Alright, so I know thereâs a lot of people disappointed with the ending, again, I sound like a broken record by this point. And donât get me wrong- While I love the ending, I would still love to see more of the characters and the story! I just feel itâs a good end as it is. Iâve made a lot of theories about what the End means and everything about Act 7, but all of the things I said, about the Jujus, about becoming freed from Paradox Space, it made me think about the rest of the story, and I believe it has made my entire idea of what Homestuck is change.
So the big question here is, what IS Homestuck? Most people, including me, when talking to someone who knows nothing about it, will speak about the story, the 4 Kids playing SBURB, and the subsequent destruction of Earth. And then mention its huge amount of references towards programming languages, popular culture, storytelling in itself, and itâs self-referential nature. But this Ending has got me thinking that maybe the reason why so many people have been disappointed in the End is because they got Hussieâs intentions wrong.
We tend to reference how the humor and the nature of Homestuckâs narrative is a little extra onto the story, and while it is true the story itself and the characters have drawn a big part of the Fandom, I thought⌠What if the important part of the Narrative isnât the Story, but the Meta elements.
As soon as I made connection, everything about the ending began to fall into place. I have commented before that I feel Act 7 is like being shown the Good Ending of a video game without seeing its Neutral Route.Â
The Kids have Earth, and Juju Vriska uses manages to flip the ending so that instead of being trapped by Paradox Spaceâs rulesâŚ
They manage to âEndâ the game properly and get their Happy Ever After.
All while Caliborn is shown getting his power of Immortality, and while weâre left ambiguous about what happens to Vriska and Lord English and everyone in the Dream BubblesâŚ
Another thing people have complained about is the Character Arcs.
They say how âdifferentâ the timeline is. What was the point of Roseâs alcoholism if then Vriska just swats the drink away and it never had any relevance anymore? Tereziâs relationship with Gamzee never happened. Dave and Karkat got together? The Game Over Timeline is bad, everyone agrees that people dying is never good, but they also claim that suddenly having all that Character Development changed made them unable to relate to some characters anymore.
And of course thereâs always the mention of how Vriska, even though sheâs an abusive 8itch, ended up being somewhat of a heroine, or at the very least not seemingly getting too punishedâŚ
Thatâs where the Narrative itself told us there was something off.
DAVE: rose we dont have fuckin âarcsâ we are just human beings
Many have mentioned it, about how not having a closure to certain character arcs referenced this portion, the notion that the characters didnât have an arc. The same way she then references Jade breaking Endgame ships and such. Roseâs power is Light, and her information source comes from the same place as SBURB and Skaia. Itâs a game. Of course sheâd have the notion that all of them have to fit certain predisposed stereotypes or their stories have to follow a certain pattern- Rose is looking at their lives since SBURB started as it has been. A Story.
But Dave is having none of it. Dave is beyond the thought that all they do has to follow a set pattern, and claims they donât have character arcs. This might sound like a clever device by Hussie so he didnât have to explore more of each of these characterâs lives and he could close the comic leaving some loose ends but, thereâs more.
Hussie? As an entity? Exists within the story. This would be all fun and dandy if it were a couple of stupid references and memes. And thatâs what many people think! Most of his appearances in canon have been a joke, really. ButâŚ
Hussie joked about his influence on the comic, when his bot-self was about to mess up with the Kids in the Yellow Yard, but eventually didnât do it. And yet? His fight with Vriska. His interactions with Caliborn. Everything pictured above? Hussie is a physical entity that follows the same rules as everyone else in Paradox Space and can influence the story. But heâs not a self-insert. He IS the Author. He is the one who wrote every of these characters and continued the story. Heâs not another character, heâs himself, in the Homestuck Universe.
And then it began to dawn on me, that perhaps the Meta aspect of Homestuck was a bit more than Fourth-Wall Breaking fun and references to real life stuff. Of course, this train of thought led me to another main plot device that has never exactly been explained to its full extent. Jujus.
A lollipop that could change characterâs personalities, making them immediately make up for aaaall of their mistakes without a care in the world, start alchemizing new weapons, and end up exactly where they needed to be.
A crowbar that can break other of these mysterious devices, and more importantly, has been shown to be able to interact with the Website itself, which seems to be its own physical entity as well!
A house that gave John the ability to change the story, and that ended up being used against the Big Bad of the entire comic.
A puppet that trapped the Souls of various characters and became the gateway for the Big Bad of the comic to become who he is.
A mysterious pair of rings that oh so conveniently appear and disappear on characters, and leave you wondering what they really do, but clearly shown to at least be able to revive someone who, by no other means in the story, would have been able to get back to the world of the living.
Jujus are mysterious, when you look at them from the perspective of the characters. They have no beginning, no end, they just appear at some point and do a loop through time, ending up exactly where they appeared first. They are powerful artifacts able to change reality itself, with no explained origin⌠But we are no characters. We have seen what these things do on the comic through its entire lengths.
Jujus are plot devices meant to alter the Meta of the comic. They are not things that make sense in a true physical reality. They are artifacts that alter the rules of the plot. Because thatâs what the plot is. A story. Because Homestuck is not real, and it acknowledges this.
Or at least⌠It was supposed to acknowledge this. Many have also claimed that the last updates were so disappointing, compared to Cascade, as Cascade managed to solve so many plot points, but this last one felt empty of everything. Plot. Character Development. Thatâs where Jujus and Hussie come in.
Hussie dies, in his own comic, a comic that acknowledges him as the actual AUTHOR of the events taking place. And later, we seeâŚ
Caliborn, the young version of Lord English, acknowledging Hussieâs death, as he takes the rest of Act 6 and makes it his. Through the use of the Command Prompt, through his own drawings, he begins to write his own story.
[S] Cascade had so many plot points resolved, and these last updates didnât. Because that is the point. Ever since Act 5 ended and Act 6 started, Hussie has begun to lose control of the story. He was killed by Lord English, the big bad, who also took control of the narrative. Vriska acknowledges a narrator speaking, and forces the narrative to shift back to her opening the Juju chest out of frustration. The command prompts, Johnâs retcons- At this point, Hussie is no longer in control of his characters.
The Game Over timeline was bad, but it felt like it had more Character Development. That is because it was a not-retconned Timeline. The characters had struggles, the plot moved on forward, some people was possessed, it was all prime material for a conflict and a resolution afterwards! But Araneaâs intervention made it a Doomed Timeline. A Bad End. We all know how Doomed Timelines work, so everything that happens there would have been totally irrelevant. But John didnât want to accept that. Roxy was still alive, and sad. And Terezi wanted him to fix things up. So instead of acknowledging he was in a Doomed Timeline, like Roxy did? Roxy, who saw her mother-daughter die in her arms, and claimed there might be nothing left for them. And meanwhile, John just managed to get his powers ready, zapped back in time and solved everything.
New problems arose in the new Timeline, sure, but not as many. And a lot of the character arcs were suddenly shoved back. Rose no longer struggles with alcoholism, Karkat doesnât chase after Terezi, and becomes Matesprits with Dave after mellowing down. Gamzee, one of the biggest dangers, is shoved back by Vriska until heâs barely relevant anymore.
And all of this might just be me trying to find an explanation to the sudden loose ends not being tied. But I think, all of this, was meant to express more than Hussie rolling the story back or changing the story to fit other things. No.
We go back to Daveâs words. Weâre real people, we donât have arcs. We are real people. In a comic, where the author is a character, and that always acknowledges itâs a comic? Dave saying theyâre real people is big. It was taken as a joke, because they are characters, come on! Right? ⌠Right?
Well of course they are. But thatâs the thing. Up until Act 6, all of the various characters were nothing more than that. And even during the Game Over Timeline, they were nothing more than that. But Hussieâs death, the ghosts, no longer relevant, trying to fight back against Lord English? Calibornâs acknowledgement of a story and trying to take control of it? And finally, Johnâs powers.
The House Juju gave John something more important than being able to change the Timeline.
The ability to make Selfcest canon.
Wait no- That wasnât it.
The ability to alter the plot to his own whims.
Johnâs zapping doesnât follow the rules of Paradox Space. It allows him to change the timeline as he wishes and it still be the Alpha. Not only that, but he can also warp out of the story itself, sending people and things to the background of the website.
Itâs when Vriska starts to try and find this Juju that everything about the narrative begins to shift gears. John now can change the plot. Which means he is not adhering to the rules that bound them all anymore. He can go back, bring people who were dead back to life, save his friends, and aid them get a better ending.
And in this new timeline heâs changed? Everyone seems a bit different. They have gone through different things, and are as confused as anyone else about what is going on. This is the moment where these characters stop being characters.
This isnât a story about Four Kids playing a Game, getting involved in Shenanigans and trying to live a happy ever after as villains try to plot on destroying them and reality. Homestuck is the tale of the characters from a webcomic, becoming self-aware, and escaping the grasp of the author and the narrative.
I donât know if this is what Hussie intended, and if it is, at what point he planned to start leading the story this way. I might just be crazy and be reading too much into this? But as I see it? It closes every single loophole in this story.
Doomed Timelines are meant to be nothing. They are meant to fade, and not be relevant anymore. But the ghosts are having none of this. They WANT to be relevant in this story again. They create an army, and head off to defeat the biggest threat in the entire comic.
Caliborn knows reality itself isnât as it seems, and tries to make his own story within it. He strives to become almighty, and then begins to destroy and rend reality itself so he can make way for his own rule.
Vriska knows sheâs in a story, having interacted with the very Author and the command prompt! But she is not trying to change the story- All the opposite. Vriska follows the rules of the story, closes loopholes from what she has seen, but tries to be the one who causes everything. She wants to be in the spotlight of this tale. She creates Bec Noir just because she had seen it in her screen. And knowing this is a story, she goes off of her way to find methods to defeat each of these villains, at any cost. Because in a story, once she defeats these big, powerful foes, sheâll be a heroine, and everyone will regard her so highly, sheâll be over everyone else. Just like she wants.
John? I donât think he knows heâs in a story. But he has the power to alter it. And after he begins to mess with the timeline, the rules of Paradox Space begin to shatter around him and his friends. Time loops, Rules, Plot, why would they care about how a story goes, if itâs not a story, itâs their lives. They just want to be happy and get away from this cycle of destruction and death.
Iâd even go as far as to say God Tier Calliope knows this. If her Land and her Earth were anything like Calibornâs, she might also been in contact with the command prompt. Perhaps the fact her entire mission was a self-sacrifice to collapse the Green Sun represented how she, too, saw Paradox Space as what it was- A construct that kept these characters trapped as that. Characters. And the only way to escape its grasp was the erase its very existence, using Lord Englishâs destruction to tear a hole through the comic, and destroy it.
In this way, everything that happens towards the ending makes perfect sense. There are hundreds, thousands, who knows how many timelines, in which every plot hole will be closed. But weâre not following these. It would be easy to cause, say, the Condesce to wake up. Because of her immortality curse given by Lord English. Or the Draconian Dignitary get to the Frog Lily Pad. Something happens, interrupts the kids from entering to the new Session, and bam! Suddenly more plot! Their entrance to the Universe is blocked. Terezi worries about Vriska, so they begin to plot a way to help her defeat Lord English. The black hole in the Session that likely leads to Calibornâs land becomes relevant, and they all have a trip to beat up Caliborn. Something happens to Calliope, her ring has ended up in Calibornâs hands as well, he traps the kids, the Alphas beat him up, all loops are closed, we have a bittersweet, predictable ending. And this has happened. In many timelines before. Over, and over. Perhaps the one weâre following isnât even the Alpha, for that very reason.
But it doesnât matter. I talked about how the Jujus were a way to alter the plot, and letâs go back to this, and look at my theory about the Kids Souls being Trapped for all eternity in this Juju. The moment Caliborn uses this Juju, he kickstarts the entirety of the rules of Paradox Space. These kids we follow through the story, are trapped in a plot, with rules dictated by narrative that they HAVE to adhere too.
Then the ghosts decide that this is bullshit, and that they, even after death, want to still be relevant. Instigated by Vriska and Meenah, and aided by Araneaâs mind control, they manage to find a way they can alter the plot once again, a Juju. John touches this Juju, and suddenly he gains the power to alter this plot as well, and begins his and his friendâs journey to escape the clutches of Paradox Space and the comic itself.
John was trapped in the house all along. So of course, shoving his arm through it? He managed to grasp at the other side. He got a taste of what it was to be free. And he gained the power of changing the plot as a result.
Then, Vriska becomes alive again. Sheâs relevant, and bashes down on her ghost self. Ghost self that had at one point tried to make herself relevant, even though since sheâs dead she shouldnât be. This way, Vriska proves that, while she acknowledges the story as a story, and wants to be always present and in the middle, she never sees it as something she has to escape. She has no character development, because now, in this timeline that John has changed, sheâs free to do whatever she wants, sheâs her own person without a character arc, but doesnât find the need to become said person. She doesnât want to change, she wants to keep following the plot, and take down the big bad.
So Vriska takes the house Juju from her alternate self, goes against Lord English, beats up the Author of the comic itself as a last Fuck You, and then uses the Juju towards him. And this is when Alive Vriska makes her big mistake. By following this plot, this story, the Juju house crashes behind herâŚ
Sheâs on Lord Englishâs side of the house. Because both of them know the comic is just that, a story. He knows about the narrative, and the author. So he kills the author, and becomes the big evil that must be defeated. Meanwhile, Vriska knows about the narrative, and the author, so she beats up the author and tries to become the heroine.
Caliborn and Vriska could very well strive to break free of Paradox Space in other ways, but instead they do what they do best- Be themselves, and fuck shit up in the process. And itâs this mentality that in the end, as the House Juju appears, tells us that both of them have been doomed. Doomed to be trapped in this Collapsing Paradox Space thereâs no escape from.
Except there is an escape.
Because the door opens. It opens for the Kids and Trolls on the lily pad. And it opens for the Ghost Army and everyone else in the Bubbles. These are people that have been living aside from the story for a long time. The ones that are alive in the Session have had John change everything and the events happening after make them question Paradox Space itself. And the dead ones or the ones just stuck in the Furthest Ring? They fear being forgotten. They fear being erased by the collapsing Paradox Space, and had faced Lord English to try and become relevant once more.
Of course Condyâs curse didnât wake her up. Of course DD didnât appear. The moment the Juju appears, the story is done. There is no more plot. Because itâs not a story. The ones wanting to follow the plot are now seeing it crumble, seeing everything end. And the ones that wanted to become relevant against Paradox Space- Why would they need to even follow the rules? They are trying to escape them.
The Plot Holes are part of the plot in itself. John and everyone else didnât need to fill it up. Because they are not part of the story anymore. We didnât see their character arcs close. Because they are not characters anymore. They are not characters anymore. They donât need to show us they have grown- Or maybe they havenât even grown. They are always growing, learning. But now, they have escaped this evil Universe that trapped them and forced into cruel and crueler situations. They have escaped to a peaceful realm. They donât need to keep following the story. They are happy and free to live their lives however they want.
