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One Nice Bug Per Day
â
official daine visual archive
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
KIROKAZE

gracie abrams
"I'm Dorothy Gale from Kansas"
The Stonewall Inn

Product Placement

if i look back, i am lost
untitled
NASA
YOU ARE THE REASON
Cosimo Galluzzi
Color Me Curious
Claire Keane
todays bird

⣠Chile in a Photography âŁ

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@vcinspiration
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I shop therefore I am by Barbara Kruger
Barbara Kruger -Â âUntitled (Your Body Is a Battleground)â (1989, serigrafĂa sobre vinilo, 284 x 284 cm, The Broad, Los Ăngeles)
Barbara Kruger (1945, Newark, New Jersey) es una artista conceptual muy peleona y con un estilo muy particular. Sus mensajes, concisos y sencillos, pero muy efectivos, suelen estar colocados sobre fotografĂas en blanco y negro, como si fuesen los titulares de un periĂłdico. Rojo, negro y blanco, no necesita mĂĄs. Para involucrar al espectador o definir a un determinado colectivo, utiliza pronombres: tĂş, tuyo, nosotros, nuestro, ellos, yo⌠Barbara Kruger nos atrapa en pocos segundos, lo que tardamos en leer y procesar el texto, y no nos deja escapar. Nos fuerza a tomar partido, a definir nuestras ideas y convicciones.
Esta obra la hizo para una manifestaciĂłn multitudinaria que hubo en Washington en 1989 en la que se reclamaba la libertad reproductiva de las mujeres. Pero el mensaje de Kruger es mucho mĂĄs amplio, las palabras y la imagen escogidas son lo bastante ambiguas como para darle un sentido universal: âtu cuerpo es un campo de batallaâ. Te obliga a mojarte porque estĂĄ hablando de âtu cuerpoâ, no del cuerpo de la vecina. El cuerpo de la mujer es una naciĂłn o territorio a conquistar. ÂżQuiĂŠn estĂĄ legitimado para gobernar en ĂŠl? ÂżVas a dejar que los de fuera decidan sobre tu persona, que se repartan tu cuerpo a voluntad, que establezcan unas normas de uso? Barbara Kruger no nos estĂĄ hablando solo sobre aborto, estĂĄ haciendo referencia tambiĂŠn a los roles de gĂŠnero, a los modelos de belleza que nos vienen impuestos, a los derechos de la mujer en general. Nos sitĂşa frente a un rostro dividido en dos mitades, positivo y negativo. AquĂ no hay grises que valgan.Â
Barbara Kruger

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Album artwork: XTC -Â Go 2
Roger Huyssen
Ad for the Valentine Olivetti typewriter by Milton Glaser
PALM PILLAR // MILTON GLASER 1987
I heart NY
by Milton Glaser

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OLIVETTI / LEXIKON 83 D.L. 1977. Milton Glaser. Paper
Jean Baudrillard Simulacra and Simulation
Jean Baudrillard - Saint-ClĂŠment, 1987
I donât feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning. If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for a love relationship is true also for life. The game is worthwhile insofar as we donât know what will be the end.
Michel Foucault, Truth, Power, Self : an Interview by Rux Martin, October 25 1982 (via bergmans-ghost)
Gilles Deleuze Felix Guattari Thousand Plateaus

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Derida
Jean-François Lyotard The Post-Modern Condition, 1997