Most recent progress pic of my glorious loon sweater. It’s a little old, it has sleeves now!

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Most recent progress pic of my glorious loon sweater. It’s a little old, it has sleeves now!

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"Please Use AI," by Shawn Smucker
Be sure to use AI when making your next, I don’t know, meal plan, for example. Definitely do not call your friend who loves to cook and ask her for her favorite recipes or tips or ways to save time making meals, because you will end up talking for longer than you had hoped, hearing, perhaps, about her father’s cancer diagnosis or how lonely she’s been or even what she’s planted in her spring garden and then lost with the early frost.
Read the full poem here
Albert Square, Manchester (1910) by Adolphe Valette | Contemporary Art (2015) by Emily Allchurch
the top is an original, from 1910, the bottom is a new version painted in 2015
THE BOTTOM IS A PAINTING????
also does a really good job reminding the view just how much air quality has improved since we stopped burning coal in every building lol
This is very stupid but it’s genuinely what I think about every time I consider skipping dinner after work
Why the wellness industry loves rest, fears idleness, and has spent a great deal of money to keep you from noticing the difference.
Rest can be sold, because rest promises a return. Buy the mattress, the app, the retreat, the supplement, and you will work better, earn more, perform at your peak. The promise is always, in the end, a promise about your output. The product is rest; the pitch is productivity. Even the language of self-care, which sounds like permission to do nothing, is in fact a tightly conditional permission: care for yourself so that you may continue to function, maintain the machine so the machine keeps running. It is the logic of the factory applied to the soul, and it has been astonishingly successful, because it allows a person to feel rebellious and indulgent while doing exactly what the system requires of him, which is to keep himself in good working order. Idleness cannot be sold this way, because idleness refuses the premise. It does not promise to make you better at anything. It offers no return on investment. Its only product is itself: the hour spent, the light watched, the thought followed nowhere in particular, the afternoon allowed to pass without producing evidence. There is no pitch in it. You cannot monetize a man staring at rain. You can sell him a meditation app that promises the rain-staring will lower his cortisol and improve his quarterly performance, but the moment he accepts that pitch he is no longer idle. He is resting, strategically, on the advice of his wellness coach. The rain has become a tool. The idleness has been quietly converted back into work. The conversion is the whole game, and it is happening constantly, and most people never notice it.
[...]
A life in which every hour serves work, including the hours of rest that serve work by restoring you for more work, is a life that belongs entirely to work, even in its leisure, even in its sleep. Such a life has no outside. It is productive all the way down, optimized in its very relaxation, and a person living it has never once, not for a single hour, simply been alive without being also, somehow, useful. The idle hour is the one hour that has an outside. It is the one hour that does not belong to the project of your own improvement. It is, in the most literal sense, free time: not time freed up for other tasks, but time that is genuinely free, owned by no purpose, answerable to no return.
30 May 2026

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is there a regional dish specific to the region you live in or grew up in that you particularly like?
Is there a regional dish specific to the region you live in or grew up in that you particularly like?
Yes
No
You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
Three cueing. Once you learn about it, a whole lot of very frustrating online discourse with US Americans makes so much sense 😭
For decades, schools have taught children the strategies of struggling readers, using a theory about reading that cognitive scientists have
If you were taught to read with the three cueing method, and now struggle to read fluently, you can still learn to read properly!
-> Phonics For Adults <-
If you're a teenager, you can still use this resource.
First humans ever to leave the solar system suddenly drop out of communications and the ship can't be found with any equipment. After one month of no contact their home countries start reluctantly holding funerals for the space heroes only for them all to turn up, healthy, well fed and extremely disoriented, in the middle of Tokyo, talking about alien abduction. Turns out that aliens found the poor humans straying out of their solar system, presumably lost, and took them to Alien Wildlife Rehabilitation before dumping them back in the middle of their native habitat.
#bonus points if none if the crew are Japanese#aliens just dropped where they thought was best
I literally just googled "city with the highest population"
had a bad low blood pressure moment last night and messily asked my partner for saltines and water before realizing i should probably ask for the Blood Pressure Medication I Need To Take. while they went to go grab it though i still had water and crackers so in a daze i took a swig of water but didnt swallow and then tried to cram 2 saltines in my mouth. full of water. in bed. with mouth full of water
Boxhead Devouring Two Saltines, 2024
When people justify using gen AI by talking about how it allows them to do (insert creative hobby) it sends me into a blind rage. The whole point of the creative hobby is to use your brain. Having a machine do it for you defeats the purpose. That’s like saying you’re getting into running marathons then just driving the 42km
"well what if I was disable-"
Shut up. I am disabled. My brain barely works any more and my hands don't do what I want, and I don't have the strength for singing the way I did,
and I'd rather never paint again, never sew again, never sing again
than have a computer steal other people's work and call it mine.
Keep our disabilities out of your mouth- we're not your PROP for arguments.

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a while ago I read this sci-fi short story from the 50s where a guy is kidnapped and interrogated by aliens using a very sophisticated lie detector, but he realizes that the lie detector works off technical truth, and with some careful phrasing and misdirection, he manages to make them believe that humans are a race of immortal, overpowered, omniscient telepathic beings. and it works.
my favorite part is when he tells them that humans are "capable of transportation without the aid of spaceships or any vehicles, just by using mental power to control physical matter". it's true, we can. it's called walking.
okay I found it, it's The Best Policy by Randall Garrett
and it has other gems such as "I know beyond a shadow of a doubt what every member of my race thinks of you" (they don't know you exist) and "every human knows exactly as much about the location of your home planet as I do" (nothing)
OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞,渐越)
Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.
Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.
This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.
During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.
The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).
Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.
Split-joint seals (骑缝章qifengzhang)are still widely used on important paper documents in modern China, an anti-tampering technique passed down from ancient times. They are applied across the edge of multi-page contracts, bidding documents and official archives. If any page is removed or replaced, the broken seal pattern can prove the file has been altered.
GBBO: “A s’more is basically just an Italian merengue sandwiched between two ganache-covered digestives”
Americans:
in case anyone in wondering, this is Paul Hollywood's idea of a s'more
You know what, their absolute inability to grasp Mexican foods makes more sense every day
Nodding my head in support of the Americans despite having no clue what a s’more is.
Okay, American immigrant to the UK here to explain all the mistakes from Paul Hollywood happening here: there is one fundamentally American ingredient required to make a s'more correctly but which is basically not available anywhere at all in the UK, and that is graham crackers. A plain digestive biscuit close-ish, but still a very different beast.
From Wikipedia: A graham cracker is a sweet flavored cracker made with graham flour.
The next ingredient (which is also extremely traditionally American but slightly more variable) is typically Hershey's chocolate, but you could probably swap this out in the UK with any plain chocolate bar.
Last ingredient is big marshmallows, the kind you do the chubby bunny challenge with, like the size of your thumb and twice as thick.
A proper s'more, the most traditional possible variety, involves to graham cracker squares, two slab segments of Hershey's chocolate, and one to two marshmallows depending on your preference for filling and gooeyness. You put a slab of chocolate on one of the graham cracker squares. Your marshmallows should be toasted, usually over a campfire but if you're doing them at home over a gas stove burner is fine, but the fire part is critical. You can toast them to whatever degree you like, some people like them nice and golden brown but still kind of firm in the middle, me personally? I want that bitch to CATCH ON FIRE, I want it gooey and sticky as hell in the middle, crispy and burnt on the outside. Slap that motherfucker on your graham cracker and chocolate square, top with the other one so your marshmallow and chocolate are sandwiched together by graham cracker on the outside. You do this with your freshly toasted marshmallow because ideally it will be hot enough to start to melt the chocolate so it sticks to the marshmallow and the graham cracker and, combined with the gooey marshmallow, it keeps the whole thing together, and for that reason some people will let them sit for a hot second to let the melting process happen (especially if like me you have chocolate on BOTH graham cracker squares, not just one, because you're a sugar fiend), but if you are a young child you do not have that degree of patience and you eat that shit immediately, unmelted chocolate and all. Consume your summer camp delight like a tiny club sandwich, get gooey sticky marshmallow and chocolate all over your hands, and enjoy.
Important note: this is a kids treat. It is a traditional summer camping trip dessert. It should be something any ten year old with adult supervision and access to the ingredients can make (and make a mess of). They're called s'mores because kids always "want s'more". If you are using a blowtorch, chocolate biscuits, and merengue, you are so far beyond the bounds of s'more-hood that you have thoroughly lost the plot. If you offered Paul Hollywood's concoction to an American child and called it a s'more, they'd tell you flat out that not only is it not a s'more, it looks dumb and you didn't do it right because it's not gooey.
the point is the mess. the point is getting to make a food, at age seven, whose two basic food groups are 'sugar' and 'fire'. the other point is that this food item is so crumbly, chaotic, sticky, on fire, and prone to being dropped (outside, in the dark, while you are surrounded by other children who are also sticky and on fire) that your supervisors cannot accurately monitor how many smores you personally have consumed. the point is also that you may get away with a smore that is five blocks of chocolate and two marshmallows if you move fast and let nothing stop you.
if you haven't accidentally yet unrepentantly eaten a chunk of twigs or dirt or a bug that got enmeshed in the creative process around smore number 3st, you are too old to have any legitimate input into what makes a smore.
There's 2 other points that I think are important.
The first is that you don't pull the marshmallow off the roasting stick and somehow put it on the chocolate. Your staging area will look something like this, with the graham crackers and chocolate already set out (though not usually on the fire like this, for us it was always someone's lap or a picnic table or something)
And when your marshmallow has reached appropriate roasting perfection, you use the graham crackers to slide it off the stick.
and ideally, as a CHILD you are using a literal stick. Like you walked around and spent time looking for The Perfect Stick off the ground while the adults set up the fire. It has to be thin enough the marshmallow will fit, sturdy enough that it won't bow, long enough that you won't burn yourself roasting your marshmallow. And preferably doesn't have a lot of bark that's sloughing off, OR so much bar sloughing off you can peel it all back and get to the clean stick under it. If you're smart, you might stick the tip into the fire first to "wash" it/burn off anything that was still lingering, but. well, most kids don't.
When you bite in, the marshmallow and chocolate SHOULD ooze out all over you. If you don't kinda look like this eating it, you've probably done it wrong:
The description of the marshmallows as being either brown on the outside but still firm on the inside or fully melted but burned on the outside is missing the true art: fully molten in the middle, without the black burns. Not to say OP is wrong for preferring the burn! But there is a technique for perfection and it goes like this:
You find a spot, not above all the logs where everyone sticks their marshmallows by default, but at the heart of the fire. Ideally between a couple logs already glowing gold. Something like here:
Below the leaping flame. Near the logs. There's probably only one or two spots good enough for this on any given fire, but that's okay because everyone else is up above. They will get their marshmallows faster. They will be either firm or burned or both. That's not your goal.
Rotate the marshmallow slowly. Ideally come in at an angle so the part closest to the flame is the side, not the tip. The spot closest to the fire is the spot that turns a crispy golden brown, and you want that everywhere, on the tip and around the circle.
You keep going, slowly turning, for several minutes. Several people will rotate in and out of the higher sections, getting their fast delight. Eventually, your marshmallow will start sagging badly, risking falling. Maybe it does fall and got start over. But eventually it will be golden brown all over, and so liquid it no longer clings to the stick. It is ready, finally.
You say "who hasn't gotten one yet?" And deposit it onto their waiting graham crackers and chocolate. You've made an excellent marshmallow. It isn't for you. Get another while you're over by the bags and go back to the heart of the fire.
That's your evening. One, slow, perfect marshmallow at a time, given to whomever still wants s'more. You're making art for children to stuff into their mouths cheerfully. You're watching the movement of the fire and the heat of the logs, like you would if you were maintaining it — maybe you would be, maybe you were the one who built it — but right now that's not the goal. Let someone else put more logs on, while you take only the one stick and find the best spot for it to live.
You will, eventually, finish a marshmallow and find that nobody moves to accept it. Maybe they're all eating right now, or maybe they've gone through so many they're hesitating. Eat your masterpiece then. Enjoy it, the hardest and most perfect result from a fun and beautiful moment. Go back in for another, until you've run out of marshmallows and the fire is too low or until even you are done with s'mores, until you have made enough.
"We don't want a gooey mess" pfft even the artistry studied at the feet of my father is inherently a gooey mess. That's the whole point!
Every word of every addition to this post is both 100% true and Pulitzer Prize winning writing.
dungeon meshi but they end up in the back rooms, a cursed idea that was eating away at my brain
Peer-reviewing @monikoishi's tags because they're banger.
hey so filming people without their consent is weird. you know that right? filming people you don't know and they aren't aware of what you're doing is creepy. posting strangers online is fucking weird. we're too comfortable with doing it now for shits and giggles, chasing some sort of viral hit instead of reckoning with the fact that you posted someone who did not consent to their body and face being publically used.
we're being pushed these Meta Glasses as if mass surveillance of strangers is fun and normal! it's weird!!! there are already reports that people are using these to film women without them knowing and sharing it to communities who get off on this shit. who else knows who people are filming. these glasses with cameras are not obvious and that is dangerous.

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If you're disabled and are offered "perks" like the national parks pass the US has, TAKE THEM. Don't fuss over whether you're disabled "enough" to deserve that parks pass, if you qualify, you deserve it. You've suffered so much, you might as well enjoy the few benefits you get too.
(For all the people like FREE US PARKS PASS WHAT? here you go <3 I happened to learn about it when I visited the Oregon trail interpretive center with a walker and the information desk guy stopped me before we paid for entrance. He let me use my blue badge as the permanent disability documentation, but your mileage may vary. A doctors note works too.)
Recreation.gov is your source for discovering and experiencing America's federal recreation activities and outdoor adventures.
Via Authors Against Book Bans - May 29, 2026
Three federal book ban bills are currently alive in the United States Congress:
HR 7661
Status: Passed out of committee; to be introduced in the House Would amend the Elementary and Secondary Education Act (ESEA) to prohibit federal funds from being used for any material deemed “sexually oriented.” Buried within that definition is language that includes material that “involves gender dysphoria or transgenderism.” While framed as protecting children, the bill opens the door to banning books that include LGBTQ+ characters, defining trans existence as inherently inappropriate, and narrowing literature toward a prescribed, limited canon. In short: Would treat any LGBTQ+ identity as sexual content.
HR 2616
Status: Passed the House; referred to a Senate committee Would withhold ESEA funding from schools that “teach or advance concepts related to gender ideology,” using definitions from Executive Order 14168. It frames itself as protecting children. In practice, it represents another attempt to eliminate not only trans and nonbinary books, but also any acknowledgment of gender non‑conforming people in public education. In short: Would deny the existence of trans and nonbinary people.
HR 8705
Status: Passed out of committee; to be introduced in the House Rather than naming specific books or categories of literature, it blocks federal funding for American History and Civics Education from being used to promote what it calls “discriminatory equity ideology” or “gender ideology,” definitions drawn from a January 29, 2025 executive order. Likely impacts would include fewer books on racism and civil rights, less discussion of sexism and inequality, narrower civics curricula, and publishers pulling back on diverse perspectives. In short: A funding lever that shapes whose version of history gets taught.
HR 7661 and HR 8705 are still in the House, so please call your representative and tell them to oppose both bills. Click here to find the phone number of your representative’s office.
HR 2616 passed the House, and has been introduced to a Senate committee. Please call your senators and tell them to oppose the bill. Click here to find the phone numbers for your senators’ offices.