Imagens, ao invés de palavras.

@maschiiiio

@maschiiiio

@maschiiiio

Isoda Koryusai Edo period (1615-1868), circa 1770s Uma (Horse) from the series Furyu junishi (Fashionable 12 Signs of the Zodiac), unsigned, 24.6cm x 18.4cm (9 11/16in x 7¼in)

Clive Barker The Itch (pre- 2012) Oil on Canvas, 48 x 60"

His figures inhabit an impossible Nasrid Granada, drawn from Arab‑Andalusian literature and Romantic legend, arranged like actors on a stage where artifice is never concealed. Electric light sharpens their contours, fabrics, metals, glass and fruit gleam with sensual precision. Morcillo’s art remains proudly academic, devoted less to innovation than to the tactile pleasure of surfaces and skin—his “god” appearing more like a captive from a homoerotic dream of The Thousand and One Nights.

Salman Toor

Alexander Moffat (British, 1943), The Constructors: Forth Road Bridge (Homage to Léger), 1964. Oil on two connected boards, 72 x 72 in.

(Slovak National Gallery)

Roberto Pare - The Arnolfini spouses, ca. 2021

Catherine Hyde

Lucy Willis, 1954, Cats, 1988, etching on paper.

Morteza Khakshoor (Iranian, 1984), Anthophile, 2025. Acrylic on canvas, 48 × 36 in.

Bahram Hajo

François Victor Eloi Biennourry (1823 - 1893) is a French painter of The Second French Empire who as a history painter was popular enough to be supported by state patronage.

Oil on canvas, 59 x  72 cm.

The Wrath of Achilles (1847), by François-Léon Benouville (1821-1859). Musée Fabre.