so this is their dynamic, right?
will byers stan first human second
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so this is their dynamic, right?

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Doodles (made on magma because I can’t. Redownload procreate T T )
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i may have got carried away with the prompt. just a little
kinosaki is a witch + a criminal wanted for seducing and stealing from many nobles… he has a reputation of being very skilled at making love potions/spells but really he’s just so naturally charming 😋❤ he lives normally as a peasant +gets by unsuspected of being that witch
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Catarina Claes (24th June)
My Next Life as a Villainess

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Go my Yuri rarepair . Ok um (skitters away out of view)
i love Nicol so much (〃゚3゚〃)
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First post hihi!
so frustrating when you go to see if anyone has written about homoerotic subtext in dostoevsky's work and you get maybe one academic article and the rest is substacks summarizing the book in question and one (1) person on reddit earnestly trying to engage in discussion before being immediately shot down. i'm not saying the man was an #ally or anything but there's a throughline particularly in his later works that at the very fucking least implies that a) he was aware that people can be gay b) he utilized this in some of his Great Works to explore human psychology. like can we please talk about netochka nezvanova being thrown out onto the street after she and katya are found kissing. or nastasya psychologically manipulating aglaya by writing her love letters in the idiot. or trusotsky goading velchaninov into kissing him on the mouth and confessing his love, which velchaninov calls "shameful and unnatural and immoderate" in the eternal husband. or stavrogin using his charisma to radicalize young men into heavily eroticized violence in demons. can we please talk about it. i feel like i'm in an echo chamber.
dostoevsky employed a rather putin-esque rhetoric towards homosexuality, considering it a western vice that would destabilize russia, as shown from this quote by his colleague varvara v timofeevna (c. 1873, trans by irene zohrab)
so it wasn't as though he was writing it in by accident. in fact, it's extremely easy to read this passage and understand some of the examples i gave above as being purposeful. in idiot, rogozhin and nastasya both use queerness to manipulate myshkin and aglaya respectively. both characters are "damaged goods" both mentally and in terms of sexual development, leading to perversion. in the cases of trusotsky and stavrogin, both characters are explicitly villainous and their villainy comes in part from their willingness to corrupt other men by any means possible, including sexually.
i can't think of any god-fearing excuse for whatever the hell happens in netochka nezvanova. the state tried to execute him because they knew that if he wrote a complete novel with a lesbian protagonist he would be too powerful. sad!
obviously this isn't woke or anything, and there were authors writing in the same period and similar circumstances who wrote much more liberal viewpoints into their works. however dostoevsky was a conservative & intensely religious man, so this isn't exactly surprising. i just wish that people could talk about this subtext without being shot down or ignored. these toxic relationships are among the most interesting parts of dostoevsky's novels to me as a gay person and i'm sick of people pretending that dostoevsky couldn't have been a) an incredible writer b) a conservative christian c) purposefully engaging with a spectre of queerness.
anyway. here are some articles i've found that do discuss the topic. i haven't had a chance to read through all of them, but they at least look interesting (all free and available for download)
dostoevsky and the (missing) marriage plot by anna a. berman (2021)
dostoevsky's comley boy: homoerotic desire and aesthetic strategies in a raw youth by susanne fusso (2000)
+ fusso has a whole book called "discovering sexuality in dostoevsky"
a falliable narrator and an inscrutable object: desire as structure in dostoevsky's the eternal husband by james phillips (2024)
"mann-mannliche" love in dostoevsky's fiction (an approach to the possessed) by irene zohrab (2002)
dostoevsky in europe: "the life of a great sinner" as source material for "the possessed" and "the adolescent", and ulrichs's confessional 'third sex' theory and some court cases in germany by irene zohrab (2001)
dostoyevsky: epilepsy, mysticism, and homosexuality by j.r. maze (1981)
myshkin's queer failure: (mis)reading masculinity in dostoevskii's the idiot by connor doak (2019)
Cheesy garlic bread
Ijeoma Umebinyuo, your love poems need politics to survive // June Jordan, Directed by Desire // Warsan Shire, Conversations About Home // bell hooks, Salvation: Black People and Love // Mahmoud Darwish // Audre Lorde, A Burst of Light // Rod Smith // Ocean Vuong, On Earth We’re Briefly Gorgeous
Ilya Kaminsky, “Still Dancing: An Interview with Ilya Kaminsky”
Anne Michaels, “Somewhere Night is Falling”
ID:
“where does politics end and your love poems begin? sometimes, they are both the same thing sometimes, they have to be the same thing.” - Ijeoma Umebinyuo, your love poems need politics to survive
I SAID I LOVED YOU AND I WANTED GENOCIDE TO STOP I SAID I LOVED YOU AND I WANTED AFFIRMATIVE ACTION AND REACTION I SAID I LOVED YOU AND I WANTED MUSIC OUT THE WINDOWS I SAID I LOVED YOU AND I WANTED NOBODY THIRST AND NOBODY NOBODY COLD I SAID I LOVED YOU AND I WANTED I WANTED JUSTICE UNDER MY NOSE - June Jordan, Directed by Desire
“i want to love, but my hair smells of war and running and running.” - Warsan Shire, Conversations About Home
Love is profoundly political. Our deepest revolution will come when we understand this truth. Only love can give us the strength to go forward in the midst of heartbreak and misery. Only love can give us the power to reconcile, to redeem, the power to renew weary spirits and save lost souls. The transformative power of love is the foundation of all meaningful social change. Without love our lives are without meaning. Love is the heart of the matter. When all else has fallen away, love sustains. - bell hooks, Salvation: Black People and Love
[Arabic text, then] When are we going to see each other, she asks / After a year and a war, I say / When is the war going to end, she asks When we see each other, I say. - Mahmoud Darwish
Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare. - Audre Lorde, A Burst of Light
We work too hard We’re too tired to fall in love. Therefore we must overthrow the government. We work too hard We’re too tired to overthrow the government. Therefore we must fall in love. - Rod Smith
“All this time I told myself we were born from war—but I was wrong, Ma. We were born from beauty. Let no one mistake us for the fruit of violence — but that violence, having passed through the fruit, failed to spoil it.” - Ocean Vuong, On Earth We’re Briefly Gorgeous
Yes, many poems in this book have to do with civic strife. But the story circles around the life of two newlyweds, the moments of small joys in a young marriage. It is a book of motherhood and fatherhood; it is a book of private happiness. I am a love poet, or a poet in love with the world. It is just who I am. If the world is falling apart, I have to say the truth. But I don’t stop being in love with that world. - Ilya Kaminsky, “Still Dancing: An Interview with Ilya Kaminsky”
Somewhere, for the sake of his children, a man writes what he has seen / Somewhere, for the sake of his children, a man will not write what he has seen. - Anne Michaels, “Somewhere Night is Falling”

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— Rainer Maria Rilke, Letters to a Young Poet
Marx Soul gijinka post before i sleep
Been thinking about my fanfic, The Shooting Star, so here are some crumbs while chapter 4 still brewing! :D (I’m so sorry for the wait..)
Maria, knowing basically nothing about the world around her besides the basics, will definitely internalize some traits of the people she surrounds herself with. In this case— the main cast. And so, here is a chart of what she may inherit from them all!
(Not everyone because I haven’t thought about that yet)

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Salted Honey Butter Sourdough Parker House Rolls
Beauty is Terror.
1. first elegy from the duine elegies, by rilke / 2 & 3. the secret history by donna tartt / 4. água viva by clarice lispector / 5. the brothers karamazov by dostoyevsky