moving with you

[T]he mix that has come up the most on my feed since Twitch’s passing is this one, without question—and it’s the one I reached for immediately, as well.

It's also the one I played last, because it reaches such an insanely heavy peak late in its run that everything else, in a sense, was building toward it. It’s intense from jump—and its titular focus really gives it an edge. It’s one thing to line everything up brilliantly regardless of genre—to also illustrate the broad musical idea of “psychedelic” with the same enormous palette, and also genuinely offer nearly as many types of trippiness as there are songs, is a rare gift. Silvery-metallic machines and stompy live funk, prog and postpunk-verging-on-gamelan and acieeeed, it all builds up to Temptations/Koening Cylinders/Dinosaur/Chambers Brothers climax that stomps like a demon. Honestly, this CD is the reason I never got around to cut-by-cutting How to Kill the DJ—this was out mere months later and rang my chimes so hard it obviated its predecessor, and much of what was around it. Still does.