she’s so baby girl (ignore the homicide)
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let's talk about Bridgerton tea, my ask is open
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@violetful
she’s so baby girl (ignore the homicide)

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finally watching oscar winning critically acclaimed movies and thinking damn this movie is good they should give it some kind of award for how good it is. has anyone heard of this. could be big.
Cashmere has a habit of absentmindedly tracing the points of Enobaria’s sharpened teeth with her fingertip when they’re cuddling and Enobaria was deeply startled the first time it happened.
STARLIGHT IN "GET SOME"
I fw deeplander in the way that homelander probably views deep as like a dog that he can make dance and do as he pleases

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Homelander sitting behind him and plotting in the baby costume really adds to the artistry of the scene I think
I’ve had enough
i don’t think i’ll ever hate something as much as hunger games fans on tiktok saying peeta will never be the “real him” again. genuinely it’s getting to a disgusting and demeaning point and if they think this way about real trauma survivors i don’t want to be around them. i’m getting this close to just blocking the tag entirely because the comments are so insulting and cruel
Cashmere moodboard
Pre-Arena portraits of Katniss and Peeta for the 74th Hunger games.

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silka & maritte is my climmer in the big 2026
and i will die on that hill.
Not sure if this has already been said but I was going through the illustrations for the Illustrated hunger games and I can’t stop thinking of the depiction the artist took for Thresh.
In the original book, Katniss describes Thresh as powerful and intimidating—a build on par with the Careers, strong and silent, a mysterious threat lurking on the edges of the arena that is able to hold out until the very last days of the 74th games. And you can see how this interpretation informed the casting choices made for him in the live action adaptations. For years, the only image we’ve had of Thresh is of this strong, unstoppable guy who had to be taken out by either the physically strongest guy in the Games, or by monsters designed by the Capitol itself.
And then, you see Thresh as he’s illustrated.
The low angle. The backlight throwing almost his entire figure into shadow. The way he holds aloft the rock he just killed Clove with—the fact that you can *see* Clove’s corpse in the background. Everything about this image is designed to paint Thresh as this hulking berserker, moments away from beating in your skull.
But then you see his face. Those eyes, welling with tears. The look of disbelief. The way his mouth is opened—what is he saying? Is he asking Katniss if she’s the one who killed Rue? The little girl who would sing when it was time to go home from the fields? Or is he stunned into silence as Katniss recounts how she buried Rue in flowers, how she sang to her in her final moments? In the books it’s mentioned that he never talked to anyone—was he preparing, like Katniss, to see everyone in that arena as a threat? How shocked must he have been that this random girl he never even spoke to, whose name he’s probably forgotten, go to such lengths to show kindness to someone who wasn’t from her district?
More than anything, he looks so *young.* His eyes are large and expressive—his face is soft, still retaining a little baby fat. Throughout the book, Katniss categorizes her fellow tributes as potential threats first and foremost—she often describes Thresh as a stoic, unflinching powerhouse, but then you see this and you’re taken aback. Because this? This isn’t the calculating, powerful predator we’ve been expecting. This is very clearly a *child.* A *boy*, who’s been ripped from his home to fight to the death in an arena for the entertainment of the ruling class. Who probably got his strength from climbing trees, hauling sacks of grain, collecting food. Who was so deeply impacted by the death of his district partner that just the suggestion from another girl’s mouth that she had killed her sent him into a rage. Who, in the books, refused to interact with or fight any of his fellow tributes until he heard Clove talking at the feast.
You start wondering—did he ever want to kill anyone? Like Peeta, did the idea of the Capitol turning him into a killer make him sick? Like Reaper, was it a refusal to play into the hands of the Capitol? Like Katniss, did the fact alone that he had killed leave its own horrible mark? Did he spend his final nights jumping awake as he relived Clove’s skull caving under the rock? When the mutts finally came for him, do you think he hesitated when he saw the tributes’ eyes staring back?
This is a *kid.* They’re all just *kids.* And that’s what fucks me up so much about this picture of Thresh—that it’s not just a depiction of him, but of all the tributes who have ever competed in the Hunger games. That no matter how they are reframed as victors and monsters and killers and spectacles, at the end of the day they were all children. Boys and girls forced to fight each other to the death, while their true enemies watched on, laughing.
No but imagine Silka’s last moments thinking she was going to win. She missed home, she was terrified, so much that she even cried for it. I think is one of the few examples where we read about the careers not being killers, but kids. It also says a lot about Haymitch as a narrator; he saw this human side on every other tribute. Unlike Katniss (and probably thanks to his different upbringing), he started the game as a fighter, not as a survivor. He never intended to win, so he didn’t see the others as his enemies, but rather as other people trapped in the same fate as him. He didn’t want to win, so he could afford to be empathic, could afford to be kind.
As of Silka, she accepted his chocolate (a true, kind gesture). She was vulnerable but he didn’t take advantage of that, even if he could. It was one of the many ways he painted his poster: by being human.
She knew the only thing that stood before her and her home was Haymitch and Wellie. How it must have felt when she felt the dart and saw her. Silka was probably erratic, traumatised, shocked (of all she had seen) and relieved as well. The way Haymitch describes her in the last fight it sounds as if she was having some sort of panic induced episode, or even psychotic. She probably was barely aware of what she was doing and acting on instinct and survival need. When the axe bounced back she was so close to killing Haymitch, of winning the games, that she probably could taste of home.
thought i’d post another commission i got cuz im missing my blonde babe
(art by Reset/Resettispaghetti on discord and tiktok!!)
isn’t she so gorgeous
Honestly if we do indeed get a canon 25th Games book and the main characters is yet again from D12 you will indeed see me on the news

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All those references to tbosas in sotr and she couldn't at least mention my boy REAPER, like c'mon suzzane he had the most impactful act of rebellion ( don't get me wrong I love Lucy gray but I feel like reaper was the more rebellious)
*cling hard to my hc that he became a legend in district 11 *
where tf was wyatt in the sotr trailer