James Baldwin.
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@valsmotive
James Baldwin.

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joy is a habit. just so u know.
if you canât fix it youâve got to stand it being the last line of the brokeback mountain novella is so crazy it makes me feel like my guts are falling out. if you canât fix it youâve got to stand it. jesus fucking christ
god. god
WEARING CARS || ââWhen she puts that helmet on and climbs into her race car you canât tell if sheâs a man or a woman â sheâs just a race driverâ.â
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It has to have been love.
i. textpost by @heavenx | ii. a self-portrait in letters, anne sexton
iii. far above the atmosphere, hollis brown thornton 2012 | iv . post from @maliusaidh
v. goodreads quote; my dark vanessa by kate elizabeth russell |vi. uncredited post from @maliusaidh
when James Baldwin said I canât be a pessimist because Iâm alive
when James Baldwin said to be a pessimist means that you have agreed that human life is an academic matter. So I am forced to be an optimist. I am forced to believe that we can survive whatever we must survive.
Joan Didion, writing about the shock that followed after the death of her husband, John.
Tony Dunne, Joan's nephew, recounting a conversation he had with Joan after John's passing in Joan Didion: The Center Will Not Hold (2017).
I think one of the gentlest things in the world is when a friend just gets your weird little brain. like you say half a sentence and they finish it. you reference something incredibly niche from seven years ago and theyâre already nodding. they understand your strange vocabulary for emotions that donât have real words yet. itâs being seen and known and still loved. maybe especially because youâre known. god. what a gift.
Michael Cunningham, on Annie Proulx's âBrokeback Mountainâ, The New Yorker, 24 February 2025

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supersonic (2016) | sentimental value (2025)
really strange how you can be almost at peace with something that happened to you but it will continue to be a defining moment of your life for the rest of your life. you wont think about it much anymore but in a conversation about a film someone will mention the year it was released and youâll think to yourself, âthat was before it happenedâ and youâll see an old photo and think how strange it is to have existed before it happened and somehow itâs like living a life in two acts
Drivers leaving home at a young age to pursue karting then ultimately F1 and some of them (esp non-European drivers) don't get to travel with parents or guardians- it's an accepted fact of motorsport. But then I remember that interview where Daniel said he was 17 and a million miles away from home and all he had was a copy of The Castle, an Australian movie, and he'd watch it incessantly beacuse he was afraid of losing his accent and there was no one around to talk to... reminds me of that one James Agee quote about clinging to home because in the absence of home the vastness of the world might mean we don't exist at all
-AnaĂŻs Nin, 1939
dead poets society (1989) / looking for alaska - john green

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cruelty is so easy. youre not special for choosing it
"The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain."
-Ursula K. LeGuin, The Ones Who Walk Away from Omelas
"Evil is boring. Right? I kinda believe in the banality and mundaneness of evil. Evil is just selfish impulses, which at the end of the day are really easy to understand. Itâs easy to understand why people do bad things. Itâs like âyeah, ok, youâre selfish and scared and cruel, I get itâ. Being good is complex and beautiful and hard." - Brennan Lee Mulligan
âImaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.â
- Simone Weil
jannik truly inspirational to me in the sense that he isn't ashamed of publicly trying and failing in order to improve himself. he could have saved all of those dropshot trials for practice courts, but he knew that to truly master them he needed to practice them in real life. so he took risks, ridicule from a lot of fans and some commentators and probably a lot of unpleasant audience reactions, and lost points, but in the end he came out of it with a new weapon in his arsenal. he decided to learn a new language, and as soon as he was communicative he made active choices to speak that language as much as he can to get better and gain confidence in it, even though he's making mistakes and was clearly nervous about it. yet he still did it.
it's so admirable to me. he's the best example that truly shows that trying in spite of failure is not a reason for embarrassment, it's a sign that you are striving for improvement
Sinner later said of his decision, "I wanted to throw myself into the fire." He sought change, no matter the discomfort.
from Changeover: A Young Rivalry and a New Era of Men's Tennis by Giri Nathan