Trevor Paglen They Watch the Moon 2010 digital c-type print, 91Ă122cm
Misplaced Lens Cap
Xuebing Du
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
Keni
"I'm Dorothy Gale from Kansas"
NASA
wallacepolsom
Today's Document
PUT YOUR BEARD IN MY MOUTH
noise dept.

romaâ

JBB: An Artblog!
will byers stan first human second
art blog(derogatory)
DEAR READER

JVL
Lint Roller? I Barely Know Her

seen from Malaysia
seen from United States

seen from Malaysia
seen from United Kingdom
seen from Germany

seen from Malaysia

seen from TĂźrkiye
seen from Jordan

seen from India

seen from United Kingdom

seen from France

seen from Australia
seen from Australia
seen from Paraguay
seen from Mexico

seen from Mexico
seen from United States
seen from United States
seen from United States
seen from United States
@uts-art
Trevor Paglen They Watch the Moon 2010 digital c-type print, 91Ă122cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Shinseungback Kimyonghun Memory 2013 digital tablet, custom software and wooden frame 30Ă24.5Ă3 cm
Paolo Cirio Street Ghosts 2012âongoing printed paper, site-specific dimensions vary
Mahwish Chishty MQ-9/1, MQ-9/2 2011 30Ă76 cm gouache, gold leaf and tea stain on handmade paper
James Bridle A Quiet Disposition  2013 printed books, computer monitor, networked software dimensions vary

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Heather Dewey-Hagborg Stranger Visions 2012 3D prints, wooden box, documents, found samples dimensions vary
Denis Beaubois Everybody Happy 2000
Denis Beaubois Here, Now, Infinitely There 2000
ÂÂWe know where you are. We know where you'ÂÂve been. We can more or less know what you'ÂÂre thinking about.'ÂÂ These aren'ÂÂt lines from Nineteen Eighty-Four but the words of Eric Schmidt, Google'ÂÂs notoriously frank Executive Chair and former CEO.
Find out about the activities of GCHQ and the NSA with this animation from The Guardian.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
This image is a parody of a famous image made by poster street and silkscreen artist Shepard Fairey (of Obey fame). Here is a link to an article on Fairey's response to his iconic Obama poster being appropriated in response to the recent PRISM surveillance affair.
Trace Recordings, an exhibition at the UTS gallery, Sydney, suggests that much as much as we might value our individuality, we are at some fundamental level just averaged out data
Shinseungback Kimyonghun
Shinseungback Kimyonghun is an artist duo based in Seoul, South Korea. Shin Seung Back studied Computer Science at Yonsei University in Korea and Kim Yong Hun studied Photomedia at Sydney College of the Arts. Together, their artistic practice explores digital technologies related to image processing and computer vision. They are interested in how these shifts and changes in technology have been affecting our relationships with images.
Their work Memory consists of a digital tablet inside a picture frame. The frame includes mountboard that hides the edges of the tablet, but has a small hole at the top for the tabletâs internal camera. Inside the frame is a blurry portrait.
The tablet is loaded with software that detects viewersâ faces. Every time it registers a person looking at it, it takes a photograph of the viewer and superimposes it onto the previous portrait. The software then averages the images together. The face in the frame becomes a composite portrait of all the people who have looked at it.
 Make a version of Memory for your class group. You could do this in a number of ways. You could set up a photo booth, and photograph each member of your class in the same way and at the same scale (you might want to use markings in the camera viewfinder, and make sure the camera doesnât move). In photoshop, make an âaverageâ of all of your photographs. There are a number of ways to do this. See if you can work out the most effective way. Once you have succeeded, try making an average photo of the students in another class. How about your whole school?
Camoufleurs
Camoufleurs were professional camouflage specialists in the defense forces during WWI and II. It was a very special and esteemed position. Camoufleurs were often professional artists (you may have heard of Paul Klee and Franz Marc). The word originally referred to people serving in the French military camouflage unit in WWI.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Norman Wilkinson: Dazzle Pioneer
The word 'dazzle' comes from a type of camouflage devised for navy ships in World War I. Rather than try to blend them in with their surroundings, dazzle works on the principle of disorienting the viewer so that it is harder to tell the size, speed and direction of a ship at sea. It was pioneered by British artist and marine painter Norman Wilkinson for use by the Royal Navy and the US Navy.
Wilkinson was serving in the Royal Naval Volunteer reserve in 1917 when there was a string of attacks on British ships by German submarines. Up to eight British ships were sinking every day. It was around this time he had the idea for a new type of camouflage, one that would make it harder to aim fire at a ship in the distance when looking through a periscope.
Wilkinson was put in charge of naval camouflage, and moved in to a new headquarters in the basement of the Royal Academy of Arts in London. There he worked with a team of artists, model-makers, camoufleurs, construction preparators and draughtspeople. Together they designed different types of dazzle, tested them out on models and sent plans out to the docks where another set of artists would apply their designs to the ships.