’re gonna remember when you’re an adult. Don’t sneak. Because if you sneak, it means you think you’re doing the wrong thing. And if you run around spending your whole life thinking that you’re doing the wrong thing, then you’ll ruin your immortal soul.’ And out of all the things a father in 1959 could have told his gay son, my father tells me to be proud of myself and not sneak. My reaction at the time was to get out in the hay field and pretend like I was as much of a man as I could be. And I remember flipping 50-pound bales three feet up into the air going, ”I’m not a queer. What’s he talking about?” But he knew where I was headed. And he, he knew that humiliating me and making me feel bad about it in any way was the wrong thing to do. I had the patron saint of dads for sissies, and no, I didn’t know at the time, but I know it now.” - Patrick Haggerty/Lavender Country
Patrick boldly made music that I know not only touched the lives of many of us, but provided a sense of comfort, confidence, and the power of feeling seen to his queer audience. He spent his life doing the opposite of sneaking, and left us with his art and spirit.
Taken at the OG Basement in Nashville years back after his show there.
my lord. the two statues you commissioned are finally complete. yeah, the double-order with the vast and trunkless legs of stone and the shattered visage. i like to think we captured the sneer of cold command pretty well. it's a really thought-provoking piece my lord. very deconstructionist. i'm sure that even a traveller a thousand years from now could take one look at it and instantly recognise it must have come from an artistically enlightened culture
STAY SAFE!! [ID: the Gilbert Baker pride flag with the words “Happy pride to all those who are unable to celebrate openly and safely. You are loved and seen!” in all-caps black text over it. /end ID]
I explained the concept of "blorbo from my shows" to my 71 year old immigrant grandfather because I referenced it in passing and I thought nothing of it, until today when he said "I think I'll watch peaky blinders tonight and see my blorbo from my shows" referring, of course, to Cillian Murphy playing Tommy Shelby
English isn't his first language so he's not super in touch with modern slang, so I've been accidentally teaching him to talk like a tumblr user. His favorite thing to say lately is "me when I'm a little hater" when he's like talking shit about the neighbor's son
Happy Pride!
Every pride, you must reblog this. No exceptions
I love that four different people on my feed scheduled this joyous person to reblog by 8am on June 1. I look forward to seeing this a dozen more times today.

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you are 16. you are talking with a gay man in his 50s or 60s, a friend, huge and gentle with a scarf and short fluffy curls of gray hair, who has directed you in two plays staged in your mid-size artsy town. (he has not yet asked you to be in his production of The Laramie Project which will change your life. this conversation will also change your life.)
he is talking about theatre. he is talking about theatre when he was younger. he says, "of course, it was AIDS then." in the pause, you ask him. clumsy and quiet and 16 and "straight," you ask him. what was it like.
he takes a moment in which his face is not like a person's face. "there was a time," he says, "i'm not sure how long, years. when i went to a funeral every weekend." he tells you about two funerals in a day, and choosing between friends when you couldn't make it to both. he does not look at you, he looks at them. his wet grey gaze is so clear that you start to see ghosts. it will be years before you understand why it feels like your grief too. why the ghosts call you family.
happy pride, family. i love every single one of you
when i wrote this post, i didn't expect very many people to read it. i figured it wasn't the kind of thing people liked to read and reblog, but it was late at night, and i was remembering this person, and i was crying, and i had to write it out. so i did.
to this day no other post gets sent to me so often by friends who have encountered it as a repost on some other site. the idea that more than one hundred thousand people have read these words, and know this story now, and maybe feel as i did, is tremendously humbling and unbearably beautiful to me. even by accident, even just passing on a story that is not my own, i often think that it is the best thing i have ever done.
happy pride, family.
It's end of May, yall know what that means