A PRIVATE SINGLE MUSE WRITING BLOG FOR AN ORIGINAL CHARACTER, ISHTAR ATTA ISIL.
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@violentcurse
A PRIVATE SINGLE MUSE WRITING BLOG FOR AN ORIGINAL CHARACTER, ISHTAR ATTA ISIL.
(i) carrd. (ii) main blog.
current (hyper)fixations : horror / dead by daylight, criminal minds.

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meeting ishtar is time-turned-honey, gold filling his ears, filling his lungs, stuck-in-place. like any dream, lionel recognizes her by her presence rather than her voice or tangible form — sometimes there is neither, and he'll still know her somehow. but she's right, this time it's not a simple dream, though now she's here it may as well be hers. he feels its edges weaning and wilting, either the dream or lionel himself being consumed with whatever she is, witness / prophet / antichrist, and whatever he can do for her. it's always like this. “ you're the one calling me. i'm just answering. ” the dream captures his words in bubbles moving lazily toward the surface. like honey. how often have they done this? enough times, time he get used to it.
"did i?" she wonders, eyes & mouth unmoving like a painting, staring in a faraway distance that slowly but surely gets closer until they are standing in the scene itself. camera rolling, smile for whoever's looking! "careful, cowboy, answerin' the phone without lookin' who's callin'." she murmurs, but she's already moving, one of her hands clasping itself around his bony wrist, shackles of flesh & muscles as she moves, moves, moves, like an arrow on a clock, from three p.m. to three a.m., the sun falling head first into the asphalt. "this one's gonna hurt." a warning, a promise, a bright clear smile.
🎧 five songs that always inspire you to write your muse . . .
tagged by : @suarcz
‘I am no child.’ This response is sharp, flies from the back of her throat like a rejected wad of saliva. Dripping in venom, a harshness that is unsettling around such ethereal beauty. She has not walked through fire and pain to be referred to as the child. She has not housed myths inside her womb to be made out as something so simple as a girl. The ancestors who have burrowed themselves into her chest have been invoked by dragons. They scratch at the door to holiness, they beg for dominion at her feet. Those stupid, careless, ugly little things. Those monsters that want the blood underneath her skin — the tongue in her mouth, the drought within her chest. Daenerys Targaryen is no longer a woman of simple flesh. She is the translator — the biblical plague for all godless wanderers. Surely, they would recognize a newfound religion beneath her bones, in between the marrows and the tendons. She has swallowed fire and spat out something akin to power in infancy. Delightfully naive, yet entirely consuming. She is pleased by the answer, and while she hadn’t necessarily divulged in testing the loyalty in her subjects, she is most notably a paranoid ruler. The smile upturns her lips for a moment, a fleeting image of contentment upon visage before she angles her head away, silvery mane blowing in the breeze as she stares out at the vast landscape ahead of them. The afternoon’s sun lingers between scorching heat and boiling obscenities, but where others melt, she only blooms. ‘Men would die on swords a thousand times over for the cowards who sit upon it […] I intend to employ a much richer world of loyalty. The Lannisters want a challenge, I shall give them one.’ A pause, voice crooning with the melody of velvet — Valyrian culture clinging to each syllable as though she, herself, has nursed the entirety of that lost country back to life. The patronizing tone is caught, entrapped, and snuffed out with the light hum of raspy boredom she offers her company. What is there to learn from someone who has become as distant to the world of power as dust and regret? She has no qualms with any mentors who desire to teach, but she does not gulp down usurpers’ words with ease. The serpent hisses and she, the mother of dragons, will burn each scale off one by one underneath any moon. A blink, her shoulders warm underneath the sunlight — wrist lifts to trail one finger gently along her own jawline. Deep in thought, but not quite absentminded enough to leave the conversation entirely. ‘This world is obsessed with their games and pawns […] how to be five steps ahead, how to manipulate whole kingdoms and their people. Faith in the gods wilting away to fools pretending to be witty. Either way, I will eat them whole. The Lannisters, and whoever else stands in my way.’
"then what are you?" the question settles between them as would heavy clouds of rain in front of a blinding sun ; then, the snapping of a neck under a sturdy boot! the witch's face brightens, quick as a whip. "oh, i see. a puppet, with immemorial myths threaded into strings." there, she stands corrected. it is evident that she finds humor in daenery's candid pride. as the soothsayer of times revoked, she has met many like the girl she faces today ; all wore capes too big for their shoulders, and shadows of inheritance (at once gift & curse) took what was left of the space underneath. daenerys targaryen is no different. although ishtar is willing to believe in the girl's uniqueness, if only because whatever self-importance she has convinced herself of, it has bled into the threads of her fate.
whereas the sun caresses the dragons' mother's silhouette, it seems to completely avoid the witch's alabaster skin. one swims in sunshine while the other seems content to entice shadows. "a bold claim," she answers, and with that her tone seems to shift ; the syllables become old valyrian steel, lethal in their sharpness. how different to speak the language you have been birthed with, compared to all others. "and a bold programme." the oracle hums, as if contemplating whatever bodes in the horizon.
"the gods died long before you came upon this world," heresy is spoken with the voice of the erudite, one that has seen the truth rather than been told of it through fairytales. beware of the witch! for only the culprit can be said to have witnessed the corpse. "now you are alone in your quest." a truth that hides a lie, for the girl is a mother more than she is a child, and whatever she birthed is what ishtar lost when dragons danced & burnt themselves to ashes. whoever drew the ouroboros as a snake did not meet a targaryen in the flesh. that is not loneliness. loneliness is whatever space ishtar exists in. lost & never to be found. "what part do you wish me to play in your threatre?" a puppet without strings is just a doll ; but a doll who knows how to walk is a miracle, and dhufeainnewedd hopes daenerys will find a way to climb the steps that will take her to the damned throne. let her burn it to the ground. let her be whatever cataclysm ishtar was for the world she bit into & swallowed whole, as one bites into an apple. teeth first. apologies under the tongue, forgotten. "my loyalty means so little it cannot warrant such a meeting."
the sorceress' smile is not an ugly sight ; despite the thunder scars around her icy gaze, she is a creature of beauty -- ethereal & eery, certainly, but splendid nonetheless. the ugliness hides in the curve of her smile rather than in her face, which is to say it is the intent that is foul. witch, do you not care that you are facing a destroyer of worlds? ishtar's smile seems to say, i too have eaten my fair share of universes. & the black sun would be right : whatever made dhufeainnewedd a threat to execute & a monster to exorcize, is what made cirilla a prize to conquer & a myth to control. (power)
❛ give me that. ❜ there's hardly an effort to suppress the snappy tone in @crzrl's voice while she glowers at ishtar. ❛ that's mine. ❜
so when ciri barks, ishtar smiles. all teeth & no tenderness. like a feral dog which has yet to understand that, when you play pretend, finger-play is forbidden. "i'll show you mine," she sing-songs, fingers tightening around the object, "if you show me yours." this is a game and either ciri jumps in or she gets played. there are not many ways to deal with dhufeainnewedd. ciri must know that : the stories are rarely exhausted. like breath on warm ashes, the fire is rekindled with barely more than a sight of the sorceress, simply existing ; the girl with hair white as snow, eyes like thunder & smile so mischievous it is often the last sight of the ill-fated. "here", she murmurs, extending an object of her own ; one that was nowhere near her body a second before, with the distant crack of thunder as sole warning of her magic use.

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the black sun meets the dead moon ; eyes of a similar shade of ice narrow slightly, appraising, before words are spoken. "you are trespassing, lich" nickname, almost an insult. & around them, the forest murmurs its assent with great enthusiasm, for the undead is rarely welcome within a space that represents quite literally the cycle of life. "i hope it is for good reasons." @pneumic
"we really gotta stop meetin' like this." the ethereal murmur comes from your left; yet it is on the other side of @overeve's body that the girl becomes tangible. her voice is like motor oil on the warm pavement of a road in august ; sizzling. "ain't even my dream." or rather, her past / future / whatever time she has been thrust into, witness to the never-ending slaughter.
𝐭𝐨 𝐦𝐮𝐜𝐡 𝐨𝐟 𝐭𝐡𝐞 𝐭𝐞𝐚𝐦’𝐬 𝐜𝐡𝐚𝐠𝐫𝐢𝐧 𝐚𝐧𝐝 endless teasing, spencer enjoys these days. when they are able to come back to the office and enclose themselves with papers upon stacks of papers. it’s a good way to unwind, to smooth out the bundled nerves in his jaw or fingers, by just skimming over a phrase and writing the next just as effortlessly. yes, it was strange that this was therapeutic to him instead of going home, flipping the television to a random channel ( perhaps the discovery channel, there was always time to learn new things ) and fall asleep on the couch with a book on his chest.
he will not mention when he’s completed the task because it was about an hour ago—and he’s more humble than that—when he knew juno was scribbling her edits in the red pen she favored so. while he noticed ishtar spinning in her chair, pencil poking out from her hair. spencer would stare up from his writing, freshly printed copy paperclipped together and lying flat, ready for hotch’s approval. when it’s evident he’ll have to wait moments longer before either of them are ready to leave; he steals a book from his satchel and flips it open to the page he’d remained on in the jet. he would have finished it earlier, much earlier because it was just another reread, if it were not for ishtar and the deck of cards she’d newly acquired. attempting to play goldfish with emily and juno. there was no need for words to express his . . . momentary dislike for the new hire.
reid’s biggest problem with profiling isil is that he has no interest in knowing more. boy wonder only sees the surface in which she swims easily, calls it lake & is done with it. but there drowns his analysis, for one cannot read a book that has yet to be opened. the story hasn’t unfolded, fingers haven’t cornered the pages, lines haven’t been caressed in horror or in awe. only juno seems to have caught glimpses of her, but these too were watered down by lust & spit. cool girl, pretty girl, ditzy girl. she is a good time with a game face that never turns off. when they go out, she is with them, she gets them the good table & the right kind of cocktail. she introduces them to the barman, even though she’s been in the city for less time than most of them. and once the party is going & bonds are being weaved, one drunk confession at a time, they fail to notice that the girl is already long gone. ditzy girl, pretty girl, cool girl. already swallowed up by the crowd, buried between bodies of faceless companions. she is oh so fickle, barely a girl, so terrified of being bound that she can be seen gnawing at the rope holding them all together. calls it a hanged man’s rope, when truly it is only a necklace, one that most call family.
perhaps if reid had paid more attention to the whispers that have been going around the office, he would known that belonging to a family is of no interest for the girl who saw her mother murder each and every member of her cursed tribe. families are easy wounds to probe & she is not keen on repeating the process. oh, she remembers : even as a child, she understood that bodies were sacrificed at the altar of a wicked god and that her mother would blame her for it. rossi told hotch early on ; that girl is something else. he took it as a warning for her personality. in truth, it had and still has more to do with her abilities : it is that same shapeshifting trick that got her out of the village. visage bleeding from rock-inflicted wounds, “i’ll draw the devil’s mark on ya. ugly ugly daughter o’ mine.” walking across the soil that saw her bleed twice ; once as a girl & once as a corpse. there, the child attempted to make a promise ; found ungodly ways to keep it. child became woman and found that sex tastes like love if you keep it sweet & short. woman found that less personality means less affection, and so she became it ; cool girl, pretty girl, ditzy girl. never the one you’d imagine at the altar, never the one you’d find to symbolize home. oh, what terrible choices did she make, just so she wouldn’t suffer the same loss twice. but even that was not enough, for malborne’s body found its way to a casket and ishtar discovered that grief still tasted the same way as it did all these years ago : muddy & acrid. the lord god formed the man of dust from the ground & breathed into his nostrils the breath of life – ishtar throwed up all that dirt on her way out of the cemetery and vowed to never endure the same enchantment again.
perhaps if reid had paid more attention, he would have realized that she wants to replace him even less that he himself wants her to. all she desires is to get her hands on them so that she can learn the angles & curves of their beings. an easy way to learn how to make clay dolls of her memories, so that wherever she goes next she won’t have to go alone. it is difficult to be a living corpse. one must fill oneself to the rim with moments. only heavy memories keep you tethered – and ditzy girls aren’t the kind to get heavy.
for the gift of her full attention, juno gets a toothy grin that curves around the pen. it is not rare for ishtar to suggest games ; riddles & dares that usually do not warrant any attention from the team. in quite the same manner as reid’s tangents, ishtar’s attempts at distraction tend to remain ignored. the few who play (penelope, derek, sometimes juno) usually get something for their gracious participation. be it files off their shoulders, gifts sent to their houses, or other gracious acts of service that remain anonymous, all is good as long as it gives them pleasure. her last deed was paying a month worth of penelope’s favorite treats & having them delivered to her house. the dare had been worth it : whatever she said in that phone got derek morgan so hot and bothered that he wasn't quick enough to avoid ishtar’s phone as she was taking pictures. with that kind of leverage on her phone, she was bound to get a few favours for the next month at least. so yes, ishtar was mischievous, but she was fair : and if juno was willing to play, then ishtar would make sure that there was something to win.
“good girl”, she murmurs. her gaze is unwavering, while her pen points at suarez, same as a sword would point at the anointed knight. “junie baby, my lap’s all lonely. come warm it up.” and without hesitation she taps her thighs three singular times, all perfectly timed for her palm to fall on her jeans as a new second ticks on the clock. there are details like that, few and scattered, that remind spencer of the fact that ishtar is not all she pretends to be. behind the chaotic everything, there is a small space for rigidity that he has never truly seen anywhere but in himself.
“an’ then it’s doc’s turn. ask me.” which she doesn’t actually let him do. ishtar’s game, ishtar’s rules. she knows she has his attention anyway : with each step juno is taking, spencer’s interest grows louder, stronger. jealousy? or something much worse. “i’ll take truth, darlin’. ‘ny question tha’s brewin’ in tha’ big brain of yours, consider it answered.”
Elle Fanning as Jesse The Neon Demon (2016) dir. Nicolas Winding Refn
PEARL (2022) dir.Ti West

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it is not uncommon for any of them to stay late at night in the office, but it is rarer for hotchner or rossi to be absent while it happens. however, next monday is beth's birthday, and the team graciously offered to take care of this week's reports for hotch so that he could get away with his son and new girlfriend. as for rossi, it was decided that he would finally take his six days off in order to do whatever it is he does in his free time (write more books, probably). then, one by one, as dominos making each other fall, the rest of the team decided to get away as well, finishing their work in haste and leaving the rest for the younger ones who had no plans at all. it was becoming rarer and rarer for the workload to be low enough that they could step away from the office more than the minimal number of hours required for sleep, so they all wanted to take advantage of it. penelope and derek are currently in london, visiting emily. blake apparently had lose ties to take care off.
which leaves us with the golden trio : juno, spencer and ishtar.
the last paper to be written is ishtar's, because she spent most of the last hour thinking of silly rhymes for jack's birthday poem instead of actually writing her report. the kid is cute enough that ishtar will probably get him a toy too, but she wouldn't be herself if she didn't join a badly written handnote. she suspects juno is only staying because she is actually waiting for her, while spencer is most likely pretending to work because he refuses to be the first one to leave. wouldn't be the first time, and considering the way his eyes have barely moved across the screen, she knows he is not reading at all.
a sigh & a stretch of her arms above her head signal to the rest of the group that she is fully done, but instead of getting up to leave, she simply pivots in her chair to look at spencer, who takes a minute too late to raise his gaze and look back at her. it is obvious that whatever she is about to say is going to annoy him, for ishtar's most nonchalant grin welcomes him, soon followed by words, "darlin' doctor. truth or dare?" to which he scoffs, both at the term of endearment and the game. spencer has never been a big fan of ishtar, or rather, he has never wanted to appear to be one. the first time they met, he felt the hot scorching sensation of jealousy against the back of his neck : thank god rossi brought her & not gideon, or he would have felt completely replaced. after a few days, annoyance became the main feeling she evoked in him : how could anyone think she was of use? he saw her on cases, fingers testing for dust, moving furniture around, always looking for clues in places that would give none. and then, understanding dawned. he saw her in her "interrogation mode", which is just an expression they like to pass around because ishtar completely metamorphoses the second she steps into the metallic room. whoever is behind that one-way glass window has nothing to do with the odd kid they know. she's ruthless in her control of her image. whatever it is that the unsub desires or despises, she becomes with ease. answers, both silent & spoken, are grabbed with swift precision. the first time she came out of the room, rossi had a proud grin while the rest of the team stood there, mouths agape, as if they truly suspected she had been recruited because of her address book rather than actual talent.
sometimes, ishtar thinks reid wants her more than he is willing to want her, and that is why he fights her on absolutely everything. but that's no issue at all : as long as he comes home with juno & her at the end of the day, ishtar is willing to play the cat to his dog. she'll even meow if it gets him going.
after a moment of strong silence, meaning spencer is deliberately pretending she doesn't exist, she pivots some more to look at juno. her gaze is a bit more forgiving when she demands : "what 'bout ya, june dear, truth or dare? doc ain't no fun." she says it with a pout, completely heartbroken that her game has been faced with such rebuttal. in truth, reid's reply was more than expected, just like juno's is. after all, ishtar knows them well. @suarcz, @idi0tproverbs
Reign | 1x22 - “Slaughter of Innocence”
The Great 1.02
@h0bbs : ❛ i don’t think before i act sometimes , but i’m not a bad person . ❜
acting's all a game one has to play with oneself : gotta move fast or your brain will catch up with theories & thoughts you are not equipped to analyze. ishtar likes her thoughts bowlderized to their truest form, hence the chilling eyes & the sultry smiles. how desire can turn any human into a stammering mess who confuses right from left. the best way to describe it is that ishtar thinks with a purpose. she thinks in a fashion that is so cutthroat & ruthless that perhaps not thinking at all would bode better for those around her. "what's with tha obsession wit' goodness, 'nyway?" she wonders, her face suddenly turning toward abigail, the soft mattress of a girl's bedroom squeaking with her every move. "ain't like yer gonna get a prize for being a good lil' girl."
by Alexa King

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ELLE FANNING
Los Angeles Times photo studio portraits at TIFF (2018)
𝐬𝐭𝐢𝐥𝐥 𝐛𝐚𝐛𝐢𝐞𝐝 𝐛𝐲 𝐭𝐡𝐞 𝐭𝐰𝐨 - 𝐰𝐚𝐲 𝐠𝐥𝐚𝐬𝐬, the mesh wire, and the overhead lights, juno’s big eyes are glued to the pale limbs inside that room. a girl, really. a girl just her age and still, so much more capable than juno had ever been. bearing pearly teeth and soft blond curls, yet leaving bits and pieces of her all around america for juno to find. tucking away into the pocket of her jacket, some pieces too sacred to turn in and others carefully handled. running her fingers over postcards and trinkets, letters with teeny tiny writing or words taking up the whole page. how ishtar knew about certain things ── even things about juno only gideon had known of ── she didn’t know. part of her didn’t want to know, but she remembers the forensic telling her the particles of dirt matching each scene. would she really follow her across the country? was juno to blame, had she jeopardized the safety of her team? she did not enjoy being so many steps behind, so many moves lost on a wooden board. being strung along like a toy piece.
with ishtar, beckoning for her move, taunting her with knees so far apart. they were both very vulnerable in this moment.
juno’s fingers dig into her arm and the words fall from her mouth without much vindication behind them. like tossing the dice and hoping for whatever comes your way. hotch’s stone - cold composure flickers and it’s morgan’s voice speaking. you don’t have to. but there’s a twenty - four hour time constraint.
“ yes, i do. ” seventeen seconds pass before hotch agrees and with the chip in his shoulder she knows it’s begrudgingly so. she can’t convince all of them, though. weak, hesitant fingers reaching out but never quite latching on. she’s out the door and through another. in the next minute, face to face with ishtar atta isil. after what? a year, had it been so long or even longer?
“ we meet again, ” she leans against the corner of the table, dangerously near her seat. juno studies her face, counting new freckles and scabs. no distressed wrinkle, you could count on that. “ i wish we were under better circumstances. don’t you think? ” her thumbs twiddling in her lap, feigning discomposure. “ i've been thinking a lot, ishtar. and you’ve been too, hm? about me? because i’ve been thinking a lot about you. ”
as the clock ticks & tocks, the girl's head lolls from one side to the other, dancing to the passing of time, amused & obviously enjoying the inner turmoil that she can smell even through the one-way glass. are they going to do it? yes, of course. if the wolf asks for a specific lamb, you give it the prey! after all, don't you want to know why it opens its maw so wide? don't you want to know why it never leaves enough of a carcass for you to pin it on it? nothing better than the main course to taunt it into showing its teeth. that they're so eager to send her the object of her obsession is amusing, to say the least. she would have thought they would try to protect her more. aaron hotchner knew the second he set his eyes on her that ishtar would not be the kind to babble the truth. so why cave to her demands?
ah, most certainly because juno said she would do it & one thing a father wants more than anything is that, when push comes to shove, his child is able to stand their ground in the middle of the storm. & so here she comes! juno suarez, still as delicious as she was a year ago. not that ishtar hasn't seen her since : she is meticulous in her affection, and would not dare letting june forget about her. but they have not known each other to be in the same room ever since last year's encounter. whatever tingle ishtar got from making herself known, it had to be through pieces of a puzzle & trinkets left behind. though, considering the pallor of juno's skin, she'd say the agent found most of her gifts without any issue.
"mmmmh, depends on wha' ya'd call better, love." her tongue rasps against the top of her palate before speaking again, as if giving juno time to feign whatever expression she wishes to. on the other hand, her body is completely nonchalant ; nothing fake about it either. no tension on her shoulders, no hesitation in the spreading of her legs. a girl pretty enough to savage, all there for the taking. "agent suarez!" there, not quite surprise but counterfeited dismay. "yunno they film these kinda things, right?" a grin, pretty & bright, "wouldn't want yer team to know what ya feel 'bout lil' old me."
if her voice has yet to admit how many hours she spent thinking about agent suarez, her eyes have no issue betraying her interest : they unravel her without shame. the lines of her legs. hips & waist. toned stomach, full breasts. the dip between her collar bones where ishtar knows she could easily dip her tongue if she got close enough to touch. throat, carotid artery pulsating with precious blood. sharp jaw, and of course her beautiful face, with lips that ishtar has yet to taste. she imagines it to be intoxicating, like strong liquor with some ice. the way your body shivers both because of the assault & the reprieve.
"thinkin' ain't exactly my thin'. could do some showin' ya, though. not that i'd keep it pg-18." her smirk is full of offense, shameless & disgraceful. whatever hell she came out of, it was one without social cues & society rules. what most people think normal or necessary, ishtar tramples. what she wants, she bites. what she hates, she destroys. what she loves… well. we have yet to discover what horrors she reserves for love. "have ya told 'em, june? 'bout how this ain't as disgustin' to ya as they think?" the face drops. no smile & only a flash of teeth as she bites into the agent's name. dead seriousness as she wonders out loud, as legs open just a little wider so she can lean forward just slightly enough to hover one finger on the seam line of juno's jeans. a murmur, "what were ya thinkin' 'bout, uh?"