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Haaretzâs photos of the week
It may not be factual, but itâs truthful.
Many recent films, from âThe Wolf of Wall Streetâ to âSaving Mr. Banksâ are "based on a true story," but they leave out plenty of details in the transition from reality to the silver screen. Reporter John Horn looks into the growing debate over whether movies ripped from real life have an obligation to be as factual as they can be. (via latimes)
From Blisner, Ill.
River Nest, Bangkok
- heading to Asiaâs craziest metropolis? This hotel (a bed floating in the river to be exact) is kinda crazy.
http://www.bangkoktreehouse.com/river-nest.html

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ARCHES NATIONAL PARK, UTAHÂ
Arches National Monument lies in the redrock country north of Moab, between the Colorado River and US 160. ⌠In the Monument proper, the wind has carved these canyon walls into forms that, even in a region noted for spectacular erosion, are remarkable. Here are arches and windows through solid stone, from a size that can scarcely be crawled through to immense spans that would accommodate a troop of cavalry; monoliths measured in hundreds of tons balanced on decaying bases; chimneys, deep caves, and high, thin, sculptured walls of salmon-hued rock
âUtah, A Guide to the State (WPA, 1941)
* * *
At-Large Guide to the West James Orndorf was born in Minnesota, but knew at a very young age that the future lay out west. He is currently photographing and illustrating outside of Durango, Colorado. You can see what heâs up to at inlandwest.tumblr.com and roughshelter.com.
If you use Netflix, youâve probably wondered about the specific genres that it suggests to you. Some of them just seem so specific that itâs absurd. Emotional Fight-the-System Documentaries? Period Pieces About Royalty Based on Real Life? Foreign Satanic Stories from the 1980s? If Netflix can show such tiny slices of cinema to any given user, and they have 40 million users, how vast did their set of âpersonalized genresâ need to be to describe the entire Hollywood universe? This idle wonder turned to rabid fascination when I realized that I could capture each and every microgenre that Netflixâs algorithm has ever created. Through a combination of elbow grease and spam-level repetition, we discovered that Netflix possesses not several hundred genres, or even several thousand, but 76,897 unique ways to describe types of movies⌠âŚWhat emerged from the work is this conclusion: Netflix has meticulously analyzed and tagged every movie and TV show imaginable. They possess a stockpile of data about Hollywood entertainment that is absolutely unprecedented. The genres that I scraped and that we caricature above are just the surface manifestation of this deeper database.
Alexis C. Madrigal, The Atlantic. How Netflix Reverse Engineered Hollywood. (via futurejournalismproject)
Hereâs your weird fact of the day: Thereâs a method to where dogs choose to poop (yes, you read that right). A new study says that dogs relieve themselves along the north-south axis of the Earthâs magnetic fields.
Learn more.
1. Robert Adams, Colorado Springs, 1968
2. Piergiorgio Branzi, Bar Adriatico, 1953
Rinko Kawauchi, from the series Ametsuchi

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"He was a home birth. I worked at an Ivorian refugee camp in Liberia, and witnessed a lot of women give birth in tents. I thought: âIf they can do it in a tent, then I can certainly do it in my home.â"
Queensland Performing Arts Centre, Brisbane, Robin Gibson, 1970s. View this on the map
Part I: Observation
Collaboration between Brendon Burton and Nicholas Scarpinato on a 10 part photo series dealing with time, inter-dimensional spaces, cultural integration, and the Hynek Scale.Â
LAGOS, Nigeria â Planks serve as sidewalks, and raised wooden structures serve as homes, bars and beauty parlors here in Badia East, a slum built on marshy landfill in this West African city. A., four months pregnant and newly homeless, sat deep toward the back of this neighborhood. She was contemplating terminating her pregnancy.
While technically legal only to save the life of the mother, abortions are readily available in Lagosâ underground market. But the quality and safety of the procedures vary widely. A., 24, had no source of income and planned to borrow money from family whether she aborted or continued the pregnancy.
Her house had burned down days before, after a neighbor forgot about a pot of beans on the fire. In the cramped remnants of her home the walls were blackened, and charred boards were stacked in the corner; the air still had a tinge of charcoal. Ibrahim slept now in a roofed but otherwise open structure at the end of a plank walkway.
She spent most of her days there, lounging, waiting, surrounded by a shifting crew of young urbanites. Boys rolled thick joints of India hemp and debated their favorite rappers â Nigerian 2Face and American Lil Wayne. Most of the young women had small children on their hips.
The man A. called her husband was in prison. âEvery day I ask myself, think to myself, âWill I have the abortion?ââ she said. âI have been struggling to survive. That is why I am confused on what to do now ⌠It would be very painful for me to raise the baby alone.â
Already A. had given birth to one baby, who died, and aborted an earlier pregnancy. She had no complications from the first abortion, which is lucky. Botched abortions kill 3,000 to 34,000 women every year in Nigeria, according to the Guttmacher Institute and the Nigerian government. The dangerous abortions are the cheap ones.
She was fostering her nephew, a disheveled 6-year-old with piercing eyes. All around her, friends were raising children in the very environment into which she was unsure she wanted to bring a child.
A. spoke of her abortion only in tense whispers. âThere are some pregnancies that happen by mistake. You have to abort them. But there are some that teach you a lesson,â she said. âI donât want the abortion, but I donât have support for the baby.â
Read more about abortion in Nigeria. Article by Allyn Gaestel, photographs by Allison Shelley.Â