cypress tree bookmarks 𖠰 available here
silkscreen on french paper (ooo fancy) this design is inspired by the everlasting cypress tree and persian gardens
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styofa doing anything
art blog(derogatory)
ojovivo
h
RMH

roma★
Lint Roller? I Barely Know Her
occasionally subtle
Stranger Things
noise dept.

tannertan36
Cosimo Galluzzi
Misplaced Lens Cap
d e v o n

JBB: An Artblog!
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation
Monterey Bay Aquarium
dirt enthusiast

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@urielthegolem
cypress tree bookmarks 𖠰 available here
silkscreen on french paper (ooo fancy) this design is inspired by the everlasting cypress tree and persian gardens
𖡼𖤣𖥧𖡼𓋼𖤣𖥧

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Scene from the most famous Yiddish play The Dybbuk by the Vilner Trupe. 1910s.
One of the most frightening monsters in the Jewish imagination is the shayd, a shapeshifting demon that assumes the form of a living person. It can transform every part of its body except for its feet, which always retain their original form: a chicken’s claws. The Talmud includes a story about the king of the shaydim (a mountain-dwelling demon named Ashmedai) impersonating the king of the Jews (a castle-dwelling lady-lover named Solomon). The sages of the Sanhedrin determined the impostor’s true identity by asking his queens what the king’s feet looked like when he visited the harem. Their ominous answer: “He never takes off his shoes.” Nearly 2,000 years later, some claimed that Hitler refused to remove a certain pair of boots, especially in his last years, proof that he might have been a shayd. The Talmud explains elsewhere that the shayd’s natural enemy is flour, since the most common way to find out if shaydim are on the haunt is to spread some near the disturbed area. If the marks of chicken feet appear overnight, it means that shaydim are afoot and you better hoof it.
A Sagittarius Starscape
Credits: Terry Hancock
some of the nazar items in my shop 🧿

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Hallel (1978) by Bill Aron; gelatin silver print; in From the Corners of the Earth
cover of the yiddish novel העכער פון דער ערד (higher than the earth) by דער נסתּר (der nister), published 1910. cover by depner. (x)
thanks to the onion of determination i have finished my drawing of the onion of determination 🙏
sketched in aseprite and finished in pixquare (30% off code tofu)
Prints // Merch // Tip Jar // Digital Store // Free Stuff
time to get a chungus life
A stunning typography in the cover of Blumen (Flowers), a collection of legends by Y.P. Grinberg, Siedlce 1923, The National Library of Poland.
Drawing by Moyshe Broderzon on a title page of his Di malke shvo (The queen of Sheba), Łódź, 1921.

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Beth Sholom Synagogue Philadelphia I
2007
Chromogenic colour print
Candida Höfer (German, b. 1944)
Beth Sholom Synagogue in suburban Philadelphia was designed by the architect Frank Lloyd Wright in 1959, the last project he completed before his death. It is one of four synagogues in the United States designated a National Historic Landmark.
Out with the Old, In with the New: a tarot spread for times of transition
by Keziah Zibelmann ( @sheydmade ) | Support on Ko-fi
For those who find themselves in a transitionary period, emerging from one point in their life and stepping into a new era: this spread offers the chance to reflect on the era one is exiting, help one see what to let go of and what to from days past, as well as look ahead into the era to come.
1: The highlight/high point of the era you're leaving. 2: The lowest point/most trying issue of the era you're leaving. 3: What to bring with you into this new era. 4: What to leave behind and let go of. 5, 6, 7: The essence/overall theme of the era ahead. 8, 9: Challenges ahead. 10, 11: Advice you'll need. 12, 13: The overall outcome of the era you're entering.
Seraph Serpent Birkat Habayit, 2024
a (non-)traditional blessing for the home, commissioned earlier this year as a wedding gift for a wonderful couple who share my alternative/dark-fantasy Jewish aesthetic! having just finished Esther Hamori's book God's Monsters, i was already thinking about the nachash seraphim & was excited to integrate one as a guardian here. the original piece was sketched in Procreate and then finished traditionally, but the photo i took of it before sending it off wasn't the right quality for prints, so this is actually a digital re-inking of the same piece.
it's not my usual practice to make prints of commissioned work, but the family not only graciously gave permission but in fact suggested it to me in this case! so i'll have some of these with me at my local Hanukkah market this December & will be stocking them in my shop next year.
"...magic should be both accessible and versatile, and our tools and allies should reflect the need for both. It is my hope that a practitioner never feels defeated because they can’t afford expensive magical supplies, or because they have limited or no access to metaphysical or witchcraft shops, apothecaries, or the like. One’s magical craft can, indeed, thrive without all of that. After all, magic and witchcraft has always existed, before drop shippers and international delivery services, before influencers, before bloggers, podcasters, and publishers. Magic was always there and could always be worked, and that has never changed and never will."
-Practical Magic: Everyday Items You Can Use in Witchcraft; Part 1 (2025), Keziah Zibelmann (@sheydmade)
Fuck Your Magic Antisemitism: A Lesser Key to the Appropriation of Jewish Magic & Mysticism
I am once again asking practitioners of magic, mysticism, and occultism to defer to Jewish voices and Jewish practitioners about the history and real-life impacts of appropriation of and theft from Judaism and Jewish mysticism instead of deferring to the opinions of non-Jewish occultists. I am also asking you to use discernment when engaging with revisionist history perpetuated by non-Jewish practitioners who profit or benefit from said revisionist history, such as claims that Jewish practitioners willingly "shared" or "gave" our practices with/to other communities, the refusal to acknowledge Jewish authorship, or the speaking over Jewish voices/attempts made by non-Jewish practitioners to speak for Jewish practitioners.
Now, I understand this can be overwhelming and many may not know where or how to begin, so I want to drop a recommendation. Fuck Your "Magic" Antisemitism: A Lesser Key to the Appropriation of Jewish Magic & Mysticism by Ezra Rose is an excellent place to start. This zine, which you can download for free (please leave a donation to support the author if you are able, and please share their work), is a wonderful treasure trove of history and resources. Per the author's description of the zine: FYMA is 'a guide to understanding the history and results of antisemitism in western occult and esoteric movements, from the origins of "Solomonic" magic in medieval and Renaissance ceremonial grimoires, through the late 19th & early 20th century occult revival's "Qabalistic" ritual, to ongoing appropriation and demonization in the 21st century. A labor of love & spite, the zine is both a personal and academic look at a widely ignored topic.'
I have recommended this zine several times and have said that I think it should be required reading in witchcraft and witchcraft adjacent communities, and I stand by that. It's very, very good, and it is absolutely packed with thoroughly researched, cited, useful information.
[Follow and support Ezra Rose, the author: @sheydgarden on tumblr / @/sheydgarden on instagram.]

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One of the most beautiful things I’ve ever seen - cover of a Yiddish art journal titled Milgroym (Pomegranate), published in Berlin between 1922 and 1924. Thanks to the efforts of The National Library of Israel issues of Milgroym were scanned and published online. To find this beautifully edited and extremely elegant journal please visit the following link:
http://web.nli.org.il/sites/JPress/English/Pages/Milgroim.aspx
Don’t forget about other Yiddish newspapers from all around the world published online at The National Library of Israel:
http://web.nli.org.il/sites/JPress/English/Pages/default.aspx
The first section of Siberia (1936) by the Soviet Yiddish poet Abraham Sutzkever